LT friends, you are invited to a marvelous *new* master class on the life and music of our hero. The class focuses on Lennie's solo and group innovations. You will Dig this, promise:) Type in his name "Dave Frank" on YT
@317East32. Thanks for a great upload. Got wind of it on tip while checking out Ahmad Jamal's works at another channel. Hadn't heard of Mr Tristano or his works before, but I am now a new fan. It seems that here and at other yt links.folks that like to display thier supposed level of insigtht of an artist by "dissing" other artists are faux intellectuals/sad people. If Tristono in fact "dissed" Monk, for whatever the reason, that was something Tristano had to live and die with. Ce la vie!
How can one be so good as this? I'm blown away at this man's grasp of hamonies and rhythms and carrying on that amazing bass line the whole time. Mindblowing stuff
Sorry for my double-post. This new "concept" (is there one at all?) of the YouTube comments-order is quite confusing. Maybe I should go to the of-no-help forum? ;)
Freestano, huh? Wow! He can play with one hand where others have difficulties with all ten fingers. Splendid vid, my friend! -- Wanna hear him at his fastest? -- Feel free to click on my blog-link (in profile), and listen to the boppers on "Tiger Rag", 1947.
@317East32nd -- All wonders of jazz united when they played together: Imaginative harmonies, freedom, and beauty. I dig especially their home recordings with Kenny Clarke, beating a phonebook: Beautiful numbers ;)
@317East32nd -- That's true. Got 'em all on LP's. Especially the tracks with Bird, Lennie, and kenny Clarke on a phonebook are really outstanding, and very advanced modern chamber jazz.
I've been watching the entire concert... I never noticed before how often he "feels" for his place on the keyboard (being blind). You can watch him count black keys... I have to assume this slows him ever so slightly, as he has to figure out where the keys are before he can play what he's already conceived...
First time I've searched for Lennie online tho his CDs have been in my collection for 25 years. and I'm reminded he's one of the few pianists who seriously worked walking bass lines. Dave McKenna has carried on that tradition but alas, few others
I'm so happy that everyone is enjoying this so much! The owner of rights to this footage could have had this removed by now, but they've left it here for over three years, so if you see this and dig it, look into maybe purchasing the DVD of Lennie's entire "Copenhagen Concert." It's fairly easy to come by. I originally posted this vid as an informational/educational thing to turn new people onto Lennie, and I see that it's working pretty well...
Outstanding and incredibly underrated player. I hear what handdancin was saying, great comment, and I hear the influence of stride piano and boogie woogie, but also a lot of modern ideas and western classical such as Debussy, like right after 2:19, and, yes, I hear Monk. The influence, judging by chronology, was probably mutual. Like his disciples Konitz and Marsh and like a lot of great bop and post bop players, he is both cerebral and very very soulful. Thanks for posting this, blown away!
This guy is in the clowds..so different...The first time I heard him I was frustrated, but now I am a big fan..It's like classical music - in most of the occasions the first time you hear something is strange and annoying.. but when you get used to it, you see the beauty inside :)
The critics totally missed the point (as usual). His playing is actually very passionate. The problem was that Cool rhythm sections had to play with straightjackets on so Lennie could be heard. That made it all sound very dry. I never liked Monk. If you want to hear great economical jazz piano, Horace Silver is the man!
Leave Lennie alone. Stop picking on him. Lennie never got the money or recognition he deserved. He left a lot of fine pianist disciples here. Lennie played well and made a great contribution to the music.
Yea, with Lennie you have to remember there were times that he was bitter about the way his music was being misinterpreted in the eyes of critics. Later in the 60's and towards his death when he focused much more on teaching than playing live* but he did make an effort to play live * ... It would be easy for him to see somebody like Monk with such an odd approach to the piano, compared to the pianists he so loved...Art, Bud.. I guess he took that a bit hard, I understand. He got work but not me?
Personally I love Monk and Lennie, but I can see how being soaked in bitterness and being ran over by the critics would skew your judgement in response to other pianists. Remember, Lennie was human and his environment undoubtedly shaped his outlook in that misplaced comment.
But as far as this video goes... Innovator of the locked hands, innovator of the walking bassline in the left hand. Harmonic sophistication, a personal sense of swing and drive. He gave so much musically and got little.
Got so little????...he was idolised in his own life time & has become a friggin' legend...and I reckon he sort of knew that......I think he GOT THE LOT !!!!!!!!!!!!
This comment has received too many negative votesshow
Monk was a sham...so was Miles. Their fame was an insult to guys like Art Tatum, Bud Powell, Lennie, Clifford Brown and Fats Navarro who put in the time to hone their craft. Monk was a great jazz pianist the way Madonna is a great rock singer!
Really? I think Monk is a great jazz pianist, but unorthodix for sure. Just "out there," disjointedly, maybe even "sloppily," but in a way I can still appreciate. I agree that Madonna is not a great rock singer. Now... Jimmy Dewar was a great rock singer.
Hey I think it's great that everyone digs this clip. (I hadn't checked the comments for almost a year.) Maybe this will inspire someone to dig deeper...
