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From: coloraturafan
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  • 80 for voice / characterisation? who cares?????!!!!!

  • Most elegant display of vocal acrobatics.

    That final note is as solid as a diamond. She is Violetta.

  • absolutamente indestructible

  • Has to be our Joan...god rest her soul...What a voice..going whatch it again even if it is youtube!!

  • one of the BEST Violetta i have ever heard...and imagine! this is only through youtube..imagine it LIVE!!!!

  • Joan wins again!The staccatii Cs and coloratura to the cadencing Ab all in one glorious breath seals the deal......RIP darling,untouchable Joan!

  • the tenor is pretty dreadful

  • This woman was fantastic!

  • + 10 !!! SUBLIME !!!

    Joan ci manchi ! 

  • We have lost one of the greatest!!!!!! Rest in Peace and my God Bless her family.

  • Rest in Peace Dame Joan!

  • One of the greatest sopranos has left us! We'll miss her

  • STUPENDA. 

  • She seems to take liberties with the original score doesn't she? I am used to a sempre libera quite different from this one.

  • Nothing wrong with this performance. Oviously she was more agile when she was younger, and her pitch was more spot on. This said I am not a huge fan of Joan Sutherland, but noone can deny that she had great technique and some of the best placed high notes in the profession. Traviata was a perfect role for her vocally.

  • What about Anna Moffo or Maria Callas?? They own this!!

  • Of course, she sings "high notes" more easily than Cotrubas. But Cotrubas brings so much more emotion, she is so much more distressing! And THAT is the main thing, in art.

  • @BrunoLien Uhhhhhhhh nooooo... there is no comparison between Joanie and Ileana Cotrubas

  • @LaMostraESopra That's your opinion. My FEELING is quite different. Sutherland is a singer, making a virtuoso vocal performance, Cotrubas IS a distressing Traviata. That makes a big difference. (And Carlos Kleiber felt it like me!)

  • @LaMostraESopra Between Joan and anyone, for that matter.

  • @BrunoLien

    um, actually emotion is NOT the main thing in bel canto. that's not to say it isn't important, but in bel canto, singing with solid technique and pleasing tone is first priority. also, the emotions expressed in bel canto are more refined and often times (but not always) less intense.

    PS: even in other art forms, most (but not all) of the best art (imho) is that which expressed more subtle, complicated emotion that is not communicated forthright. feel free to disagree tho =)

  • I think her act was perfect and if you pay attention to her notes... they were perfect too

    You see women singing this area with serious face... Violeta was about joy and happiness

  • Really, girls, all this sniping! Joan was NOT the greatest actress in this opera, but she was the greatest SINGER of it. I saw her more times than I can count and she never disappointed, she never fell below her high standard, she continued to sing into her sixties with integrity, above all technique, and beautiful voice. Kiri? Forget it. Anderson? You're kidding! They're fine, if you like black and white TV, but Joan was the Queen of Song, assured her place in the history books.

  • A competition! My score is 6 out of 10. Ms Sutherland has a superb voice and incredible stage presence. However her obvious energy (she looks as if she will live 100 years!) and limited acting and vulnerability mean that she is not a credible Violetta.

  • Kiri is the finest I've ever heard in this particular aria. I've yet to hear Dame Joan perform it in her youth. Yet, I feel compelled to say at least as much regarding Dame Kiri's performance in this opera. One really cannot overstate the sheer beauty of either of their voices. But this aria is very difficult and not many, even of the best, are able to fully master it. Kiri's is excellent!!

  • this is definitely one of the best versions to listen to, but i agree that her acting leaves a little to be desired. However if you consider that from your seat in the audience you would probably not even be able to see her facial expressions, she would definitely be my 1st choice live. Dvd i might go for another singer...

  • Dear Coloraturafan!

    Could you Please tell me how to get this?

    It's GORGEOS!!!

    Can I buy the DVD or video somewhere?

    If not, would it be possible to get it from you?

    Please!

