at her prime one of the greatest coloratura sopranos who ever lived, probably the greatest Lakme ever along with Sutherland - in our days a sad spectacle
While I love Dessay and her high note is insane - she never goes the limit. Callas threw herself into every line. She sang withut holding back and that is what made her the legend she was. Give me heart every time!
@flicfan416 They are two different voices.. Callas was an assoluta, a dramatic coloratura.. she could sing everything... Dessay is a coloratura,period.. She is not going to stray into the dramatic repertoire.. Her voice is too small. And the A flat is not written!
I hate this woman. of course I speak out of pure jealousy. I love her voice, and WISH I had the same talent. BUt I dont, so Im content with listening to her voice. I love it!
I don't agree, nor does Dessay herself. When you have the notes in your voice, it is no earning, but the technique and interpretation is where respect starts.
I was humming this beautiful aria the entire time. After Price, Dessay is my favorite soprano. Just love her!! The control she has. She is above all a communicator the main goal of singing.
This comment has received too many negative votesshow
Petite mise au point Lepamplemousse: Elle a perdu ses extraordinaires aigus et chante souvent sous les notes. De plus pour l'avoir entendue en personne 2 fois en 8 ans je puis vous assurer qu'elle est loin de l'excelence qu'elle nous avait montrée durant ses premieres annees de carriere. Lucia,Traviata... ne sont pas pour sa voix. En lucia par exemple la vois est souvent sous les notes parce que grossie. A propos, je possède l'audition absolue ainsi que le diapason fixe. Faux,c'est faux.
Well, it's really a pity people are always trying to find faults and compare singers... I find her great, I don't find her trills laughable at all, quite the contrary, and the ending is simply stunning in my humble, not highly professional opinion :o)
Parfairement d'accord avec vous Lepamplemousse. Une grande artiste qui possède ce genre de voix qui n'existe que chez les Français. Malheureusement sa voix s'est détériorée à cause des rôles trop lourds pour sa voix qu'elle a acceptés. Lucia Traviata etc..
Sa voix ne s'est pas "deteriorée" , Natalie est au summum de sa carrière et a triomphé tout au long de l'annee 2008 a new york , londres , chicago.. avec l'age elle a simplement perdu de la facilité dans les suraigus mais aussi gagné en intensité dans les registres inférieurs ..
Elle a tout simplement eut des polipes sur les cordes vocales d'où une lourde opération pour sa voix. Mais je suis entièrement daccord, Natalie est toujours au sommet surtout maintenant
This comment has received too many negative votesshow
I have such a love hate relationship with her. She is technically very proficient, but her diction is nothing short of terrible and she can be so sterile. Lucia Popp is far superior IMHO. Man, that G was astounding though. =)
This was quite a rendition! That G#...man...I loved it. For those of you who complained, it sounded like a G#6 coming from a human is going to sound. What else would you expect it to sound like? Also, she's a high coloratura, what do u expect? She's gothigh notes and uses them. I wish she still was singing like this...
Her roles are changed is what I mean. She still sings with the artistry that she has always had, and the sensitivity. The G sharp is at 5:44 by the way.
In defense of slooba (though not the spelling!), it is true: she had a polyp and a cyst on her vocal cords and surgical intervention was necessary. The New Yorker printed a profile on her sometime in the past year or so; it's worth checking out. I think Dessay is incredible. I saw her in La Sonnambula in Santa Fe a few years ago, and her stage presence is on par with her singing.
She should have omitted that high note at 5:43-45 that she tackled too forcefully with her delicate legiero instrument and it sounded rather distressed.
Sicuro, true it is an optional higher passage that Dessay chooses to perform, however, it is not without precedent nor is it unexpected. In the conductor's score of the actual opera, the passage displays a (italicized small print)run up to G# above the recommended E natural. Furthermore, here on YouTube, check out Mado Robin's similar interpretation (although horribly executed). Keep in mind Mado Robin performed it 50+ years ago. The higher notes option is definitely for those with highest range
This performance should have been on DVD. Dessay is convincing vocally and physically as the young Lakme, as opposed to the only current DVD with a much older Sutherland, though her voice is still great.
I don't own the DVD, but I would assume it's the same, because their description says it's a theater archive copy. I found this full production online and downloaded it.
HOLY CRAP. That was an A. *gapes stupidly in a state of absolute awe* WOW... OK, forget the Queen of the Night, that was crazy but totally awesome! :)
Et je ne parle pas francais tres bien (je l'etudie au lycee), mais parce que il me semble que beaucoup de gens francais regardent ce film, je voudrais dire ici en francais que Natalie Dessay est une de mes chanteuses favorites - elle est magnifique!
