@mmm2m8r --your post has indeed confirmed my suspicions that certain individuals could control the earth and its inhabitants with this thing, fulfilling various ,nefarious schemes........
Just watched this again for the first time since it was new, seems that I hadn't commented. Well, I still haven't seen anybody else doing this kind of thing. To be fair, very few people post videos, so we don't know if anyone else is doing this type of thing; regardless, I don't think it can be done any better than this (with "analog" step sequencers). Nice work, Morbs!
Impressive. I tried something similar with a Nord Modular patch a few years ago, but sequencer modules take up a lot of CPU on that thing (why?). So I couldn't gang enough of them together to pull it off.
Controlling every knob and switch must be very satisfying, but... have you ever considered doing all the sequencing and control in Cycling '74 MAX, with MIDI/CV converters to your sound generating modules? Seems like it would be a lot cheaper and more flexible, too.
OK, I understand this better. I've had another look at the Q960 and I think I understand the Trigger In and Out functions better. I guess I'll have to start saving up for a Q960. Meanwhile, I'll look forward to my 16x4 being built (currently known as the Sequencer of the Apocalypse). I recently turned my modular into a genuinely duophonic synth with the ability to make two identical voices. Lovely!
Hi, Il love this technique, but I'm still trying to get my head around it. I don't have any Q960s, but I have a Doepfer A155 and I'm having a 16x4 sequencer custom built with skip and reset, so I hope to start understanding this better. A question, though, does the patch always output a single (monophonic) voltage, or is it a duophonic or polyphonic patch? The voice and effects used makes it difficult to discern.
I don't think you'll be able to use this technique with your custom 16x4. What you MUST have, is Trigger-INs & OUTs for each stage (step). That's the only way for 'assigned' stages to trigger other selected stages. A 'reset' or 'skip' won't do this.
???output voltage being mono, duo, or poly???... It 'could' be set for 'duophonic'... but- this is not thi kind of thing that 'polyphony' is good at. (running out of characters... will cont. on next comment).....
... (continued)... With polyphony, all modules used in the patch (VCOs), (VCAs), (VCFs), (mixers)(multiples)(control-voltages)(everything)... must be duplicated for each voice... a massive task, and expense. Plus... with all of those voices being sequenced... it's highly questionable whether 'the waters would be muddied way too much'. Polyphonic synths have a specific use... being polyphonic. Same with mono.duophonic. I don't believe in 'forcing' one to be another. Poor outcome.
.... Besides... think of these 'sequences', as a sort of 'lead-part' (although, their often not... and a real lead is played over them). Thing is- too much going on... like massive polyphonic-voiced sequences, can be just way too much, for the listener.
One of the most basic, but important 'rules' of audio/recording is to remember this: "LESS IS MORE"! Too much, like I said, muddies the waters, to where it's just to involved for the listener to process... too busy.
@treetrouble I hesitate giving an 'in-depth' description, simply because of all of the times I've screwed myself out of good-paying gigs by "giving away my secrets", so to speak. (Sounds crappy... but it's true).
But briefly- One sequencer acts as the Master Clock, and plays the notes. A 2nd seq. is kept in sync, and it's output triggers are patched to 'certain' steps on the first seq, creating reset-points. By using switches, you select the 'reset-points', which controls the pattern.
Of course, these 'patterns' have several variables- not the least of which, are the notes tuned on the sequencer. Some tunings sound fantastic, while others sound- well, less desirable. Ideally, whether using 1, 2, 3, or more rows- the tuning of notes on each row have everything to do with a good or great sounding set-up. And- the selection of reset-points also can make, or break it. I started out patching for 8 reset-points, but over time, I found I prefer to use only 4- and all 'on-the-fly'.
if i had that set up, i would probably never leave my house and my body would no longer require nurishment from food, i would just feed off sound ..... mmmm pulse wave
Think you could add a bit about this to the dotcom wiki since, by your own admission, we can't really see everything that's going on in the video? I don't get what you mean by "patchable" trigger bus.
@mmm2m8r --your post has indeed confirmed my suspicions that certain individuals could control the earth and its inhabitants with this thing, fulfilling various ,nefarious schemes........
dondorward2010 2 months ago
What an impressive video. I'm not necessarily impressed by the size of your system but far more by what you do with it.
Thank you for providing value information with the texts showing what is actually going on.
agerven 8 months ago
This was awesome. How many modules do you have in that thing?
iloverush123 1 year ago
Just watched this again for the first time since it was new, seems that I hadn't commented. Well, I still haven't seen anybody else doing this kind of thing. To be fair, very few people post videos, so we don't know if anyone else is doing this type of thing; regardless, I don't think it can be done any better than this (with "analog" step sequencers). Nice work, Morbs!
johnpmahoney 1 year ago
very wel done thanks for this
keesvangelis 1 year ago
the cowboy hat really throws me off
kontube 1 year ago
Impressive. I tried something similar with a Nord Modular patch a few years ago, but sequencer modules take up a lot of CPU on that thing (why?). So I couldn't gang enough of them together to pull it off.
Controlling every knob and switch must be very satisfying, but... have you ever considered doing all the sequencing and control in Cycling '74 MAX, with MIDI/CV converters to your sound generating modules? Seems like it would be a lot cheaper and more flexible, too.
