Esta muy bien dada la nota, es asi como se hace, el sonido se va acomodando solo, desde el punto de la fisiolgia y busca la salida la salida natural. excelente.
Realmente é uma maravilhosa voz e uma maravilhosa interpretação. Venho escutando essa peça praticamente todo dia. Sem patriotadas, fico extremamente feliz de saber que esse bem aventurado é brasileiro. Via o Luciano!
Beautiful voice! Once the maturity sets in he will be a great voice to follow! At this stage he lacks the deep emotion needed for this and thus does not capture the listener completely! But, I am curious of his future!
I have seen this performed in concert, in the flesh, by almost all the great tenors since I was a girl - but not this guy. It is a beautiful voice, with brilliant diction. In fact, his diction is as precise as Pavarotti 1967 (I think it was) although the voice lacks some of Pav's depth. He hits the D-flat in two stages but it's clear and he drops easily to full chest. I think he's in the top three or four. Nice recording, too.
This guy is really talented. I believe he will be one of the few to go beyond this level, and perfect his technique. By the way, on some instances he looks like Del Monaco! :)
The score says Allegro Maestoso. This a bit fast for my liking but it's personal. Listen to the Jussi Bjoerling for the greatest tenor who I once heard was quite adamant about his tempi.
Bravo! Luciano you are amazing. it's very powerful rendition. This is my first time to hear you sing and I love it. I agree with ngurrytenore and Operaboymtius. the legato is so beautiful. I don't think that's a falsetone...
es voz de cabeza, esta bien colocado si, no se pq la gente sataniza esa tecnica, solo la gente q quiere cantar como un camion en todo el registro dice eso.
@Kyrios79 No señor, para cantar esta pieza HAY QUE TENER EL RE BEMOL en su sitio, bien colocado, al estilo, no digo que debe ser asi, pero como un Juan Diego Flores.
The Db is definitely not falsetto....he gets easily down back to his full chest voice. So the Db was automatically connected to the chest..great voice
es voz mixta, es la mezcla que se hace para que el agudo suba con mayor facilidad todo tenor tiene esto , solo que unos mezclan más que otros, finalmente esto es voz no falsete,
vladimirmoscoso... usted tiene toda la razon. En este caso el tenor hace el cambio un poco evidente... la tecnica debe ser depurada para que esto no se note. Miguel Fleta, incluso tenia la capacidad de hacer esta mixtura muy abajo (en un sol, sol#) Los que no saben hace rla mixtura son los que se ven que se les brota la vena del cuello en un LA o SI bemol y que, obviamente, son tenores cortos de SI natural y de ahi para arriba no pueden mas.
Great singing! beautiful voice, excellent technique. The ones who are arguing about the top note, better go to learn good technique instead of wasting time like critics.
What really matters is the legato line the beautiful singing, not just if it is a falsettone or whatever!
Ai Luciano! E eu que achei que tentar ser melhor que um Juan Diego Florez seria o mais difícil na disputa pelo trono The First Tenor of the World,mas depois desse teu vídeo, agora deu! Nem tento mais! Acho que vou pra um American Idol que eu ganho mais!
Parabéns guri,foi um prazer te assistir pessoalmente como Tamino aqui no Brasil, foiprazer te escutar pessoalmente, abraços!
What a warm and tender voice... The C# notes is just fine.. I think It is not falseto, it is beautiful and warm head voice comes from a well trained tenor. Beautiful indeed..
Light voices like Gedda, Florez, Vanzo, and others is easy to mistake, but it's not falsettone, is full voice. Actually I was lucky to see the same Luciano Botelho exactly at Pearl Fishers in Rio de Janeiro, he left a terrific natural C at the end of "Je crois entendre" aria, also full voice.
I think that the main probles is that the shift to the head note was too abrupt. But we should remember that was Rossini the one who despised Dupre when he showd him his Chesty high c. donzetti an belli were quite happy with dupre´s finding but Rossini he didn´t like it.
A fine artist with a lovely lyric tenor voice... Nothing thrilling about the timbre or the falsettoish D-flat, but he should be quite good in a number of lyric roles.
that's a wonderful illustration of the 'voix mixte', a very reinforced falsetto that incorporates both head and chest registers. It's actually how these notes were sung back when these works were written
Las notas agudas no tienen porquè mostrar esfuerzo en el rostro o en el cuerpo. Luciano tiene una muy buena tecnica. Se escucha y se ve. El agudo es real , voluminoso... perfecto!
It appears that Luciano Botelho himself has uploaded this and other videos of his performances. If so, Luciano, I'm delighted to be able to tell you directly how your MAGNIFICENT rendition of Cujus Animam moved me. I am not a musician but have listened to Rossini's Stabat Mater many times and love it. I found you on YouTube purely by chance and am now an aficionado. Bravissimo.
He's excellent. The timbre is very smooth and the singing, polished and steady. In some ways he reminds me of the lyric tenors from the past, with that fast vibrato and sweet tone ...