I think Natalie Dessay is a gift from another universe! i mean, who can SING like that! She surely is the voice of today, and the voice of what true opera should be.... To me, its Sills, Damrau, Dessay...
Yes I know very well what a singer is. In this case as in most cases the conducter is to blame. Have you ever worked with a conductor? Have you worked with one in a opera production? In a big house?
I´ve heard dessay do these "runs" in a faster pace. :)
As am I and I´m now even more surprised by you´re comment - if you are so experienced as you claim... And for the record I replied to your first comment because YOU were judgemental posting such an ignorant comment about Natalie Dessays ability.
You should seek an anger management program. You seem to have issues since you can´t stick to what we where discussing. Read the comments again and see who of us are so wanting to judge. I don´t need to tell you my name or where I work. I am here to watch operavideos not to prove myself to you or anyone else on the internet. Fact remains that your first comment was IGNORANT and judgemental.
Have a nice life and good luck with your anger. =)
Yes I know very well what a singer is. In this case as in most cases the conducter is to blame. Have you ever worked with a conductor? Have you worked with one in a opera production? In a big house?
I´ve heard dessay do these "runs" in a faster pace. :)
On the 3 Dessay cds I have, I have noticed that she does slow tempos on *many* things. She seems to like to 'place' all the notes very carefully, and never just lets go. The conductor can't be blamed for her personal artistic choices.
I don't like most leggerios but Dessay is an exception. Her timbre is silvery and beautiful, the aural equivalent of pixie dust :) The high notes here are just lovely and the coloratura is excellent.
God,so beautiful!I don't like to compare because everyone has his own voice,but I must admit that in terms voice,Dessay is much better than Mado Robin.The aria is very beautiful in terms of melody,but Dessay's voice is more beautiful than Robin's voice,and that makes always the difference.Very beautiful!CONGRATULATIONS!I have 3 questions:
1-Is Dessay a contemporanean singer?
2-What is the last high note,wich is sweetly and escelently sung?
:) Yes dessay is a contemporary singer, she is still quite young. The last high note is a E flat above high c. In this aria, Lakme is retelling the legend of the daughter of Parias. The very high parts of the song are supposed to represent bells ringing. I hope that's helpful! :)
That's right, the very last note is an E above high C. Although this is not the highest note of the aria. In the middle (around 5:44) she sings a high G in the cadenza. :)
Some of your comments are so stupid! "Move faster!" Haha Natalie doesn´t decide what tempo she´s to sing in a performance like this, with a big orchestra. Have you guys ever heard of a conducter. haha! Very often people have different ideas of tempo and dynamics, besides it´s not a race anyway...
Je ne comprends pas. Je suis americain. Je ne parle francais tres bien. Le mot "affreux" veut dire "tres mauvais" n'est-ce pas? Elle a chantée un sol dièse. C'était incroyable!
Qu'est-ce qu'est affreux? Mon blasphème? La chanson? La note?
She is more at ease with the highest notes....which are half the size of Sutherlands at in her prime. But in the middle voice, and on the trill, Sutherland is much more comfortable.
i love dessay but i have to agree, i dont like her interpriation of the song here. On this particular day she decided to do it this way for some reason. Anyone who has actually heard her do this, which i have in the other fashion she does it in, knows that she is utter heaven. If you listen to her do this, verse sutherland, she is much beter and has more ease to her voice.
Perfect. However, it's time to learn other names as well. First of all: Magda Kalmár. I captured this aria with Kalmár from Bartók Rádió cca.two years ago. The spoon fell out of my hands... Still better than Erika Miklósa.
In this song she is distracting a wild cat from her love. She is essentially giving up her life for his. I believe she captures the passion perfectly here!
Lovely opening cadenza, but the rest is disgraceful. Mechanical, slow coloratura, no hint of drama, thin voice, inept use of the language (and she's French!), metallic, edgy high notes, not even a hint of a trill. Worst of all, she shows her appalling taste by interpolating a terrifically ugly G#. Can she listen to this and not blush?
What a hater! Slow coloratura was a choice she made here. She can move just as fast as loads of other famous sopranos. She trills quite well actually also. Her French is beautiful and her sound is beautiful. Who would you suggest as a replacement?
Yes she can. You haven't seen videos where she has evidently, but she can move extremely fast. She doesn't run like Joan or Edita, but she sure can run faster than lots of sopranos. Check out more videos of hers. It's there alright.
