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  • I've read that this was one-helluva-session. My favorite is Brian's sitar & tamboura work. A rare moment of clarity for him. Love the buzz saw sound as it fades out with the cut.

  • Wow..thisis cooL..some subtle differences from the regular version.Sounds good..Think I'm going to undust my single collection.

  • It's a shame any future band with a similar message is going to be silenced by the ton of commercial crap drowing it out of existence.

  • 50 years ago I was being given detentions at school for singing this and other stones songs with ruler on desk accompaniments - and it still is bloody good today .

    Greatest Rock band in the world .

  • Of all the mixes and vocal variations of this tune, this is what I prefer. (And my copy with this mix, is a pressing by Columbia Records' Santa Maria, CA plant, with label copy type from Pitman, NJ.)

  • cool vid bro thanks for sharing!!

  • great one here.the reason the song made it only to#48pop in 1968,was many radio stations didn't want to play it,feared it might cause problems(with all the riots going on at that time). if anyone got the picture sleeve to this hold on and be careful with it,it is very valuable.

  • Sleeve is for sale on Ebay.

  • finally I found it

  • what's really great about this mix too is Brian's sitar adding that extra bit of psychedelic color and almost electric quality.

  • Great video

  • Vivid memories! I was in my early teens then.......

    .......before the Stones were "secure and safe"

  • Vivid memories! I was inmy early teens then.......

    .......before the Stones were "secure and safe"

  • Vivid memories! I was inmy early teens then.......

  • Rolling Stones: Street Fighting Man!

    G-SEVOOONNNNNNNNNNNNNNNNN!!!!

  • Remember remember the 5th of November!

  • This single with the authentic cover, you can find at Ebay USA till July, the 24th 2011!

  • Yeah, thisis one interesting version.

    Less dramatic than the regular version,(probbably because of the absence of reverb here),but great all the same.

  • What is amazing about this version and the original Jumpin Jack Flash is that the only electric instrument is the bass. Keith recorded the guitar riffs with a cheap tape recorder that he overloaded and over dubbed with many guitar tracks. Charlie played drums on a cheap 1930s travel set. Amazing what true musicians can do with junk.

  • @fourbluz Did you know that when the Stones Got done recording "whats my name" a song of course about the devil, their studio burned down in a mysterious fire.. weird huh.

    Look it up man, peace.

    superjiggawhat.

  • @fourbluz wow!!

  • We fucking love the Stones

  • V for Vandetta brought me here!

  • One of the very few original 45's with this cover sold on ebay not too long ago for 12 grand.

  • Thanx for the upload. Great track. Luv the sound...

  • I like the clean notes at the intro and verse.

  • This has got to be the original. The power and excitment is all there considering the student uprising across Europe at that time with Daniel (the MP of current times) leading the crusade. Wow!!

  • So much power and youthful energy.. :>)

  • >a<{〃〃〃!!!⌒♪

  • @Mikaerupochi interesting point.

  • This mono mix was the one used on the original 45 rpm release.Boy, do I miss the youthful excitement and boundless energy of those days.

  • BY THE HOMELESS FOR THE HOMELESS bloggers were here!

  • dude if you have the mono version of get off of my cloud can you put it up?

  • @jaxon1024

    just uploaded get off of my cloud mono single, it's from the original vinyl Singles Collection, so i used sony soundforge to normalize it, which just maximizes the volume so it's not so quiet... it's stll the authentic single mono though

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