@behjoh you are talking apples and oranges in a way. Fusion bass was a very self gratifying type of medium. Support and a hey hey look at me kind of thing. Weather report etc..
Jamerson was all about groove pocket support, and being GREAT at it made him what he is. Jaco was wonderful for what he was, as was Jamerson.
It's hard to compare the two. How do we compare edgar mayer to cliff burton?
Not objective, just subjective. Both great! Who is better? who cares! I enjoy them both!
@behjoh For musicians - certainly. For commercial pop? Music that most people know? Jamerson, Babbit - those were the motown boys. After that? Macca for making bass LOUD. Carol Kaye for putting funk into white music!!.... Jaco was most certainly THE bass playing talent for many many years - but he's influential to players who wanna be like Jaco. These cats were players of music that communicated to the masses...
Jamerson was incredible, his impact on the bass world was immeasurable. And if you dig into the Jaco recordings you will find a very powerful motown/Jamerson influence in his playing, yet there's so many people who still really dislike and reject Jaco. Open up those ears! There's nothing wrong with a different style
I'm glad, I found out who played all those wonderful bass lines. listening as a kid in the 1960's I had not a clue who he was. Jamerson's style was, like no other on the radio. that I can remember at that time.
Some people say guys like Paul Chambers or Ron Carter or Charlie Mingus are tops, but it's a different head from what Jamerson accomplished. If more bassists today would really listen to what he did and how he did it, instead of Flea, Geezer or Geddy (not that they aren't great, but you need to hear Jamerson to understand them in context), they would be better players, IMHO.
@Groovatronic:Their styles were closer than you might think. Jaco started playing all best soul bassists before, mixing all the influences, started his own way of doing things. Jerry Jemmott wa also one of the bigest influences of Jaco. Big hug.
I play guitar and to this day, I think "JJ thoughts" when phrasing guitar notes. As important as it is to chose and place a note where you want it, its equally important to chose where NOT to place a note. JJ was a master of where he didn't place note. He would play in front or behind a beat all the time.
His playing was lyrical, melodic and heavenly. As time passes it just becomes even more amazing on what he created.
Progressiv Rockers , influenced by Bach ? You must be bloody jockin`. Offcourse harmonic cadences in jazz are many times taken from barroc music, but that takes a longer road than that.
By the way, King Crimson was one of my favorite bands 30 years ago. But Steve Swallow was allready around. You must be one of those "music owners" . Big Hug
John Wetton played Bach bass lines for his brother who was a church organist. He always attributes Bach as being the best bass line composer in history.
James Jamerson is what being a bass player is all about before slap and the technical solos took over, no body played basslines like James he keep it simple and just grooved with the drums,the most influential bass player of all time period, he influenced Jaco who took it to a whole new level but James paved the way for everybody , and back in the sixties all the bass players of all genres were listening to James
It's from "Standing in the Shadows of Motown". A documentary about the Funk Brothers -- the great studio musicians behind all the great Motown hits. Highly recommended!
Quote from Frank Wilson from that page, which says "Frank Wilson March 2009" near the top: "Gordy came out several times [to L.A....] [W]e were taking [him] to the airport[...] and he said, 'What makes you think you can produce?', I said, 'Because I've been producing much of the stuff that you've been hearing'. So he turned to Marc [Gordon] and Hal [Davis]. He said, 'Is that right?' And they said, 'Yes, that's right'." (Matches very well claims CK made to me JNS about 8 years ago)
More from that page about Frank Wilson: "When Berry Gordy decided to open a West Coast Motown office, following his visit there to attend a disc jockey convention in 1963, he asked L.A. veterans Hal Davis, and Marc Gordon to take charge." (Matches what CK's been saying publicly for years -- frequently resulting in scornful reactions from her energetic detractors)
More from that F. Wilson page you can find by googling "I lost my athletic scholarship after participating in the civil rights sit-in demonstrations": "During 1964-65 Frank [Wilson] saw an increasing number of his compositions being released[....] Frank[...] soon found himself[...] supervising recording sessions.[...] At some point in 1965 the decision was taken to launch Frank Wilson as a Motown artist in his own right[... recording in] Armin Steiner's 8 track Sound Recorders studio[....]"