Je l'ai vue sur scène dans Lakmé à Marseille en 1997.Ce petit bout de femme a réussi à emballer le public marseillais, d'habitude grognon et connaisseur. Elle était déjà une grande chanteuse à l'époque mais je ne l'avais entendue qu'au disque, et je me méfie des enregistrement. J'ai été conquis PAR LA VOIX, PAR LE PHRASÉ, PAR LE JEU D'ACTEUR, bref, ému au plus haut point. Rien ne justifie des commentaires de cette nature.
Cette vidéo est certes médiocre, mais la performance est exceptionnelle.
Bell, bella, bellissima. The only competition is Audry Luna, less ethereally beautiful and precise, but her deeper tones add to the excitement. Both up there with Casals playing Bach.
Dessay is fabulous in this but, honestly, was the high G# (yes, G sharp!!) really necessary? I also love Mady Mesple's version (she owned the role for quite a few years) and I saw Ruth Welting do a great job with the opera in Dallas many years ago.
This has to be the best live performance of the Bell Song I've ever heard. She floats that high E like nothing. BRAVA Dessay!!! P.S. What year was this???
I'm a real faithful fan of Dessay, and seems like I'll stand like this for the rest... But she's kinda crazy. Is there a high G in the second coloratura sequence? Man, she do that and don't go off pitch in the lower notes, it's amazing! She's not human! She's some incarnation of Finale music notation or a digital keyboard, aaaah!
Utterly PERFECT! This is by far the most controlled performance of the Bell Song I have yet heard. Her finale note sent chills down my spine. OUTSTANDING!!!
Hey, a high E is a piece of cake if you can sing a G# third higher...one of the best performances...she also takes her time...but why not...this song is mainly narrative... ZB
Wow just wow that was amazing!
lovejesustv 23 hours ago
fantastic voice!
SuperFlekica 1 month ago
Natalie Dessay is incredible! How could someone not love her voice? :-O
FrozenMermaid666 6 months ago
Absolutely beautiful, modern music has much to learn
simonp50 9 months ago
Phenomenal !
RhymeWirePoetry 9 months ago
That G-sharp was definitely amazing
akherousia 10 months ago
@akherousia It's technically an Ab ;p
LeCoconut 5 months ago
@LeCoconut now i know that, 4 months ago i didn't :) but thanks
akherousia 5 months ago
cuando vuelves a chile estimada
snplrcjls 10 months ago
at her prime one of the greatest coloratura sopranos who ever lived, probably the greatest Lakme ever along with Sutherland - in our days a sad spectacle
LohengrinT 10 months ago
05:54 HOLY MOTHER OF GOD that was NOT the high note I was expecting!!!!!
:O
panchamkauns 11 months ago
@panchamkauns gis
Nbtn86 10 months ago
Fantastica!!!!!!!! Bellisimo timbre!!!!!!! sobreagudos colosales!!!!!!!
acitipo 1 year ago
@bconsitt check out premiereopera. they have this and many, many other recordings for sale.
FoxyGrandpa 1 year ago
Lovely! Best coloratura around...
johnb340 1 year ago
I must say that Dessay is the best in this aria. Her highs are relaxed and full, with beautiful vibrato.
The shaky camera work in this video, however, is another story...one has to take Dramamine to watch it.
spokes64 1 year ago 4
@spokes64 agree!
thomastmwc 1 year ago
Thanks for this FG, she really shows us what she can do here! This is going to be a 'my favorite!' right now.
whizbang47 1 year ago
While I love Dessay and her high note is insane - she never goes the limit. Callas threw herself into every line. She sang withut holding back and that is what made her the legend she was. Give me heart every time!
MrCareypeck 1 year ago
That a -flat is ridiculous. And people think callas had a better upper register. HA
flicfan416 2 years ago 4
@flicfan416 I don't grasp the tone...are you criticizing/complimenting ? Haha sorry...
thomastmwc 1 year ago
@flicfan416 They are two different voices.. Callas was an assoluta, a dramatic coloratura.. she could sing everything... Dessay is a coloratura,period.. She is not going to stray into the dramatic repertoire.. Her voice is too small. And the A flat is not written!
kgarmaker123 1 year ago
I love how light her voice is and yet still very bright and clear!
chanteusse 2 years ago 7
This has been flagged as spam show
c'est un contre-contre-pet bécarre
TourneledosRossini 2 years ago
Natalie Dessay has a very good vocal technic, super.
