May somebody tell alagna that while singing in french you do NOT have to pronounciate the french er but the italian er? THe same is when you are reading a poem in french.
The French version was written (by Gluck himself) for a haute-contre, and Roberto Alagna is singing this aria only a semitone lower than the score, which is historically acceptable and even preferable. Minkowski's recording with Richard Croft as Orphée is also a semitone lower than modern pitch, and this aria is sung in the same key. I don't see anything wrong with that.
I wouldn't either, if it were ANYONE but Alagna singing it. After the stupid crap he's pulled over the past few years, I don't think he should act like he's so irreplaceable that he can just do as he pleases. I'm tired of boring, vapid singers who act like they're god's gift to the opera. Maybe that's coloring my comments a bit.
No, it's not because he had one horrible Bb. It's because he wlaked offstage in the middle of the opera, which is the HEIGHT of unprofessionalism. He and his stupid wife have for years acted like they are the irreplaceable, perfect artists of the opera world. Their attitudes are what piss me off. You need some ego to sing well. Fine. But they're far from being irreplaceable.
May somebody tell alagna that while singing in french you do NOT have to pronounciate the french er but the italian er? THe same is when you are reading a poem in french.
operalover67 4 months ago
Tout n'est pas à sa place ici...
aelzinga76 2 years ago
Tout homme peut crier! Moi le premier!!! Ecoutez les E, les é, les ... de Monsieur Simoneau! Sa diction, son phrasé sont excellents!
giloubreizh 3 years ago
Ouch! This "J'ai perdu mon Eurydice" is really awful :(
hwhap13 3 years ago
Yeah... unfortunately. You know, Alagna can be good when he wants to. He just doesn't try.
forallyouknow 3 years ago
Allez écouter Léopold Simoneau.........
jacquesurlus 3 years ago
This comment has received too many negative votes show
Che merda!
fidelious 3 years ago
My God, 'Bobby' performs a musical abortion on stage... what's the next vapid installment from the Alagna brothers' circus?
WoDeGe 4 years ago
bravo Roberto!
tenoregrande 4 years ago 2
LOL....wrong key. He may as well sing a Baritone version.
BeauTenor 4 years ago
The French version was written (by Gluck himself) for a haute-contre, and Roberto Alagna is singing this aria only a semitone lower than the score, which is historically acceptable and even preferable. Minkowski's recording with Richard Croft as Orphée is also a semitone lower than modern pitch, and this aria is sung in the same key. I don't see anything wrong with that.
MehdiCaps 3 years ago
I wouldn't either, if it were ANYONE but Alagna singing it. After the stupid crap he's pulled over the past few years, I don't think he should act like he's so irreplaceable that he can just do as he pleases. I'm tired of boring, vapid singers who act like they're god's gift to the opera. Maybe that's coloring my comments a bit.
BeauTenor 3 years ago
In other words: whatever he does, he does it wrong, only because he had a terrible B flat one night in La Scala?
As far as I'm concerned, I don't care about his antics and his silly interviews. Whenever he sings well, I like. And he often does.
MehdiCaps 3 years ago 4
No, it's not because he had one horrible Bb. It's because he wlaked offstage in the middle of the opera, which is the HEIGHT of unprofessionalism. He and his stupid wife have for years acted like they are the irreplaceable, perfect artists of the opera world. Their attitudes are what piss me off. You need some ego to sing well. Fine. But they're far from being irreplaceable.
BeauTenor 3 years ago