Absolutely spot on pitch...perfect. Articulate and effortless. Yes, Monserat and she are a class act. I heard Monserat Caballe many times at the Met. And at her debut at Carnegie Hall when after her recital, she came to front stage with guitar in hand and sat on the stage legs over the edge and played guitar to the amazement of everyone. She brought the house down. Those were the glorious days of great singing.
I think she and Sutherland have the most effortlessly sung versions of this aria. I never heard Gruberova live, but I have heard that her voice sounds more vinegary on recordings than it did live. Her breath-control and length of her phrases here are amazing. When you think she should be running out of air, she does a wonderful creschendo at the end of the phrase.
To me, his is *FAR* superior to Kiri Te Kanawa's version. I know Kiri was made a Dame of the British Empire for singing this at Princess Diana's wedding in 1981, but I find her voice too heavy for this coloratura piece. Edita & Kathleen Battle are the best singers of this aria I've heard so far!
I agree that this performance is technically superior to most others, but I nonetheless feel disappointed with it. It seems to lack the fire--the soul, if you will--of others that are perhaps not as precise, but which reach inside you to that place where the music resonates.
@young95 Remember...this is Handel, a period when music was technical and not meant to move the soul, like later romantic operatic pieces were designed to do
@cairnhowff.....I think you are confusing substance for style. Your statement that it is, "...not meant to move the soul..." is refuted not only by Handle's own writings, but also by the fact that it was liked so well in its era that it still survives 250 years later. In essence, for your statement to be correct, one would have to belive that the people and composers of that era were lacking in emotion.
Glad I can't see all the spammed comments. I like this one a lot becaue you can hear every word and it sounds so easy for her because it is - her voice naturally sits very high. But tempo is way slower than usual.
This comment has received too many negative votesshow
No, no, no. This won'd do. Good but not even close to for instance Sutherlands brilliance. I have never understood why Gruberovas name has risen so high. Unquestionably very good but plain in comparison to many others.
Even Fleming does this better with a failing technique.
And then...that cleavage never fails :D Is it there as a plan B? Sorry, that was harsh.
This is very nice. I love how she gets every note out very clearly and her melismas are legato enough without being too "mucked up", for lack of a better word/phrase. Some other recordings of this piece have too much vibrato in the melismas and are too heavy.
Gruberova and Dame Sutherland to sing Handel´s Seraphim. I love the thrill between trumpet and soprano in this aria. Unfortunately you can hear it only with Gruberova and Sutherland. First two ladies doesn´t sing light enough for this aria
This comment has received too many negative votesshow
Perfect, do you give me permission to knock on your skull so that your brain can tell you ear what sound good and what dont. this is aweful, The tempo is too slow and the reason why it is that slow is becuas she cant sing it faster without messing up the words. If you want to knwo who sound the best, then listen to the great joan sutherland
I can see a lot of Gruberova in Diana Damrau. Perhaps Ms. Damrau took to her for inspiration? I think Diana has a more personal style, however... but don't get me wrong, Edita is a legend :-)
Edita Gruberova is magnificent in this piece. I remember when she recorded this years ago with Wynton Marsalis on trumpet. She has superb control and marvelous musicality...love it, love it, love it!!!!
This comment has received too many negative votesshow
That's why for a long time I had the impressionthat opera is boring, even that of Handel. Editha sing the aria with clean intonations but like many opera divas with no expressions or even emotions. She has totally herself under control. too much control but no life! Good for the greyhaired audience but boring for young music fans who want to be open minded for the classic works. De Niese and Kennedy are perhaps on the right way although they are disregarded by the purists.
This also in concert. Its harder to stay in character here especially seeing as this is an oratorio piece but on stage she is most engaging without sacrificing anything vocally. Not everyone can be a Bartoli, who I also adore, lol.
I am a young music fan, as such, I understand that this is Handel and during the time of this composition, the singer acted the recitative and showed his vocal abilities during the arias, even if he/she stood still onstage...that was perfectly acceptable. More than that, this is an ORATORIO, so there is no staging nor stage indications. I find this absolutely beautiful.
I totally agree with all of the above - great breath control.... clean runs, round tones... good speed not so fast as Kiri, nor too slow... and in the correct key!!
