I dislike modern productions (or post-modern) and love the old-fashioned, 19th century-styled productions. For Faust I like Gothic melodrama with angels and demons. But as far as Gheorgiu's performance, she's magnificent. She has a lot of passion and intensity. What a damn good actress...and what a great voice. She is the New Maria Callas.
I agree. There's something about this production that's a little off. Margarite is mad, but Faust is played as if he's still got the hots, instead of approaching from compassion. Devil may care?
Apparently this is not available on DVD in any country anywhere in the world. I cannot find it for sale anywhere. But it is obviously a commercial video production and not a "bootleg"
So please tell us Mr Oneguin65... where did you get get this?
I don't know why people seem to have such problems with Gheorghiu. I find her enchanting...she's a committed actress and solid vocally. (She doesn't have the vocal affectations of Fleming nor the inconsistency of Netrebko). She knows the vocal traditions of whatever role she sings, and her sensitivity and phrasing are top notch. I've not heard her live, but I dare say the voice is big enough. More importantly it is a malleable voice...she can shape and colour it as the role demands.
Is it my imagination or is Gheorghiu posing herself and her outfit to look like the "spirit of Marianne" that is seen in David paintings, etc. I too think that this is a knockout version of the opera -- so much better than the formulaic screeching of the Freni version
Man, I got so freaked out when I saw that, it was pretty good, but man, I really thought her boops were going to pop out, that would have been disgusting.
I agree with yuvalyel. She conveys much better than most Marguerite's madness. One of the good things is that in this performance Marguerite and Mephistopheles don't swamp Faust. Too often you can barely hear him. That was true in the performance of de los Angeles, Gedda and Christov.
very passionate i feel sympathy towards marguerite and faust as they die and through the whole performance and it was not as rushed as in other versions
frankly, this is teh fist time I am so impacted by music; so beutiful a finale; the music; the presentation; gounod's procise timing . the glorious theme of redemption of our Lord, the dawning of Easter, at the very moment on which Mephisto pronounces the dooming ........!
Her hip movements are truly odd at this dramatic moment. I think it's tension she's trying to dissipate, but it's unfortunate because dramatically she is more on than usual; true rather than just histrionic.
I agree . he is not Gyiaurov , nor Christov , Nor Pinza he lacks some kind of presence . Either vocal or Physical. Prob one of the greatist scenes in Opera
Gheorghiu seems doing the best she could do here. Yet often she sounds overparted, especially with this orchestra. Terfel is a little bit too light after getting used to singers like Ghiaurov or Ramey. However, Terfel is probably the more of what the composer intended. Alagna is very good here. Gheorghiu would be better in a small house. At a big house, I'd rather hear her as Despina.
Just discovered YouTube on my TiVo HD and must comment that this scene is stunning visually, aurally and emotionally. The first time I saw Faust was at the Met in 1960 when my fellow intern and I walked past the opera house and noted that tickets were available in a balcony. When I sat down, I crossed my legs and the person in front of me turned and asked if I intended to sit that way the whole opera. Don't remember my reply. Then the couple next to us, made out the entire opera.
Everyone is praising gheorghui but no one has said that the tenor had a perfect pronunciation wich is very hard when one sing so broadly. great performance, great tenor.
Well, I am French, and I can assure you that few French singers nowadays have the ability to pronounce words as clearly and accurately as Alagna does here. Catholab's compliment was fully deserved, imho.
I don't like how Angela, after seeing the Devil behind Faust, still seems to remain somewhat mad - at least acting wise. She's supposed to come out of her madness at seeing him.
These complaints of the performance are quite without merit. I still think this is one of the most dramatic and affecting renderings of the final scene that I've ever seen or heard. Full of drama, pathos and full-throated singing. Since opera is overdone by definition, I find it riveting when a singer can sing well and act so convincingly at the same time. Gheorghiu is exceptional. And the angelic chorus is brilliantly done. And Terfel donning his hat and sinking into Hell on a lift is fabulous.
