One reason comparing Hvorstovsky and Bastianni is troublesome is that Bastianni was the kind baritone related to the bass whereas Hvorovstosky has a more tenor oriented voice. The great Siberian baritone throws in extra gleaming top notes while the great Siennese baritone rumbles and growls.
@Agorante ..."rumbles and growls " ????? I can and I do respect your preference for Mr. Hvorostovsky ( whoe´s "model" by the way (in his own words)has always been Mr. Bastianini) however , as to your comment ~ no offense ~I think there is something very wrong with your ears .
I'm sorry if the phrase "rumbles and growls" offends you. I wasn't meant as a criticism just a description. Bastianini is one of my favorite baritones.
Who was the contuctor?I noticed that the introduction has been cut off. Too shame..its very nice to hear this before the aria.And second he did an accelerando,completely out of the first tempo and simply out of the style of this beautilfull piece.Excellent interprator Bastianini.
I also want to say that Bastianini understood the "dome;" that is, that singing needs to have perfect balance between chest and head register, "gathered," refined, and ROUND ( as in "How now, brown cow.") The young singers of today blast everything out their mouths, sounding just one step removed from musical theatre belters. Bastianini sings gloriously. My favorite baritones are him, Warren, Merrill, Ruffo, de Luca, and Stracciari.
Bastianini had one of the most glorious sounds of any baritone I know; his voice actually physically excites me! He is absolutely unsurpassed in many roles. However, to be VERY picky, his legato is not as fine as it could be in this excerpt. Listen to Leonard Warren's recording from 1956 and you'll see what I mean.
A singer is not a drum, so therefor cannot sing a trur staccato; the staccato markings in Verdi also have slurs over them, indicating that the notes are to be pulsed within the legato line, but not separated. It is difficult to demonstrate this on a YouTube comment; if you hd a voice coaching with me, I could show you exactly what I mean. Listen to Leonard Warren. You completely ignore my lavish praise of Bastianini.
First of all I do agree with your other comments about Bastianini, but I'm still confused about what part of this aria you think is not performed with enough legato.
Well, listen to the opening phrases; " e che pa ce col la suol" for example. The notes could be more artfully stitched together by a more efficient placement of each consonant: on ascending phrases by putting the consonant before the higher note, and on descending phrases by placing the consonants over and directed outwards on the bottom note. You see how difficult this is to explain on paper? Listen to Leonard Warren!
AAaaah! At last!! A Baritone... voices in extintion... nowdays we have tenors whom didn; t learn how to sing the passaggio and the way of the top notes... or we have not nowdays good voice teachers?
Baritone voices were always rare. Bass voices even more rare. Everyone wants to be a tenor now, but they forget a baritone is as equally important in an opera
bastianini's voice continued to gain gravitas as he aged -- he is easily the most controlled and resonant of the "great baritones" -- the voice is hypnotic
The tenor is Paul Knowles. I am one of his sons and have never seen any video clips of my father's performances. Does anybody know if there is a complete version of this performance? Thanks Jon
Dear Jon, what is left of this performance are some highlights and you'll find it on a DVD with Beverly Sills called "Beverly Sills made in America" - It´s great. Sincerely Marco
I like everyone else can't thank you enough for this. Everytime I hear another wonderful Bastianini performance, it makes me very sad. But goog God, it is worht it !
Grazie per aver inserito questo video... Bastianini, Gobbi, Bechi, Stabile, Corelli, la Tebaldi, la Callas staranno dando un concerto lassù in cielo. Ci mancano tanto e non ci sono cantanti di questo livello
What a pleasure listening to this voice!I agree with you in saying "God bless Ettore"-he was one of the greatest Baritonos of all time-and also a wonderful Human beeing; this 25th of january will be the 40th anniversary of his death; he always will be missed !
Bravo !
FrankPourcell 3 months ago
Ruffo+beauty=Bastianini..
jcab2323 5 months ago
The tenor is Paul Knowles, my father.
a70sgirl 8 months ago
はんぱない!!
cimatyogori150 11 months ago
Great rendition!
tenordramaticitm2 1 year ago
Interesting, he sounds very lyrical here compared with his later cd recordings.
raphaelhudson 1 year ago
One reason comparing Hvorstovsky and Bastianni is troublesome is that Bastianni was the kind baritone related to the bass whereas Hvorovstosky has a more tenor oriented voice. The great Siberian baritone throws in extra gleaming top notes while the great Siennese baritone rumbles and growls.