Here is part of a 2/18/2002 (2:03 P.M.) post on the Soulful Detroit Forum: "[...] I'm Billy Wilson President of the Motown Alumni Association.[...] Carol did play on a few lesser know recordings at Motown . . . and I do mean LESSER KNOWN! [...] From 1964 to 1968 the company only used Jamerson." Note that that last sentence contradicts that Frank Wilson page, on which Andrew Rix describes Kaye as one of the "regulars" in L.A. as of '65. (cont.)
Note that Billy Wilson presents himself in the 2/18/2002 post as knowing who played bass on every 1964-1968 Motown recording. (!!!) Now check this out from the same post: "The Motown Alumni Associaton provides information and gives assistance to entities such as the Library Of Congress, the Smithsonian Institute, Motown/Universal Music Group [this is people like Harry Weinger] ,Rythum & Blues Foundation, Motown artists[...]" Should we be surprised there's a Kaye-is-a-liar myth?
Quote from Armin Steiner, Mix magazine interview with Maureen Droney, 2001; compare it to Frank Wilson who was there -- and then to Billy Wilson, and to the Kaye detractors' myths: "From that moment on, word started traveling. Motown got interested, and I was busy all the time. I had Glen Campbell, Billy Strange, Tommy Tedesco, Dennis Budamir, [...] Ray Pohlman[...]. Hal Blaine, Earl Palmer, Joe Osborne, Larry Knecht[e]l[...]" (cont.)
"[...] Bill Pittman, Mike Deasy and, of course, Carol Kaye.[...] I used to have The Supremes up there, Marvin Gaye — my mother used to cook for them. Stevie Wonder was in when he was 9 years old. People think I'm making this stuff up, but it's true. As a matter of fact, I did a film session with Stevie awhile back, and he remembered both me and my studio. It was a different time, a different place. You couldn't do that kind of thing now, the city wouldn't allow it. I mean, it was all illegal."
Regarding JJ and CK: Harry Weinger works for _Universal_ and has access to Motown master tapes. Weinger takes Slutsky seriously as a researcher. Is Weinger's only source for JJ on bass on SW's "I Made To Love Her" Slutsky? Is Slutsky's story that Benjamin's nickname being heard on the master of it proves that _Jamerson_ was present a reasonable story? Could Kaye and Benjamin have recorded together in LA, for instance? Who says Benjamin didn't session in LA? Slutsky, who never met JJ or BB?
Slutsky wrote in 1995: "[SW's] 'I Was Made to Love Her' was released in 1967 which means it was cut in '66 or '67." Does that sentence suggest that as of 1995, Slutsky didn't believe he knew what date "I Was Made To Love Her" was recorded? Note that he wrote in the same 1995 piece: "Motown's filing system lists whether the songs were recorded in Detroit or Los Angeles (and in a few instances in New York) on each storage box. All the disputed songs were listed as being cut in Detroit."
Billy Wilson, president of the MAA, wrote to me yesterday: "Virtually all that [CK] has said is true[....]" I'm not sure what to think about the difference between that and what he wrote in 2002 (e.g. perhaps he's done quite a bit of research at some point during the last seven years?), but in fairness to him I'm mentioning it here.
Those who have enough true interest in JJ & CK, google "lost my athletic scholarship after participating in the civil rights sit-in". From that page about Frank Wilson (& note "regulars"): "The[...] musicians for [a particular late '65 Motown session] were pulled from the studio regulars that included[...] Carol Kaye[....] As far as it can be established the tapes were dispatched to Detroit [in] November 1965, where they were mixed by Lawrence Horn for submission to Billie Jean Brown."
Some questions about Motown bass & JJ that any fair-minded person can ask themselves. These are just _Qs_, so anyone giving this post a thumbs down or removing it is opposed to people asking these Qs (hmmmmm).