TheLudann 2 years ago 12
flipanteee!!!!!!!!!!!! :)
sloobaa 2 years ago 2
Anyone know what note she hits at 5.46? My God, what a voice!!
suzie106 2 years ago 6
It's an High Ab... But the quality is awesome so it sounds like another octave up XD
BaritonoG 2 years ago 7
c'est un contre-sol ;)
tenor003 2 years ago
Beautiful Although I feel the recording is not good.
petshopgirl72 2 years ago 2
natalie only natalie =)
Lukejoker3 2 years ago 24
the best singer :)
maudetorterat 2 years ago 15
This has been flagged as spam show
A quand la Danse des Canards par Natalie Dessay avec Yvette Horner à l'accordéon dans une mise en scène de Jean-Paul Gaultier ?
TourneledosRossini 2 years ago
This has been flagged as spam show
too slow!
mariokalogeropoulos 2 years ago
This has been flagged as spam show
Boring!!!
zzzzzzzzzzzzzzzzzzzzzzzzzzzzzz
No colour, no depth, shallows singing!
R.I.P. Leo Delibes
bellafredina 2 years ago
Amazing
cc1454 2 years ago 6
I hate this woman. of course I speak out of pure jealousy. I love her voice, and WISH I had the same talent. BUt I dont, so Im content with listening to her voice. I love it!
farr0222 2 years ago 9
im pretty sure anyone who has the vocal range to sing this automatically deserves a huge amount of respect
KamilkaOz13 2 years ago 14
I don't agree, nor does Dessay herself. When you have the notes in your voice, it is no earning, but the technique and interpretation is where respect starts.
velazquez2009 2 years ago 4
wow...that's a high Aflat. wow
JockamoGoon 2 years ago 8
I was humming this beautiful aria the entire time. After Price, Dessay is my favorite soprano. Just love her!! The control she has. She is above all a communicator the main goal of singing.
PoemSetToMusic 2 years ago 7
Beautiful, but the vid quality hurts my eyes.
Opreaismylife10692 3 years ago 8
Miss Dessay's vocal range is amazing! Beautifully performed!
keara79 3 years ago 11
This comment has received too many negative votes show
Petite mise au point Lepamplemousse: Elle a perdu ses extraordinaires aigus et chante souvent sous les notes. De plus pour l'avoir entendue en personne 2 fois en 8 ans je puis vous assurer qu'elle est loin de l'excelence qu'elle nous avait montrée durant ses premieres annees de carriere. Lucia,Traviata... ne sont pas pour sa voix. En lucia par exemple la vois est souvent sous les notes parce que grossie. A propos, je possède l'audition absolue ainsi que le diapason fixe. Faux,c'est faux.
monpitt500 3 years ago
Well, it's really a pity people are always trying to find faults and compare singers... I find her great, I don't find her trills laughable at all, quite the contrary, and the ending is simply stunning in my humble, not highly professional opinion :o)
guiradobrasil 3 years ago 41
Parfairement d'accord avec vous Lepamplemousse. Une grande artiste qui possède ce genre de voix qui n'existe que chez les Français. Malheureusement sa voix s'est détériorée à cause des rôles trop lourds pour sa voix qu'elle a acceptés. Lucia Traviata etc..
monpitt500 3 years ago
Sa voix ne s'est pas "deteriorée" , Natalie est au summum de sa carrière et a triomphé tout au long de l'annee 2008 a new york , londres , chicago.. avec l'age elle a simplement perdu de la facilité dans les suraigus mais aussi gagné en intensité dans les registres inférieurs ..
et c'est beaucoup mieux comme ça :)
Sedrethka 3 years ago 6
Elle a tout simplement eut des polipes sur les cordes vocales d'où une lourde opération pour sa voix. Mais je suis entièrement daccord, Natalie est toujours au sommet surtout maintenant
NewMinako 3 years ago 2
she is c "colorature"
hulysse2000 3 years ago
this is really one of the best i have ever heard...such accurate coloraturas!!! i'm a big fan of maria callas but i prefer natalie dessay in this!!
paddymusic 3 years ago
This comment has received too many negative votes show
I have such a love hate relationship with her. She is technically very proficient, but her diction is nothing short of terrible and she can be so sterile. Lucia Popp is far superior IMHO. Man, that G was astounding though. =)
lb2101 3 years ago
OMG!!!!!!! this woman is an alien....no one on earth can sing like this! Brava!!!!!
