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  • I see. It's about "seeing" the nixes, the lines, the grids, and showing the audience where it is. Its not "doing moves" it's manipulating space. It's moving in and out, under and through space fluidly.

  • @TheSubwaysurfer Exactly. You may start off with choreographed moves but the more you understand how to dance conceptually the more free your dance becomes. You can create in the moment.

  • Dud I write "nix?" I meant Box. My bad

  • Love also that you did this without the distraction of music. To get this concept better, it helps to take an actual nix and manipulate it. Your body will retain that"conscious kinetic feel" and will add more power to your illusion. You've got some good stuff here. I'll definitely be back.

  • Love this conceptual approach. It takes you out of the "what cool move do I do next" mentality, and gives you something concrete, in a funny abstract way, to concentrate on. I like this approach because if you're thinking "box" your a glee and movement get refined.

  • Interesting

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