Did JJ play on '60s Motown using a pick?
Is a pick audible on the Four Tops' "Eleanor Rigby"? Who may have played bass on it?
Most of Funk bassists use fingers. JJ used his index finger to play all those grooves. Another regular bassist in motown scene was Carol Kaye, a superb lady-bassist.
James Jamerson NEVER got the recognition he really so deserved.Man,this guy could just flat out PLAY<<<You could not only hear the soul but feel the heart behind his playing...RIP JAMES
One of my only regrets in life is that I couldn't meet James Jamerson before he passed away. Oh well, see you heaven......in about 70 more years!!! Not in no hurry!!!
This clip is from "Standing in the shadows of Motown,"the best documentary/movie ever produced, in which James Jamerson and the Funk Brothers, finally get a detailed video and verbal documentary of the men (the surviving members at the time the documentary was being put together,) in their own words and personalities, of their experiences of being the the DNA of the Motown Sound, and subsequently, creating music history.
This was a documentary called "Standing In the Shadows of Motown" Dedicated to the memory and art of James Jamerson and his fellow musicians "Funk Brothers".There´s also the book with the same name, with James`s bass parts transcried ,and played by contemporary bass palyers.
@behjoh you are talking apples and oranges in a way. Fusion bass was a very self gratifying type of medium. Support and a hey hey look at me kind of thing. Weather report etc..
Jamerson was all about groove pocket support, and being GREAT at it made him what he is. Jaco was wonderful for what he was, as was Jamerson.
It's hard to compare the two. How do we compare edgar mayer to cliff burton?
Not objective, just subjective. Both great! Who is better? who cares! I enjoy them both!
Ottomastiff 3 months ago
Yeah Jaco was great, but he can't even touch Jamerson's parts on the album What's Going On
ePRmu 3 months ago 2
BEST EVER!!!
brandondrummings 5 months ago
Thanks for sharing
PJ92386 6 months ago
Wow. people are really on here comparing jamerson and jaco. Grow the fuck up lol
shamkim 6 months ago 5
Jaco took it further.......
behjoh 7 months ago
@behjoh Even so, before Jaco's parents had even met & conceived him, Jamerson had changed the course of electric bass playing.
debiear 6 months ago 24
@debiear Right!!!
behjoh 6 months ago
Comment removed
Verbeke7 6 months ago
@behjoh For musicians - certainly. For commercial pop? Music that most people know? Jamerson, Babbit - those were the motown boys. After that? Macca for making bass LOUD. Carol Kaye for putting funk into white music!!.... Jaco was most certainly THE bass playing talent for many many years - but he's influential to players who wanna be like Jaco. These cats were players of music that communicated to the masses...
narcoman2 4 months ago
Jaco's boring, James' the man!
lptomtom 7 months ago
Jamerson was incredible, his impact on the bass world was immeasurable. And if you dig into the Jaco recordings you will find a very powerful motown/Jamerson influence in his playing, yet there's so many people who still really dislike and reject Jaco. Open up those ears! There's nothing wrong with a different style
SpagsJippy 7 months ago
I'm glad, I found out who played all those wonderful bass lines. listening as a kid in the 1960's I had not a clue who he was. Jamerson's style was, like no other on the radio. that I can remember at that time.
artfxl5 10 months ago
Some people say guys like Paul Chambers or Ron Carter or Charlie Mingus are tops, but it's a different head from what Jamerson accomplished. If more bassists today would really listen to what he did and how he did it, instead of Flea, Geezer or Geddy (not that they aren't great, but you need to hear Jamerson to understand them in context), they would be better players, IMHO.
I'm getting off my soapbox now.
hitmanbluesband 1 year ago
I DONT PLAY AN INSTURMENT BUT I WISH I DID I LOVE MUSIC AND I SEE YALL LOVE THIS MAN I MUST LOOK HIM UP!
pk06511 1 year ago
@pk06511 Pick up a starter bass for cheap, it's real easy to learn but very difficult to master :)
theredrasta123 1 year ago 2
i remeber watching this show on tv it was great :D
WWWNATHAN 1 year ago
say what you wanna say, but this guy is the best bass player EVER! he inspired me to play the bass, upright & electric
zorro1955 1 year ago 3
I learn something NEW everyday....Woww! and OMG! I swear fo'cheezeandcrackas, Mr. James Jamerson 1:27 was F'iiine too! LOL!
