Uh no. This doesn't even come close to real stereo. Only with a time machine back to the days before the 2 track masters were erased could anyone hope to obtain true stereo.
I guess nothing is hurt, but why do so many put the energy into trying to alter mono masters that can never and will never yield stereo information? I guess it is fun but why post
'true stereo' when it a lie, this song can never can be true stereo and it will never be?
Not quite as impressed with this as I was with your stereo Love Me Do but I applaude your efforts. This ended up sounding a lot like the fake U.S. version minus the reverb. Basically, the lows removed on the right channel and bumped up on the left. Keep going though.
It's 1964, and this is my favorite song! Weird things are happening to my body. I don't pull pig tails anymore, because they don't wear them anymore, and I'm busy calling those SAME girls on the phone! What a time! Never be another! Thanks for TCB!
Boy oh boy...thos one is amazing. Still not sure I believe what I'm hearing. From what I have been told, the actual stereo mix was lost or destroyed. This sounds like an amazing, painstaking effort to equalize/filter/compress/whatever and lift certain parts. Love to know how this was done.
Bitch, Bitch, Bitch... that's all these critics can do... you have done a better job at a stereo version than anyone else... period. Never have heard of the boys at EMI or Sir George Martin attempting this. Granted, it isn't perfect, but the Beatles music was never perfect. Like leather, it has it's flaws, but they are hard to quickly find and when shown, give character to the recording. Totally enjoyable...BRAVO !!!
i am not a fab four historian, but i know that a true stereo mix of PLEASE PLEASE ME was done for german release, and not by george martin in EMI.
so i think there's a good chance SHE LOVES YOU was done in stereo there too, for the german market, but then someone got the bright idea to release the song with german vocals instead. i never bought into the claim that every last trace of this track in stereo was lost.
@victorwasright you can get the isolated backing track (and the yeah yeah yeahs) without the german vocals on the "rarities" (discontinued) LP.
in fact, some people use the english take and that backing track to create some stereo mixes.
they fit perfectly as if the german version backing track was just a different mix of the same backing track of the english version, I'm really not sure if they recorded another take or if they used the same backing track.
Good job getting George's guitar in the center. John's guitar could use more volume, as it is a bit dull, but I realize it could be from compression or frequency clipping. Thank god you didn't use the Sie Liebt Dich instrumental track, as the Beatles just phoned that one in. The real 'She Loves You' intrumentals just blister you they are soo full of energy. Making a listenable true stereo mix from this Mono track is a very difficult task. Good job on this.
In terms of the general sound - its a LOT more balanced than the CD versions...
There are so many chops in it that once you've heard them they ruin it:
Take for example the "1" version:
CHOP - middle of Georges fill before the 3rd verse
CHOP - after "I think its only fair"
CHOP - just before "and you know it can't be bad" last full chorus, THE HI-HAT'S ALL BUT COMPLETELY DISAPPEAR!!! (I've messed around with that bit myself...the high frequencies have just GONE...)
Honestly, you cant make a true stereo version of this. All this is is severe out of phasing. The master 2 track is gone, and had it been in stereo it would be vocals hard right, bleed over in the middle and everything else to the left
This sounds like "Digitally Extracted Stereo", a process which attempts to filter out the vocal frequencies and shift them across the stereo image, so theoretically you end up with the instruments in one channel and the voices in the other channel.
In reality, the end result isn't quite that clear and distinct, but it's still much more palatable than the awful attempts to create a stereo version of this song by synching it up with the instrumental track of "Sie Liebt Dich".
Uh no. This doesn't even come close to real stereo. Only with a time machine back to the days before the 2 track masters were erased could anyone hope to obtain true stereo.
