c'est très intéressant comme version, quelques notes un peu trafiquées par di par là, mais quelle merveille, ce début "piano", si doux, comme du velours.....
I am an amateur attempting to learn this piece because it's harmonies have become part of my soul. Gekic's interpretation has also become my favorite, not because of his melodic liberties, but because of his artful variation in dynamics and pedaling. After the unusual intro he launches into a more traditional interpretation with the smoothest grandiose arpeggios of any performance. Most Ocean Etudes are pleasingly powerful, but too monotonous. In Gekic's hands this piece springs to life!
He places accents on 5th finger later returns to thumbs...but there really is much more going on than that.He hs rethought this music.The wave have heft here diff from there have sheen or diff texture.He really knows a piano. His ideas are tremendous.Thisis what players need to offer.We have heeard it all a million times before.Some thought on music is a good thing.They are have fabulous training. there is nothing today's virtuosi cant do.Godowsky's generation they are.
Great interpretation - sounds perfect. I think it has been manipulated a lot by a very qualified audio engineer but that should not downgrade the performance.
How wonderful to hear this often-played piece in such a new light. The way this pianist builds the climaxes and voices the melodic line is absolutely marvellous. Gekic is a genius.
@Martel211996 At that particular spot this is marked in the score, Kalmus edition, which claims it comes from Liszt, although it is more likely it comes from his pupils, most likely Arthur Friedheim
@Martel211996 Probably you can order it online directly from Kalmus. They advertise it as a Liszt edition, although I believe it is A. Friedheim. Knowing how well he knew Liszt, and knowing how often has Liszt listened to Chopin's playing, it can not be easily dismissed.There might be a direct influence by Chopin himself
You know, the interpretation is different, but the decrescendos and crescendos he adds makes it seem like a more "interesting" ocean... instead of just the same ole' wave coming and going, the ocean gets calmer and then more violent, and this performance just seems so colorful too. I really like this, 5-stars.
This is a great performance, full of fatasy, drive and intellect: it has everything! Great example artistry of the highest level, which is so scarce these days. Bravo!
Inspirational! He really makes something new to be heard here! What a tonal study he makes . Who knows if Chopin would have approved ( i like to think he might) This interpretation has so much direction in it. Kemal Gekic!!! I hope he comes to our city someday soon.
Very interesting interpretation ! Fresh,modern at the same time forceful ideas...1:02 & 1:29 ! .. LOVED it ..I respect all musicians(classical..) with RISK & POSITIVE IDEAS ! Thanks for audio AntonioDGO !
Sorry to burst your bubble paulostroff99 but Kemal Gekic is not turkish, he is Croatian. In fact him being from the former Yugoslavia, I am sure he does not want Kemal Ataturk-the father of modern Turkey and the consummator of the Armenian Genocide to be associated with him in the least, let alone proud of him.
"AS A CROAT" HE CERTAINLY MUST BE VERY PROUD OF JASENOVAC HOLOCAUST WHEN hundreds of thousands of Serbs, Jews, and Romas, as well as anti-fascists of many nationalities, were murdered at the death camp known as Jasenovac. not to mention atrocities in Bosnia against Bosniaks, therefore his talent and artistry and not nationality is what is most important
A true Turkish delight. Kemal Ataturk-the father of modern Turkey,would have been very proud.He plays this with great personal passion and great feeling at every turn..Bravo! TY-K.
how nice! i enjoy listen to a very unique artist. mostly we hear this music like it is a bodybuilder training. but he has passion, phantasy, marvellous sound and is couraged! absolut top!
I agree, but I can't decide what is better. Made totally new performance like this or more strictly follow composer markings. But I was amazed too when I first time heard this. This is just so amazing!
'I can't decide what is better. Made totally new performance like this or more strictly follow composer markings.' In some cases, neither of these are better. Do what results in the best music! (But how you decide what makes the best music is up to you ..)
What an inspirational performance!! He did so many different things. The melodic chnges in the beginning. He really 'studied' this study and made something unique with it!