Grt Post!
mssquirrely 1 year ago
Comment removed
mssquirrely 1 year ago
It's starts with Jamerson and it end with Palladino thats all you have to know.
dannypbass 1 year ago 2
If you don't think he was influential, you don't think.
ODC771 1 year ago 2
Fucken GENIUS
RIVR2319 1 year ago
What movie is this from?!?
SweeetLou88 1 year ago
@SweeetLou88 Standing in the Shadows of Motown
behjoh 1 year ago
@SweeetLou88 - Its from the movie "Standing in the Shadow of Motown".
thmsjordan 7 months ago
More people should see this..
samuelbellpierre 1 year ago
this is a great freakin movie. easily one of my all time favs
SuperMaynard3 1 year ago
:-) lllooolll Yeah Right!!!
behjoh 1 year ago
You know you kick ass when your right index finger has its own nickname.
Digitbig 1 year ago 3
Stanley Clarke!
neofunkyman1 1 year ago
Bom demais, parceiro. Abraço
KaizerSoze10 1 year ago
According to an interview with bass player magazine article, the beginning is played by Pino Palladino.
Idisfan 1 year ago 4
@Idisfan That's true, he's even listed in the film credits.
Fjord76 1 year ago
man i'm tellin you Mr. Jamerson is a genius. I would be honored to be apart of his lineage if I had it like that. Wow!
icecreamladydream 1 year ago
James Jamerson = G.O.A.T
kingbmore73 1 year ago
he is the original groove-master. jj's playing was more than improv, it was more clarity to the jam....
BagpipeHustler 1 year ago 2
"The dirt keeps the funk.". I like that.
atheistasylum 1 year ago
A genius and the real sound of Motown, RIP James, legend!
BIGSOULMAN1 2 years ago 4
I see people PLAY his bass lines and that's ok but he INVENTED those bass lines. I've yet to hear anyone anywhere at any level do what he did, peroid
dondro5749 2 years ago 33
Mr Pastorius also did it.
behjoh 2 years ago
@behjoh Mr Pastorius did it to like 40 songs... JAmes did it hundreds of times. They did different things.
bassramos 1 year ago 2
@behjoh Not comparable in the slightest
Groovatronic 1 year ago
@behjoh Not comparable in the slightest, they're styles were so different
Groovatronic 1 year ago
@Groovatronic:Their styles were closer than you might think. Jaco started playing all best soul bassists before, mixing all the influences, started his own way of doing things. Jerry Jemmott wa also one of the bigest influences of Jaco. Big hug.
behjoh 1 year ago
@dondro5749 ain't that the truth
MikeJ6129 1 year ago
happy birthday james.
KilikaDrums 2 years ago
You can't raise the bar any higher because Jamerson is at the top holding it up.
Jhn3n16 2 years ago 4
I play guitar and to this day, I think "JJ thoughts" when phrasing guitar notes. As important as it is to chose and place a note where you want it, its equally important to chose where NOT to place a note. JJ was a master of where he didn't place note. He would play in front or behind a beat all the time.
His playing was lyrical, melodic and heavenly. As time passes it just becomes even more amazing on what he created.
He was a one in an infinity.
fjgindy 2 years ago 6
The most influential bass player of all time was J.S Bach :D
Nah, but in all seriousness, many bass players, particularly in progressive rock, were more influenced by Bach than by Jamerso.
GiI11 2 years ago
Progressiv Rockers , influenced by Bach ? You must be bloody jockin`. Offcourse harmonic cadences in jazz are many times taken from barroc music, but that takes a longer road than that.
Big Hug.
behjoh 2 years ago
Are you familiar with John Wetton's work?