MODES9: SHUT UP. Do not comment on what YOU CANNOT UNDERSTAND. You simply don't get it. Human kind would be living in caves if it were for people like you. Monk and Miles had their OWN styles, they were ORIGINAL musicians. THAT alone SPEAKS VOLUMES about one's creativity and genius. But you don't get it and never will. Keep your ignorance to YOURSELF. Your comment is a pathetic INSULT to musicians like LENNIE TRISTANO as well.
first of all, find the quote where Lennie attacks Monk. Second, you don't seem to have listened Monk more than a couple of times, but you are already judging him as if you were a sort of authority in jazz. And even if Lennie did say that, Monk is an iconic jazz figure whose style is highly creative; he is one of the greatest jazz musicians ever, whether some people like it or not. As far as your comment about Modal music. Dude, you clearly do not know what you're talking about.
As far as I know, Lennie Tristano is considered a jazz legend. That IS pretty far. Too bad some people like to waste other people's time by creating competitions between legends.
Now, there is little to discuss if you are bringing the name of Elton John to compare with Thelonious Monk. If you are trying to be sarcastic, have fun dude. Thelonious Monk and Miles Davis are two of the most influential jazz musicians ever. I am sorry, but you-and your pitiful sarcasm- will have to live with that.
This is my last word on this, but in Sweden (where I live) pretty much everyone knows and are influenced by Thelonious and just the opposite with Lennie. When I look back on my previous comments I do see that I was wrong. I have and will check out more Thelonious. He's not excactly in my style but I have learned to appriciate him more! I'm sorry for everything you didn't agree with. But you have to admitt that Lennie deserves more credit than he's got. They called him Icey cold and a cheater.
unfortunately, many highly creative minds have been considered "cheaters" from day one. Only a few lucky ones get the recognition they deserve during their lifetime.
Whoever called Lennie Tristano a cheater is/was a complete loser. And I happen to agree with you: too many people say they are influenced by Monk. It's becoming boring and repetitive. It does not mean I will hate Monk for that, specially knowing that today too many jazz musicians are very prejudiced and predictable.
oh, the jazz expert is in the house. Now he comes and wants to throw shit on two of the most important jazz musicians ever, seen by most people as great geniuses and innovators. But YOU've come and tell us the truth. Thanks a lot. Very funny. hahahahahahahahaa
@Modes9 Wrong. Bud Powell and Monk were soulmates. I don't understand how people can make such ridiculous comments like this about dead people who's genius was untouchable, permanent, and very real.
@Modes9 monk was part of the bebop movement, which focused more on technicality and experimentation rather than sounding nice. in other words, i think monk didn't much emotion in but he was still talented.
Error in my precedent answer. I've "Scene and variations" with Carol, Bud, Tania. Please will excuse me, they are in the seem album "The new Tristano"
Faut pas croire mec, le jazz c'est avant tout une discipline, avec la dose d'écoute, de recherche et d'entrainement.
Les gens pensent souvent que c'est "Ah le jazz faut l'avoir dans le sang, le mec il souffle dans sa trompette et c'est génial, ca lsort tout seul" mais en fait c'est tout une science
Truer word was never said in jest than this....beautifully put!! It is an on-going school of personal commitment, discipline, humility attentiveness....all the crucial human virtues. As Tristano used to say to his students regarding musical creativity: "There is something we don't understand, but I know it comes together by just putting in the time" (as quoted by one of his students, the guitarist Woody Mann in the Introduction to the book Lisboa)
I tried to post this before - forgive if redundant. The Half Note was our favorite place - family-owned - we'd take our little girl, and sit at the bar right under the musicians. Tristano was a God to me - Konitz playing almost hallucinatory. I've never had another jazz experience to equal it. The intimacy caught you up completely. So many other great players there as well. Zoot and Al Cohn, Mose Allison as a new-to-town sideman. Thank you profoundly for posting this.
Studied with Lenny many yrs ago in Manhatten, and at his hse on LI. He was partially blind, but cld tell if you were chting w lead sheet.Cussed a storm, md u prctse scls.WO reg.2 fingering, hd 2 "sing along W Billie[H.]"2 gt jz chps up.Lved him.Grt Dude.Chngd my ideas nd plying 4ever.Suezenne Fordham Chamber Jazz LA
THIS IS FROM 1965?! It seems that on top of bieng a god of sound, Lenny also invented the time machine and created modern improvisation. learn up chil'en.
I heard Wally Bower passed away this month . . . . a great teacher . . . i loved hearing him occasionally play standards in [a classical] theory class, Lush Life . . .
Definitely the best part is right after the break. At 3:23, we get this very satisfying (and chromatic!) walking bassline with some great exploration of the mode without feeling the need to hit the root notes at all times. Then he does that ascending scale that sounds like... the combination of a major and a minor or some kind? What is he doing there? Anybody? Bueller?
Bahaha. Three cheers for Tristano. What a distinctive touch. He was never afraid to hammer away. Swinging as hard as he could in a strict metric framework. I love watching how his hands have eyes of their own as they find their way across the keyboard. A tremendous teacher, but always with a very very pointed attack -- his freely improvised section has no real melodic motion; just harmonic and PAINED insistence. It's fantastic. His piano method is so informed by blindness it's unreal.
After you cover the logic of the lines and the bass-lines, and after you cover how hard it swings, deal with the dynamics. He never played two notes in a row at the same volume level. That's an important lesson in itself.
Lennie's playing is hot! the warmth of his feeling and the fire of his line!
And I have to contest the description of his music as "intellectual". Yes, it is brilliant-- and mind-blowingly complex, but it is not coming from intellectual thought, per se--- it's coming out of his spontaneous feeling for the music. And this concept requires a quiet thinking mind to be realized.