I agree with the comments here. It is interesting to find with a successful performance such as this, there are no detractors. Edita certainly has a clear voice. I can see why people compare her to Joan Sutherland. Again, this recording and this singer are brilliant.
coloraturafan, thank you so much for posting this video. This is by far the best performance I have heard of this piece. Gruberova's breathing in those long runs is absolutely extraordinary. It is also so unusual to see such wonderful co-ordination between the soprano and the trumpet. Please post some more!
Yeah well Handel is "good healthy" music for anybody to sing I think. I do wish she had sung a Cleopatra on stage at some point. Missed opportunity I suppose.
Very interesting... I didn't know about the Wynton/Gruberova recording! I would love to hear that now... Thanks for letting me know this :) I really enjoy this video recording; Edita's musicianship and delivery are impeccable, I think...
OMG I've always thought that Ms. Gruberova is an excellent soprano, but not this great! I'm completely blown away by her virtuosic singing and vocal technique & quality. Her rendition of this piece is better than Ms. Sutherland's.
IMHO, I think Mrs. Gruberova's rendition is more lively (than the one by Dame Sutherland) because of the orchestration (because it is more lively itself), but I prefer Sutherland's singing...
But of course I am not demeaning Gruberova's talents. She is indeed a great soprano
Anybody knows which concert is it and where can we get it? Great stuff. thanks.
mykchk1 4 weeks ago
Admirable in every possible way. It just wasn't EXCITING! I'll take Kiri, thanks.
cantorgasma 3 months ago
Now that was singing!
DCFunBud 4 months ago
Such ease....
rrgallo 4 months ago
Such easy...the runs are so cleanly executed....
rrgallo 4 months ago
Absolutely spot on pitch...perfect. Articulate and effortless. Yes, Monserat and she are a class act. I heard Monserat Caballe many times at the Met. And at her debut at Carnegie Hall when after her recital, she came to front stage with guitar in hand and sat on the stage legs over the edge and played guitar to the amazement of everyone. She brought the house down. Those were the glorious days of great singing.
mountainsong100 6 months ago
Absolutely amazing voice, so clean. Edita Gruberova and Monserat Caballe are my favorite sopranos. They sing beautifully.
lukaserik 8 months ago
Шоб я так пела)))))))))
muzetta100 1 year ago
Die 'poster' dürften überhaupt KEINE Ahnung von der SangesLeistung EINER Gruberova haben!
Rainarr 1 year ago
Gruberova is a miracle! There seems to be nothing she is incapable of singing-wise!
izzyt63 1 year ago 2
Muy bonito, pero la ultima nota sobre aguda la hace muchisimo mejor, con mas cuerpo las notas redondas JOAN SUTHERLAND LA STUPENDA!!!!!
acitipo 1 year ago
Best version
diradour 1 year ago
Beautiful singer
shadowblue746 1 year ago
I think she and Sutherland have the most effortlessly sung versions of this aria. I never heard Gruberova live, but I have heard that her voice sounds more vinegary on recordings than it did live. Her breath-control and length of her phrases here are amazing. When you think she should be running out of air, she does a wonderful creschendo at the end of the phrase.
Shahrdad 1 year ago
@Shahrdad And there's no strain on her face in those impossible creschendos. She just stands there all calm like, "Ain't no thing!"
AsksOneThing 1 year ago 2
the best interpretation of this aria, and you can understand the words!
piolinve 1 year ago 2
EG one of the most beautiful lyric soprano voices of all time imo.
bigus 1 year ago
excellet ....but i do prefer yet Joan Sutherland
OrpheuCe 1 year ago
To me, his is *FAR* superior to Kiri Te Kanawa's version. I know Kiri was made a Dame of the British Empire for singing this at Princess Diana's wedding in 1981, but I find her voice too heavy for this coloratura piece. Edita & Kathleen Battle are the best singers of this aria I've heard so far!
