I gave it a "Like" only because I could not give it a "Love." Konwitschny is a genius. After all, the final part is marked "Maestoso," NOT "presto." Hearing that part at this tempo allows me to hear stuff that I cannot hear when other conductors play it at "Presto" or "Prestissimo." And that final A Major chord -- it absolutely dissolved me! There are other videos of this movement on YouTube, and I think I'll watch them all and dislike those that play the Maestoso too fast.
I agree also. Most of the time slow tempos permit you to hear everything. Konwitschny played viola for Furtwangler. I'd listen with interest to a guy who made Furwangler's coffee.
the slower tempi makes the last movement almost a different work---and for the better!! Gives it a magnificence like these craggy bluffs. Good conductor.
I agree with the below--the slower tempo brings out a completely different, more monumental quality to the music. Its almost like a different piece of work.
What really made this interpretation special is the tempo he took for the Maestoso(07:44-end) Most conductors rush thru it,and it ends up ruining the whole movement.This conductor really made this finale a true "maestoso",and he made it work. If you think about it,the way this conducted this,it was alsmost as if the last part was a "5th mvt". (And I'm fairly sure thats exactly what Mendelssohn wanted.)I also think he wanted to capture the grandeur of the Scottish landscape "in tones".
Best version of this I've ever heard. LOVED the slower tempo,especially for the last 3 minutes. What a difference the slower tempo made.This piece had so much more power and so much more emotion at this tempo.
I gave it a "Like" only because I could not give it a "Love." Konwitschny is a genius. After all, the final part is marked "Maestoso," NOT "presto." Hearing that part at this tempo allows me to hear stuff that I cannot hear when other conductors play it at "Presto" or "Prestissimo." And that final A Major chord -- it absolutely dissolved me! There are other videos of this movement on YouTube, and I think I'll watch them all and dislike those that play the Maestoso too fast.
0515stan 1 week ago
I agree also. Most of the time slow tempos permit you to hear everything. Konwitschny played viola for Furtwangler. I'd listen with interest to a guy who made Furwangler's coffee.
bobcinq 1 month ago
Now I see why John Muir moved to California.
Loved this at SF Symphony.
89quietgirl 2 months ago
the slower tempi makes the last movement almost a different work---and for the better!! Gives it a magnificence like these craggy bluffs. Good conductor.
windstorm1000 2 months ago
I agree with the below--the slower tempo brings out a completely different, more monumental quality to the music. Its almost like a different piece of work.
windstorm1000 4 months ago 2
What really made this interpretation special is the tempo he took for the Maestoso(07:44-end) Most conductors rush thru it,and it ends up ruining the whole movement.This conductor really made this finale a true "maestoso",and he made it work. If you think about it,the way this conducted this,it was alsmost as if the last part was a "5th mvt". (And I'm fairly sure thats exactly what Mendelssohn wanted.)I also think he wanted to capture the grandeur of the Scottish landscape "in tones".
mrbrianmccarthy 4 months ago
Best version of this I've ever heard. LOVED the slower tempo,especially for the last 3 minutes. What a difference the slower tempo made.This piece had so much more power and so much more emotion at this tempo.
mrbrianmccarthy 4 months ago