Boy oh Boy do they need ACTING LESSONS. The generalized groping and her finger in her mouth. Hey, Look I am crazy! This is worse than an old silent film. Who directed this?? The little theater of Barvaria? No comment on the singing. Opera cannot only be about the tones. It has to be both good singing and acting. Remember Callas?? She managed to do BOTH.
This the most agreeable final scenes of Faust I've seen. Terfel is terrifying. The acting is very fine. Gheorghiu is quite stunning. Love the staging....
Really disagree. It is unusual staging, but great drama and, possibly excepting the tenor, great singing. I hope you will reconsider at some point and come to enjoy it
Somehere I agree... Alagna doing his best facing of the most dreadfull soprano (lucky for her she was Madame Alagna) and actress I have ever seen and heard.
Hay que saber distinguir entre la vida real y la ficcion. La opera es una ficcion y como tal debe verse. En la vida real (escribir un comentario publico en Youtube-por ejemplo-hacer una afirmacion de la clase que usted hace es un delito ,aparte de que muestra muy mal gusto para escoger la manera de expresarse,olvidando que este es un sitio publico al que tienen acceso no solo personas maduras,sino jovenes y niños en formacion.
I think Angela has a beautiful voice and to throw the odd tantrum now and then....well...what about Callas? I feel a good producer could stretch her more. Her 1994Violetta at the ROH was sublime. She also seems to enjoy life to the full and all power to her! Long may she continue.
Thank you for posting this wonderful performance. Ms. Georghiu compares wonderfully to many of the sopranos of today as well as in the past 50 years. Yes, she apparently is a diva and his gotten herself in trouble with the Chicago Lyric Opera and the Met. There have been many others who have done the same. She can act and she is beautiful. She sang an absolutely wonderful La Rondine. A word to Andante: You are a pompous ass!
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Garbage--pure trash. They should both be forbidden to sing. If you think the booing he got at Scala was bad, if his wife sang there she would have been pelted with rotten fruit and vegetables. They still do that, god bless them.
Angela Gheorghiu's debut at La Scala (a solo concert with piano backing to make her voice more accessible with almost an a capella feel) was extremely well received. La Scala loved her, then... which doesn't happen just every day.
Sorry.. the above was addressed to Andante735, it didn't reply correctly.
Continuing.. Her La Traviata there last summer came off a bit more like one might expect from La Scala; there was a bit of booing after Addio del Passato from the upper balconies, but nothing out of the ordinary. There was no vegetable pelting. And rightly so, because Angela is an amazingly talented soprano.
Please explain what is the problem of Gheorghiu? Please don't insult other people (as you did with JMD477), just explain your very extreme position. She's in tune, sings with expression and has a beautiful lyrical voice + she seems to have a feeling for French music. So I don't understand why you want to forbid her to sing.
Go take a look at the Final Trio video with Freni, Kraus, and Ghuirov- that's how it should sound. She's a pretentious, cheap, self-copied Callas clone, with a colorless palatte, who shoved her way through because of her looks and shrewd business sense. I'd prefer that she never sang, but I'm powerless to have that happen. In the meantime, people will continue to buy her recordings, and praise her non-existent artistry.
Is there a better finale in opera? I don't think so. This is an excellent rendition. A lesson for all of us: Always look for the small print in any contract. In Goethe's play, Faust wanted knowledge; in the opera he wanted youth. Neither deserved what they got.
I dislike modern productions (or post-modern) and love the old-fashioned, 19th century-styled productions. For Faust I like Gothic melodrama with angels and demons. But as far as Gheorgiu's performance, she's magnificent. She has a lot of passion and intensity. What a damn good actress...and what a great voice. She is the New Maria Callas.
MastersoftheOpera 2 years ago
@MastersoftheOpera
I agree. There's something about this production that's a little off. Margarite is mad, but Faust is played as if he's still got the hots, instead of approaching from compassion. Devil may care?
VolkgartenBySquirrel 2 years ago
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love the part where Mephistopheles actually salutes Christ with the hat
very poetic
xarissof 2 years ago
BRAVI I TUTTI!!!!
straumeeee 2 years ago
Gheoghiu is wonderfull here... !!!
