Great player but his analysis of the chords is faulty: the chord following Bb7+9 is a G7+9(with no root-like a 3rd inversion) the G# chord is C#7+9(5 in the bass) the next chord is both a E713th flat 9 AND a Bb7+9 (tritone substitution)so all are plus 9 chords.just my two cents.
@elkeism I agree that the second could be G7#9, it could also be Bdim maj7, just as the third chord is more likely to be seen as the E13#9 rather than the Bb because the E is in the bass. He's actually smart in calling it Bb/B because there are a number of possible interpretations and if he were to write G7#9/B or Bdim maj7 on a leadsheet, he may not get the sound he's looking for. If you write Bb/B you'll always get that sound regardless of how the player chooses to voice the chord.
@elkeism It's also useful to look at sounds as triads over bass because it opens new voicing possibilities. If you know that for a dominant sound in the key of C, you can play a Bb major triad assuming the bass player is playing something around G7, then you can use a lot of stuff around Bb that you may not otherwise consider playing over G7. There are tons of cool triad over bass sounds that you hear players use all the time.
I LOVE Jimmy Herring!! I graduated from A.I.M. where he used to teach. As he grows older, and he grows older gracefully.....isn't starting to look a bit like Santa Clause?? Giving us the gift of his genious on the guitar!!! Yeah I think so... Love you Jimmy!!
This guy's great. This scale and , say, the melodic minor are the next steps I think after learning your basic diatonic scales and pentatonic scales. Thirty years after I've started playing I'm just now seriously adding this stuff to my "toolbox". That scale works well over a minor or dominant seventh also, which is where I'f working on fitting it in, say over a seventh chord vamp or 12 bar blues. For those of you for whom this is new news , you're welcome.
yeh man, ive been playing for 2,5 years and have always been a pentatonic and major scale freak, buying Jimmys album has got me learning diminshed and melodic minor scales...lovin it!
HaHa Jimmy lowered his voice for the interview. He has a really high voice when i have heard him speak on stage.
1 Person hates the guitar.
markablanton 11 months ago
HaHa Jimmy lowered his voice for the interview. He has a really high voice when i have heard him speak on stage.
markablanton 11 months ago
G13b9
foxybrown2 1 year ago
Just had a private clinic with Jimmy at Atlanta Institute of music, and he went over this song then played it. Such a talented musician.
rshull07 1 year ago
ah, got it!
djeshoes 1 year ago
It's called a Reversed Diminished! I thought I had the only teacher in the world that taught me that! :-D
eyeheartchrist 1 year ago
@eyeheartchrist Half-whole diminished, which is often used by jazz players, especially over dominant chords.
GLeD101 1 year ago
@GLeD101 oh ok....my teacher called it a Reversed Dim, but ya know, it's a great variation that fits with certain 7th chord progressions. :-)
eyeheartchrist 1 year ago
@GLeD101 nevermind what I said in the last part of the other comment....I was saying the exact same thing about dominant chords... :-P ha
eyeheartchrist 1 year ago
BAD.ASS.
blackjackcannibal 1 year ago
@murdzsuckit Some people don't do that well. Relax.
EthnHayabusa 1 year ago
Even Jimmy Herring can't teach how to play like Jimmy Herring- you have to be born w/ it...and he was.
smattermonnat 1 year ago
Great player but his analysis of the chords is faulty: the chord following Bb7+9 is a G7+9(with no root-like a 3rd inversion) the G# chord is C#7+9(5 in the bass) the next chord is both a E713th flat 9 AND a Bb7+9 (tritone substitution)so all are plus 9 chords.just my two cents.
elkeism 1 year ago
@elkeism I agree that the second could be G7#9, it could also be Bdim maj7, just as the third chord is more likely to be seen as the E13#9 rather than the Bb because the E is in the bass. He's actually smart in calling it Bb/B because there are a number of possible interpretations and if he were to write G7#9/B or Bdim maj7 on a leadsheet, he may not get the sound he's looking for. If you write Bb/B you'll always get that sound regardless of how the player chooses to voice the chord.
GLeD101 1 year ago
@elkeism It's also useful to look at sounds as triads over bass because it opens new voicing possibilities. If you know that for a dominant sound in the key of C, you can play a Bb major triad assuming the bass player is playing something around G7, then you can use a lot of stuff around Bb that you may not otherwise consider playing over G7. There are tons of cool triad over bass sounds that you hear players use all the time.
GLeD101 1 year ago
I LOVE Jimmy Herring!! I graduated from A.I.M. where he used to teach. As he grows older, and he grows older gracefully.....isn't starting to look a bit like Santa Clause?? Giving us the gift of his genious on the guitar!!! Yeah I think so... Love you Jimmy!!
cinimod8791 2 years ago
That chord progresssion he plays is pretty similar to a Holdsworth tune called Funnels.... check it out!
ibanezbloke 2 years ago
is there a tab for this?
jkvasn 2 years ago
@jkvasn yes it's called guitar world march 09 issue
spooner1957 1 year ago
I like what i'm Herring.
SpreadheadSpearhead 2 years ago 29
@SpreadheadSpearhead lol
mpm1985 1 year ago
also sounds like what he plays with "love tractor." what a genius
lamboga89 2 years ago
Comment removed
fucknyoucrosseyed 2 years ago
This guy's great. This scale and , say, the melodic minor are the next steps I think after learning your basic diatonic scales and pentatonic scales. Thirty years after I've started playing I'm just now seriously adding this stuff to my "toolbox". That scale works well over a minor or dominant seventh also, which is where I'f working on fitting it in, say over a seventh chord vamp or 12 bar blues. For those of you for whom this is new news , you're welcome.
cm0220ster 2 years ago
yeh man, ive been playing for 2,5 years and have always been a pentatonic and major scale freak, buying Jimmys album has got me learning diminshed and melodic minor scales...lovin it!
Toris93 2 years ago
i saw him on monday when i saw widespread panic, and the allman brothers!!!!!
Bluesguy92 2 years ago
I'm seeing this guy at National Guitar Workshop, it's gonna be intense.
nooneimportant12 2 years ago
where is it at, this guy is amazing
turnagegp 2 years ago
Its in Purchase NY
nooneimportant12 2 years ago
This comment has received too many negative votes show
Dude. I'm writing a partly octatonic song as we speak! This will help for the solo though :)
NJlo 2 years ago
This guy is awesome
chasemashburn91 2 years ago
Theres an exact video of Holdsworth doing this:P
Kinda funny..
Moplu 2 years ago
Sounds like the intro to "The Moor"
PH688 2 years ago
Those chords are ugh, so rad.
peanutbuddha 2 years ago
You know....?
johnnyjolijt 2 years ago
I love when he explains himself.
chick158 2 years ago
If I could only figure out how to get from where I am, to where he is. Or at least get pointed in the right direction. Thats the goal!
henryparsons10 2 years ago
what song was that again, that "head" riff at the end is very familiar to me.
JacksonBradwell 3 years ago
"scapegoat blues" from his album lifeboat
jedepah 3 years ago
Nice work trigger hippy
mcgunn4 3 years ago 3
thank god because that progression was never gonna happen by ear lol
jedepah 3 years ago
haha amen
unclejunglebass 2 years ago
hahaha...maybe in Holdsworth's world?
jeffsolis 2 years ago
THANKS MAN!
OrkisMusic 3 years ago