I'd only like him to have a less effortful and steadier high register. Apart from that, he's mostly wonderful.
This tenor is wonderfull,but what I like much more is orchestra.If you compare with other recording of the same piece on Youtube you realize how good they are.And so young!
Scusa mi, ma e falsetto...
RADAMES1983 2 weeks ago
Esta muy bien dada la nota, es asi como se hace, el sonido se va acomodando solo, desde el punto de la fisiolgia y busca la salida la salida natural. excelente.
mesie1ever 2 weeks ago
Realmente é uma maravilhosa voz e uma maravilhosa interpretação. Venho escutando essa peça praticamente todo dia. Sem patriotadas, fico extremamente feliz de saber que esse bem aventurado é brasileiro. Via o Luciano!
carlosjared 4 months ago
Beautiful voice! Once the maturity sets in he will be a great voice to follow! At this stage he lacks the deep emotion needed for this and thus does not capture the listener completely! But, I am curious of his future!
SoulNotes1 11 months ago
Canta indietro... la voce resta in gola!
numetutelare 11 months ago
Oi, você cresceu muito! Parabéns, Luciano, Deus te abençoe. Beijos
MrSisterday 1 year ago
I have seen this performed in concert, in the flesh, by almost all the great tenors since I was a girl - but not this guy. It is a beautiful voice, with brilliant diction. In fact, his diction is as precise as Pavarotti 1967 (I think it was) although the voice lacks some of Pav's depth. He hits the D-flat in two stages but it's clear and he drops easily to full chest. I think he's in the top three or four. Nice recording, too.
Babsie1975 1 year ago
This guy is really talented. I believe he will be one of the few to go beyond this level, and perfect his technique. By the way, on some instances he looks like Del Monaco! :)
Tenortone21 1 year ago
Isso é que é a realização de um sonho, saber que voce sempre lutou por seus objetivos e chegou onde estás, Luciano voce é um anjo de Deus.
penelopi71 1 year ago
The score says Allegro Maestoso. This a bit fast for my liking but it's personal. Listen to the Jussi Bjoerling for the greatest tenor who I once heard was quite adamant about his tempi.
donaldrose 1 year ago
Bravo! Luciano you are amazing. it's very powerful rendition. This is my first time to hear you sing and I love it. I agree with ngurrytenore and Operaboymtius. the legato is so beautiful. I don't think that's a falsetone...
MrCreativebox 1 year ago
Bella voce e buona tecnica, nonostante la giovane età. Complimenti.
GianoBox 1 year ago 2
Bellissima voce...
lunair30 2 years ago
es voz de cabeza, esta bien colocado si, no se pq la gente sataniza esa tecnica, solo la gente q quiere cantar como un camion en todo el registro dice eso.
Kyrios79 2 years ago
@Kyrios79 No señor, para cantar esta pieza HAY QUE TENER EL RE BEMOL en su sitio, bien colocado, al estilo, no digo que debe ser asi, pero como un Juan Diego Flores.
acitipo 1 year ago
@acitipo Que una cosa es voz de cabeza y otra es falsetto... para muestra de satanizar y confundir ambas cosas basta un botón.
Saludos.
Kyrios79 1 year ago
la voce un pò più in sù verso il famoso suono in maschera -grazie
buontenerone 2 years ago
@buontenerone in effetti è un bel po' intubato.
Sorrentodellesirene 1 year ago
The Db is definitely not falsetto....he gets easily down back to his full chest voice. So the Db was automatically connected to the chest..great voice
Operaboymtius 2 years ago 7
Bravo Luciano!!!!
raonihubner 2 years ago
Bravo Lucio
!!!!
samuelbautenor 3 years ago
BRAVISSIMO, Luciano.Ficamos orgulhosos de você!ElianeSalek
elianesalek 3 years ago
High note is good and not falsetto.
Samurai9 3 years ago
Es falsete, obviamente.
amarrosapozi 3 years ago
No, no lo es. Es voz de cabeza, que no es ni falsette ni voz de pecho.
crowjr 3 years ago
es voz mixta, es la mezcla que se hace para que el agudo suba con mayor facilidad todo tenor tiene esto , solo que unos mezclan más que otros, finalmente esto es voz no falsete,
vladimirmoscoso 3 years ago
vladimirmoscoso... usted tiene toda la razon. En este caso el tenor hace el cambio un poco evidente... la tecnica debe ser depurada para que esto no se note. Miguel Fleta, incluso tenia la capacidad de hacer esta mixtura muy abajo (en un sol, sol#) Los que no saben hace rla mixtura son los que se ven que se les brota la vena del cuello en un LA o SI bemol y que, obviamente, son tenores cortos de SI natural y de ahi para arriba no pueden mas.
aguacun 2 years ago
El falsete eres tú, la nota está perfectamente dada y sin voz de falsete, sucede que Botelho canta para gente musicalmente sutil.
cornificius22vain 2 years ago
A palabras necias, oídos sordos
amarrosapozi 2 years ago
beautiful, beautiful singing, an excellent tenor
cornificius22vain 3 years ago 2
Great singing! beautiful voice, excellent technique. The ones who are arguing about the top note, better go to learn good technique instead of wasting time like critics.