    Thank you!:)

  • ahhh... she does the Tetrazzini 12 high Cs. Bravaaaaaa!!

  • Sutherland  sembra la mamma di Violetta ...povero Alfredo ...

  • She is better than I would have expected in this role, more playful.

    Of course the voice is great.

    But my favourites would be Callas and Sills.

  • I can never believe these classless,biased remarks...do something great yourself;grow up or disappear,please.

  • Wow. Your reasoning and comments is just one big ridiculous EPIC FAIL!

  • Fue una presentacion muy buena,pero para mi gusto,nadie interpreta mejor sempre libera,que MARIA CALLAS en especial la interpretacion que hizo en MEXICO en 1952 en el palacio de bellas artes,para mi gusto nadie se comprara con esa presentacion.

  • @kuintesa Mira que a mi me parece lo contrario, mejor que la Stupenda no hubo, ademas a los 50 años La Callas estaba acabada!!! no cantabe ni la cucaracha, mira la historia, en cambio esta señora canto 40 AÑOS DE MANERA BELLA Y SIN CANCELAR UNA PRESENTACION!!!!!

  • la dizione della Sutherland si sa che non è buona però questo brano le è stato congeniale per 30 anni con agilità perfette ecc.....magnifica

  • Comment removed

  • don't joke. the only real Violetta is RENATA TEBALDI!!!

  • @GothicDaemonia La Tebaldi nunca canto el re sobre agudo al final, tenia una voz de angel, pero era limitada para los sobre agudos.

  • John Alexander

  • who is playing Alfredo here?

  • The best ever

  • She is absolutely "yhe" very best Violetta of all (except Callas) , Joan Sutherland has excatly the "voice" for all the acts (not only the first one and the last one ) ! She had all the agilitu of the end of the first aria , but also the power in the medium for the second act (for exemple) ! I really don't care about that or that note ! I don't care ! She ist "la prima donna assoluta" , the real Coloratura lirica

  • I agree with you 100 % I think you have the TRUE understanding

  • I love Joan Sutherland. Truly, madly deeply, but her later work was a shadow. still the best "engine" in history.

    Brava Maria Callas.

  • While I am impressed with Sutherland, of course, my favorite above ALL others on this piece is still Anna Moffo...Anna Moffo and did I say Anna Moffo!

  • Where's Beverly Sills and Maria Callas on this list???? They were both better than Sutherland in this role, Joan gives it a valiant effort and had a great voice no doubt but this role belongs to Sills and Callas. Joan cracked at 3;05 ...a small crack but never-the-less noticeable and she went flat at 4;40 on the Eb I love Joan but Sills and Callas were better IMHO.

  • Would you mind pointing out the "UNappealing flaws"? So that the entire community could recognise it too?

  • TRAGIC!!!!

  • Canta tutto con un' eleganza e una facilità sbalorditive! E' stata davvero la più grande cantante di tutti i tempi!

  • l'apprezzo tantissimo con pregi e difetti..è nell'olimpo delle grandi

  • Oh, that high note at the end was insipid!!

  • Comment removed

  • Not her best effort. Not so great in general, and yes this clip IS from 1975.

    Her singing is still very good, and she was in her prime at this time.

  • I think it's unfair to judge her on this version... amazing neverthless, but certainly not her best.

  • Oh...The staccato notes are Cs.

  • DITTO Spizzell1!!!!!Just the best!

  • No one else sings like she does. No one. I love that she sings the sticatto D's. It was different than the others. JUST THE BEST.

  • Are the staccati c''' not D''' ?

  • this is not a 1975 performance of sutherland it is during 1980's in Australia so i think in her late 50's is unfair to have used this clip

  • yes, this is 1975, the Met in Tokyo....

  • @anthonyhenrysmith I wouldn't mind at all if this were the 1980 version, becuse she is just amazing!!

  • @anthonyhenrysmith Do they speak Japanese in Australia?

    Get your facts clear before writting such stupidity!!