Oh yes, I wouldn't take issue with you about that. And it's fair to say that his music/playing has a spiritual dimension too.
But compared with with other jazz artists of his time (and earlier), his playing was much more rational. Though I dislike the widely spread oppinion, that he was the embodiment of "Cool"...! :-)
A former piano teacher of mine studied with Tristano in the 50's. Wish some of that technique and theory rubbed off on me. Lots of notes and exercizes on paper, but not on the piano. Thanks for the post.
Kingus, that's why it never rubbed off. It was exercises and notes on paper, instead of in your head and at the tip of your tongue. Many of Lennie's students thought they could jazz by duplicating his methods. Most have been wrong thinking that. Lennie could not only play, he could teach others to play also. He was rare in that resepect.
Tristano Bassist Peter Ind just wrote a book titled "Jazz Visions" discussing Lennie, The Music and Lennie's Critics. I studied Bass with Peter in New York. We were there when the music happened. Lennie was a most underrated Genius but the music is for all time.
Lennie Tristano drew inspiration from Art Tatum, Bud Powell, Lester Young and Charlie Parker and felt you would have to listen to those giants and study them rigorously if you wanted to be a well schooled jazz player.
Hi. I'm a kid and just wanted to tell you that this is great! I'm kinda the only kid in my school who is into jazz. hm. well, thank you very much for the video!
I just love that percussive attack and the way he never plays two notes in a row at the same level of dynamics. Lennie never got enough credit...and Bill Evans robbed him blind (no pun intended). You can't compare him to Monk. He could play figure eights around Monk in the technical sense. You might compare him to Bud Powell.
Yes... for those who says Lennie was cold, cool, distant , etc: listen to "Requiem" or "Turksih mambo" (an early overdubbing experiment in jazz). It is probably dark, and nothing of distant but intense.
I dunno how to react to the "gangsta" part. . . but I do have a recording of Sal Mosca playing piano with Warne Marsh at the Village Vanguard in '81, and it's great stuff.
im not much of gangsta.. thas jus immature baby stuff. I guess. Well yea, Ill check it out because the only recordings I have a Mosca are on his site and from a CD live in Valhalla.
Tristano was phenomenal. At times, his splayed-fingers right-hand style sounds like Monk -- at least to me. Thank you for posting this. I wish I could walk my basslines in this manner.
Funny you mention Monk. I have a radio interview of Lennie and he says that Monk was one the "dumbest" pianists ever! It was a radio interview on WKCR-FM, I don't recall the year. It's an interview with Lennie and Connie.
that hurts a bit, since they're my two favourite jazz-pianoplayers. i guess lennie was the dumb fuck when he said that. he was very smart in many other respects (is that correct english? i'm belgian) though. love'em both dearly.
Yeah, i don't know why he dissed Monk like that, I think it was because Monk didn't have the kind of disciplined chops that Lennie respected. Personally, I've always found Monk's playing interesting.
that's true. anyway, one quote out of context says nothing. i think it's weird though to find people fighting over monk and tristano, as if it's impossible to love them both. i do, they're both unique, brilliant, uncompromising, eccentric, lyrical, addictive. allthough it's true that monk got more recognition during his lifetime than lennie, they both got their share of unjustified criticism, and still do. a lot of musicians i know, can't really understand me loving either one of them so dearly.
I just finished reading a great biography of Lennie by Eunmi Shim called, "Lennie Tristano: His Life and Music," which even includes some transcriptions. The book talks a lot about how much Lennie hated dealing with the music industry (in particular club owners), and makes you question how much who the industry promotes has to do with who we think of as "legends."
OAUAh! Thanks Lenny and 317East32nd. I'm some pissed off because I'd readen frecuently that Tristano's style was some cold, cerebral, distant, and that kind of bla, bla.. I had not heard nor paid him too much attention, probably by that idea in my mind. WELL, there is nothing like hear, see and judge oneself. Cold this? ha! Darn critics..:)
There's this book "Solo Jazz Piano" by Neil Olmstead, published by Berklee Press that shows those techniques and mr. Olmstead addresses them to this legend of Jazz Piano, Lennie Tristano. I'd never got the chance to hear him, given it's hard to find Jazz CD's where I am. Now, I can have my reference and I'm sure digging this master more than any other I've seen so far.
What is the cause to his blind? I am so glad he can play it so well although he is blind. Thats is what i call play by feeling. Just like Great beethoveN
Yes, Lennie was more or less completely blind by age nine or ten. I just didn't want to define him as a "blind pianist." It is quite remarkable, though. He also played drums, saxophone, clarinet and tenor guitar. Of all musicians I've been exposed to, he is probably my favorite.
I have been waiting so long for Lennie to show up here, I have searched for him from the first day! What a joyous Thanksgiving, I am very grateful! Thank You 317East32nd, Thank youtube! RIP Lennie, love always
You'd be hard pressed to find better piano playing on youtube...