JumpStreet1983 1 year ago 3
I agree that this performance is technically superior to most others, but I nonetheless feel disappointed with it. It seems to lack the fire--the soul, if you will--of others that are perhaps not as precise, but which reach inside you to that place where the music resonates.
young95 1 year ago
@young95 Remember...this is Handel, a period when music was technical and not meant to move the soul, like later romantic operatic pieces were designed to do
cairnhowff 1 year ago
@cairnhowff.....I think you are confusing substance for style. Your statement that it is, "...not meant to move the soul..." is refuted not only by Handle's own writings, but also by the fact that it was liked so well in its era that it still survives 250 years later. In essence, for your statement to be correct, one would have to belive that the people and composers of that era were lacking in emotion.
young95 1 year ago
@young95 I totally agree with you. For me, Kiri te Kanawa is the ideal.
cantorgasma 3 months ago
Melhor interpretação de Let the Bright Seraphim que ouvi. (Better interpretation that i heard... )
ferreiraamf 2 years ago
Glad I can't see all the spammed comments. I like this one a lot becaue you can hear every word and it sounds so easy for her because it is - her voice naturally sits very high. But tempo is way slower than usual.
pianomags 2 years ago 3
I think she sings Mozart better than Handel...this really is awfully slow.
liedvondererde 2 years ago
This comment has received too many negative votes show
No, no, no. This won'd do. Good but not even close to for instance Sutherlands brilliance. I have never understood why Gruberovas name has risen so high. Unquestionably very good but plain in comparison to many others.
Even Fleming does this better with a failing technique.
And then...that cleavage never fails :D Is it there as a plan B? Sorry, that was harsh.
MirrPL 2 years ago
This comment has received too many negative votes show
I love her, but this one's just.... well... maybe she was ill
einmomolein 2 years ago
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Let the bwite theraphim in burning rowth - aaaaargh!!!!
talmadge1926 2 years ago
Posiblemente su mejor versión.
clasirico1 2 years ago 2
She has been one of my favorites since 1986. That's when a close friend by the name of
John Weber said..this is is singing!
Thanks John John..
donatello1 2 years ago 4
This is very nice. I love how she gets every note out very clearly and her melismas are legato enough without being too "mucked up", for lack of a better word/phrase. Some other recordings of this piece have too much vibrato in the melismas and are too heavy.
But, oh my, the cleavage. No ma'am.
Laramie1224 2 years ago 6
i have just listen Dame Te Kanawa, Fleming,
Gruberova and Dame Sutherland to sing Handel´s Seraphim. I love the thrill between trumpet and soprano in this aria. Unfortunately you can hear it only with Gruberova and Sutherland. First two ladies doesn´t sing light enough for this aria
moghope 2 years ago 5
I agree with your comments, but Battle's version is also wonderful.
MandyJMaddison 2 years ago 3
PERFECT!!!!!!!!!!!!!!!!!!!!!!!
leoperarm 2 years ago 3
This comment has received too many negative votes show
Perfect, do you give me permission to knock on your skull so that your brain can tell you ear what sound good and what dont. this is aweful, The tempo is too slow and the reason why it is that slow is becuas she cant sing it faster without messing up the words. If you want to knwo who sound the best, then listen to the great joan sutherland
Royalorgans 2 years ago
I like both you moron. And I'd rather know a rock's opinion than yours.
leoperarm 2 years ago 3
Perfection and lightness is hers!
Tigermuc 2 years ago 3
I can see a lot of Gruberova in Diana Damrau. Perhaps Ms. Damrau took to her for inspiration? I think Diana has a more personal style, however... but don't get me wrong, Edita is a legend :-)
saxamaphoneguy1 3 years ago 2
I wish she werent showing that cleavage.
In anycase, I love hearing her do coloratura. Its a thrilling voice.
Chilair1 3 years ago
OMG! - is there something she CANT sing? She is just AMAZING
prosdocimo 3 years ago 7
Edita Gruberova is magnificent in this piece. I remember when she recorded this years ago with Wynton Marsalis on trumpet. She has superb control and marvelous musicality...love it, love it, love it!!!!
nessie96 3 years ago 4
I can NOT believe I just saw her do 1.06-1:19 in one breath with that much control. I am speechless with admiration. Speechless.
