Added: 4 years ago
From: guitarcollege4u
Views: 24,713
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  • i appreciate this lesson mr. i've learned a whole lot  from this lesson....thank you!!!

  • Top lesson!!!

  • Way to explain it man! Like Joe said keep it simple, all those numbers just get confusing.

  • I agree with Pewter... You are very articulate in your explantion of what I consider a hard to explain subject (scale voicings working around jazz chord structures) making it very clear and easy to grasp. Very nicely done. You have a wonderful gift to teach.

  • Thank You ,Greatly appreciated.

  • beautiful !

    thank you so much.

  • Really informative and beautiful as well.

  • Thank you very much, greatings from Argentina. I watched the hole series & I've learned a lot! Gracias cheee!!

  • Comment removed

  • Excellent instruction. So clear and understandable. Now all I have to do is practice, practice practice. I need a boomerang. :-)

  • @ 2:14

    Sweet lick.

  • Please make more videos. The world needs to learn the art of jazz improvisation. You are a great teacher. Please more videos on jazz improv. Thanks a lot.

  • Interesting concept those 2 altered notes on the G7 chord,9- and -13. He didn't mention it but diminished is in there too, b

    d f ab,works very well over G7,greets Vic.

  • Thanks for sharing this! I learned a few things from this.

  • THANK YOU !!! GOOD!! BRAZIL !!

  • great! tank you!

  • At 3'46 I guess you mean C harmonic minor and not G harmonic minor.

  • Yeah, C Harmonic Minor not G harmonic minor.....

    Ab melodic minor (Ab, Bb, Cb, Db, Eb, F, G) is another option. This gives you b9, #9, major 3rd, b5, #5, b7 and root over a G7 chord....That could be called G altered scale also.

  • this is so cool.i love you to,but not like a gay person.

  • hey man, i love you :)

  • wonderful

  • great! thank you

  • Thank you so much!!!

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