Because otherwise you're coming off as rather ignorant.
GiI11 2 years ago
John Wetton? A neighbour of yours? So, when someone doesn´t know your favorite musicians is rather ignorant. Ok, fine to me.
behjoh 2 years ago
@behjoh
No, you're coming off as ignorant by claiming that there are no Bach influences in progressive rock bassists without actually looking into it.
GiI11 2 years ago
By the way, King Crimson was one of my favorite bands 30 years ago. But Steve Swallow was allready around. You must be one of those "music owners" . Big Hug
behjoh 2 years ago
John Wetton played Bach bass lines for his brother who was a church organist. He always attributes Bach as being the best bass line composer in history.
THEFRANKLINFILM 2 years ago
ALL barroc period was fantastic in bass line terms. Haendel was also a fantastic bass liner.
behjoh 2 years ago
I assume you mean Baroque?
THEFRANKLINFILM 2 years ago
I`m sorry, I am Portuguese. Obviously, if I wrote it in Portuguese you wouldn`t understand. Please accept my excuses.
Yours trully
behjoh 2 years ago
Yeh but prog rock is not most bass players. The one's with soul are influenced by james, mccartney, entwistle and the like.
mad4it 2 years ago
The trouble with this clip, is that it just isn't long enough! They coulda done a whole film on Jameson - he's friggin' awesome!
Swodaem 2 years ago 4
if you dont feel it dont play it. word
julescoltrane 2 years ago 4
Just listen to the bassline to Ain't No Mountain High Enough! It is one of the most creative bass playing you will ever hear. He was great.
barrett5000 2 years ago
James Jamerson is what being a bass player is all about before slap and the technical solos took over, no body played basslines like James he keep it simple and just grooved with the drums,the most influential bass player of all time period, he influenced Jaco who took it to a whole new level but James paved the way for everybody , and back in the sixties all the bass players of all genres were listening to James
DString20 2 years ago 10
yES SIR, INDEED :-)
behjoh 2 years ago
James Jamerson was absolutely AMAZING
mandeepsingh1992 2 years ago 19
LOL HIPPIE 2:45
muzikmaka89 2 years ago
this was from standing in the shadows of motown...
KaiDune 2 years ago 5
i go to edisto island ever year (except this one, stupid camp) i never knew he lived there
MiniMoose22031 2 years ago
The finest musician to come out of the low country of SC.
krblizzard 2 years ago 8
Man....that is pretty cool.
When I see a fat bitch walking down the street, I certainly don't get inspired.
Whicol2 2 years ago 7
I never knew he only played with one finger. Thats so much music with one finger.
I'll a JJ fan for life.
Roger11733 2 years ago 3
Yep. Trained as an upright jazz player, so it was natural for him. Also played most of the lines half conscious in one take!
RyRobb813 2 years ago 3
Thank you very much for posting this.
louiestrums 2 years ago
What is this from?
Back0Pack 2 years ago
It's from "Standing in the Shadows of Motown". A documentary about the Funk Brothers -- the great studio musicians behind all the great Motown hits. Highly recommended!
douglasgorney 2 years ago 3
This has been flagged as spam show
Quote from Frank Wilson from that page, which says "Frank Wilson March 2009" near the top: "Gordy came out several times [to L.A....] [W]e were taking [him] to the airport[...] and he said, 'What makes you think you can produce?', I said, 'Because I've been producing much of the stuff that you've been hearing'. So he turned to Marc [Gordon] and Hal [Davis]. He said, 'Is that right?' And they said, 'Yes, that's right'." (Matches very well claims CK made to me JNS about 8 years ago)
JosephNScott 2 years ago
More from that page about Frank Wilson: "When Berry Gordy decided to open a West Coast Motown office, following his visit there to attend a disc jockey convention in 1963, he asked L.A. veterans Hal Davis, and Marc Gordon to take charge." (Matches what CK's been saying publicly for years -- frequently resulting in scornful reactions from her energetic detractors)
JosephNScott 2 years ago
More from that F. Wilson page you can find by googling "I lost my athletic scholarship after participating in the civil rights sit-in demonstrations": "During 1964-65 Frank [Wilson] saw an increasing number of his compositions being released[....] Frank[...] soon found himself[...] supervising recording sessions.[...] At some point in 1965 the decision was taken to launch Frank Wilson as a Motown artist in his own right[... recording in] Armin Steiner's 8 track Sound Recorders studio[....]"
