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  • Clearly the best tenor and soprano of their generation.

  • I always consider that Netrebko's real repertoire is Verdi, not Donizetti or Bellini.

  • Die arie zu langsam...schade..

  • Netrebko is divine!

  • Netrebko vs Kaufmann !0- 0

  • is somewhere di quella pira with Kaufmann?

  • anna sings it surprisingly well:)

  • Comparando a Kaufmann con Cura, Villazón Giordani, y otros, es infinitammente superior a ellos, sobre todo a Cura, a Flores lo he dejado aparte, poruque tiene la decencia de interpretar óperas adecuadas a su voz, cantó RIGOLETTO, y lo ha separado de su repertorio, algo meritorio, cosa que debieran aprender otros cantantes, cómo por ejemplo los citados anteriormente...

  • Kauffman has got a fair number of haters here on YT.You may or may not like his technique but he is getting better and better and considering competition he is a leading tenor in the world now.You can not compare him to singers from the past,compare him to Cura,Villazon,Giordani,Flores.

  • @aragorn13308 in what can you compare Kaufmann and Florez? in barbiere di siviglia???? JDF wins. as Lohengrin??? .... who do you think is better in Lohengrin:)))?

  • @eurydike Of course you can not compare legiero/lirico tenor with Kaufmann,I didn't mean it literelly.My point was directed towards compareing contemporary singers between them.What I'm trying to say is that I'm a bit alergic to coments like "Corelli did it so much better" etc.It is 21. century and let's enjoy some new great artists.

  • @aragorn13308 of course, i l only found it funny to imagine Flórez as Lohengrin. i dont like these comments you mentioned too. in thirty years people will write that this or that famous future singer is nothing compared to Kaufmann, Hvorostovsky or Flórez. They might even be right:)))))

  • @aragorn13308 Invece occorre comparare tutti i cantanti tra loro, non per il timbro ma per la capacità di cantare, cioè di usare la voce come uno strumento seguendo le regole dell'arte del canto e della fisica acustica a cui esso si riferisce.E' il limite, la condizione e la particolarità fondamentale della voce e del bel canto. L'interpretazione è personale, non il fraseggio che è parte essenziale della recitazione e anche indicativo della corretta emissione.Preferisce voci rozze e artefatte?

  • Beautiful. Everything and everyone as one whole. Only 1646 viewers... Where are the rest of the people? They are missing a lot.

  • Anna is a goddess, this is exquisite.

  • Really love it. Anna's voice, especially, seems to be getting even richer and more beautiful than ever. Thank you so much.

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