I guess nothing is hurt, but why do so many put the energy into trying to alter mono masters that can never and will never yield stereo information? I guess it is fun but why post
'true stereo' when it a lie, this song can never can be true stereo and it will never be?
morninggloryseed 1 week ago
Is this song on the radio? Because if it is... I will be up all night until they play it O_O
BabyDoll12328 3 months ago
nice job
bartholomew1998 5 months ago
You need to hear the Dr. Ebbetts stereo version. Amazing.
yourtubesteak 5 months ago
Not quite as impressed with this as I was with your stereo Love Me Do but I applaude your efforts. This ended up sounding a lot like the fake U.S. version minus the reverb. Basically, the lows removed on the right channel and bumped up on the left. Keep going though.
wellsonors 5 months ago
It's 1964, and this is my favorite song! Weird things are happening to my body. I don't pull pig tails anymore, because they don't wear them anymore, and I'm busy calling those SAME girls on the phone! What a time! Never be another! Thanks for TCB!
sixtiesrockboy 6 months ago
Boy oh boy...thos one is amazing. Still not sure I believe what I'm hearing. From what I have been told, the actual stereo mix was lost or destroyed. This sounds like an amazing, painstaking effort to equalize/filter/compress/whatever and lift certain parts. Love to know how this was done.
ROCKSTARCRANE 8 months ago
Bitch, Bitch, Bitch... that's all these critics can do... you have done a better job at a stereo version than anyone else... period. Never have heard of the boys at EMI or Sir George Martin attempting this. Granted, it isn't perfect, but the Beatles music was never perfect. Like leather, it has it's flaws, but they are hard to quickly find and when shown, give character to the recording. Totally enjoyable...BRAVO !!!
dmzusa 9 months ago
I love this song. Sounds real '60-ish. And that's kinda a good thing.
Hello, it's the BEATLES!!!!! :D
UltimateBeatlesFan13 10 months ago
TRUE STEREO my ass.
only4tsc 1 year ago
i am not a fab four historian, but i know that a true stereo mix of PLEASE PLEASE ME was done for german release, and not by george martin in EMI.
so i think there's a good chance SHE LOVES YOU was done in stereo there too, for the german market, but then someone got the bright idea to release the song with german vocals instead. i never bought into the claim that every last trace of this track in stereo was lost.
victorwasright 1 year ago
@victorwasright you can get the isolated backing track (and the yeah yeah yeahs) without the german vocals on the "rarities" (discontinued) LP.
in fact, some people use the english take and that backing track to create some stereo mixes.
they fit perfectly as if the german version backing track was just a different mix of the same backing track of the english version, I'm really not sure if they recorded another take or if they used the same backing track.
kainthevampireduck 10 months ago
Good job getting George's guitar in the center. John's guitar could use more volume, as it is a bit dull, but I realize it could be from compression or frequency clipping. Thank god you didn't use the Sie Liebt Dich instrumental track, as the Beatles just phoned that one in. The real 'She Loves You' intrumentals just blister you they are soo full of energy. Making a listenable true stereo mix from this Mono track is a very difficult task. Good job on this.
Flasoo8 1 year ago
John Winston Ono Lennon
October / 9 / 1940 - December / 8 / 1980
May He Rest In Peace
Wolf251982 1 year ago
In terms of the general sound - its a LOT more balanced than the CD versions...
There are so many chops in it that once you've heard them they ruin it:
Take for example the "1" version:
CHOP - middle of Georges fill before the 3rd verse
CHOP - after "I think its only fair"
CHOP - just before "and you know it can't be bad" last full chorus, THE HI-HAT'S ALL BUT COMPLETELY DISAPPEAR!!! (I've messed around with that bit myself...the high frequencies have just GONE...)
addylewis 1 year ago
It is me anyway who finds all these making-into-stereo attempts very interesting, regardless of the outcome.
JapaninArmeija 1 year ago
In my opinion, this is a great mix. Peace & Love dude.
FRE1991DDIE 1 year ago
Honestly, you cant make a true stereo version of this. All this is is severe out of phasing. The master 2 track is gone, and had it been in stereo it would be vocals hard right, bleed over in the middle and everything else to the left
capitolemiproducer 1 year ago
This sounds like "Digitally Extracted Stereo", a process which attempts to filter out the vocal frequencies and shift them across the stereo image, so theoretically you end up with the instruments in one channel and the voices in the other channel.
In reality, the end result isn't quite that clear and distinct, but it's still much more palatable than the awful attempts to create a stereo version of this song by synching it up with the instrumental track of "Sie Liebt Dich".
vwest1ife 1 year ago