Brilliant. Thanks!
ccorrao 1 week ago
This man was as important to jazz as Duke Ellington was.
heroiniskindacool 1 month ago
I swear I've played that ascending scale of flat nines thinking how awesome it sounds and I had not seen this video before. 4:14 great video
smtwl90 2 months ago
LT friends, you are invited to a marvelous *new* master class on the life and music of our hero. The class focuses on Lennie's solo and group innovations. You will Dig this, promise:) Type in his name "Dave Frank" on YT
Dfrankjazz 3 months ago
@317East32. Thanks for a great upload. Got wind of it on tip while checking out Ahmad Jamal's works at another channel. Hadn't heard of Mr Tristano or his works before, but I am now a new fan. It seems that here and at other yt links.folks that like to display thier supposed level of insigtht of an artist by "dissing" other artists are faux intellectuals/sad people. If Tristono in fact "dissed" Monk, for whatever the reason, that was something Tristano had to live and die with. Ce la vie!
vinyltapelover 4 months ago
Truly blessed .....Thanks for posting this ;O)
candyfunk 4 months ago
My Name Is Lennie
lennie 5 months ago
Great video. :-)
davebrennanmusic 7 months ago
This has been flagged as spam show
Hi Jazzfriends, I'm happy to invite you to enjoy a new free walking bassline clinic, type in "Dave Frank" bassline on YT
I guarantee an educational and entertaining time:)
Blessings and keep swingin!
God bless you Lennie!
We remember you with gratitude, love, and smiles.
Dfrankjazz 11 months ago
How can one be so good as this? I'm blown away at this man's grasp of hamonies and rhythms and carrying on that amazing bass line the whole time. Mindblowing stuff
cfwpiano 1 year ago
@cfwpiano I'm hearing you...he has it all together. And very lyrical too.
heru1966 1 month ago
Anyone know if Con Con from Maelstrom is a contrafact? if so on what tune?
ChasinTranes 1 year ago
Sorry for my double-post. This new "concept" (is there one at all?) of the YouTube comments-order is quite confusing. Maybe I should go to the of-no-help forum? ;)
BrunoJazzmanLeicht 1 year ago
is he blind?
MokshaIS 1 year ago
Pretty much totally blind from about age nine.
317East32nd 1 year ago
@317East32nd Wikipedia says he was blind from infancy
eldude555 8 months ago
I LOVE THIS MAN I ADORE THIS LIVE
blueturtleblues 1 year ago
Freestano, huh? Wow! He can play with one hand where others have difficulties with all ten fingers. Splendid vid, my friend! -- Wanna hear him at his fastest? -- Feel free to click on my blog-link (in profile), and listen to the boppers on "Tiger Rag", 1947.
BrunoJazzmanLeicht 1 year ago
Yes, that's quite a tempo. From a radio broadcast pitting the boppers against the "figs." The entire Tristano/Parker CD compilation is phenomenal.
317East32nd 1 year ago
@317East32nd -- All wonders of jazz united when they played together: Imaginative harmonies, freedom, and beauty. I dig especially their home recordings with Kenny Clarke, beating a phonebook: Beautiful numbers ;)
BrunoJazzmanLeicht 1 year ago
@317East32nd -- That's true. Got 'em all on LP's. Especially the tracks with Bird, Lennie, and kenny Clarke on a phonebook are really outstanding, and very advanced modern chamber jazz.
BrunoJazzmanLeicht 1 year ago
@317East32nd -- P.S. -- Please make that Kenny!
BrunoJazzmanLeicht 1 year ago
Beautiful!
fredrikhamra 1 year ago
Pure genius
bledpicker 1 year ago
lennie is so awesome. amazing sense of timing. i have a sealed copy of the real tristano as well as one i play. thanks so much for his videos
rorygg1 1 year ago
This is just fantastic. The melodies are expressed in a very pure way and it's great to see his hands as he plays.
heru1966 1 year ago
this guy is too innovative to be neglected like this,you just never now where he is going to take you , absolute freedom
alexjrmarino 1 year ago
Speechless. Wow.
marktguitar 1 year ago
I loveee Jazz
hajimetinoco 1 year ago
sickkkk bassline
raulbarrientos007 1 year ago
This is great! And his unconventional "flat-fingered" technique (all wrong -- harharhar) as well as his sound remind me of Monk. Great video.
KapnKoolio 1 year ago
I've been watching the entire concert... I never noticed before how often he "feels" for his place on the keyboard (being blind). You can watch him count black keys... I have to assume this slows him ever so slightly, as he has to figure out where the keys are before he can play what he's already conceived...
317East32nd 1 year ago
@KapnKoolio Even the Great Liszt had his technique changed to 'flat-fingered'!
MiskoKatua 10 months ago
First time I've searched for Lennie online tho his CDs have been in my collection for 25 years. and I'm reminded he's one of the few pianists who seriously worked walking bass lines. Dave McKenna has carried on that tradition but alas, few others
HikusMikus 1 year ago
What bloody amazes me is that a human being can do this at all" Same for Oscar.
loujug1 1 year ago
this sounds almost like reharmed changes for "i love you"
ELPsteel 2 years ago
I'm so happy that everyone is enjoying this so much! The owner of rights to this footage could have had this removed by now, but they've left it here for over three years, so if you see this and dig it, look into maybe purchasing the DVD of Lennie's entire "Copenhagen Concert." It's fairly easy to come by. I originally posted this vid as an informational/educational thing to turn new people onto Lennie, and I see that it's working pretty well...
