Added: 2 years ago
From: PaulBartonPiano
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  • This has to be one of if not the best sounding recordings I've ever had the pleasure to hear coming from an upright. Magnificent playing, of course! Bravo.

  • Can you just marry me already?

  • Nice... I'm currently learning this song on my own... will you ever do a tutorial on this?

  • Do you think you will ever do a tutorial on this? Some suggestions on fingering would be wonderful, it flows so well when you play it, it's flawless. Magnificent job.

  • for quite a while now im sitting here trying to find words for how amazing all your videos are. i thought of euphoriant/magnificient/... and the list goes on. im really thankful for everything you do. :)

  • Absolutely beautiful! One of my favourite Liszt pieces! Thank you for playing it so well!

  • Upon first running into this video I thought to myself "oh great some noob on a shitty upright." I was doubly mistaken, the piece was very very well played and the piano had a nice tone to it!

    Must be a newer yamaha upright, b/c the ones I've played have sounded like and old woman queefing.

  • exelent playing :DD I love all your videos of piano, i think this one is the best :DD :)) but i have a particular question for you :)) i hope you can answer it ^^ how is it called the technique in 2:37?? sorry for my bad english :l

  • @ShiningIrene01 -- Thanks! - 2:37 is a chromatic scale with a few turns added to make it more interesting.

  • do you do any live concerts? alot of people here in New Zealand would love to see you perform! You have beautifully expressed this piece to absolute perfection. Bravo!

  • best I have heard on youtube...amazing job...

  • I'm thinking about start practicing it. It's as difficult as it sounds (and shows)?

  • Really nice! Lots of work to play this beautifully, thank you!

  • Perfection. Liszt would be proud

  • Lindo !!!!!!!!!!!

  • What can i say? I certainly wasn't expecting perfection.

  • did you study or its natural talent

  • @lanoser23r4 -- neither, I'm afraid.

  • @PaulBartonPiano You sold your soul!!!! i joke xD amazingly played..... goosebumps. Either its the lack of sleep but this is just heavenly. You have beautiful hands gd sir

  • Oh niiiiiiiiiiiiiiice!! :-)

  • Hello Paul,

    I am a big fan of your "un sospiro" performance - it's the best I have found! I wish I was half talented/gifted as you are!!! But am still practising :)

    Warm greetings from Poland!

  • Alright, I am officially subscribing to this wonderful piano expert. Heard the first min. of this video and realized how much I would love this.

  • Magnifique! 

  • outstanding performance. i like your channel :)

  • Amazing.

  • very good. miracle in an upright piano!

  • Ótima interpretação!!!!!!!!

  • @jaggedtears

    What is your handspan on the keyboard, (i.e., what stretch of keys are you comfortable with)?

  • @MoonMankkkkkk -- The outer stretch 10th, comfortable with a 9th. I wish I had a better stretch between 1 and 2.

    & You?

  • My hands may be slightly bigger. If I depress my hand so my palm is below the ends of the keys, I can reach a 10th, but if I place my palm right up against the keys, I can barely press and 11th with the tips of my fingers.I'm asking because in several videos of people playing this piece, (in the very beginning), they quickly shift their entire left hand to reach the D-flat, a maneuver I don't see the purpose of as I always keep my left hand completely stretched and only have to slightly move it.

  • @jaggedtears - Can you see on your score "MD" by some of these notes? It's short for "mano destra" in Italian, also "main droite" in French = right hand. On some notes you'll see "MS" which means "mano sinistra" in Italian and "MG" "main gauche" in French = left hand (mano means hand and sinistra means left) Pianists always perform this piece this way, the only variation between them is in the split octaves crossed over can be- played with fingers 3,3 or 1,5, which is takes more effort.

  • oh my god, it's dificult and beautiful

  • I thought my self how to play piano about 3 years ago, i can play pieces like liebestruam and consolation no 3. Do you think this is to high of a level of me? I want to master this piece!

  • In general what pedal patterns are you using? In particular, I love how you did the part at 3:50 but I can't reproduce that more detached effect.

  • I love what you make! You're one of my Idols!:)

  • great playing! so many play liszt without emotion or rubato and dynamics...you do a great job with both

  • You're seriously amazing. Please make a tutorial.

