Question 1: Lets say you are micing a guitar cab (or drums for that matter) and want to be able to run multiple channels into one outboard thing (say a compressor or Preamp) is that possible to send multiple channels to 1 outboard item? if so, how?
@braden90 Yes - that can be accomplished by routing the signals (i.e all drum mics) to a sub-group, and then place the compressor/EQ/whatever... on that sub group as an insert
@braden90 This is done by creating whats called a "subgroup" or some call it "stem mixing" basically, this requires you to have an analog mixer with 1 or more stereo subgroups next to your your master fader. each channel has optional buttons to select L-R (main outputs) 1-2 (subgroup) 3-4 (subgroup). assign each "drum" to say 1-2. Thats puts all the drums on subgroup 1-2, then use the sub group insert to put your favorite compressor on that whole group. check out more vids @ my channel
Tnx for the nice and proper explaination how to route the insert, for it isn't something Soundcraft putted in the manual. It only says that the ring is the return, but not that you'd use a stereo > 2x mono 1/4" jack cable, and that the other side goes into the output of e.g. the comp. (normally one uses also insert returns next to sends.)
I already thought something like that, but you confirmed, so now i can go for the right cables.
Grtz T. (Yep, thats an Soundcraft MH3/32 on my profile pic)
Good info but I have a question...why would you write the numbers on the back? why not use a label maker or label stickers on the back. That looks tacky...just saying from another sound guy.
@85bmw528eguy Yeah,,, I did not write the numbers on the back. It was another soundguy who used my mixer. I tried and tried to get those stupid numbers off. He used some kind of paint pen. Carb cleaner, lacquer thinner, and rubbing compound - nothing worked .... Note to other people who own mixers. Make sure the guy who uses your equipment knows he can't modify it. Even if he's renting it from you for 6 months.
Hey Jeff, great information. I have two questions, (1) would it be best to have a direct out from a guitar amp to go into the line direct in or mic input? (2) what is the best way to install a single compressor for use on 4 vocal channels (e.g., channels 1,2,3, and 4) on the board?
maybe you should cover the differance beetween ballanced and unballanced signals. I allready understand it, burt I think it would be good to tell people on that.
Well yeah, Midas, Studer, Digitech, are some of the top of the line mixers out there. All starting at 20 to $30,000.... In that price range the Allen and Heath, Yamahas, and Soundcrafts are just as good... maybe better in some areas. I assume you took out an OLD worn out mixer?
@bradliebler Ha Ha Ha,,, Seriously? You need to give more input for that answer, how many channels, what is the use, how many monitor outs, and is it going to be portable or installed....
Nice Job sir! I find it amazing how simple things can be when the instructor teaches from the heart. Your appreciation and knowledge of sound and recording techniques is apparent in the ease with which you can convey it to people watching your videos. Thanks!
I have a question, I have had a LOT of emails asking me to make a quality DVD covering all of this information. I am considering this but before I do (and spend the money to make it)- can you give a thumbs up to this comment if you honestly think you would purchase a DVD covering everything from mixers, to equipment to speaker and amp set up? Thanks, Jeff
@motojeff jeff ive been interning at a theatre for 6 months and have been waiting for the sound guy to teach me what youve taught me in 40 minutes. a dvd with additional things would help as well. very happy about your videos and i truly appreciate it.
compressors should always go into "Inserts" no matter if it's a group insert or an individual channel insert. You have the most control doing it this way. The Aux's can work if you don't have inserts/insert cable$ (they are expensive)
another good video. I would like to add that phantom power can be on at any time with most mics that do not need it. I do not advise it because its better to be safe than sorry. If anyone out there has a ribbon mic and a cheap board that does not have phantom switches, or only has a master phantom switch, be very careful about not sending phantom power to a ribbon mic. It usually, especially on older mics, will instantly burn the ribbon out. you will see smoke and that will be the end of it
I did not know that,,, letting the smoke out of the microphones is always a bad thing. I appreciate your feedback on my other videos and will be very careful with ribbon microphones.
You was extremely helpful and I truly want to thank you for this video I'm a beginner at mixing and you made it allot easier for me. Much appreciation
I want to thank you, Jeff the Sound Guy, for helping the music community in general with your tutorials. It's not common for anybody in these times to spend the time and energy to help others without receiving compensation. I have been a musician for over 30 yrs. and yet just recently found myself in need of running sound myself for monetary reasons. Not fully understanding the ins and outs of the board has made my experiences very nerve racking. Your videos are great. Thank you sir!
