Added: 4 years ago
From: mchlcooper
Views: 14,486
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  • well that's easy to say when we have close ups of their faces. I think what she's doing is great considering the venue, and there's certainly more reasons than her voice why she is paid the big bucks!

  • I am sorry but I find this scene is overdone by Fleming.

  • Boito wrote in the 1887 production book" We would beg the ladies who are called upon to play thïs role not to roll their eyes, wriggle their arms and bodies or take strides ten foot long, or to try for socalled 'effects'."

  • She has a great voice, but regarding her stage appearance someone ought to tell her that less is more.

  • wonderful, fleming needs to stick to roles like this that fit her voice. it's really a great instrument when used correctly =)

  • Comment removed

  • Wow, she is excellent and what a convincing acting! As for him, a great Otello as usual (no surprise ;-) though I prefer the 1992 version from the ROH with Kiri Te Kanawa.

  • hahaha guys we have found "cromagnon"

  • Das ist so schön. So wunderbare Musik! Wenn doch die Politiker endlich die Musik fördern würden statt sinnlose Kriege zu führen. Wo solche Musik lebt, darf nie wieder eine Waffe gebaut werden. Aber die Menschen werden weiter morden, weil sie z.T. schlimmere Furien sind als Otello. So viele machtgeile Schweine, die über Leichen gehen.

  • Comment removed

  • This is wonderful, but.... no more??

  • It's from the MET. It was performed in 1995. James Morris was Iago.

    Available on DVD as a DGG release.

  • Who sings Iago in this performance? What year/where is it staged?

  • Yes, it's from 1995

  • Holy cow! At age 66 Placido Domingo's voice is still phenomenal!

  • Actually, this I believe is from the 1995 performance at the Met, which would make him 54 at the time. Still an excellent job for that age!

  • he was 54

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