AsksOneThing 3 years ago 24
yeahhhhhhhhhh this is amazingggg
estercunha 3 years ago 3
@AsksOneThing I am too, she is not as recognised as She should be. She is a wonderful opera singer.
mrluistena 9 months ago
This comment has received too many negative votes show
That's why for a long time I had the impressionthat opera is boring, even that of Handel. Editha sing the aria with clean intonations but like many opera divas with no expressions or even emotions. She has totally herself under control. too much control but no life! Good for the greyhaired audience but boring for young music fans who want to be open minded for the classic works. De Niese and Kennedy are perhaps on the right way although they are disregarded by the purists.
ichmalealsobinich 3 years ago
This also in concert. Its harder to stay in character here especially seeing as this is an oratorio piece but on stage she is most engaging without sacrificing anything vocally. Not everyone can be a Bartoli, who I also adore, lol.
moghedien13 3 years ago
Comment removed
leoperarm 2 years ago
I am a young music fan, as such, I understand that this is Handel and during the time of this composition, the singer acted the recitative and showed his vocal abilities during the arias, even if he/she stood still onstage...that was perfectly acceptable. More than that, this is an ORATORIO, so there is no staging nor stage indications. I find this absolutely beautiful.
leoperarm 2 years ago 3
Exquisitely ornamented and delightful listening. BRAVA!
thespis148 3 years ago 5
I totally agree with all of the above - great breath control.... clean runs, round tones... good speed not so fast as Kiri, nor too slow... and in the correct key!!
Kudos
Papageno777 3 years ago 7
This sounds very good! And the English poses no problem for Edita. Her vocalism is so-o-o-o-o-o clean...thanks so much for posting!
UrsulanChild 3 years ago 13
I agree with the comments here. It is interesting to find with a successful performance such as this, there are no detractors. Edita certainly has a clear voice. I can see why people compare her to Joan Sutherland. Again, this recording and this singer are brilliant.
swanningaround 3 years ago 6
coloraturafan, thank you so much for posting this video. This is by far the best performance I have heard of this piece. Gruberova's breathing in those long runs is absolutely extraordinary. It is also so unusual to see such wonderful co-ordination between the soprano and the trumpet. Please post some more!
dorianprince 3 years ago 4
Yeah well Handel is "good healthy" music for anybody to sing I think. I do wish she had sung a Cleopatra on stage at some point. Missed opportunity I suppose.
Ctmagnus 3 years ago
this suits her so much more than bel canto. Handel keeps her under control
Orfeus80 3 years ago
orfeus you're funny, do u know that?
operaeater 3 years ago
yes, thanks.
Orfeus80 3 years ago
Man, I remember when she recorded a version of this with Wynton back in the late eighties.
wvtrumpet 4 years ago
I am familiar with that recording; I have it. It too is great, but the soprano was Kathleen Battle.
novascotiawill 4 years ago
Wynton recorded this with BOTH Gruberova and Battle. I have the Gruberova version and actually prefer it--HERESY!!!--to the Te Kanawa version.
Mike
mwalsh2008 3 years ago 2
Very interesting... I didn't know about the Wynton/Gruberova recording! I would love to hear that now... Thanks for letting me know this :) I really enjoy this video recording; Edita's musicianship and delivery are impeccable, I think...
novascotiawill 3 years ago
Yes, and it was kicking all the way....simply fabulous!!!!
nessie96 3 years ago
Fantastic!
11235eureka 4 years ago 2
Who is the conductor and Soloist on Trumpet?
hillevifan 4 years ago
Best version ever
hillevifan 4 years ago
OMG I've always thought that Ms. Gruberova is an excellent soprano, but not this great! I'm completely blown away by her virtuosic singing and vocal technique & quality. Her rendition of this piece is better than Ms. Sutherland's.
KevinFromSD 4 years ago 4
IMHO, I think Mrs. Gruberova's rendition is more lively (than the one by Dame Sutherland) because of the orchestration (because it is more lively itself), but I prefer Sutherland's singing...
But of course I am not demeaning Gruberova's talents. She is indeed a great soprano
Jabe88 4 years ago
Sorry , but no one can touch Sutherland in this music. Sutherland's tone is much warmer and the voice much more full.
mrrk 3 years ago
No, nobody can touch her. We leave her to you!
sediziosevoci 3 years ago
What a powerful performance!!!
KevinFromSD 4 years ago
Hearing her sing this I would love to have heard what she would have done with Handel's Cleopatra and Alcina! Brava!
operadude32 4 years ago 3
The best singing I've ever heard from her. All of her bad habits are absent here.
sschimel 4 years ago
What bad habits are those?
hillevifan 4 years ago