Dear Robert,You seem to be more in harmony with the state of mind for this piece than you were with the other Duphly Rondeau.Also your timing is very dimensional and satisfying for my tastes.I would have like some more articulative variance in the variations but you seem hear this in a much more sober and pious way than I do.
Finally...It's interesting and a bit confounding to me to hear all the absolutist piety that you thrust onto this piece in your approach to it,as neither this piece or you personally has this element in it.Whence does this conditioning arise and why is it important to thrust it onto this rhetoric?
I disagree regarding the quality of this harpsichord by Keith Hill ... it has a wonderful sound.
cabottobac 3 months ago
Dear Robert,You seem to be more in harmony with the state of mind for this piece than you were with the other Duphly Rondeau.Also your timing is very dimensional and satisfying for my tastes.I would have like some more articulative variance in the variations but you seem hear this in a much more sober and pious way than I do.
ClassicalMusicReview 2 years ago
On the other hand...While the instrument works pretty well here,but it is a far cry from any Taskin that I have heard.This instrument
is objective,universalist,absolute,formal,
and winter chrystalline while Taskin's aesthetic was subjective,intimate,democratic,
libertine,and full of warm earthy summer solstice
ClassicalMusicReview 2 years ago
Finally...It's interesting and a bit confounding to me to hear all the absolutist piety that you thrust onto this piece in your approach to it,as neither this piece or you personally has this element in it.Whence does this conditioning arise and why is it important to thrust it onto this rhetoric?
ClassicalMusicReview 2 years ago
again-lovely playing...any relation between the two of you?
gfc234 3 years ago
Beautiful playing-who made the instrument?
gfc234 3 years ago
The harpsichord is by Keith Hill (Manchester, MI), 2003, after Pascal Taskin (Paris, 1769)
earlymus 3 years ago