JosephNScott 2 years ago
This has been flagged as spam show
Here is part of a 2/18/2002 (2:03 P.M.) post on the Soulful Detroit Forum: "[...] I'm Billy Wilson President of the Motown Alumni Association.[...] Carol did play on a few lesser know recordings at Motown . . . and I do mean LESSER KNOWN! [...] From 1964 to 1968 the company only used Jamerson." Note that that last sentence contradicts that Frank Wilson page, on which Andrew Rix describes Kaye as one of the "regulars" in L.A. as of '65. (cont.)
JosephNScott 2 years ago
Note that Billy Wilson presents himself in the 2/18/2002 post as knowing who played bass on every 1964-1968 Motown recording. (!!!) Now check this out from the same post: "The Motown Alumni Associaton provides information and gives assistance to entities such as the Library Of Congress, the Smithsonian Institute, Motown/Universal Music Group [this is people like Harry Weinger] ,Rythum & Blues Foundation, Motown artists[...]" Should we be surprised there's a Kaye-is-a-liar myth?
JosephNScott 2 years ago
This has been flagged as spam show
Quote from Armin Steiner, Mix magazine interview with Maureen Droney, 2001; compare it to Frank Wilson who was there -- and then to Billy Wilson, and to the Kaye detractors' myths: "From that moment on, word started traveling. Motown got interested, and I was busy all the time. I had Glen Campbell, Billy Strange, Tommy Tedesco, Dennis Budamir, [...] Ray Pohlman[...]. Hal Blaine, Earl Palmer, Joe Osborne, Larry Knecht[e]l[...]" (cont.)
JosephNScott 2 years ago
This has been flagged as spam show
"[...] Bill Pittman, Mike Deasy and, of course, Carol Kaye.[...] I used to have The Supremes up there, Marvin Gaye — my mother used to cook for them. Stevie Wonder was in when he was 9 years old. People think I'm making this stuff up, but it's true. As a matter of fact, I did a film session with Stevie awhile back, and he remembered both me and my studio. It was a different time, a different place. You couldn't do that kind of thing now, the city wouldn't allow it. I mean, it was all illegal."
JosephNScott 2 years ago
This has been flagged as spam show
Regarding JJ and CK: Harry Weinger works for _Universal_ and has access to Motown master tapes. Weinger takes Slutsky seriously as a researcher. Is Weinger's only source for JJ on bass on SW's "I Made To Love Her" Slutsky? Is Slutsky's story that Benjamin's nickname being heard on the master of it proves that _Jamerson_ was present a reasonable story? Could Kaye and Benjamin have recorded together in LA, for instance? Who says Benjamin didn't session in LA? Slutsky, who never met JJ or BB?
JosephNScott 2 years ago
This has been flagged as spam show
Slutsky wrote in 1995: "[SW's] 'I Was Made to Love Her' was released in 1967 which means it was cut in '66 or '67." Does that sentence suggest that as of 1995, Slutsky didn't believe he knew what date "I Was Made To Love Her" was recorded? Note that he wrote in the same 1995 piece: "Motown's filing system lists whether the songs were recorded in Detroit or Los Angeles (and in a few instances in New York) on each storage box. All the disputed songs were listed as being cut in Detroit."
JosephNScott 2 years ago
Billy Wilson, president of the MAA, wrote to me yesterday: "Virtually all that [CK] has said is true[....]" I'm not sure what to think about the difference between that and what he wrote in 2002 (e.g. perhaps he's done quite a bit of research at some point during the last seven years?), but in fairness to him I'm mentioning it here.
