I wish the RCA engineers had not placed the microphone so close most of the time to Heifetz; we hyear every scrape, thump and extraneous non-musical noise! That being said, I still think Heifetz was the greatest violinist to ever be recorded, and this is without doubt one of the great Beethovens. I also greatly admire Leonid Kogan, Ginette Neveu and Henryk Szeryng, and Francescatti/Walter are wonderful in this piece as well.
@RatedPi I don't know this story, but it would make sense given the nature of the sound quality of most of his recordings. His early acoustical 78s and the later stereo recordings give a truer picture of his incomparable sound. By the way, in my previous comment I left out what are my favorite two recordings of the Beethoven: Grumiaux/Van Beinum and Schneiderhan/Jochum!
I wish the RCA engineers had not placed the microphone so close most of the time to Heifetz; we hyear every scrape, thump and extraneous non-musical noise! That being said, I still think Heifetz was the greatest violinist to ever be recorded, and this is without doubt one of the great Beethovens. I also greatly admire Leonid Kogan, Ginette Neveu and Henryk Szeryng, and Francescatti/Walter are wonderful in this piece as well.
billyguns2 1 year ago
@billyguns2 Didn't Heifetz specifically requested the microphone to be very close to his violin so people could hear the "jit" sound?
RatedPi 9 months ago
@RatedPi I don't know this story, but it would make sense given the nature of the sound quality of most of his recordings. His early acoustical 78s and the later stereo recordings give a truer picture of his incomparable sound. By the way, in my previous comment I left out what are my favorite two recordings of the Beethoven: Grumiaux/Van Beinum and Schneiderhan/Jochum!
billyguns2 9 months ago
Awsome Cadenza
eeuzzy 1 year ago