This has been flagged as spam show
hey how can we send individual track from DAW to an analog mixer to do the mix
do you know if you do please help and what do i need to make work
thanks
sxayaxang 3 months ago
Question 1: Lets say you are micing a guitar cab (or drums for that matter) and want to be able to run multiple channels into one outboard thing (say a compressor or Preamp) is that possible to send multiple channels to 1 outboard item? if so, how?
braden90 4 months ago
@braden90 Yes - that can be accomplished by routing the signals (i.e all drum mics) to a sub-group, and then place the compressor/EQ/whatever... on that sub group as an insert
N0JoC0 3 months ago
@braden90 This is done by creating whats called a "subgroup" or some call it "stem mixing" basically, this requires you to have an analog mixer with 1 or more stereo subgroups next to your your master fader. each channel has optional buttons to select L-R (main outputs) 1-2 (subgroup) 3-4 (subgroup). assign each "drum" to say 1-2. Thats puts all the drums on subgroup 1-2, then use the sub group insert to put your favorite compressor on that whole group. check out more vids @ my channel
IndepthMusic1 2 months ago
how much is a Soundboard
stormytx12 7 months ago
Tnx for the nice and proper explaination how to route the insert, for it isn't something Soundcraft putted in the manual. It only says that the ring is the return, but not that you'd use a stereo > 2x mono 1/4" jack cable, and that the other side goes into the output of e.g. the comp. (normally one uses also insert returns next to sends.)
I already thought something like that, but you confirmed, so now i can go for the right cables.
Grtz T. (Yep, thats an Soundcraft MH3/32 on my profile pic)
Tonyp68 10 months ago
I have a MACKIE SR332-4 console and a PreSonus HP4 headphone amp, could you tell me how to properly connect it, thanks for your time
countryboy1604 10 months ago
I have a MACKIE SR332-4 console and a PreSonus HP4 headphone amp, could you tell me how to properly connect it, thanks
countryboy1604 10 months ago
Good info but I have a question...why would you write the numbers on the back? why not use a label maker or label stickers on the back. That looks tacky...just saying from another sound guy.
85bmw528eguy 1 year ago
@85bmw528eguy Yeah,,, I did not write the numbers on the back. It was another soundguy who used my mixer. I tried and tried to get those stupid numbers off. He used some kind of paint pen. Carb cleaner, lacquer thinner, and rubbing compound - nothing worked .... Note to other people who own mixers. Make sure the guy who uses your equipment knows he can't modify it. Even if he's renting it from you for 6 months.
motojeff 1 year ago
how to take different outputs from a mixer to a soundcard to make multi track recording.
shrivibhu 1 year ago
lol was that a bible on the left. you better pray that dog doesn't do that again! Love your videos man keep em coming.
plsr80 1 year ago
Does anybody know if drum microphones put out the same as regular mics?
drummerb0y117 1 year ago
@drummerb0y117" Put out the same?" that is a very open question.. Same of what? signal? range? max dB? what exactly are you asking?
motojeff 1 year ago
@motojeff
Im not to good with the lingo: But basically do they use the same type of output chords.
drummerb0y117 1 year ago
@drummerb0y117 Cords? The mic cords? yes they all use XLR mic style cables.
motojeff 1 year ago
@motojeff
Yes that was the question
Thank you for the help sorry for the confusion.
drummerb0y117 1 year ago
So with insert cables you can loop effects ? but wouldnt that cause major feed back and overdrive ? Help !!!
lastpatriot4America 1 year ago
great videos..thx!
maciekkk123 1 year ago
Do u have videos for sell if so let me know like to get some
rolandiron 1 year ago
@rolandiron I am going to start working on a good DVD, since I am getting enough response to make it worth while...
motojeff 1 year ago 2
Do u have a video out there somewhere that i can buy
rolandiron 1 year ago
@rolandiron I prefer a good guitar mic, you dont get the right sound if you go direct. Unless you are wanting a clean sound.
part 2- I would suggest using inserts on the sub groups for a compressor, to get an overall compression,
motojeff 1 year ago
Hey Jeff, great information. I have two questions, (1) would it be best to have a direct out from a guitar amp to go into the line direct in or mic input? (2) what is the best way to install a single compressor for use on 4 vocal channels (e.g., channels 1,2,3, and 4) on the board?
fjn0bu1 1 year ago
Thanks for explaining Phantom for the first time to me. I always wondered why it was there.
Meladactyle 1 year ago
Hey Jeff,
maybe you should cover the differance beetween ballanced and unballanced signals. I allready understand it, burt I think it would be good to tell people on that.
movie14editer 1 year ago
@movie14editer I thought I did, but it turns out that was for a music magazine that I wrote for, I will get more vids up soon
motojeff 1 year ago
Thank you sir, i learn a lot !
unarchi 1 year ago
@unarchi :)
motojeff 1 year ago
oh, and Allen & Heath GL series all the way!