  • Eek, the Eb was even worse than I had remembered, I wish she had left it out, fabulous performance otherwise.

  • OK, so the Eb wasn't her best - we all have off days! Apart from that, her singing is technically miraculous. As a young singer currently learning this aria, I know intimately just how incredibly difficult this is. Dame Joan has exactly the right voice - big, with easy coloratura - and I honestly haven't heard anyone with this size of voice who sings this with such ease. As for her diction - I can hear all the words, except where I, or any other professional wouldn't expect to!

  • I'm just joining in on this competition. Very cool! So you've already had Puritani and now Traviata. Is there some central place where I can find all the candidates/video's? And where do we place our final votes?

  • I think the staccato high D's near the end are in very poor taste. But...then again it IS an astonishing voice. Thing is...she's always Sutherland...never Violetta. It's not stupid to think that opera can or should try to be "real". Of course this isn't verismo, but Verdi certainly strove for more "reality", especially in this opera. The music should enhance the drama, not ignore it!

  • Look at what's showing of her chest on the passage preceding the Eb, you can see her breath drain and then suddenly fill up when she breathes for the Eb, and then drain again.

    Her breath control was probably the best a soprano has had for decades.

  • I'm sorry... but she is such a bad actress. I'd rather just listen to a recording.

  • You obviously haven't seen her in action at ROH, it's opera, it's not meant to be real , only stupid people would think so, take it as it's musically meant to be and you will hear the voice of the century!!

  • I didn't deny that she has a brilliant voice. She does. That is why I would rather listen to a recording. Just because opera isn't reality doesn't mean it shouldn't be genuine.

  • The fact that for some their favorite Maria Callas, that will not be deprived of the best soprano Sutherland

  • You know what? I think the same way. "anything but sutherland" But of course they will call you "ignorant"

  • Comment removed

  • Operagodess78, you may not agree with what these users are saying, but that does not give you the right to be so hatefull. This conduct is not something that I will sit back and tollerate. I will never understand why people think this is acceptable. In any event, I am really unhappy with what you have resorted to here. It shows a lot about your lack of character....

  • Comment removed

  • I do not have a lack in character. You on the other hand of lack of self-esteem.

  • @coloraturafan Dear c.,

    When you say you will never understand why people think this is acceptable, etc.

    Note that it is possible to understand why folk think and say such hateful things.

    In fact it is important to study such people in one's lifetime as the understanding can protect one's own sanity.

    .

    Melanie Klein wrote a lot about the thinking behind folk's hatefulness, check it out if you're able; studying the unconscious is very interesting.

    .

    Thanks for posting such great music.

    .

  • That's a nice reasoned and objective opinion.

  • I know that it is an opinion. And, most opinion are not reasoned or objective. It is usually what we like. And I just like her.

  • ah. we always tend to lead to the first one we hear, eh?

    she was wonderfully talented. and was about 50 years old at this performance. la stupenda, indeed.

  • Pretty good voice, but I think the tempo's a bit too quick and the diction isn't too great.

    Er... As to the looks... I'm not commenting on that.

    But Joan Sutherland sounds great. Just that her diction needed work.

  • if i'm correct, this is the time period where joan sutherland got a lot of "flack" for her less than perfect diction, which was later explained as a concentration on perfect breath/vibrato technique. she later worked extensively on balancing both and succeeded really well.

    i have a much, much better live performance of this on some random cd. i can't remember the date. maybe early 60's?

    anyway, she's amazing, and i have a bit of a hard time hearing anyone else in this role.

  • I heard Angela Gheorghiu first, and then I heard Teresa Stratas. So Joan Sutherland is the third... I lean a bit towards Angela Gheorghiu, even though her control isn't as good. But I have to say, despite diction, Joan Sutherland is good. I heard her sing Dvorak's "Song My Mother Taught Me" and I was very impressed with her singing.

  • Grat voice, bad actress, not her best role!