Agorante 1 year ago
@Agorante ..."rumbles and growls " ????? I can and I do respect your preference for Mr. Hvorostovsky ( whoe´s "model" by the way (in his own words)has always been Mr. Bastianini) however , as to your comment ~ no offense ~I think there is something very wrong with your ears .
ingriddoppler 1 year ago
@ingriddoppler
I'm sorry if the phrase "rumbles and growls" offends you. I wasn't meant as a criticism just a description. Bastianini is one of my favorite baritones.
Agorante 1 year ago
@Agorante I appreciate your message and I apologize for having misinterpreted your comment !
ingriddoppler 1 year ago
Is this out of a whole show with La Traviata? Could you post the duet with the soprano, "Un di quando le veneri"?
minnie888444 1 year ago
The only trouble is that he is TOO handsome for the role! Maybe Violetta will reconsider...
minnie888444 1 year ago 3
Thanks for posting. I think he sounds the most like Ruiffo of any post WWII baritones. A great voice.
orovalleydude 2 years ago
è fantastico... che voce pastosa e potente
peppelyrics 2 years ago 2
di provenza's best performer...
gencodiz 2 years ago
great post, thank you. such nobility and beauty in this man's art.
ruffoite 2 years ago 2
babyfairy, I totally agree with you and thank you for this posting.
Aetion 2 years ago
muito bom!!!
chico00566 2 years ago
Que bella voz
mafelo9999 2 years ago
Who was the contuctor?I noticed that the introduction has been cut off. Too shame..its very nice to hear this before the aria.And second he did an accelerando,completely out of the first tempo and simply out of the style of this beautilfull piece.Excellent interprator Bastianini.
minorSi 2 years ago
accelerando at 1:30
minorSi 2 years ago
Giuseppe Bamboschek
cantante189 2 years ago
i was replying to minorSi, but it put my comment first instead of in reply
cantante189 2 years ago
I wish this video was a little louder but none the less the singers are great.
founder222 2 years ago 3
that Ab at 3:51 was amazing... so unexpected
HMW 2 years ago 2
Comment removed
leadoffeohippus 2 years ago
Thank you, baby fairy. I wish I had the time to enjoy each one of the videos you have posted. I have subscribed to your channel.
Once again, thank you!!!
wongmartinez 2 years ago
This comment has received too many negative votes show
Shame about the legato...
Mooorhe 2 years ago
what do you mean?
nisticom 2 years ago 17
His legato is all but shameful... If you prefer slurring then stick to Battistini or similar singers!
MonaMonda 2 years ago
babyfairy, I agree with your comment and thank you posting this aria with the great Bastianini.
Aetion 3 years ago
Ettore is one my all time fav. I love his tone and interpretation as Gerrad in Giordano's Chenier! bravissiom
riigoletto 3 years ago 2
Some strange cuts in this production. I love his high Ab just before exiting. If you're not going to sing the cavatina then belt out a high note.
jayboytheplayboy 3 years ago 7
hahaha nice.
HMW 2 years ago
I also want to say that Bastianini understood the "dome;" that is, that singing needs to have perfect balance between chest and head register, "gathered," refined, and ROUND ( as in "How now, brown cow.") The young singers of today blast everything out their mouths, sounding just one step removed from musical theatre belters. Bastianini sings gloriously. My favorite baritones are him, Warren, Merrill, Ruffo, de Luca, and Stracciari.
billyguns2 3 years ago 2
Bastianini had one of the most glorious sounds of any baritone I know; his voice actually physically excites me! He is absolutely unsurpassed in many roles. However, to be VERY picky, his legato is not as fine as it could be in this excerpt. Listen to Leonard Warren's recording from 1956 and you'll see what I mean.
billyguns2 3 years ago
Billy, it sounds like you are afraid to admit that you crave an occasional rough sonic pounding...
wotanman 3 years ago
I think he sings it as Verdi wrote it. There are a lot of staccato markings in this aria.
Operafiend22 3 years ago
A singer is not a drum, so therefor cannot sing a trur staccato; the staccato markings in Verdi also have slurs over them, indicating that the notes are to be pulsed within the legato line, but not separated. It is difficult to demonstrate this on a YouTube comment; if you hd a voice coaching with me, I could show you exactly what I mean. Listen to Leonard Warren. You completely ignore my lavish praise of Bastianini.
billyguns2 3 years ago
First of all I do agree with your other comments about Bastianini, but I'm still confused about what part of this aria you think is not performed with enough legato.