If this wouldn't be by Kemal Gekic I would think this is played by somebody who didn't have enough time to master this piece, so he hide his unprepareness with tempo changes and stuff. But when I listened this couple of times this is really interesting. That is true that he doesn't follow chopin's markings, but it doesn't bother me this time. Just awesome!
Too free, even for chopin... Some emotions and drama are always necessary... But this is too much... Also, there is to much contrast from the delicate intro and the reexposition, a lot of improvisation in this interpretation (if you dont believe me check the score), sorry, but there are other ways to gain attention for a good interpretation...
Gekic does not really improvise much he plays according to the score except that he adds octaves to the first bass note of every passage from 2:14 to 2:36 which quite a number of other pianists like Horowitz, Cziffra do too.
Insist, Too free, even for chopin... Some emotions and drama are always necessary... But this is too much... Also, there is to much contrast from the delicate intro and the reexposition... and what do you say about the change of tempo? He´s doing like the half of real tempo at the introductiond, a wrong conception of freedom... And please dont use the excuse of great pianist improvising, because they also do soo much sometimes...
who are all these people leaving these fanatical comments? yeah, it really makes somebody a genius is you play most of the notes pp, almost inaudible, and slam the 'melody', and mess up here and there....i mean so unique right?
Very unusual and personal interpretation, though still in line with the musics spirit. The beginning is the most fearsome Ive ever heard, like a giant wave gathering its immense forces. Those first bars are remarkably beautifully played.
This is gorgeus on Gekic's hands! It's played sooo emotively! I mean, the etude IMO expresses fear at the beginning, and he just makes it sing with marcatos (0:18) and the comforting lullaby from 0:29 to 1:00 shelters like it has to. The 1:00 part lets the same fear in and it develops superbly. The transitions from A to B and from B to A are perfect (ABA form). The end is pure triumph. Wow. He is a genius.
Dear berlioz1830, I apologise if I sounded imprudent or aggresive, I had no intention to argue with you. However, what do you mean by "All the others who don't play like MP should be executed on the spot. only one interpretation should exist"?
It was my sarcastic comment on Elicgt's input below" Murray Perahia is..."etc. . I love those guys who use phrases like " it SHOULD be played like" this or that,"he MUST play like this".My absolute favourite is " too much" like Tatsu999999. All of this smells of narrow-mindedness and arrogance badly concealed under a layer of "expert" criticism, which is not expert at all
When you say people are narrow-minded because they prefer MP's playing to this or any others, aren't you excluding yourself from the category in which you so un-nicely placed others because of their different views but from which you nicely separated yourself because you think your opinion is somehow intrinsically different from or superior to those of others, which consequently makes you have the illusion that you are much more "open-minded", but in fact you are not.
Very valuable point! Actually, it would have been, had I said what you say I said. But I criticised someone not because they prefer MP, but because they believe in something "definitive" in art. Art does change, but does not progress necessarily. Beethoven is not an upgraded Bach or Mozart...To say you prefer MP is Ok with me. To say this is the "best" and it "must "be played like this or that, is a mistake, which the life itself always easily proves wrong
Welcome to YT! I am trying not to be so personal and criticise people...rather, I criticise ideas. People die, and ideas do not. People can have different ideas at different time in life...it is better to discuss ideas than people
I see...you are another high priest who is too unworldly for human emotions and too kind to wage personal attacks...Don't worry, I'm mostly like you and used to people like you.
I like your last argument, but I want to add that "changing" and "definitive" are not mutually exclusive in art. I believe every artwork has a soul, and every soul has a purpose. Time, people, places, ideas etc. all change around the art, but the soul doesn't.
yea thanks to nikolaimedtner (one of my fav. players) coz I found her in his favorites and theoshow2 for posting. I never heard of her before either, seems there's only this one recording on utube
Yes, you can actually buy the CD of the recital from US Amazon. Don't hesitate, it is one of the great piano recitals ever caught on tape. The performance of scherzo 1 has no rival, except perhaps Natan Brand (another pianist all should hear), though the Gekic performance is just something else. He really has the devil in him (a good thing :) )...