  • It's fine...yes, the diction could use work, but who cares when you have this voice? However, I never cared for her consistent choice to break the dotted quarter-note high Cs into staccato eighth notes (4:17ish). Musically it shows great control, but it just...I don't know...makes Violetta sound less resolute and more concerned with showing off her pretty voice.

  • I'll have to disagree, true many other sopranos with a heavier voice really shows off their Cs, but Joan is my favorite simply because she separated them :)

    I'd have to say I really loved Gheorghiu's Cs though, the Covent Garden one,

  • not such a great high Eb from Joan...and would you look at the beehive on that woman's head??

  • i was thinking that the Eb sounded kinda out of tune and shaky too..didnt know if it was me or not

  • What is she saying!?!? It's terrible!!!!!

  • yes, she was criticied for her diction for most of her career.

  • And I always admire her for that when she laughs at herself for "mushy diction"

  • QUé lástima que la nota final estuvo calada. Pero somos seres humanos.

  • Cual nota calada?Revisa tus oidos y no digas tantas pendejadas!

    Esto es la perfeccion en absoluto

  • Cuando seas música podrás responder con toda la licencia posible. Yo soy un gran admirador de la Sutherland, encontrando que su Luicia y la de Callas son únicas e insuperables, pero eso no me hace desconocer cuando algún detalle existe.

  • PUES TIENES RAZON, puede ser un moco atravesado, eso a veces pasa, PERO ESO NO DEJA DE QUE SEA LA MEJOR DEL SIGLO, QUE VIVA LA STUPENDA!!!!!!

  • @acitipo

    si es cierto, ella era el canto personificado

  • I'm sorry voices don't get much more agile than this and this isn't even near her best.

  • Sempru lhhhibera!

  • Any more constructive criticism?

  • She's good skilled but this isn't her best! I actually prefer this aria sung by a smaller and more agile voice! but is just my opinion whatever Joan Sutherland was always good. One of the gretest!

  • Really? I usually don't prefer her singing this aria either, but this specific clip is my absolute favourite. All of her recordings of this, hell, I'd rather listen to Dessay, but then I hear this one, and it's like, Please marry me, Joanie.

    I don't understand what I find so different about this specific performance, but I think it far trumps all her other Sempre Liberas.

  • She is the best!

  • I like Sutherland. And I like Callas. Both very different artists. And both sublime artists. Brava Joan! Brava Maria!

  • 4/2

  • Stupendous Stupenda - no-one better

  • I fully agree with Yiudiumui! And Leugim1961 must be done deaf! This is a true belcanto lesson. SUPERLATIVE, period. We'll gonna have to wait for a very long time until we hear such great singing again.

  • what´s there to complain? Great dramatic coloratura soprano, brilliantly sung cabaletta (except for one or two moments). 5/3

  • Leugin 1961

    Que sabe el burro de alfajores cuando en su casa no hacen dulces!!!!

    Joan es la mas grande soprano del siglo XX!!!

  • Much as I love Devia - Joanie wins it. Hands down.

    A newbie to watch - Eglise Gutierrez.

  • Did someone attend a certain Cincinnati performance? She was, indeed, quite impressive.

  • Simply la Stupenda!

  • please callas fans can go eat dung. don't care about your damn callas. but don't insult joan sutherland just to make callas look beta. she's great. i know. but to be honest she doesn't have the best voice so accept that and stop being so freakin ignorant and

  • Por tu mala educacion no debía ni contestar. Primero aunque soy homosexual sería analfabeto terminado en o. Segundo no soy español y a mis abuelo lo fusilo la dictadura de Franco, pero a mi padre lo fusilo y torturo una dictadura sudamericana. Tercero no se cuantas veces has escuchado a Joan en un teatro, yo por suerte y aunque era bastante joven varias. Cuarto lee la partitura de esta aria y comprueba que no canta lo que hay escrito en ella, fundamentalmente el tiempo.