ManricoV 2 years ago
Apparently this is not available on DVD in any country anywhere in the world. I cannot find it for sale anywhere. But it is obviously a commercial video production and not a "bootleg"
So please tell us Mr Oneguin65... where did you get get this?
razzking 2 years ago
I don't know why people seem to have such problems with Gheorghiu. I find her enchanting...she's a committed actress and solid vocally. (She doesn't have the vocal affectations of Fleming nor the inconsistency of Netrebko). She knows the vocal traditions of whatever role she sings, and her sensitivity and phrasing are top notch. I've not heard her live, but I dare say the voice is big enough. More importantly it is a malleable voice...she can shape and colour it as the role demands.
Operafiend22 2 years ago 3
frech lyrics please!!!
kuromahotsukai 2 years ago
Where & by what Opera company was this production performed?
6pigdek 2 years ago
Is this available on DVD or CD?
UllaNielsen 2 years ago
Is it my imagination or is Gheorghiu posing herself and her outfit to look like the "spirit of Marianne" that is seen in David paintings, etc. I too think that this is a knockout version of the opera -- so much better than the formulaic screeching of the Freni version
bizhist 2 years ago
Hi, do you happen what performance this was? Is it available? I would love to buy a complete recording.
Merci
Chloe 7829
chloe7829 2 years ago
Man, I got so freaked out when I saw that, it was pretty good, but man, I really thought her boops were going to pop out, that would have been disgusting.
IshyIMB017 2 years ago
This is the only Mephistopheles actually feels evil. Too often he's just a fop in a devil suit. Terfel does a great job of projecting menace.
rangerbobcat 2 years ago 3
I agree with yuvalyel. She conveys much better than most Marguerite's madness. One of the good things is that in this performance Marguerite and Mephistopheles don't swamp Faust. Too often you can barely hear him. That was true in the performance of de los Angeles, Gedda and Christov.
Kenchely 2 years ago
I've looked at other videos from this production and it looks so lavish and well-done!!!! This is how grand opera should be; in all forms.
manlyman80345 2 years ago 2
love the part where Mephistopheles actually salutes Christ with the hat
very poetic
xarissof 2 years ago 2
i really like the relatively fast tempo
HMW 2 years ago
very passionate i feel sympathy towards marguerite and faust as they die and through the whole performance and it was not as rushed as in other versions
chisatosmpai24 2 years ago
Je les adore bravo
gcalvet81 2 years ago
The singing is fine but Gheorghiu overacts as is now so often the case. Marguerite needs to be demure not a sex pot.
saagua1953 2 years ago
Actually in this scene it is perfectly appropriate...she is mad, traumetized and definitely no longer a virgin.
yuvalyel 2 years ago 2
I agree! Why else is she in her underwear with her strap down? She's closing in on the Janet Jackson moment.
SlightlySusan 2 years ago
beautiful, beautiful! So passionate and committed and great direction and conducting.
mangosagrado 2 years ago 3
Molto bella opera.
macciboma 2 years ago
frankly, this is teh fist time I am so impacted by music; so beutiful a finale; the music; the presentation; gounod's procise timing . the glorious theme of redemption of our Lord, the dawning of Easter, at the very moment on which Mephisto pronounces the dooming ........!
voltape 2 years ago 2
What company is this?
PecsMstr 3 years ago
She looks like Julia Roberts when she has her hair short. As a matter of fact, I felt the same way in her La Rondine makeup for the MET.
PecsMstr 3 years ago
I like Terfel.But Alagna...well,simply compare with Araiza in Ken Russel's production.And Georghiu is correct,no more.
blichilde 3 years ago
What an acting moment!!! How can we create / compose / invent / play such an emotion on stage...
cedybor 3 years ago
Her hip movements are truly odd at this dramatic moment. I think it's tension she's trying to dissipate, but it's unfortunate because dramatically she is more on than usual; true rather than just histrionic.
johndlabella 3 years ago
What acting by AG ! Amazingly different from her Pucinni roles. Not only one of the top living sopranos, but actresses as well.