elsr5 3 years ago 13
Love her to death
tenorismo 3 years ago 4
This was quite a rendition! That G#...man...I loved it. For those of you who complained, it sounded like a G#6 coming from a human is going to sound. What else would you expect it to sound like? Also, she's a high coloratura, what do u expect? She's gothigh notes and uses them. I wish she still was singing like this...
musiqmarquis 3 years ago
Doesn't she sing like this anymore?
lokitrix 3 years ago
Her roles are changed is what I mean. She still sings with the artistry that she has always had, and the sensitivity. The G sharp is at 5:44 by the way.
musiqmarquis 3 years ago 3
I think she had problems with her vowel chords and had to be quirurgically interviewd
sloobaa 3 years ago
In defense of slooba (though not the spelling!), it is true: she had a polyp and a cyst on her vocal cords and surgical intervention was necessary. The New Yorker printed a profile on her sometime in the past year or so; it's worth checking out. I think Dessay is incredible. I saw her in La Sonnambula in Santa Fe a few years ago, and her stage presence is on par with her singing.
dchiapello 1 year ago
Come on haters! She was amazing! Brava! This is the Natalie that I want to remember (as oppossed to the one singing now at days).
TheAleph74 3 years ago
I am not too fond of the really high coloratura voice, however i thought this was fantastic. i like this G the best.
EmiJulianna 3 years ago
G sharp, dear.
peti74 3 years ago 2
Where was the G sharp?
lokitrix 3 years ago
at 5:44
peti74 3 years ago
This comment has received too many negative votes show
Her added high notes are like that of a screachy little girl.
sicuro75 3 years ago
She should have omitted that high note at 5:43-45 that she tackled too forcefully with her delicate legiero instrument and it sounded rather distressed.
sicuro75 3 years ago
Sicuro, true it is an optional higher passage that Dessay chooses to perform, however, it is not without precedent nor is it unexpected. In the conductor's score of the actual opera, the passage displays a (italicized small print)run up to G# above the recommended E natural. Furthermore, here on YouTube, check out Mado Robin's similar interpretation (although horribly executed). Keep in mind Mado Robin performed it 50+ years ago. The higher notes option is definitely for those with highest range
FierceLibra 3 years ago 2
Is it really written? I thought the highest note in opera in general was the high G in Massenet's "Esclarmonde".
agnellodei 3 years ago
In Lakme, just the high E is written. The highest note written was in Esclarmonde, and also in the aria popoli di tessaglia (mozart).
123Niche 3 years ago
Was written with a G6, but pitched with old instruments. Nowadays would be an F6
yodavidnavarro 3 years ago
Suggest listening to LILY PONS to hear how this SHOULD be sung
796824 3 years ago
I MEAN IVE "ALWAYS" WANTED TO ASK
hazard562 3 years ago
ive alwaysed wanted to ask...do they use microphones?
hazard562 3 years ago
no, we dont
kpamina 3 years ago
But the rest was very beautiful. A pity that she isn´t singing like that anymore. But a very good singer!
ezayi 3 years ago
This comment has received too many negative votes show
I find those added high notes such a bad taste and out of place.
ezayi 3 years ago
This performance should have been on DVD. Dessay is convincing vocally and physically as the young Lakme, as opposed to the only current DVD with a much older Sutherland, though her voice is still great.
543johnson 3 years ago
You can get the DVD on premieropera.
FoxyGrandpa 3 years ago
For real?
Hasselhoffhater 3 years ago
Is it the same quality or better ?
thecelticspirit 3 years ago
I don't own the DVD, but I would assume it's the same, because their description says it's a theater archive copy. I found this full production online and downloaded it.
FoxyGrandpa 3 years ago
Oh, ok then, I think I'm gonna do as you did. Is it difficult to find online ?
thecelticspirit 3 years ago
She hits high G!!
mf2101 3 years ago
spellbinding.
DanyelHawkes 3 years ago
I have not found a better voice; I have looked, too!
username14657 3 years ago 2
Divine!!!
username14657 3 years ago
Listen to Eglise Guttierez doing the same aria.
postman1008 3 years ago
she's fantastic here. her trills are laughable though.
operaeater 3 years ago
HOLY CRAP. That was an A. *gapes stupidly in a state of absolute awe* WOW... OK, forget the Queen of the Night, that was crazy but totally awesome! :)
Et je ne parle pas francais tres bien (je l'etudie au lycee), mais parce que il me semble que beaucoup de gens francais regardent ce film, je voudrais dire ici en francais que Natalie Dessay est une de mes chanteuses favorites - elle est magnifique!
