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  • @macsqDressage8 maybe you should take a look at all the Rollkur-pictures and videos of Adelinde and tell me once again that this woman "rides beutifully". It is embarassing that Dressage has come to a point at which riders can only handle their horses by hyperflexing them or making them bleed in their mouth. Simply embarassing and sad!

  • Did you hear that that this horse had blood in the mouth in Kentucky and about the blood-rule?Very embarrassing, I think.

  • @luxcretia2 The horse had bitten its tounge as she dismounted to tighten the girth. The horse got a fright and bit his tounge when he shied slightly. It wasn't her fault and she rides beautifully.

  • Comment une telle monstruosité peut encore être acceptée par les juges? Dire que je pensais qu'on avait touché le fond avec Anky... mais non, on creuse encore.

  • I whish the speakers would shut up.

  • I liked it a lott.... the music fitts spesially during the first 2 piroetts, nice . but I do not like the Piaff at all.....the horse have no elasticity in his frontleggs.... even if he lifts them quiet nice.... it is a typical piaff you can see in dessage competitions, not a good one!!!

    Overall a nice presentation, but I missed the magic touch we could enjoy with another rider achieving 83%.... Edward Gal and Tootilas..... :o)

  • the way she pushes and pull at the same time during trot extension means that the horse impulsion is completely artificial and it shows in all the other movement... the horse doesn't ahve any brilliance and seems to be carried by the rider all along... what about the famous: Legs without hands and hands without legs.....? not illustrated there for sure...

  • not deserved......

  • Piaffe tempo well established but not always flowing. Walk music didnt attempt to fit his steps. Canter music really bitty and rather random - wish she had stayed with one theme and explored it in that pace. Can't believe her music didn't finish with her!

  • @MrRocksteady59 Believe it was more a case of her finishing ahead of the music

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