  • Analfabeta se usa para los dos casos seas o no seas gay,asi que esa es solo una excusa para proclamar lo que en tu pais parece ser la moda.

    Se dice fucilado y no fusilado de modo que analfabeta siempre eres,al menos en castellano.

    He escuchado a Sutherland-ya que no siendo su amigo como tu no la llamo Joan-desde el 1973 en Lucia con Pavarotti en el Covent Garden,creo que conozco su voz muy bien.

    De leer la pertitura y el tiempo...por favor!Eso demuestra que eres un ignorante total.!!

  • Es verdad que Joan hacia eso, se salia de la partitura, PERO A LA REALEZA DEL BEL CANTO, A LA STUPENDA SE LE PERMITE, ESO Y MUCHO MAS. RECUERDA QUE ELLA ES LA MEJOR DEL SIGLO.

  • NO; LA MEJOR DEL SIGLO ES MARIA CALLAS

  • @doremicde Te equivocaste la critica mundial de los conocedores se lo dan a la Stupenda. La Callas tenia 3 registros, eso la descarto de ser la mejor, sera actiz buena pero no se compara a la Joan.

  • Y por cierto, si te interesa te envio el programa de la Lucia con la que se despidio del Liceu de Barcelona cantando con Kraus, firmado por los dos.

  • No,no me interesa para nada:Yo asisti a esa funcion.Quedate con ella y consolate.

  • Ultima respuesta, el dinero me lo gano trabajando 14 horas diarias, pero si tu no eres de españa y viniste al liceu y al covent, no creo que seas pobre. No soy español pero vivo muy bien aki, de momento no se de donde eres. Y por último, coge el diccionario y busca FUSIL de donde viene fusilado. Y por cierto, la palabra cultura me parece una bobada, porque tambien es culto un campesino que sabe cuando plantar.

  • Si fue tu ultima respuesta fue la peor!!

    Me quedo con el campesino en lugar del maricon!!

  • Esta analfabeta española se va dentro de quince días a ver Rigoletto a la Bastilla, y la semana pasada fue a ver a Cristina Gallardo Dômas, y el domingo el Oneguin con Arteta.

  • Y eso que significa que oir en el mundo entero cantantes te da mas cultura?eres asi de estupido que usas eso como argumento?Lo mas que quisieras demostrar es que tienes dinero para viajar:un burro cargado de dinero.

  • DEVIA is the best..best notes, best diaphragm!

  • You are really stupid and ignorant!what the fuck means "best diaphram"?have you seen it?What a moron!!

  • 3:08. Bizarre?

  • This is a lesson in Bel canto unlikekky to be heard on today's singers.The legato,breath comtrol,pitch and the way she sustain the tone is absolutely extraordinary.Renata Tebaldi defined her as "the greatest singer of the century"and she was right.

    To those idiots that are judging her last note or her looks I advice to wash their mouths before even pronouncing her name.

    Thanks Joan for all those wonderful yaers!!

  • She is definately one of the greatest. Do you know how tell a truly amazing artist... they make an incredibly piece of music look easy. She doesn't appear to be "working hard" in any of this piece of music. Most of the others listed in the contest... even those much younger... can't say that same.

  • yeah, she fucked up the end, and that thing she did at 4.17, that was strange, sounded good though, but very strange

  • To define "fucked up"her attempt to hit the high

    Eflat at the end of the aria is disrespectful being dame Joan the greatest singer of the century.

    That "strange"thing she did at 4:17 is a variation introduced by Galli-Gurci where ,instead of the syncopated 5 high c's written by Verdi,she did 13.

    One should be more informed on his or hers opinons before pontificating them on you tube.

  • The greatest singer of 20th century is Callas, and not only because of her voice, she is just the greatest, and everyone knows that, thats a given. And I personally prefer when singers go with what the composer has written and dont add. As far as I know the Eflat wasnt written by Verdi as well, correct me if Im wrong, even though I like when Callas does Eflat at the end

  • I was refering to what Renata Tebaldi(hope you know who she was..)to which I totally agree.Her technique was th best,Callas was a great artist but not a great singer.She had a voice full of defects and that is not opinion is a fact.Anyway you think it was Callas and I think it was Sutherland,respect other people's opinions.