Cavatina21 3 years ago 4
laissons la video a des pro.
je vais pas voir n dessay avec une camera.
manque de respect
sebos014 4 years ago
tu ne connais pas les circonstances... et puis, on n'aurait pas Callas à Mexico en 1952 s'il n'y avait pas eu les pirates!!!
lepamplemousse 3 years ago
I think Natalie Dessay is a gift from another universe! i mean, who can SING like that! She surely is the voice of today, and the voice of what true opera should be.... To me, its Sills, Damrau, Dessay...
isinglouderthanu 4 years ago 2
J'aime tant sa voix. on dirait un fil d'or parcouru d'une vibration qui s'éfile jamais. toujours beau toujours juste.
erthzebeth 4 years ago
How slow she takes it - this cuts the dramatic side. I think the runs would be to hard for her at a faster pace.
PecsMstr 4 years ago
Do you know what a conductor is? LoL
Fillefjonkan 3 years ago
You are not actually placing the entire blame of tempo on the conductor are you? Do you know what a singer is?
PecsMstr 3 years ago
Yes I know very well what a singer is. In this case as in most cases the conducter is to blame. Have you ever worked with a conductor? Have you worked with one in a opera production? In a big house?
I´ve heard dessay do these "runs" in a faster pace. :)
Fillefjonkan 3 years ago
You are so judgemental. I have been a professional singer since my professional debut at 17 with the Florentine Opera. And you?
PecsMstr 3 years ago
As am I and I´m now even more surprised by you´re comment - if you are so experienced as you claim... And for the record I replied to your first comment because YOU were judgemental posting such an ignorant comment about Natalie Dessays ability.
Fillefjonkan 3 years ago
It amazes me when a person uses the word "IGNORANT" - a very judgemental word. So you are a 24 year old professional singer? Really?! Where?
PecsMstr 3 years ago
You should seek an anger management program. You seem to have issues since you can´t stick to what we where discussing. Read the comments again and see who of us are so wanting to judge. I don´t need to tell you my name or where I work. I am here to watch operavideos not to prove myself to you or anyone else on the internet. Fact remains that your first comment was IGNORANT and judgemental.
Have a nice life and good luck with your anger. =)
Fillefjonkan 3 years ago
Angry? I'm laughing. Good luck with your attitude.
PecsMstr 3 years ago
Yes I know very well what a singer is. In this case as in most cases the conducter is to blame. Have you ever worked with a conductor? Have you worked with one in a opera production? In a big house?
I´ve heard dessay do these "runs" in a faster pace. :)
Fillefjonkan 3 years ago 2
On the 3 Dessay cds I have, I have noticed that she does slow tempos on *many* things. She seems to like to 'place' all the notes very carefully, and never just lets go. The conductor can't be blamed for her personal artistic choices.
RossiniSoprano 3 years ago
She tends to take things slow A LOT! Have you heard her Doll Song? On one cd I have, everything she sings is slow.
RossiniSoprano 3 years ago
Is she a human being?*
LuisTavinho 4 years ago 3
Glorious singing!!!!!
ian1856 4 years ago
Magic!!!
zurriuss 4 years ago
does somebody knows the year of this performance? thanks!
nicevidbro 4 years ago
oh 1995, thanks hehehe
nicevidbro 4 years ago
Impresionante voz y técnica. ¡Bravo!
silsan8 4 years ago
Ela é brilhante, quase uma figura sobrenatural. Timbre, postura de palco, e segurança, além da técnica impressionante!!
marcoorcouto 4 years ago
My god, superb
jjcbss 4 years ago
i don't like her scoopage.
sounds a little R&B.
visceralchemistry 4 years ago
goosebumps...
europelove 4 years ago
...*is speechless*
TheChosenOne613 4 years ago
[agrees]
LittleWanderingChild 4 years ago
I really like this performance.
Her high 'G' is right on the pitch, BUT
it does not sound pleasant, I must admit.
It has nothing to do with the aria, and it's a forced squeal.
primadonna82 4 years ago 3
This has been flagged as spam show
I agree w/ u
gr8tfascination 4 years ago
ah not what i was looking for but still amazing
l0veles 4 years ago
In the opera Peter Pan, she will sing Tinkerbel.
uniqueattack 4 years ago 2
Are they really doing that?
That would be sweet!