i loik this. This is real pianist!
oyerkanov 2 days ago
c'est très intéressant comme version, quelques notes un peu trafiquées par di par là, mais quelle merveille, ce début "piano", si doux, comme du velours.....
amadeusforever1 2 months ago
nice. can this be called the gekic transcription? (he added notes in there).
sunamiassault 2 months ago
his voices are so clear, and the crescendos add lots of power to this ocean. a brilliant preformance
chrissyluvspeace 3 months ago
Gekic seems to introduce some extra, interesting, accents (and air pause).
gerardbedecarter 4 months ago
I am an amateur attempting to learn this piece because it's harmonies have become part of my soul. Gekic's interpretation has also become my favorite, not because of his melodic liberties, but because of his artful variation in dynamics and pedaling. After the unusual intro he launches into a more traditional interpretation with the smoothest grandiose arpeggios of any performance. Most Ocean Etudes are pleasingly powerful, but too monotonous. In Gekic's hands this piece springs to life!
ellisnew 5 months ago 2
hmmmmmmmmmmmmmm
FirstPublicChannel 8 months ago 2
genial, se ha atrevido a innovar en la interpretación de este estudio. no digo que sea la correcta pero si es comercial! genial
iagofranqueira 9 months ago
absolutely beautiful
arod68993 11 months ago
I like this. It's a different type of ocean from many other versions.
avb20540 1 year ago
He places accents on 5th finger later returns to thumbs...but there really is much more going on than that.He hs rethought this music.The wave have heft here diff from there have sheen or diff texture.He really knows a piano. His ideas are tremendous.Thisis what players need to offer.We have heeard it all a million times before.Some thought on music is a good thing.They are have fabulous training. there is nothing today's virtuosi cant do.Godowsky's generation they are.
lovesGenet 1 year ago
Evidently! This is an authentic ocean, because ocean don't must to be a wild and noise. Ocean is a monumental mystery.
chimai14 1 year ago
Great interpretation - sounds perfect. I think it has been manipulated a lot by a very qualified audio engineer but that should not downgrade the performance.
MarkusAndreasMayer 1 year ago
I looooove this version!!!!!! He makes lots of nuances!!! It's interessant, soothing and BEAUTIFUL!!! I LOVE!!! He has a big talent!
MissElsa74 1 year ago
The pianist Pogorelich wishes he could be..
1fattyfatman 1 year ago
so good!!
SarrasaniPianoCircus 1 year ago
wow it's so beautiful... you can really hear the ocean
joule162534 1 year ago
How wonderful to hear this often-played piece in such a new light. The way this pianist builds the climaxes and voices the melodic line is absolutely marvellous. Gekic is a genius.
VonSauer1 1 year ago
This comment has received too many negative votes show
why is he changing the score? lol, this is not the right way to make an impression. Despite this,it's a relatively good performance
stefthe80 1 year ago
@stefthe80
He didn't change the score. He's just interpreting it in a different way.
brassmonkeyjew 1 year ago
@brassmonkeyjew He did change the score. Instead of playing the Low melodic notes, he transposes it an octave higher.
Martel211996 1 year ago
@Martel211996 At that particular spot this is marked in the score, Kalmus edition, which claims it comes from Liszt, although it is more likely it comes from his pupils, most likely Arthur Friedheim
88Woland 1 year ago
@88Woland Kalmus? This is not the Chopin edition? Where can I get this score?
Martel211996 1 year ago
@Martel211996 Probably you can order it online directly from Kalmus. They advertise it as a Liszt edition, although I believe it is A. Friedheim. Knowing how well he knew Liszt, and knowing how often has Liszt listened to Chopin's playing, it can not be easily dismissed.There might be a direct influence by Chopin himself
88Woland 1 year ago
I Think, he plays Kemal Gekic but he plays not what Chopin mean. It is free interpretation from "ocean".
Kemal Gekic is a very good technican on piano!