  • Another excellent video

  • wonderful exibition :)

  • Hello Paul, I have got problems at 02:25, where the left hand plays an arpeggiated A major chord. Both hands have to play jumps and I've got trouble playing it fluently. Do you have any advice on how to play it right?

  • @jeffersonsteelflex90 -- I will try a tutorial on this piece and make sure I try and answer your question about that section.

  • @PaulBartonPiano A tutorial on just this section would be great. I'm really struggling with this page.

  • I might use this piece as part of an audition to be admitted into the Univeristy of Michigan school of music if my technique becomes good enough by the time I seek admission to the school. Any tips on playing this song correctly?

  • @Rosaurofan624 -- this would be a good audition piece. I hope to make a tutorial some time soon. As a quickie-tip, the piece is so perfectly written for the piano by Liszt, it's a little easier to play than it may look/sound, everything fits under the hands, no awkward surprises.

  • @PaulBartonPiano The hardest piece I've played is Grieg's "Wedding Day At Trouldhaugen". And right now I'm working on "Malaguena", "Homeward" by Grieg, and I use to work on Betthoven's Pathetique, but I've given up on it partially right now. I'll probably come back to it at some point. I just hope I can finally build my technique up to meet the challenges of this piece by the time I apply to U of M.

  • I want to preface this by saying that I dabble in reading music and I never really got serious about playing piano after I learnd to play Second Home By The Sea by Genesis on my Casio MT-45 when I was a kid.

    I watched you play and thought, I could never learn this. The I got a copy of the sheet music off the net and thought the same thing. Then I followed much of what you played while looking at the music and it clicked. All I need now is a full-size keyboard to try it on!

  • I got chills from this... amazing performance.

  • Dude, that was amazing.

  • Paul, your un Sospiro is simply stunning - I like it more than Cliburn's and Arrau's, which are both marvelous. It has everything I look for in a really good performance - ardent warmth in the main theme with great brilliance in the cadenzas, basic tempo and phrasing of the line is perfect, accompaniment surges into all those wonderful harmonic changes - absolutely top-notch - I've never heard it played better! Paul, with whom did you study? Do you have a playing career? If not, you should.

  • Awesome!

  • Excellent, Paul! Bravo.

  • your simple pants and t shirt conceal the elegance of your musical skill.

  • Tutorial please

  • Hello Paul,

    wow, that was real great playing! In the first ff - part with F major arpeggio (dont know the measure) in my sheet there isnt a repeated triplet in the right hand right before playing the c octave in the left.

  • This is probably my favourite interpretation of Un Sospiro. I'm currently learning it :)

    I love all your videos! Your playing is so smooth and clear. Keep up the good work Paul!

  • beautiful! haha. i can only play the first 2 minz...wish there were more hours in the day so i could finish learning this piece.

  • awesomeness.

  • I LOVE this piece! Very nice playing by the way :-)

  • Un sospiro..

    Oh..

    ( T__T) ----#

  • Wow it flows so well, impressive Mr. Barton !

  • I was searching many years for a perfect interpretation of this piece.

    This is the best performance I ever heard!

  • A magnificent performance of this wonderful piece from the "Golden Age" of Franz Liszt's composing career.  Could not be faulted musically or technically !

  • Beautiful phrasing.

  • Impressive performance! I guess that playing this piece must be beauiful for your soul. Though i prefer the real piano sound (that yamaha have a really sweet sound) than that MIDI style.

    Congrats

  • such power in the opening...hope he inspires those who wish to return to playing...

    i imagine this happens alot as a result of paul's generosity and virtuosity...

    douglas

  • Well played and really profesional sounding recording..

  • Excellent Paul!! Way to go!!! I'm learning this piece right now and I'm on the 5th page right before the descending arpeggios. I was wondering, how long did it take you to play it this good? When did you start learning it? Just curious to see how much longer I got..... :-)

  • Hi Mr Barton: Wonderful, clean, quiet, unhurried... this is a sigh you want to hear a few more times.... Tutorial would be great. I have an old scribbly score that has such interesting indications as taking the low C of the first 32nd notes (semidemiquavers?) with the RIGHT hand, but I have bnever seen anyone doing that.... It's confusing..