What really matters is the legato line the beautiful singing, not just if it is a falsettone or whatever!
ngurrytenore 3 years ago 5
@ngurrytenore
is not a falsettone... it's a RE!!!!
kumpakan 1 year ago
Bravo Luciano!!
walter
walterneiva 3 years ago
Bravíssimo, Luciano ! Você sempre arrasa !!
Vc não teria uma gravação do "Possente Spirto" de L'Orfeo para mostrar ? Lembro-me de que vc esteve impecável em São Paulo. Felicidades.
Fernand0Matt0s 4 years ago
Ai Luciano! E eu que achei que tentar ser melhor que um Juan Diego Florez seria o mais difícil na disputa pelo trono The First Tenor of the World,mas depois desse teu vídeo, agora deu! Nem tento mais! Acho que vou pra um American Idol que eu ganho mais!
Parabéns guri,foi um prazer te assistir pessoalmente como Tamino aqui no Brasil, foiprazer te escutar pessoalmente, abraços!
ocisnenegro 4 years ago
What a warm and tender voice... The C# notes is just fine.. I think It is not falseto, it is beautiful and warm head voice comes from a well trained tenor. Beautiful indeed..
GBU
danielBlckz 4 years ago
right tone, wrong notation. just for future reference, its a Db. not to be a dick or anything, but i am singing it right now, its a Db
tommyt4321 3 years ago
Falsettone on the top note. The same Caruso does on the recoreding of "Pearls Fishers". I personaly don´t like this sort of resource...
listeningtoit 4 years ago
Light voices like Gedda, Florez, Vanzo, and others is easy to mistake, but it's not falsettone, is full voice. Actually I was lucky to see the same Luciano Botelho exactly at Pearl Fishers in Rio de Janeiro, he left a terrific natural C at the end of "Je crois entendre" aria, also full voice.
Bravo Botelho!!!
TurandotFanatic 3 years ago
I think that the main probles is that the shift to the head note was too abrupt. But we should remember that was Rossini the one who despised Dupre when he showd him his Chesty high c. donzetti an belli were quite happy with dupre´s finding but Rossini he didn´t like it.
enricodicapri 2 years ago
A fine artist with a lovely lyric tenor voice... Nothing thrilling about the timbre or the falsettoish D-flat, but he should be quite good in a number of lyric roles.
raythespian 4 years ago
that's a wonderful illustration of the 'voix mixte', a very reinforced falsetto that incorporates both head and chest registers. It's actually how these notes were sung back when these works were written
drewski67 4 years ago
it is a terrific performance. the voice is warm and the timbre beautiful. The d flat is easy and very well controlled.
plmplp 4 years ago
Bravo!
WWWjuandiegoflorezIT 4 years ago
Grande Luciano Botelho dando um show em Cujus Animam perfeito eu tb sou seu fã !!
Raffaelorizia 4 years ago
Grande Luciano Botelho dando aula de como cantar bem !! sou seu fã!!!Bravíssimo!!!
Raffaelorizia 4 years ago
Las notas agudas no tienen porquè mostrar esfuerzo en el rostro o en el cuerpo. Luciano tiene una muy buena tecnica. Se escucha y se ve. El agudo es real , voluminoso... perfecto!
4strav 4 years ago
That work up to the D-Flat was strange:), but the singing was lovely and natural and beautiful.
urgrad03 4 years ago
It appears that Luciano Botelho himself has uploaded this and other videos of his performances. If so, Luciano, I'm delighted to be able to tell you directly how your MAGNIFICENT rendition of Cujus Animam moved me. I am not a musician but have listened to Rossini's Stabat Mater many times and love it. I found you on YouTube purely by chance and am now an aficionado. Bravissimo.
Shandelar 4 years ago
Muy interesante.. No se ven esfuerzos, ni gestos raros. Muy buena técnica. Bravo!!
Me gustaría mucho hablar con vos, si eso fuera posible.
====
I would like talking to you, if that were possible.
emalag999 4 years ago
He's excellent. The timbre is very smooth and the singing, polished and steady. In some ways he reminds me of the lyric tenors from the past, with that fast vibrato and sweet tone ...
I'd only like him to have a less effortful and steadier high register. Apart from that, he's mostly wonderful.
Homoclassicus 4 years ago
I don't understand his C#3, It was so easy, did he switch into a strong headvoice or what? it was amazing.
nkeo 4 years ago
This tenor is wonderfull,but what I like much more is orchestra.If you compare with other recording of the same piece on Youtube you realize how good they are.And so young!
tosca82 4 years ago
Very good!
corasmino 4 years ago
Muito bonito! Bravo, Luciano!! Muito sucesso a você. Parabéns!! Que linda filmagem da Rai também.
andredemesquita 4 years ago
BRAVISSIMO!!!
adeliaissa 4 years ago