TheAlphadial 1 year ago
beautiful music. beautiful system. beautiful programming.
deadlover73 1 year ago
OK, I understand this better. I've had another look at the Q960 and I think I understand the Trigger In and Out functions better. I guess I'll have to start saving up for a Q960. Meanwhile, I'll look forward to my 16x4 being built (currently known as the Sequencer of the Apocalypse). I recently turned my modular into a genuinely duophonic synth with the ability to make two identical voices. Lovely!
Thanks for the reply and the excellent videos,
Stuadh
Stuadh 1 year ago
Hi, Il love this technique, but I'm still trying to get my head around it. I don't have any Q960s, but I have a Doepfer A155 and I'm having a 16x4 sequencer custom built with skip and reset, so I hope to start understanding this better. A question, though, does the patch always output a single (monophonic) voltage, or is it a duophonic or polyphonic patch? The voice and effects used makes it difficult to discern.
Stuadh 1 year ago
Sorry for the response delay-
I don't think you'll be able to use this technique with your custom 16x4. What you MUST have, is Trigger-INs & OUTs for each stage (step). That's the only way for 'assigned' stages to trigger other selected stages. A 'reset' or 'skip' won't do this.
???output voltage being mono, duo, or poly???... It 'could' be set for 'duophonic'... but- this is not thi kind of thing that 'polyphony' is good at. (running out of characters... will cont. on next comment).....
morbius001 1 year ago
... (continued)... With polyphony, all modules used in the patch (VCOs), (VCAs), (VCFs), (mixers)(multiples)(control-voltages)(everything)... must be duplicated for each voice... a massive task, and expense. Plus... with all of those voices being sequenced... it's highly questionable whether 'the waters would be muddied way too much'. Polyphonic synths have a specific use... being polyphonic. Same with mono.duophonic. I don't believe in 'forcing' one to be another. Poor outcome.
morbius001 1 year ago
.... Besides... think of these 'sequences', as a sort of 'lead-part' (although, their often not... and a real lead is played over them). Thing is- too much going on... like massive polyphonic-voiced sequences, can be just way too much, for the listener.
One of the most basic, but important 'rules' of audio/recording is to remember this: "LESS IS MORE"! Too much, like I said, muddies the waters, to where it's just to involved for the listener to process... too busy.
morbius001 1 year ago
drooool
hipitipitii 1 year ago
do you have a flat explanation of this technique posted somewhere? I'm having a hard time following through video bubbles
treetrouble 2 years ago
@treetrouble I hesitate giving an 'in-depth' description, simply because of all of the times I've screwed myself out of good-paying gigs by "giving away my secrets", so to speak. (Sounds crappy... but it's true).
But briefly- One sequencer acts as the Master Clock, and plays the notes. A 2nd seq. is kept in sync, and it's output triggers are patched to 'certain' steps on the first seq, creating reset-points. By using switches, you select the 'reset-points', which controls the pattern.
morbius001 1 year ago
Of course, these 'patterns' have several variables- not the least of which, are the notes tuned on the sequencer. Some tunings sound fantastic, while others sound- well, less desirable. Ideally, whether using 1, 2, 3, or more rows- the tuning of notes on each row have everything to do with a good or great sounding set-up. And- the selection of reset-points also can make, or break it. I started out patching for 8 reset-points, but over time, I found I prefer to use only 4- and all 'on-the-fly'.
morbius001 1 year ago
Fantastic stuff - Magical
Youngknife69 2 years ago
if i had that set up, i would probably never leave my house and my body would no longer require nurishment from food, i would just feed off sound ..... mmmm pulse wave
colorform2113 2 years ago
Super...Nice one...Czech Republic,,,,čao
ondra306 2 years ago
Think you could add a bit about this to the dotcom wiki since, by your own admission, we can't really see everything that's going on in the video? I don't get what you mean by "patchable" trigger bus.
Envergure 2 years ago
If I had a analog synth I like to jam with you ;) nice vids, 5 stars from me
ionman87 3 years ago
youh, but not just because of the routing; this would definetely be my choice for "single object to take to a deserted island"
3v45b5 3 years ago
Finally some one who can play this type of synth. Very nice work. Keep videos coming, I love them.
mattsynth 3 years ago
It's like a freaking spaceship! Cool!
MustacheVerra 3 years ago
Thanks for the video. You answered my question I asked on another one of your videos.
parkit66 3 years ago
EXEMPLARY! The beginning minute or two is my favorite.
derangedsniper 3 years ago
thanx for all your vids !
elektrosurfer 3 years ago
Wohoo love it! :)
demokid2000 3 years ago
suuuperb thank you for shareing all the best Donniem
donniemartin 3 years ago
one word to sum your video up:
FANTASTIC
Keep up the great work. Id trade my digital sequencers anytime for a rig like that
rjb2008 3 years ago
Cool stuff.
yoknapatawpha 3 years ago
Oh and BTW- the piece you created while demonstrating is very nice indeed. Great work.
Cheers
rtermini 3 years ago
Nice work indeed. thanks very much.
rtermini 3 years ago
Nice Video and a awesome concept! Thanks for putting forth the effort.
jazzbo58 3 years ago
WOW!
nice vid morbius!
TY for posting this.
agonaces 3 years ago
Nice hat!
angelometz 3 years ago
Wonderful times Infinity!
THISisTECHNO232 3 years ago
Wonderful Morbius , That would be nice if you could put on line ( Dotcom site ) a patch using two Q960 and trigger-gates ,trigger-busses .... :)
Eric
belempa1 3 years ago
this sequence is wonderful:-)
Korgator 3 years ago
Great songs ;)
Good job!!
pierrelebatteur 3 years ago