Klavicus 1 year ago
You know, the interpretation is different, but the decrescendos and crescendos he adds makes it seem like a more "interesting" ocean... instead of just the same ole' wave coming and going, the ocean gets calmer and then more violent, and this performance just seems so colorful too. I really like this, 5-stars.
OrangeSodaKing 2 years ago 9
In my opinion this is one of the most brilliant versions of this piece, bravo!!!
jacoman1234567 2 years ago 2
So different!?!
peppersprayinthebutt 2 years ago
This is very interesting. But it's great to listen to nonetheless! Gekic is a wonderful pianist.
OrangeSodaKing 2 years ago
This is a great performance, full of fatasy, drive and intellect: it has everything! Great example artistry of the highest level, which is so scarce these days. Bravo!
allegrissimo 2 years ago 4
Very good and inovative performance.
paradajz13 2 years ago
Inspirational! He really makes something new to be heard here! What a tonal study he makes . Who knows if Chopin would have approved ( i like to think he might) This interpretation has so much direction in it. Kemal Gekic!!! I hope he comes to our city someday soon.
josephstef 2 years ago
BRAVO KEMALE !!!!
BoristheONEandonly 2 years ago
Very interesting interpretation ! Fresh,modern at the same time forceful ideas...1:02 & 1:29 ! .. LOVED it ..I respect all musicians(classical..) with RISK & POSITIVE IDEAS ! Thanks for audio AntonioDGO !
sam0xin 2 years ago
Sorry to burst your bubble paulostroff99 but Kemal Gekic is not turkish, he is Croatian. In fact him being from the former Yugoslavia, I am sure he does not want Kemal Ataturk-the father of modern Turkey and the consummator of the Armenian Genocide to be associated with him in the least, let alone proud of him.
kokerman4life 2 years ago
@kokerman4life
"AS A CROAT" HE CERTAINLY MUST BE VERY PROUD OF JASENOVAC HOLOCAUST WHEN hundreds of thousands of Serbs, Jews, and Romas, as well as anti-fascists of many nationalities, were murdered at the death camp known as Jasenovac. not to mention atrocities in Bosnia against Bosniaks, therefore his talent and artistry and not nationality is what is most important
theculture2010 2 years ago
Comment removed
kokerman4life 2 years ago
A true Turkish delight. Kemal Ataturk-the father of modern Turkey,would have been very proud.He plays this with great personal passion and great feeling at every turn..Bravo! TY-K.
paulostroff99 2 years ago
hmmmmm
scottyschumann18 2 years ago
This is such a strange interpretation of this piece. When I first heard it I thought it was awful.
Now I think it may be true genius. Such control. Such balance. Wow. I'm rethinking what I think of this piece.
egitnyc 2 years ago
He is not so academic... This is not an example to listen if you want to know how should be played this etude...
This is like a cover of the original version of this etude. But I really really like it... xD
His playing is unique and personal...
He is very creative!
AryaStarkTube 2 years ago
I've never heard so this piece played with so much nuance! Very interesting indeed.
squishym 2 years ago
AAAAAAHHHHH...can you post some more by him?for example Haendel Suites 2&5 or Scriabine Sonata-Fantasy?
marinanarim 2 years ago
best performance of this fantastic etude!
musicpiano14 2 years ago
how nice! i enjoy listen to a very unique artist. mostly we hear this music like it is a bodybuilder training. but he has passion, phantasy, marvellous sound and is couraged! absolut top!
klausknulp 2 years ago
wow this is very unique. not really fallowing what is written, but it is beautifully very beautifully! I like it.
davidbaker03 2 years ago
WOW!!! IM INSPIRED!!! AMAZING!!!!!!!!!!!!! I cant believe how unique it sounds!
Zoaguyver 3 years ago
I agree, but I can't decide what is better. Made totally new performance like this or more strictly follow composer markings. But I was amazed too when I first time heard this. This is just so amazing!