    When Callas add the Eflat it is ok with you when Sutherland does it it is not good..Are you being objective?

    "looking as a drag queen":That remark shows who you are.

  • And about her looks, U cant judge opera singers by there looks, as for her, I love that she looks like a huge drag queen, it appeals to me!!!

  • genuine ROFL at Trumansf.....huge drag queen comment lol--

  • ha!!!!!! XD

  • Hahahahaha! Couldn't agree more. viva Dame Joan!

  • Small correction : that was done by Tetrazzini first!

  • I think you should hold your horses a bit. I was trying to clarify something. I am a big fan of Sutherland, Galli-Curci, and Tetrazzini. I don't know why my comment infuriated you. Let's not be so sensitive, ok?

  • he's just being an ass

  • Wonderful!!!

    Effortless!

  • Love Sutherland...most others I've listened to start to screech on the high notes. Sutherland maintains a pure and pleasant tone.

  • One of the greatest .... Her final note was awful though

  • can someone tell me if there is a video recording of her doing this opera but with Pavarotti as the tenor?

  • 4:17!!! that moment is perfect!!

    I love Joan Sutherland, I think she is the best! :D

  • una delle migliori soprano, ma oggettivamente molto brutta, improbabile nei panni di violetta, ma per fortuna è teatro..

  • Who is the Tenor?

  • John Alexander

  • It's always a treat to see this video back...

    Welcome Back CF!

    xxx

  • Brava, Brava!

  • fantastic support of high, thick, large register and fantastically fast and accurate coloratura, lower register notes badly supported, ennunciation from moderate in most points to dreadful at few...

  • She truly posses all the qualities required from the composer: the colour, the range, the coloratura and the understanding of how to sing the romantic bell canto. Indeed she does not have the control over the Italian language that one would wish, and her articulation is always not there in Italian. But what a voice, what a phenomenal capacity and technique! The character, Violetta as probably Verdi and Dumas wanted her to be, is not there with Sutherland, but vocally she is remarkable.

  • Ooh, but I must say that her E-flat is indeed a little strained here, since her vibrato never comes through on the note.

    But oh well, even the best are allowed to have an off day.

  • Aw I love Joanie!

    I wish I could adopt her! [of course, a 15-year-old mother with an 81-year-old daughter might not be the best]

    Usually, although Sutherland is my favourite singer, I don't really think she excels in this aria, but this version... Wow. She's just unbelievable.

    Proving that she really is La Stupenda once again!

  • She could be your grandma. :)

  • she may not be as beautiful as others, as rawdevil clearly stated...but her voice is beautiful. I loved the way she tackled that aria!

  • Rawdevil, as we say here in Austrlia.... you are a complete goose!

  • What must a RAWDEVIL look like???How could you possibly comment on someone else's looks?Grow the f...up,to use your language.

  • Wouaaaaaaah i love her hairstyle!!And the dress my God!!!!Rawdevil1992 you have...how to say that... elegants comments.Ha ha ha haaaaaaaaaaaaaaaaaaaaaaaaaa!

  • hahahahahahahaha!!

  • You should get professional help immediately...

    the same goes to you!

  • Wow...How OLD are you? You sound very mature. I also like the fact that your comment makes relevant points. *hopes the sarcastic tone wasn't too inconspicuous*

  • mind your language, please!

    shame on you

  • This is quite a spectacular rendition. For those who said something about the high note, it is not her best, but is not bad. She has some tension is the problem. Most singers would be happy if that was their D#.

  • Es verdad fue un lapsus, es Violeta y no Lucia, gracias.

  • Excellent!

  • He visto muchas lucias, pero como ella nunca!!! es la reina.

  • Pero aqui ella canta La Traviata! Es Violetta!