JosephNScott 2 years ago
This has been flagged as spam show
Those who have enough true interest in JJ & CK, google "lost my athletic scholarship after participating in the civil rights sit-in". From that page about Frank Wilson (& note "regulars"): "The[...] musicians for [a particular late '65 Motown session] were pulled from the studio regulars that included[...] Carol Kaye[....] As far as it can be established the tapes were dispatched to Detroit [in] November 1965, where they were mixed by Lawrence Horn for submission to Billie Jean Brown."
JosephNScott 2 years ago
This has been flagged as spam show
Some questions about Motown bass & JJ that any fair-minded person can ask themselves. These are just _Qs_, so anyone giving this post a thumbs down or removing it is opposed to people asking these Qs (hmmmmm).
Did JJ play on '60s Motown using a pick?
Is a pick audible on the Four Tops' "Eleanor Rigby"? Who may have played bass on it?
Same Qs, Stevie's "Respect"?
Same, mono mix of Four Tops' "Bernadette"?
Same, B. Holloway's "Just Look What You've Done"?
Where has BH said the last was recorded?
JosephNScott 2 years ago
Most of Funk bassists use fingers. JJ used his index finger to play all those grooves. Another regular bassist in motown scene was Carol Kaye, a superb lady-bassist.
behjoh 2 years ago
Hey Thats my Uncle
julian23retro13 2 years ago
thats a lie!
SeamusBlonde 2 years ago
James Jamerson NEVER got the recognition he really so deserved.Man,this guy could just flat out PLAY<<<You could not only hear the soul but feel the heart behind his playing...RIP JAMES
mikey1829 2 years ago 5
You are right. We all thought it was you Father playing bass. It was really your Father changing the course of bass.
James Jamerson= Legend
pablocruise75 2 years ago 5
Great clip.
Thanks for posting
dkcvv 3 years ago 3
Watch the whole DVD about the Funk Brothers! It´s worth every minute and a masterpiece of music!
frenschie 3 years ago 2
one of the most important films of the last 25 years? I believe so.
LDSBASS 2 years ago 3
I GOT THIS DVD TOO! I LOVE IT SO MUCH!
kimchislayer 2 years ago
One of my only regrets in life is that I couldn't meet James Jamerson before he passed away. Oh well, see you heaven......in about 70 more years!!! Not in no hurry!!!
ltinsley2 3 years ago 3
:-)
behjoh 3 years ago
That was an awesome clip. Thanks!
u84six 3 years ago
great clip!!!!
MusicDude86 3 years ago
LOL 1:12
Elswalbe 3 years ago
James Jamerson is still very much present in every style of pop music today, 25 years after his death...an amazing talent.
jeansbass 3 years ago 6
Is there any reason he used just one finger?
vonroden 3 years ago
sometimes acoustic players have that handycap.
It`s nothing to follow.
behjoh 3 years ago
i've heard people say it allows for a person to play a tighter groove as opposed to using two fingers.
barrycasebeer 3 years ago 3
It also works to even out your attack.
clank4001 3 years ago
This clip is from "Standing in the shadows of Motown,"the best documentary/movie ever produced, in which James Jamerson and the Funk Brothers, finally get a detailed video and verbal documentary of the men (the surviving members at the time the documentary was being put together,) in their own words and personalities, of their experiences of being the the DNA of the Motown Sound, and subsequently, creating music history.
6ft6cutie 3 years ago
what documentary is this?
boonokian 3 years ago
This was a documentary called "Standing In the Shadows of Motown" Dedicated to the memory and art of James Jamerson and his fellow musicians "Funk Brothers".There´s also the book with the same name, with James`s bass parts transcried ,and played by contemporary bass palyers.
behjoh 3 years ago
thanks very much
boonokian 3 years ago
See also " Sweet Motown Music"
behjoh 3 years ago
the song from oo:06 is bernadette
bassmantony 3 years ago
wat song is that bass part from. from 00:06 to 00:20.
plz help thnx
zEddyBear 3 years ago
"Bernadette" by The Four Tops.
Duraan84 3 years ago