Hasselhoffhater 4 years ago
I think that she is absolutely unsurpassed in this part, not even by Rubin!!! An outstanding E!!!
boris1281 4 years ago
thats true unsurpassed
tallamande 4 years ago
J'adore Où va la jeune indoue et Natalie Dessay! Tres, tres, bien!!
mizzfit24601 4 years ago
I don't like most leggerios but Dessay is an exception. Her timbre is silvery and beautiful, the aural equivalent of pixie dust :) The high notes here are just lovely and the coloratura is excellent.
janejones11 4 years ago
amazing!!!!!
adachii0210 4 years ago
this song is so amazing...and the voice too...
Nudelwudel 4 years ago
she's the best lakme i ever seen!
Lenedit 4 years ago
God,so beautiful!I don't like to compare because everyone has his own voice,but I must admit that in terms voice,Dessay is much better than Mado Robin.The aria is very beautiful in terms of melody,but Dessay's voice is more beautiful than Robin's voice,and that makes always the difference.Very beautiful!CONGRATULATIONS!I have 3 questions:
1-Is Dessay a contemporanean singer?
2-What is the last high note,wich is sweetly and escelently sung?
3-What's this aria about?:D:D:D:D
operamusiclover 4 years ago
:) Yes dessay is a contemporary singer, she is still quite young. The last high note is a E flat above high c. In this aria, Lakme is retelling the legend of the daughter of Parias. The very high parts of the song are supposed to represent bells ringing. I hope that's helpful! :)
hollabelle 4 years ago
The final high note is an E above high C, not an E flat.
jamieh290968 4 years ago
That's right, the very last note is an E above high C. Although this is not the highest note of the aria. In the middle (around 5:44) she sings a high G in the cadenza. :)
peti74 4 years ago
Oops... G# indeed.
Sorry.
peti74 4 years ago
have you heard sometime maria callas . she sings this with the sime tempo
tallamande 4 years ago
G#7. Mother ******. I hate her, but then again we all love Dessay so much.
citruspunk 4 years ago
It is a G6. And YES she is amazing!
crazyjack876 4 years ago
absolutely g sharp (the piece is in E Major).
jvinikour 4 years ago
INdeed a high G at 5 44
Lohengrin33 4 years ago
Some of your comments are so stupid! "Move faster!" Haha Natalie doesn´t decide what tempo she´s to sing in a performance like this, with a big orchestra. Have you guys ever heard of a conducter. haha! Very often people have different ideas of tempo and dynamics, besides it´s not a race anyway...
Fillefjonkan 4 years ago
i love this version but she really needs to take it faster. She can do really fast coloratura, i don't know why she doesn't.
hollabelle 4 years ago
Jesus Christ! That's a high G# at 5:44.
tkellnerus 4 years ago
c'est affreux!
openaby 4 years ago
Je ne comprends pas. Je suis americain. Je ne parle francais tres bien. Le mot "affreux" veut dire "tres mauvais" n'est-ce pas? Elle a chantée un sol dièse. C'était incroyable!
Qu'est-ce qu'est affreux? Mon blasphème? La chanson? La note?
tkellnerus 4 years ago
Comme d'habitude Natalie est parfaite !
Chevereaunicolas 4 years ago
Listen to MADO ROBIN whose singing was spontaneous as all great singers must be.
796824 4 years ago
I think her voice is brilliant and I wish I had half the talent she does. She's great!
Consensualinjustice 4 years ago
She is more at ease with the highest notes....which are half the size of Sutherlands at in her prime. But in the middle voice, and on the trill, Sutherland is much more comfortable.
Hako2004 4 years ago
i love dessay but i have to agree, i dont like her interpriation of the song here. On this particular day she decided to do it this way for some reason. Anyone who has actually heard her do this, which i have in the other fashion she does it in, knows that she is utter heaven. If you listen to her do this, verse sutherland, she is much beter and has more ease to her voice.
garconfrancais01 4 years ago
much better ........ much better than this she must be the anbelivable
tallamande 4 years ago
Perfect. However, it's time to learn other names as well. First of all: Magda Kalmár. I captured this aria with Kalmár from Bartók Rádió cca.two years ago. The spoon fell out of my hands... Still better than Erika Miklósa.
pmilotay 4 years ago
In this song she is distracting a wild cat from her love. She is essentially giving up her life for his. I believe she captures the passion perfectly here!
Robibi84 4 years ago
parfait contre fa diése
avec beaucoup de finesse
gleyse 4 years ago
She was great at this aria but Mady Mesple was perfection in the aria.
But those who know the show well, what is the song talking about?