  • absolutely amazing! this is my goal to some day be able to play, actually just got the sheets for it and i must say the fingering is far from obvious sometimes, (even though you provide some insight in your video here).

  • @maxpassare -- You are right, it is far from obvious so shall try to make a tutorial on this piece, which I hope will help you achieve your goal :)

  • A tutorial would be great! I've had to experiment with so many different fingering methods for a couple places (especially measures 46-51 and 53-60 in the liszt edition). Achieving speed through those areas without missing a multitude of notes has proven difficult to say the least!

  • @cgierlack -- Thanks for your feedback.  I am getting my second 'tutorial' channel going now -- youtube/pianoanswers -- I hope to post new tutorial videos in the weeks to come, I will certainly make a video of this piece if you think it might help.

  • @PaulBartonPiano - Sounds great. Look forward to seeing it!

  • @PaulBartonPiano A tutorial of the first 1:30 would be most excellent... I doubt it's that hard once it's slowed down. Looks like fairly basic chording. Anyway, I've watched this about 20 times this week. It's a wonderful interpretation.

  • thank you very much! :)

  • My favorite recording of this piece on Youtube!

  • I just found out this song is the one that a character plays in the show Kings, downloading it now!

  • This piece is insane. One of my favorites. You play it beautifully.

  • the fact you play this so expressively on an upright piano is impressive. bravo!

  • Six minutes of happiness,of grace !!!!! BRAVO

  • Superb!

  • utterly beautiful- you play it as if u wrote it

  • Great work. I own the same piano and I wish this was the music coming out of it!

  • Great, very beatiful!!!!!!!!!!!!

  • Speechless.

    I am trying to learn this piece and a great gift it is to be able to watch and learn for such a great performance.

    Thank you.

  • One of the best performances of Un Sospiro on Youtube. Well played!

  • Wow this is stunning. Beautiful music making, and brilliantly executed. You have a formidable technique, matched with superb understanding and feeling for the music.

  • Thanks for this one! It's wonderful :)

  • excellent! the melody line is just so beautiful, especially how you express it! this is the best version of un sospiro i have heard yet!

  • Do you have any sort of technique for the crossover octaves? I can play the normal crossovers, but the octaves are a little strange. Any advice?

  • There are two ways I know of, the first is to really stretch your arm right over and do a regular octave (5 then 1) the other (which I do) is a 3 and 3 again, it feels a bit more comfortable. Let me know how you get on ...

  • Magnificent music making! We love it!

  • Thank you for sharing this wonderful video/artist dear Terry! Thanks for the nice words:) but again i needed 10 (or more) dictionairies...:)

  • Impressive!

  • Hahaha thanks

  • Your lucky to see Victor Borge. Thankfully I have a teacher that I bug about all these songs that are way over my skill level, but she still helps me when I ask. I know if I lived in Thailand I would bug you everyday too no end till you would be my teacher. Haha

  • I just keep on watching this over and over. Your arpeggio are so rhythmatic and consistent. The hand jumping doesn't stop the over "flow" of the song and sounds as if you never jumped at all. And to top it all of, your composure as if you composed the song your self. You've REALLY done it this time Paul! As a fellow piano player and friend my words can describe accurately how I fell!! HAPPY BIRTHDAY Terry!

    Chris

  • I meant to say overall "flow", and add a "is"after composure. Sorry about that :)

  • I love this piece! You have such a delicate touch it's hard to believe you are playing a Yamaha upright! (*^^*)

  • you're so unbelievably good - every time I see a video of you, I think: that cannot be true..why does this guy make videos for youtube, he should be playing in Carnegie Hall....

  • Paul, you are an amazing pianist. Bravo!

  • Well, I will also wish a very happy birthday to Terry with more smiles than sighs. I admire your really amazing musicality and the remarkable flexibility of your hands.....I amalways anxious when someone plays that Etude because of the cross-hands leaps which are more dangerous than difficult. I have

    an incredible CD of Richter which is so bad that it's funny. Accidents in each bar.......

  • To be honest I didnt know this was Liszt who had written this, heard it before of course, but never knew that! :) 5* and happy birthday to Terry! :)

    Thomas

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