Oh my God, did he repeated notes? What kind of cheap serialism are you dealing with? Schoenberg's op25 with those half-dozen repeated Bb's?
Oh my God, did he suggested some tonal-like harmonies? Go listen to Berg's violin concerto and stop messing with triads you music vandal. You have to commit to the MUSIC 101 textbooks, not to real music from real masters. (sarcasm implied in all I said above)
Great guitar/and guitar playing, this is a nice YouTube gem. By the way, perhaps a piece like this should be labeled something more like: "Free Atonal Jazz Piece," rather than "Twelve-tone Jazz Blues." Maybe not, whatever.
funny how the human mind interprets this as a musical idea, but really, its just alterations of the same 13 notes over and over again. Beautiful, complex, but simple.
@dconn445 Ignore that. it was supposed to be "Technically 12 different notes and then, 'C' repeats" - in response to the 13 bit. It was a "my computer doesn't like to backspace and there was more, but I guess I had already hit enter. Oh well. Besides, that was 2 months ago.
@88joey88 yeah i know. i guess he just doesnt follow schoenbergs and weberns theories like a methodological law. He might use it as a base then he spices it up with a little tonality, but it isnt wrong, isnt it? Art rules are the ones to be followed less.
@omgtkseth No it isnt wrong, in fact it sounds pretty ace. But to label the video twelve tone serial blues is a stretch. It would be amazing if he is doing the whole twelve tone thing but adding his own rules to it, like repetitions can only occur twice in each twelve segment. I agree art should never be contrained to rules but when you say you are using a certain methodology, use it!
@88joey88 Yes he did. It was a big hit, right after Das Buch der Hangenden Garten. Besides, Schoenberg set the prescedent for breaking the rules in the style he created. His style itself also broke many rules of popular composing at the time. And as for the guitarist, I think we can allow artistic license to blues.
What I love so much about this is that if you let a child listen to this during his entire youth, it will sound as beautiful to him as Mozart's work does to me.
@gessie That's a great point! I think that we only find beautiful what we are used to. It's the same with odd time signatures, when I first began using them they were hard to feel, but now 5/4 is just as fluid to me as 3/4 and 4/4 :) On topic, this piece of music is very beautiful!
@ClampshellTheMighty Polyphony refers to multiple melodies against one another. Nothing says those melodies must be common practice period harmony. As a matter of fact a lot of Renaissance music doesn't fit with functional harmony. yet it is surely polyphonic.
how are you going about this - if it's a blues, then it can't be that atonal. it doesn't sound serial, and actually a lot of this doesn't sound atonal.
@joebassplayer It seems to be making some use of the twelve tone technique, so it is technically atonal. He does a great job of making it bluesy though.
So, if its not something you like, chances are somewhere in the past, present or future, it may be perfect to you. Its just that the 'now' you are in, doesnt let it fill your soul :)
Hope to come & study with you next time I'm visiting family in Brasil, brother Wilson.
On the topics of critizing: I stopped criticizing things I didnt like, years ago. For the simple reason that I realised that inevitably, months or years later, I would end up being passionately in love with what earlier had left me confused. I glad for this...its a simple sign of growth I suppose. When I was 23 I probably would have hated it- no disrespect to Wilson- it was 'I' who hadnt reached that level of listening. This is just gorgeous!
I agree. This stuff is georgeous. And I also wanted to tell you that you have a very interesting point here about how when time passes things you dont like can come to make more sense to you.
I wish more people would adopt your insight cause there are so many who would just dismiss something like this without even understanding it.
I could have mentioned "Etudes" or his "Violin Sonata" or many others. Clare de lune just happens to be his most famous piece, rightly or wrong. Judging by your age kid, i believe i've been listening to Debussy before you were born!!
I made the comparison, because Debussy often incorporated dissonances into his later works, yet they were normally within a musical structure. I can't discern a structure here and that for me spoils what is some excellent guitar playing.
I understand that you've yet to appreciate that everyone has an opinion as valid as yours. Which would explain why your being rather obnoxious. Which i'm sure your not normally.
However, I write again to further clarify:
Debussy's piece contains frequent tonal changes, yet it is probably the most recognized classical piece due to the strong use of MELODY and STRUCTURE.
I didn't reply to these comments' simply to start a slanging match, but to further some intelligent discussion.
I respect yours and others choice to like this form of music.
I simply aired my opinion that this music needs a framework. Musicians such as Coltrane would go on extended musical forays, but always to return to a repeating motif that anchored the tune, otherwise it just sounds like a tune up!!