P.S. I agree, Terfel is not Gyiaurov.
bobsopera 3 years ago 2
I agree . he is not Gyiaurov , nor Christov , Nor Pinza he lacks some kind of presence . Either vocal or Physical. Prob one of the greatist scenes in Opera
tenorismo 2 years ago
Wonderful performance! Georghiu sings like angel...
djbrooklyn333 3 years ago
Gheorghiu seems doing the best she could do here. Yet often she sounds overparted, especially with this orchestra. Terfel is a little bit too light after getting used to singers like Ghiaurov or Ramey. However, Terfel is probably the more of what the composer intended. Alagna is very good here. Gheorghiu would be better in a small house. At a big house, I'd rather hear her as Despina.
kh3205 3 years ago
Just discovered YouTube on my TiVo HD and must comment that this scene is stunning visually, aurally and emotionally. The first time I saw Faust was at the Met in 1960 when my fellow intern and I walked past the opera house and noted that tickets were available in a balcony. When I sat down, I crossed my legs and the person in front of me turned and asked if I intended to sit that way the whole opera. Don't remember my reply. Then the couple next to us, made out the entire opera.
genedong 3 years ago
Everyone is praising gheorghui but no one has said that the tenor had a perfect pronunciation wich is very hard when one sing so broadly. great performance, great tenor.
catholab 3 years ago 2
Catholab, The Tenor is French. Of course he has perfect French pronunciation. Don't think that is too difficult for him.
battycys 3 years ago
Well, I am French, and I can assure you that few French singers nowadays have the ability to pronounce words as clearly and accurately as Alagna does here. Catholab's compliment was fully deserved, imho.
Matt75003 3 years ago
Thank you for the clarification. Much appreciated. I think he's very good as Faust. I also like his singing in Roméo et Juliette.
I have the Aida DVD, in that opera, he was a 'disaster', imho.
battycys 3 years ago
I don't like how Angela, after seeing the Devil behind Faust, still seems to remain somewhat mad - at least acting wise. She's supposed to come out of her madness at seeing him.
EmilyGreene1984 3 years ago
These complaints of the performance are quite without merit. I still think this is one of the most dramatic and affecting renderings of the final scene that I've ever seen or heard. Full of drama, pathos and full-throated singing. Since opera is overdone by definition, I find it riveting when a singer can sing well and act so convincingly at the same time. Gheorghiu is exceptional. And the angelic chorus is brilliantly done. And Terfel donning his hat and sinking into Hell on a lift is fabulous.
Pywacket2 3 years ago 6
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Boy oh Boy do they need ACTING LESSONS. The generalized groping and her finger in her mouth. Hey, Look I am crazy! This is worse than an old silent film. Who directed this?? The little theater of Barvaria? No comment on the singing. Opera cannot only be about the tones. It has to be both good singing and acting. Remember Callas?? She managed to do BOTH.
HappyHounde 3 years ago
This the most agreeable final scenes of Faust I've seen. Terfel is terrifying. The acting is very fine. Gheorghiu is quite stunning. Love the staging....
Pywacket2 3 years ago 4
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The acting is overdone and amateurish. Indication: "Look I am crazy" "Look I am a sexual preditor" instead of being the part. How awful.
HappyHounde 3 years ago
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Pls give her finally the dose, this is unbearbale.
amlirco 3 years ago
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Wow! Probably the worst I have yet to see.
LeTraveler09 3 years ago
Really disagree. It is unusual staging, but great drama and, possibly excepting the tenor, great singing. I hope you will reconsider at some point and come to enjoy it
miirabilis 3 years ago 4
Somehere I agree... Alagna doing his best facing of the most dreadfull soprano (lucky for her she was Madame Alagna) and actress I have ever seen and heard.
italianoperafan 3 years ago
I dontget it...(is new to opera)
nekohitomemories 3 years ago
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esata es mas perra qeu bonita la verdad
petruscarael 3 years ago
Hay que saber distinguir entre la vida real y la ficcion. La opera es una ficcion y como tal debe verse. En la vida real (escribir un comentario publico en Youtube-por ejemplo-hacer una afirmacion de la clase que usted hace es un delito ,aparte de que muestra muy mal gusto para escoger la manera de expresarse,olvidando que este es un sitio publico al que tienen acceso no solo personas maduras,sino jovenes y niños en formacion.