317East32nd 2 years ago 15
@317East32nd Correct me if I'm wrong, but copyright laws only have a 60 year window, after which they become public domain.
psy0nyd3 1 year ago
Outstanding and incredibly underrated player. I hear what handdancin was saying, great comment, and I hear the influence of stride piano and boogie woogie, but also a lot of modern ideas and western classical such as Debussy, like right after 2:19, and, yes, I hear Monk. The influence, judging by chronology, was probably mutual. Like his disciples Konitz and Marsh and like a lot of great bop and post bop players, he is both cerebral and very very soulful. Thanks for posting this, blown away!
kurt52073 2 years ago 2
or: monk wasn't sloppy! tristano wasn't cold!
blackiekakkie 2 years ago 2
This guy is in the clowds..so different...The first time I heard him I was frustrated, but now I am a big fan..It's like classical music - in most of the occasions the first time you hear something is strange and annoying.. but when you get used to it, you see the beauty inside :)
alexjrmarino 2 years ago
Lennie was way ahead of his time... a one of a kind Jazz great !!!
mrstrings65 2 years ago 4
It's conceptual jazz, pure and dry music concepts on his piano. Tristano leads Jazz to the future.
JLorz84 2 years ago
The critics totally missed the point (as usual). His playing is actually very passionate. The problem was that Cool rhythm sections had to play with straightjackets on so Lennie could be heard. That made it all sound very dry. I never liked Monk. If you want to hear great economical jazz piano, Horace Silver is the man!
Modes9 2 years ago 2
no one seems to notice that he was playing over the bar and phrasing in odd groupings before just about anyone it seems like. note it people!
handdancin 2 years ago 11
Comment removed
SERiF7321 2 years ago
Leave Lennie alone. Stop picking on him. Lennie never got the money or recognition he deserved. He left a lot of fine pianist disciples here. Lennie played well and made a great contribution to the music.
Flextones 2 years ago 4
Yea, with Lennie you have to remember there were times that he was bitter about the way his music was being misinterpreted in the eyes of critics. Later in the 60's and towards his death when he focused much more on teaching than playing live* but he did make an effort to play live * ... It would be easy for him to see somebody like Monk with such an odd approach to the piano, compared to the pianists he so loved...Art, Bud.. I guess he took that a bit hard, I understand. He got work but not me?
rubberbandsax 2 years ago 2
Personally I love Monk and Lennie, but I can see how being soaked in bitterness and being ran over by the critics would skew your judgement in response to other pianists. Remember, Lennie was human and his environment undoubtedly shaped his outlook in that misplaced comment.
But as far as this video goes... Innovator of the locked hands, innovator of the walking bassline in the left hand. Harmonic sophistication, a personal sense of swing and drive. He gave so much musically and got little.
rubberbandsax 2 years ago 3
Got so little????...he was idolised in his own life time & has become a friggin' legend...and I reckon he sort of knew that......I think he GOT THE LOT !!!!!!!!!!!!
kevinherbert 2 years ago
I wouldn't say he was the innovator of walking bass in the left hand by any means...
bassist1627 2 years ago
nice stuff, very inspiring!
thanks for the upload
lactatingbillhonkey 2 years ago
Hm... Maybe. Check out Austin Peralta playing Tyner's Passion Dance.
s1914 2 years ago
This comment has received too many negative votes show
Monk was a sham...so was Miles. Their fame was an insult to guys like Art Tatum, Bud Powell, Lennie, Clifford Brown and Fats Navarro who put in the time to hone their craft. Monk was a great jazz pianist the way Madonna is a great rock singer!
Modes9 2 years ago
Really? I think Monk is a great jazz pianist, but unorthodix for sure. Just "out there," disjointedly, maybe even "sloppily," but in a way I can still appreciate. I agree that Madonna is not a great rock singer. Now... Jimmy Dewar was a great rock singer.
Hey I think it's great that everyone digs this clip. (I hadn't checked the comments for almost a year.) Maybe this will inspire someone to dig deeper...
317East32nd 2 years ago
Comment removed
Justino111 2 years ago
MODES9: SHUT UP. Do not comment on what YOU CANNOT UNDERSTAND. You simply don't get it. Human kind would be living in caves if it were for people like you. Monk and Miles had their OWN styles, they were ORIGINAL musicians. THAT alone SPEAKS VOLUMES about one's creativity and genius. But you don't get it and never will. Keep your ignorance to YOURSELF. Your comment is a pathetic INSULT to musicians like LENNIE TRISTANO as well.
Justino111 2 years ago 5
Comment removed
claptonfan1000000 2 years ago
first of all, find the quote where Lennie attacks Monk. Second, you don't seem to have listened Monk more than a couple of times, but you are already judging him as if you were a sort of authority in jazz. And even if Lennie did say that, Monk is an iconic jazz figure whose style is highly creative; he is one of the greatest jazz musicians ever, whether some people like it or not. As far as your comment about Modal music. Dude, you clearly do not know what you're talking about.
Justino111 2 years ago 3
Comment removed
claptonfan1000000 2 years ago
As far as I know, Lennie Tristano is considered a jazz legend. That IS pretty far. Too bad some people like to waste other people's time by creating competitions between legends.
Now, there is little to discuss if you are bringing the name of Elton John to compare with Thelonious Monk. If you are trying to be sarcastic, have fun dude. Thelonious Monk and Miles Davis are two of the most influential jazz musicians ever. I am sorry, but you-and your pitiful sarcasm- will have to live with that.