Aul1kki 3 years ago
'I can't decide what is better. Made totally new performance like this or more strictly follow composer markings.' In some cases, neither of these are better. Do what results in the best music! (But how you decide what makes the best music is up to you ..)
javacisnotrecognized 2 years ago
Very unique performance...beautiful indeed...
caijpp 3 years ago
What an inspirational performance!! He did so many different things. The melodic chnges in the beginning. He really 'studied' this study and made something unique with it!
josephstef 3 years ago 2
If this wouldn't be by Kemal Gekic I would think this is played by somebody who didn't have enough time to master this piece, so he hide his unprepareness with tempo changes and stuff. But when I listened this couple of times this is really interesting. That is true that he doesn't follow chopin's markings, but it doesn't bother me this time. Just awesome!
Aul1kki 3 years ago
Murray Perahia's interpretation is the best.
He combines the power and the power and speed without losing the touch and the emotions even a little. that's how this piece shoud be played.
Elicgt 3 years ago
I agree! All the others who don't play like MP should be executed on the spot. only one interpretation should exist
berlioz1830 3 years ago
Very interesting interpretation! I like it much more than Lisitsa.
Dancsins 3 years ago
Too free, even for chopin... Some emotions and drama are always necessary... But this is too much... Also, there is to much contrast from the delicate intro and the reexposition, a lot of improvisation in this interpretation (if you dont believe me check the score), sorry, but there are other ways to gain attention for a good interpretation...
Tatsu999999 3 years ago
Gekic does not really improvise much he plays according to the score except that he adds octaves to the first bass note of every passage from 2:14 to 2:36 which quite a number of other pianists like Horowitz, Cziffra do too.
jero13595 3 years ago
Insist, Too free, even for chopin... Some emotions and drama are always necessary... But this is too much... Also, there is to much contrast from the delicate intro and the reexposition... and what do you say about the change of tempo? He´s doing like the half of real tempo at the introductiond, a wrong conception of freedom... And please dont use the excuse of great pianist improvising, because they also do soo much sometimes...
Tatsu999999 3 years ago
who are all these people leaving these fanatical comments? yeah, it really makes somebody a genius is you play most of the notes pp, almost inaudible, and slam the 'melody', and mess up here and there....i mean so unique right?
pnowrld 3 years ago
Very unusual and personal interpretation, though still in line with the musics spirit. The beginning is the most fearsome Ive ever heard, like a giant wave gathering its immense forces. Those first bars are remarkably beautifully played.
Florestan1207 3 years ago
wow, havent heart the melody so clearly by anybody till now ^^
JakWho92 3 years ago
This is gorgeus on Gekic's hands! It's played sooo emotively! I mean, the etude IMO expresses fear at the beginning, and he just makes it sing with marcatos (0:18) and the comforting lullaby from 0:29 to 1:00 shelters like it has to. The 1:00 part lets the same fear in and it develops superbly. The transitions from A to B and from B to A are perfect (ABA form). The end is pure triumph. Wow. He is a genius.
mordent17 3 years ago
Very tasteful and at the same time an original and personal interpretation.
FerozaLaBonne 3 years ago 3
amazing amazing maybe chopin was play like kemal gekic woaw
elhijo234 3 years ago
A most personal performance indeed!
SwePianoholic 3 years ago
Extraordinary! Fantastic!
Gerround 3 years ago
Incredible.
toomash 3 years ago
Excellent! I hadn't been particularly gripped by any of the Gekic recordings I've heard before, but this is superb.
cziffra1980 3 years ago
I have no idea what he does at 1:29 - 1:33, seems a bit of jibberish to me. other then that, this interpretation is awesome.
MaksutovCG 3 years ago
wow, I would NEVER have thought of playing those accents, interesting.
DougtheAsian 3 years ago 9
Fantastic. Wonderful musical ideas. Superb pianist.
stephenTGV 3 years ago 2
merveilleuse interprétation ,une autre vision,une autre peinture.