Hassolffhater 5 years ago
yes Mady Mesple was amazing
cegestes 4 years ago
Lovely opening cadenza, but the rest is disgraceful. Mechanical, slow coloratura, no hint of drama, thin voice, inept use of the language (and she's French!), metallic, edgy high notes, not even a hint of a trill. Worst of all, she shows her appalling taste by interpolating a terrifically ugly G#. Can she listen to this and not blush?
Richiesutherland 5 years ago
What a hater! Slow coloratura was a choice she made here. She can move just as fast as loads of other famous sopranos. She trills quite well actually also. Her French is beautiful and her sound is beautiful. Who would you suggest as a replacement?
Iareto 5 years ago
no she cannot move faster
openaby 4 years ago
Yes she can. You haven't seen videos where she has evidently, but she can move extremely fast. She doesn't run like Joan or Edita, but she sure can run faster than lots of sopranos. Check out more videos of hers. It's there alright.
Iareto 4 years ago
Je l'ai vue sur scène dans Lakmé à Marseille en 1997.Ce petit bout de femme a réussi à emballer le public marseillais, d'habitude grognon et connaisseur. Elle était déjà une grande chanteuse à l'époque mais je ne l'avais entendue qu'au disque, et je me méfie des enregistrement. J'ai été conquis PAR LA VOIX, PAR LE PHRASÉ, PAR LE JEU D'ACTEUR, bref, ému au plus haut point. Rien ne justifie des commentaires de cette nature.
Cette vidéo est certes médiocre, mais la performance est exceptionnelle.
lepamplemousse 3 years ago 13
look my "lakme" remix...
find kleshamusic on youtube and share the groove
kleshamusic 5 years ago
Bell, bella, bellissima. The only competition is Audry Luna, less ethereally beautiful and precise, but her deeper tones add to the excitement. Both up there with Casals playing Bach.
multitudinous1 5 years ago
Ummm...perfection? That's all I can think of right now. Amazing rendition.
selahangel 5 years ago
when she sings that high Ab in the doll aria i almost died...she's one of my favorites!
tenormcgee 5 years ago
Dessay is fabulous in this but, honestly, was the high G# (yes, G sharp!!) really necessary? I also love Mady Mesple's version (she owned the role for quite a few years) and I saw Ruth Welting do a great job with the opera in Dallas many years ago.
brolobear 5 years ago
Amazing.
hermitcrab1112 5 years ago
1995, Paris, Opéra Comique
valgrel2 5 years ago
This has to be the best live performance of the Bell Song I've ever heard. She floats that high E like nothing. BRAVA Dessay!!! P.S. What year was this???
donatello1 5 years ago
I'm a real faithful fan of Dessay, and seems like I'll stand like this for the rest... But she's kinda crazy. Is there a high G in the second coloratura sequence? Man, she do that and don't go off pitch in the lower notes, it's amazing! She's not human! She's some incarnation of Finale music notation or a digital keyboard, aaaah!
Bravo, bravo bravoooo!!!
ramir0705 5 years ago
Hahaha! Nice one!
sleeplacker 4 years ago
This is fabulous! As for others who do/did a pretty good Bell Song, Sumi Jo, Joan Sutherland, ELizabeth Parcells, just to name a few.
syrinx79 5 years ago
Also Elizabeth Futral. She is awesome.
Iareto 5 years ago
And lets not forget Lily Pons from the early ones. I've got a recording of Lily doing the Bell song, and it is just sublime. :))
barmanjoe 5 years ago
Do you know where I could find a recording of her?
Hassolffhater 5 years ago
Elizabet hParcells bell song is to die for!
bruceagogox 4 years ago
i keep watching this over and over. wow. unbelievable. i dont know how anyone could have done this any better. that was perfection.
Puppyizzy 5 years ago
No wonder women weren't allowed to sing in early church... they were so much closer to God what with voices like hers.... bravissima...
divinemediocrity 5 years ago
Utterly PERFECT! This is by far the most controlled performance of the Bell Song I have yet heard. Her finale note sent chills down my spine. OUTSTANDING!!!
Robibi84 5 years ago
The ultimate version of the Bell Song was by the young Lily Pons.
jacobsimon 5 years ago
Hey, a high E is a piece of cake if you can sing a G# third higher...one of the best performances...she also takes her time...but why not...this song is mainly narrative... ZB
zamyrabyrd 5 years ago
at 5:44 I was like ooo did mado robin come out of nowhere!!!
puccinilover