RileyBurgess 2 years ago
We used to have a Soundcraft in our theater but we upgraded to a Midas Verona 320. Midas boards are BY FAR the best boards you can buy, hands down.
bradliebler 1 year ago
Well yeah, Midas, Studer, Digitech, are some of the top of the line mixers out there. All starting at 20 to $30,000.... In that price range the Allen and Heath, Yamahas, and Soundcrafts are just as good... maybe better in some areas. I assume you took out an OLD worn out mixer?
motojeff 1 year ago
@bradliebler They are nice,,,
motojeff 1 year ago
@motojeff If im looking for the best possible board i can get for like $500-$600, what should get?
bradliebler 1 year ago
@bradliebler Ha Ha Ha,,, Seriously? You need to give more input for that answer, how many channels, what is the use, how many monitor outs, and is it going to be portable or installed....
motojeff 1 year ago
@RileyBurgess Allen & Heath GL2400. (:
Meladactyle 1 year ago
Nice Job sir! I find it amazing how simple things can be when the instructor teaches from the heart. Your appreciation and knowledge of sound and recording techniques is apparent in the ease with which you can convey it to people watching your videos. Thanks!
lawdawg139 2 years ago 2
@lawdawg139 thx
motojeff 1 year ago
ur a good teacher
SNIPER7631 2 years ago 3
@SNIPER7631 thx
motojeff 1 year ago
I have a question, I have had a LOT of emails asking me to make a quality DVD covering all of this information. I am considering this but before I do (and spend the money to make it)- can you give a thumbs up to this comment if you honestly think you would purchase a DVD covering everything from mixers, to equipment to speaker and amp set up? Thanks, Jeff
motojeff 2 years ago 23
@motojeff yeah,i would buy it bro...
moehammet 1 year ago
@motojeff jeff ive been interning at a theatre for 6 months and have been waiting for the sound guy to teach me what youve taught me in 40 minutes. a dvd with additional things would help as well. very happy about your videos and i truly appreciate it.
07sproate 1 year ago
@motojeff Where is that DVD ? We r waiting for it ! Thanks
111nuthead 1 year ago
For someone that is starting music adventure it is real treasure to get this knowledge. Once more big thanks for this tutorial video. Great job!
prusch666 2 years ago
thank you! i learned a lot!
Bilger89 2 years ago
I have "main ins" on the back of my Behringer 2442. What it this used for?
If i put a "compressor" in there would that compress everything?
GCCBytor 2 years ago
yes,,, the main inserts can be used for eq's and compressors over the whole signal
motojeff 2 years ago
Would that be a better way to hook up the EQ etc? I have them hooked up in series ... Out of board, into EQ, out of EQ, into amp ... etc.
GCCBytor 2 years ago
EQ always goes after console and before amps. Effects and compressors should go into the "Inserts" if your console is already equipped with them.
RileyBurgess 2 years ago
Great video...please use a tripod and focus thank you.
guitarez 2 years ago
use Aux sends and use the compressor on the aux channel..
correct me plz if im wrong
deathleafmusic 2 years ago
compressors should always go into "Inserts" no matter if it's a group insert or an individual channel insert. You have the most control doing it this way. The Aux's can work if you don't have inserts/insert cable$ (they are expensive)
RileyBurgess 2 years ago
Would I hook up my bass cable to the compressor or too the mixer whenever I have the compressor hooked up?
chicanoOaxaqueno 2 years ago
Would I insert my instrument too the compressor it's self or too the mixer. ..I'm hooking up my bass just too let u know.
chicanoOaxaqueno 2 years ago
I have enrolled in Motojeff University.
SalesDudeMcBoob 2 years ago
Comment removed
shelldon12 2 years ago
another good video. I would like to add that phantom power can be on at any time with most mics that do not need it. I do not advise it because its better to be safe than sorry. If anyone out there has a ribbon mic and a cheap board that does not have phantom switches, or only has a master phantom switch, be very careful about not sending phantom power to a ribbon mic. It usually, especially on older mics, will instantly burn the ribbon out. you will see smoke and that will be the end of it
pizzaking425 2 years ago
I did not know that,,, letting the smoke out of the microphones is always a bad thing. I appreciate your feedback on my other videos and will be very careful with ribbon microphones.
motojeff 2 years ago
You was extremely helpful and I truly want to thank you for this video I'm a beginner at mixing and you made it allot easier for me. Much appreciation
ConchissProductions 2 years ago
nice.
davehikah 3 years ago
I want to thank you, Jeff the Sound Guy, for helping the music community in general with your tutorials. It's not common for anybody in these times to spend the time and energy to help others without receiving compensation. I have been a musician for over 30 yrs. and yet just recently found myself in need of running sound myself for monetary reasons. Not fully understanding the ins and outs of the board has made my experiences very nerve racking. Your videos are great. Thank you sir!
Stoneplayground 3 years ago
I will have more advanced videos on how to use a mixer when I get the time. Im glad I am able to share some of my experience to help others.
motojeff 2 years ago
No problem, I hope this helps you a bit
motojeff 3 years ago
Thanks for the insert info.
thatssorayvenx3 3 years ago