Justino111 2 years ago
This is my last word on this, but in Sweden (where I live) pretty much everyone knows and are influenced by Thelonious and just the opposite with Lennie. When I look back on my previous comments I do see that I was wrong. I have and will check out more Thelonious. He's not excactly in my style but I have learned to appriciate him more! I'm sorry for everything you didn't agree with. But you have to admitt that Lennie deserves more credit than he's got. They called him Icey cold and a cheater.
claptonfan1000000 2 years ago
unfortunately, many highly creative minds have been considered "cheaters" from day one. Only a few lucky ones get the recognition they deserve during their lifetime.
Whoever called Lennie Tristano a cheater is/was a complete loser. And I happen to agree with you: too many people say they are influenced by Monk. It's becoming boring and repetitive. It does not mean I will hate Monk for that, specially knowing that today too many jazz musicians are very prejudiced and predictable.
Justino111 2 years ago 3
Comment removed
claptonfan1000000 2 years ago
@Modes9
oh, the jazz expert is in the house. Now he comes and wants to throw shit on two of the most important jazz musicians ever, seen by most people as great geniuses and innovators. But YOU've come and tell us the truth. Thanks a lot. Very funny. hahahahahahahahaa
jazztom86 1 year ago 2
@Modes9 Wrong. Bud Powell and Monk were soulmates. I don't understand how people can make such ridiculous comments like this about dead people who's genius was untouchable, permanent, and very real.
petezilla 1 year ago
@Modes9 monk was part of the bebop movement, which focused more on technicality and experimentation rather than sounding nice. in other words, i think monk didn't much emotion in but he was still talented.
Amazongrassmonster 1 year ago
i dont belive what i just heard ha
coopdaloop07 2 years ago
Bud Powell + Lennie Tristano + western music infleunce = Bill Evans
y34r 2 years ago
Any One have a video of Lennies "C minor Complex" to post up? Please do!!
Quimsacharani 2 years ago
I've no video, but I've the written music.
paolomannelli 2 years ago
Error in my precedent answer. I've "Scene and variations" with Carol, Bud, Tania. Please will excuse me, they are in the seem album "The new Tristano"
paolomannelli 2 years ago
Please Post the video, Thank you!!
Quimsacharani 2 years ago
woah awesome fingering style
love it
mrandrew89 2 years ago
Thankyou Danish TV/film as usual!!
mymusicdiscovery 2 years ago 2
this guy is unbelievable! some people are just born with talent flowing from their fingertips
TheGumbo13 3 years ago
Faut pas croire mec, le jazz c'est avant tout une discipline, avec la dose d'écoute, de recherche et d'entrainement.
Les gens pensent souvent que c'est "Ah le jazz faut l'avoir dans le sang, le mec il souffle dans sa trompette et c'est génial, ca lsort tout seul" mais en fait c'est tout une science
hahahahaha02 2 years ago 2
Truer word was never said in jest than this....beautifully put!! It is an on-going school of personal commitment, discipline, humility attentiveness....all the crucial human virtues. As Tristano used to say to his students regarding musical creativity: "There is something we don't understand, but I know it comes together by just putting in the time" (as quoted by one of his students, the guitarist Woody Mann in the Introduction to the book Lisboa)
Peace n Love
revdolaf 2 years ago
I tried to post this before - forgive if redundant. The Half Note was our favorite place - family-owned - we'd take our little girl, and sit at the bar right under the musicians. Tristano was a God to me - Konitz playing almost hallucinatory. I've never had another jazz experience to equal it. The intimacy caught you up completely. So many other great players there as well. Zoot and Al Cohn, Mose Allison as a new-to-town sideman. Thank you profoundly for posting this.
hermn2 3 years ago
Studied with Lenny many yrs ago in Manhatten, and at his hse on LI. He was partially blind, but cld tell if you were chting w lead sheet.Cussed a storm, md u prctse scls.WO reg.2 fingering, hd 2 "sing along W Billie[H.]"2 gt jz chps up.Lved him.Grt Dude.Chngd my ideas nd plying 4ever.Suezenne Fordham Chamber Jazz LA
suezenne 3 years ago
***Chngd my ideas nd plying 4ever***
Wsh hd lso chngd yr way of wrtng
vitesenzafine 2 years ago 2
THIS IS FROM 1965?! It seems that on top of bieng a god of sound, Lenny also invented the time machine and created modern improvisation. learn up chil'en.
mknouse3 3 years ago
Darn, this dude rules!!!
Why on earth is a great genius like this not worldfamous, at least not in my world?
Have some records to buy now., that's 4 sure.
Cool stuff!!!
quinto34 3 years ago
One of Joe Satriani's teachers?
solothyrn 3 years ago
I heard Wally Bower passed away this month . . . . a great teacher . . . i loved hearing him occasionally play standards in [a classical] theory class, Lush Life . . .
CaptainVision 3 years ago
FRESH AS CAN BE - LONG LIVE LENNIE!