jorgepoveda 3 years ago 5
I'm a big Byn Terfel fan.
rangerbobcat 3 years ago 8
Beautiful! My favorite version!
ladysnapey 3 years ago 5
j'aime beaucoup cette version, trio exeptionel
bravo
guy1938 3 years ago 5
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angela , arrête de massacrer le français!!
jl19g10 3 years ago
I think Angela has a beautiful voice and to throw the odd tantrum now and then....well...what about Callas? I feel a good producer could stretch her more. Her 1994Violetta at the ROH was sublime. She also seems to enjoy life to the full and all power to her! Long may she continue.
soppydate 3 years ago
Absolutely brilliant, my favorite version of all time.
2672906 3 years ago 3
woooooooooo she¨s almost naked at the end!!
cantanteporsiempre 4 years ago
Thank you for posting this wonderful performance. Ms. Georghiu compares wonderfully to many of the sopranos of today as well as in the past 50 years. Yes, she apparently is a diva and his gotten herself in trouble with the Chicago Lyric Opera and the Met. There have been many others who have done the same. She can act and she is beautiful. She sang an absolutely wonderful La Rondine. A word to Andante: You are a pompous ass!
fsklaw 4 years ago 4
I saw them actually do this live and thought they sounded terrific. I tend to think that I know a good amount about good singing.
Maybe you need the 'Prince of Tides' treatment...
JMD477 4 years ago 4
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Garbage--pure trash. They should both be forbidden to sing. If you think the booing he got at Scala was bad, if his wife sang there she would have been pelted with rotten fruit and vegetables. They still do that, god bless them.
Andante735 4 years ago
Angela Gheorghiu's debut at La Scala (a solo concert with piano backing to make her voice more accessible with almost an a capella feel) was extremely well received. La Scala loved her, then... which doesn't happen just every day.
emmyelle 4 years ago
Sorry.. the above was addressed to Andante735, it didn't reply correctly.
Continuing.. Her La Traviata there last summer came off a bit more like one might expect from La Scala; there was a bit of booing after Addio del Passato from the upper balconies, but nothing out of the ordinary. There was no vegetable pelting. And rightly so, because Angela is an amazingly talented soprano.
emmyelle 4 years ago 2
This performance was the total balls. Amazingly well sung, well staged, and very moving.
JMD477 4 years ago 6
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You don't know very much about good singing do you?
Andante735 4 years ago
Please explain what is the problem of Gheorghiu? Please don't insult other people (as you did with JMD477), just explain your very extreme position. She's in tune, sings with expression and has a beautiful lyrical voice + she seems to have a feeling for French music. So I don't understand why you want to forbid her to sing.
steffino2 4 years ago 2
Go take a look at the Final Trio video with Freni, Kraus, and Ghuirov- that's how it should sound. She's a pretentious, cheap, self-copied Callas clone, with a colorless palatte, who shoved her way through because of her looks and shrewd business sense. I'd prefer that she never sang, but I'm powerless to have that happen. In the meantime, people will continue to buy her recordings, and praise her non-existent artistry.
Andante735 4 years ago
Is there a better finale in opera? I don't think so. This is an excellent rendition. A lesson for all of us: Always look for the small print in any contract. In Goethe's play, Faust wanted knowledge; in the opera he wanted youth. Neither deserved what they got.
Iphylm2 4 years ago 6
The final of Faust is what the phrase " Grand Opera" means Elias : )
tenorismo 4 years ago 3
I feel like Satan's costume should be a little more over-the-top... some red, perhaps?
ARReith 4 years ago
Poor Faust.He didn't deserve that final....Dramatic, but very beautiful and touching also. I almost cry when I saw him as old....CONGRATULATIONS!
operamusiclover 4 years ago 3
Dramatic. Mezmerizing.
jessechene 4 years ago 2