Ma l'aria lirica va curata in ogni sua parte, non solo negli acuti(che purtroppo chi non ne sa di musica, ascolta solo quelli)...Era calante in quasi tutte le strofe; può darsi che sia per la registrazione di scarsa qualità, ma non mollare, VOLERE E' POTERE.....L'acuto finale è stato carino, ma tenuto poco;più che altro il tempo della base sembrava corresse...Ma con pratica e studio si ottiene tutto quanto sia nelle tue possibilità....:)
@MrGARRO84 Thanks i started soon ,to sing in church`s hoir ,but in opera i don`t have any classes ,i just love to sing opera.But i would love to sing better of course:)
@Huljic I dear. If you have a strong love for singing you have to decide, sooner better than later, to study singing with a good teacher. Few are born with natural operatic voice: I wasn't and probably the best artist neither were! Few advices: start doing the boring but very helpful scales. You will notice that to sing Fa you cannot do it properly without shouting. Do not think for one second that this can be done by brute force!!! This is know (Fa-Sol-La) as "il passagio".
@maxlorenz24 I will try to explain: as the notes go high, the larinx must get lower and lower in order to use the chest resonance but the intonation must be higher and higher using the face, high and to the front "in maschera" (in tha mask) as the notes climb. Don't put too much chest on the exercices. Don't try to sound big and strong. Don't make a baritonal voice. This not the way. The way is gently singing and letting the brain learn what are the real resonances of your physical body.
@maxlorenz24 Part n° 3. Sorry for the mess. Of course one has to make effort but, as a nail, the force must be applied concentrated in one point to achieve the desired goal. Sing quietly then try to increase volume without stressing the cords, always with the throat (the larinx) low! Next: listen to the best singers: Alfredo Krauss; Fritz Wunderlich; Nicolai Gedda; Beniamino Gigli...etc. Note that I recommend the ancient singers not the present ones. Next: search Robertocasitenore.
Ma l'aria lirica va curata in ogni sua parte, non solo negli acuti(che purtroppo chi non ne sa di musica, ascolta solo quelli)...Era calante in quasi tutte le strofe; può darsi che sia per la registrazione di scarsa qualità, ma non mollare, VOLERE E' POTERE.....L'acuto finale è stato carino, ma tenuto poco;più che altro il tempo della base sembrava corresse...Ma con pratica e studio si ottiene tutto quanto sia nelle tue possibilità....:)
MrGARRO84 2 years ago
O man i tried but really can`t understand:)On english please:)
Huljic 2 years ago
@MrGARRO84 Thanks i started soon ,to sing in church`s hoir ,but in opera i don`t have any classes ,i just love to sing opera.But i would love to sing better of course:)
Huljic 2 years ago
@Huljic I dear. If you have a strong love for singing you have to decide, sooner better than later, to study singing with a good teacher. Few are born with natural operatic voice: I wasn't and probably the best artist neither were! Few advices: start doing the boring but very helpful scales. You will notice that to sing Fa you cannot do it properly without shouting. Do not think for one second that this can be done by brute force!!! This is know (Fa-Sol-La) as "il passagio".
maxlorenz24 1 year ago
@maxlorenz24 I will try to explain: as the notes go high, the larinx must get lower and lower in order to use the chest resonance but the intonation must be higher and higher using the face, high and to the front "in maschera" (in tha mask) as the notes climb. Don't put too much chest on the exercices. Don't try to sound big and strong. Don't make a baritonal voice. This not the way. The way is gently singing and letting the brain learn what are the real resonances of your physical body.
maxlorenz24 1 year ago
@maxlorenz24 Part n° 3. Sorry for the mess. Of course one has to make effort but, as a nail, the force must be applied concentrated in one point to achieve the desired goal. Sing quietly then try to increase volume without stressing the cords, always with the throat (the larinx) low! Next: listen to the best singers: Alfredo Krauss; Fritz Wunderlich; Nicolai Gedda; Beniamino Gigli...etc. Note that I recommend the ancient singers not the present ones. Next: search Robertocasitenore.
maxlorenz24 1 year ago
@maxlorenz24 Part 4. He has good advices always! Mail me if you want to know a good excercise (secret). Good luck!!!
maxlorenz24 1 year ago
@maxlorenz24 O man thanks a lot,i want advices ,but don`t know your mail!!Write me
Really thanks for the words,i`m doing most of the things,that shouldn`t :) But i love opera singing:)
Huljic 1 year ago
mmh...niente male peccato peto per il il brutto suono della registrazione e il tono un po bassa nell'acuto ma davvero bravo
^^ complimenti.....mi potresti cantare CON TE PARTIRO per favore
ciao
salasjoan 2 years ago
Hmmm i understand something of that:)Could you please translate??:)What with Con te partiro?
Thanks
Huljic 2 years ago
con te partirò is an opera of andrea bocelli. great tenor of italian's opera
salasjoan 2 years ago
:)I know that of course :)
Just ask do you want to i sing that or what?:)
Thanks for comments:)
Huljic 2 years ago