THX
M
ragtimemarkbirnbaum 3 years ago
I always liked this song...
dudemantwo 3 years ago
just discovered mr Lennie Tristano; God, am I slow or what? :-) thanks for posting
vivazapata74 3 years ago
i just discovered him a minute ago, so i'm slower than you. :)
kelliewannabenumbas 3 years ago
I think I figured it out -- Try a C major scale in one hand and the locrian mode of a Db scale in the other. So they line up on C and F only.
phenylphenol 3 years ago
Maybe just two major scales a minor 9 away from one another. Either way, cool.
phenylphenol 3 years ago
Definitely the best part is right after the break. At 3:23, we get this very satisfying (and chromatic!) walking bassline with some great exploration of the mode without feeling the need to hit the root notes at all times. Then he does that ascending scale that sounds like... the combination of a major and a minor or some kind? What is he doing there? Anybody? Bueller?
phenylphenol 3 years ago 2
Bahaha. Three cheers for Tristano. What a distinctive touch. He was never afraid to hammer away. Swinging as hard as he could in a strict metric framework. I love watching how his hands have eyes of their own as they find their way across the keyboard. A tremendous teacher, but always with a very very pointed attack -- his freely improvised section has no real melodic motion; just harmonic and PAINED insistence. It's fantastic. His piano method is so informed by blindness it's unreal.
phenylphenol 3 years ago
After you cover the logic of the lines and the bass-lines, and after you cover how hard it swings, deal with the dynamics. He never played two notes in a row at the same volume level. That's an important lesson in itself.
Modes9 3 years ago
♫♫♫♫♫
Soulnik 3 years ago 2
Hey men, you're absolutely right, bye. thanks for the video.
Chrjzzale 3 years ago
Thanx Lenny
kevinherbert 3 years ago
Hey men, thanks, but the real name of song is G minor Complex or "You'd Be So Nice to Come Home To" a like this mean. Saludos de México a todos. Paz.
Chrjzzale 3 years ago
No, that is Tangerine. He plays the melody right at the beginning. Then he plays the beginning of the last 8 measures of the song starting at 2:19.
markkieswetter 3 years ago
he is so hip
nickvdschoot 3 years ago
his walking bass is cool
zockerflo 3 years ago
i cant beleave satriani studied with him.thats cool
nettoyeur1 3 years ago
Check out the Satriani video where he talks about that. Tristano told a young Satriani he might be good in 20 years or so!
tbcass 3 years ago
His playing was so cool it was cold. brrrr...
boppinariff 3 years ago
THE cliche! (but yeah, very intellectual)
SuperBowser 3 years ago
Lennie's playing is hot! the warmth of his feeling and the fire of his line!
And I have to contest the description of his music as "intellectual". Yes, it is brilliant-- and mind-blowingly complex, but it is not coming from intellectual thought, per se--- it's coming out of his spontaneous feeling for the music. And this concept requires a quiet thinking mind to be realized.
to me, this music is deeply HUMAN
loosegums 3 years ago
Oh yes, I wouldn't take issue with you about that. And it's fair to say that his music/playing has a spiritual dimension too.
But compared with with other jazz artists of his time (and earlier), his playing was much more rational. Though I dislike the widely spread oppinion, that he was the embodiment of "Cool"...! :-)
SuperBowser 3 years ago
MONSTER!!!
naitsirk20 3 years ago
You Mean: MASTER!(Pianist That Is)
Morahman7vnNo2 3 years ago
He's all over it..fabtastic!!!!!!!
kevinherbert 3 years ago
Le calme olympien, sa main gauche en basse d'accompagnement est caractéristique.
jaropi17 4 years ago
GENIUS
THX
ragtimemarkbirnbaum 4 years ago
A MASTER AT WORK!!!!
pianobopp 4 years ago
A former piano teacher of mine studied with Tristano in the 50's. Wish some of that technique and theory rubbed off on me. Lots of notes and exercizes on paper, but not on the piano. Thanks for the post.
kingusmcgee 4 years ago
Kingus, that's why it never rubbed off. It was exercises and notes on paper, instead of in your head and at the tip of your tongue. Many of Lennie's students thought they could jazz by duplicating his methods. Most have been wrong thinking that. Lennie could not only play, he could teach others to play also. He was rare in that resepect.
Virtuosic1 4 years ago
wow del palo de petrucciani
jAmguitar84 4 years ago
Wow , this is perfect very wonderfull.
Dynamic perfect. And an execution plastic.
This is an example of what means power of plasticity when moving. It's more than a very good execution! It' fire on board!
richardre06 4 years ago
Aaronhillmusic:
Tristano Bassist Peter Ind just wrote a book titled "Jazz Visions" discussing Lennie, The Music and Lennie's Critics. I studied Bass with Peter in New York. We were there when the music happened. Lennie was a most underrated Genius but the music is for all time.
jrv1a2 4 years ago 3
Modes9
Lennie Tristano drew inspiration from Art Tatum, Bud Powell, Lester Young and Charlie Parker and felt you would have to listen to those giants and study them rigorously if you wanted to be a well schooled jazz player.
jrv1a2 4 years ago 2
Like Dave McKenna- a pianist who never need a bass player. What an inspiration to listen to Lenny!
rockintetster 4 years ago
Hi. I'm a kid and just wanted to tell you that this is great! I'm kinda the only kid in my school who is into jazz. hm. well, thank you very much for the video!
claptonfan1000000 4 years ago
omg those chords at 2:30 ....chills
jimicheesecake 4 years ago
A gem of a performance!
paulostroff99 4 years ago
I just love that percussive attack and the way he never plays two notes in a row at the same level of dynamics. Lennie never got enough credit...and Bill Evans robbed him blind (no pun intended). You can't compare him to Monk. He could play figure eights around Monk in the technical sense. You might compare him to Bud Powell.