Operafiend22 3 years ago
Well, listen to the opening phrases; " e che pa ce col la suol" for example. The notes could be more artfully stitched together by a more efficient placement of each consonant: on ascending phrases by putting the consonant before the higher note, and on descending phrases by placing the consonants over and directed outwards on the bottom note. You see how difficult this is to explain on paper? Listen to Leonard Warren!
billyguns2 3 years ago
What a voice! Just watched his IL trovatore from 1963. in Tokyo, that video made me so so sorry for him.
bastianinisfan 3 years ago
Ninochka,
you are absoluely right !
Fantastic true baritone voice and what a cruel fate dying as an opera singer at young age from cancer of the vocal chord ! Terrible.
energyglobal 3 years ago
AAaaah! At last!! A Baritone... voices in extintion... nowdays we have tenors whom didn; t learn how to sing the passaggio and the way of the top notes... or we have not nowdays good voice teachers?
aguacun 4 years ago
Baritone voices were always rare. Bass voices even more rare. Everyone wants to be a tenor now, but they forget a baritone is as equally important in an opera
Kafkandinsky 4 years ago
Baritones are the spine of opera!!!!
ever!!!!
ankhsnammon
Ankhsnammon 4 years ago
Yes,vwe have one...M. Vladimir chernov.he's the sole survivor of that "barytonale race" now in total extintion,sir!!!!
ankhsnammon
Ankhsnammon 4 years ago
Ettore was..oh,no!!He IS!!! one of the best...not only baritones...but singers in general,ever!!!!
ankhsnammon
Ankhsnammon 4 years ago
I've got a kick out of seen very young Beverly Sills at the curtain call.
Please post duet part with Bastianini and Sills.
I pray that they rest in peace.
darewolf 4 years ago
There are many baritones but I don't know anybody sung this good "Di Provenza" before and since Ettore.
I don't think anybody else like him ever.
Thank you for posting this Ettore's earliest TV appearance on March 3,1955.
darewolf 4 years ago
I know Warren,Bechi,tibbett,ruffo,Battistini,Litsitsian(whom sung it in russian),and somebody else...but from the Platinum and Golden ages.
Today,we have only a baryton whom is really this,baryton:M.Vladimir chernov.
ankhsnammon
Ankhsnammon 4 years ago
Lisitsian or Lissitsian or Lisizian
EvaHartwig 4 years ago
I don't know what is the best form to tranlate the cyrillic characters...Excuse me,please...
ankhsnammon
Ankhsnammon 4 years ago
hvorstovsky is superb
operalament 4 years ago
Well,it's your opinion...and I respect it,of course.
but he NEVER can be better than Bastianini...please...you must accept it,my dear friend!!!
Bastianini(God bless forever his beautiful spirit!!)was a knight of scene...and he HAS the voice!!!!
with all my respects for you.
Ankhsnammon
Ankhsnammon 4 years ago
bastianini's voice continued to gain gravitas as he aged -- he is easily the most controlled and resonant of the "great baritones" -- the voice is hypnotic
fcfecteau1231 5 years ago
I think the tenor is the American tenor Paul Knowles.
archiloque 5 years ago
The tenor is Paul Knowles. I am one of his sons and have never seen any video clips of my father's performances. Does anybody know if there is a complete version of this performance? Thanks Jon
pknowlesson2 4 years ago
Dear Jon, what is left of this performance are some highlights and you'll find it on a DVD with Beverly Sills called "Beverly Sills made in America" - It´s great. Sincerely Marco
Operator66 4 years ago
I like everyone else can't thank you enough for this. Everytime I hear another wonderful Bastianini performance, it makes me very sad. But goog God, it is worht it !
archiloque 5 years ago
Great!!! I wish I would have heard him live.
MrCafiero 5 years ago
Grazie per aver inserito questo video... Bastianini, Gobbi, Bechi, Stabile, Corelli, la Tebaldi, la Callas staranno dando un concerto lassù in cielo. Ci mancano tanto e non ci sono cantanti di questo livello
occhioverde71 5 years ago
Thank you, thank you for posting this clip of the great Bastianini. BTW, who's the tenor?
rmm413 5 years ago
Wow!!!!How could he have sang at 50 yeasr old!!
Costantino80 5 years ago
Oh thank you so much for sharing this ! God bless Ettore !
temictocles88 5 years ago
What a pleasure listening to this voice!I agree with you in saying "God bless Ettore"-he was one of the greatest Baritonos of all time-and also a wonderful Human beeing; this 25th of january will be the 40th anniversary of his death; he always will be missed !
ingriddoppler 5 years ago