Une mine d'or,ce musicien!
antoinezygfryd 3 years ago
EXCELLENT.
alexongcs 3 years ago 2
Comment removed
jero13595 3 years ago
OMG! How stupid and ignorant was I to say Lisitsa is better!
jero13595 3 years ago
why did you change your mind?
berlioz1830 3 years ago
Dear berlioz1830, I'm still a maturing fickle-minded 13-year-old youth, so my tastes are changing every second!
jero13595 3 years ago
That''s a good saying jq, i'm maturing too.
alexongcs 3 years ago
dear Jero, it is your mind and you have the right to change it as often as you like, of course...I was just curious, no intent to argue whatsoever
berlioz1830 3 years ago
Dear berlioz1830, I apologise if I sounded imprudent or aggresive, I had no intention to argue with you. However, what do you mean by "All the others who don't play like MP should be executed on the spot. only one interpretation should exist"?
jero13595 3 years ago
It was my sarcastic comment on Elicgt's input below" Murray Perahia is..."etc. . I love those guys who use phrases like " it SHOULD be played like" this or that,"he MUST play like this".My absolute favourite is " too much" like Tatsu999999. All of this smells of narrow-mindedness and arrogance badly concealed under a layer of "expert" criticism, which is not expert at all
berlioz1830 3 years ago
Your comment is just as narrow-minded as your concept of others'.
caijpp 3 years ago
Cajipp,sorry...I did not understand your message. Would you kindly explain?Wjat comment and what concept of others?
berlioz1830 3 years ago
When you say people are narrow-minded because they prefer MP's playing to this or any others, aren't you excluding yourself from the category in which you so un-nicely placed others because of their different views but from which you nicely separated yourself because you think your opinion is somehow intrinsically different from or superior to those of others, which consequently makes you have the illusion that you are much more "open-minded", but in fact you are not.
caijpp 3 years ago
Very valuable point! Actually, it would have been, had I said what you say I said. But I criticised someone not because they prefer MP, but because they believe in something "definitive" in art. Art does change, but does not progress necessarily. Beethoven is not an upgraded Bach or Mozart...To say you prefer MP is Ok with me. To say this is the "best" and it "must "be played like this or that, is a mistake, which the life itself always easily proves wrong
berlioz1830 3 years ago
Welcome to YT! I am trying not to be so personal and criticise people...rather, I criticise ideas. People die, and ideas do not. People can have different ideas at different time in life...it is better to discuss ideas than people
berlioz1830 3 years ago
I see...you are another high priest who is too unworldly for human emotions and too kind to wage personal attacks...Don't worry, I'm mostly like you and used to people like you.
I like your last argument, but I want to add that "changing" and "definitive" are not mutually exclusive in art. I believe every artwork has a soul, and every soul has a purpose. Time, people, places, ideas etc. all change around the art, but the soul doesn't.
caijpp 3 years ago
Comment removed
marinanarim 2 years ago
Wow, this completly original interpretation o_O Still like Lisitsa's more
Zael1986 3 years ago
Nobody moved me more playing this piece since Cortot! What an individual interpretation - somebody with a character - rare like white crows.
gabledvoid 3 years ago
Thanks for uploading! I am a BIG fans of Kemal Gekic, of course and Liszt!!!
I love his Etudes d'exécution Transcendante very
much! and he is truely a Lisztian as well!
Can I have his Chopin Nocturne op48 No.1?
stringendo 3 years ago
yea thanks to nikolaimedtner (one of my fav. players) coz I found her in his favorites and theoshow2 for posting. I never heard of her before either, seems there's only this one recording on utube
xAmandine 3 years ago
I love this ocean (..btw 1.05 sounds exactly like Fanny Bloomfield playing Nocturne 48.1)
xAmandine 3 years ago
Thanks for posting! Where did you find this recording? Is there more?
88Woland 3 years ago
Yes, you can actually buy the CD of the recital from US Amazon. Don't hesitate, it is one of the great piano recitals ever caught on tape. The performance of scherzo 1 has no rival, except perhaps Natan Brand (another pianist all should hear), though the Gekic performance is just something else. He really has the devil in him (a good thing :) )...
AntonioDGO 3 years ago
Never heard a performance of this piece even remotely comparable to this one!
88Woland 3 years ago
Excellent, beautifully played with very interesting voices and ideas.
stephenTGV 3 years ago