Modes9 4 years ago
Yes... for those who says Lennie was cold, cool, distant , etc: listen to "Requiem" or "Turksih mambo" (an early overdubbing experiment in jazz). It is probably dark, and nothing of distant but intense.
gauchoheavy 4 years ago
im connected to him... he taught sal mosca, who taught my teacher guitar and piano who is teaching me piano.
bkgangstapianist 4 years ago
I dunno how to react to the "gangsta" part. . . but I do have a recording of Sal Mosca playing piano with Warne Marsh at the Village Vanguard in '81, and it's great stuff.
317East32nd 4 years ago
im not much of gangsta.. thas jus immature baby stuff. I guess. Well yea, Ill check it out because the only recordings I have a Mosca are on his site and from a CD live in Valhalla.
bkgangstapianist 4 years ago
freaking awsome i just closed my eyes and he took me through a story 5 stars
jandlefob 4 years ago
Each pianoplayer must love Tristano, one of the most underestimated jazzpianists. Thanks very much for posting this great solo of the master.
pianojazz66 4 years ago
how many bass players does it take to screw in a light bulb - none Lennie does it with his left hand.
Thanks for this posting.
baloniousdunc 4 years ago
Tristano was phenomenal. At times, his splayed-fingers right-hand style sounds like Monk -- at least to me. Thank you for posting this. I wish I could walk my basslines in this manner.
Hgclaw 4 years ago
Funny you mention Monk. I have a radio interview of Lennie and he says that Monk was one the "dumbest" pianists ever! It was a radio interview on WKCR-FM, I don't recall the year. It's an interview with Lennie and Connie.
Aiden057 2 years ago
That is funny.
Hgclaw 2 years ago
Wonderful comment - I totally agree, and that's why I love Monk.....ROFL
revdolaf 2 years ago
that hurts a bit, since they're my two favourite jazz-pianoplayers. i guess lennie was the dumb fuck when he said that. he was very smart in many other respects (is that correct english? i'm belgian) though. love'em both dearly.
bertdockx 2 years ago
Yeah, i don't know why he dissed Monk like that, I think it was because Monk didn't have the kind of disciplined chops that Lennie respected. Personally, I've always found Monk's playing interesting.
Aiden057 2 years ago
It's not necessarily an insult.
titicaca321 2 years ago
that's true. anyway, one quote out of context says nothing. i think it's weird though to find people fighting over monk and tristano, as if it's impossible to love them both. i do, they're both unique, brilliant, uncompromising, eccentric, lyrical, addictive. allthough it's true that monk got more recognition during his lifetime than lennie, they both got their share of unjustified criticism, and still do. a lot of musicians i know, can't really understand me loving either one of them so dearly.
blackiekakkie 2 years ago
(by the way, titicaca321, i'm the same guy as bertdockx, this is my girlfriend's account)
blackiekakkie 2 years ago
I have this CD. I think the best song in my opinion is "Imagination". Beautyfull bluesy down to earth solo Phenomenal.
mrpossibilities 4 years ago
I just finished reading a great biography of Lennie by Eunmi Shim called, "Lennie Tristano: His Life and Music," which even includes some transcriptions. The book talks a lot about how much Lennie hated dealing with the music industry (in particular club owners), and makes you question how much who the industry promotes has to do with who we think of as "legends."
aaronhillmusic 4 years ago
Tristano rules! Love that piano.
jostber 4 years ago
OAUAh! Thanks Lenny and 317East32nd. I'm some pissed off because I'd readen frecuently that Tristano's style was some cold, cerebral, distant, and that kind of bla, bla.. I had not heard nor paid him too much attention, probably by that idea in my mind. WELL, there is nothing like hear, see and judge oneself. Cold this? ha! Darn critics..:)
PabloVestory 4 years ago
wow.
demandango 5 years ago
Le professeur dans ses oeuvres. Respect !
stephanefr 5 years ago
Can't believe this is here. Thank you for Posting!!!
gothamgal 5 years ago
Beautiful.Thanks .
rosolino38 5 years ago
There's this book "Solo Jazz Piano" by Neil Olmstead, published by Berklee Press that shows those techniques and mr. Olmstead addresses them to this legend of Jazz Piano, Lennie Tristano. I'd never got the chance to hear him, given it's hard to find Jazz CD's where I am. Now, I can have my reference and I'm sure digging this master more than any other I've seen so far.
cesarbraga77 5 years ago
What is the cause to his blind? I am so glad he can play it so well although he is blind. Thats is what i call play by feeling. Just like Great beethoveN
KenSG85 5 years ago
He was also the teacher of Lee Konitz and Wayme Marshe.
Zosh1 5 years ago
Is he blind man ? God bless him with such a talent . .
KenSG85 5 years ago
Yes, Lennie was more or less completely blind by age nine or ten. I just didn't want to define him as a "blind pianist." It is quite remarkable, though. He also played drums, saxophone, clarinet and tenor guitar. Of all musicians I've been exposed to, he is probably my favorite.
317East32nd 5 years ago
I have been waiting so long for Lennie to show up here, I have searched for him from the first day! What a joyous Thanksgiving, I am very grateful! Thank You 317East32nd, Thank youtube! RIP Lennie, love always
paullongball 5 years ago
Thanks 317East32nd and many thanks to you paul for sharing this awesome legendary piece. Ben
dabiribd 5 years ago