He is a masterful reader. I would have memorized it. That is, of course, assuming I could play it. I love how it still sounds like blues even though it's polytonal. I hate how everyone seems to think you have to have a I-V-IV progression or it's not blues. There is so much more to be done with blues and this proves it cold.
I completely agree that he has captured blues in a completely different context to 1-5-4 and instead injected the feel of jazz into a 12 tone, I think its really amazing how he's managed to do such a thing, Iv never heard any other 12 tone like it
12-tone music has a very wide range of expressions. Listen to Alban Berg then Anton Webern. Very different, yet both 12-tone. Berg emphasized the tonality of 12-tone, where Webern avoided it. Extreme 12-tone, try listening to Milton Babbett. He included a mathematical serialness to the rhythm as well--you know: can't repeat an 1/8th note until you've played a 1/16th note--all note durations played in a serial fashion.
Very good! But could you please explain how this is related to the serial/12-tone system? Because I certainly hear the E tonal root.. which should be completely avoided for twelve tone...
Not in all cases. There is the concept of 'playing out', which is when you play something either atonal or dissonant over the chord. One trick I like, for example, is on a mMaj7 chord or a m6 chord, taking the melodic minor scale and shifting it up or down a semitone, playing a lick completely out of key, then pulling back in. It's quite common, and very.. off.. sounding in the beginning, but it's all in the pulling it back to the tonal center that it gets interesting.
Playing out isn't playing atonally. Atonality is the absence of a tonal center. Playing out is simply accenting and highlighting dissonances and then resolving them back to create a pleasing effect. The fact that there is a harmony to work with, initially, is enough to rule it tonal.
emixolydian, it may have been the purpose of a tone row to avoid tonality but the success of avoiding tonality depends on on the choice of intervals in a row (and the corresponding inversions). If you have a lot of 3rds and 6ths in a row then this is bound to result in some triadic harmonies. Triadic harmonies will result in tonality. Berg's Violin Concerto does indeed sound tonal.
franzliszt, I think most of us would agree that Berg's music is more palatable than most other serial music. Precisely because it did indeed convey a tonality
During the fall of 2008 I was taking some musical appreciation class at a crappy community college, and like, whenever our teacher played atonal music for us (on our lil CD's) I always laughed. It sounds like a baby babbling or the communication of nonsense, this stuff's great.
Interesting piece, and one has to admire your confidence, but wouldn't the words "master composer" mean more if they came from another person besides yourself?
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Oh my God, did he repeated notes? What kind of cheap serialism are you dealing with? Schoenberg's op25 with those half-dozen repeated Bb's?
Oh my God, did he suggested some tonal-like harmonies? Go listen to Berg's violin concerto and stop messing with triads you music vandal. You have to commit to the MUSIC 101 textbooks, not to real music from real masters. (sarcasm implied in all I said above)
t0nedeaf 7 months ago
Comment removed
t0nedeaf 7 months ago
when you hear this kinda music : R U N !
2009korte 10 months ago
Repeats before playing all 11 tones
CameronCALLAN 11 months ago
He repeats before playing all 11 notes.
CameronCALLAN 11 months ago
AWESOME!!!!
Dharma1234 11 months ago
I don't hear any blues
danbabs 11 months ago
An address to two comments that are funny to me:
#1 He is repeating notes within the same row? Of course, because this is music, not Sodoku
#2 It sounds tonal? Didn't you know that tone rows can be manipulated to sound that way? He's playing a blues, listen to it that way!
Cheers, Wilson Gomes! I like.
petezilla 1 year ago
@petezilla Luigi Dallapiccola is a great example of a composer of very tonal-sounding 12-tone music. Cheers!
ruxtomikron 1 year ago
very nice wilson, your music is very inspiring
oldlampsfornew 1 year ago
Great guitar/and guitar playing, this is a nice YouTube gem. By the way, perhaps a piece like this should be labeled something more like: "Free Atonal Jazz Piece," rather than "Twelve-tone Jazz Blues." Maybe not, whatever.
AndrewWLandry 1 year ago 4
cool
Hidalgos81 1 year ago
WTF, this is perfectly tonal...
vivvpprof 1 year ago
Wil,sumido da silva sauro. abraço. Alê
SuperAleAraujo 1 year ago
funny how the human mind interprets this as a musical idea, but really, its just alterations of the same 13 notes over and over again. Beautiful, complex, but simple.
mnfchen 1 year ago
@mnfchen 12 notes. Technically 11 different notes because C repeats.
ScarlettLime 11 months ago
@ScarlettLime there are 12 diff tones,
if you analyze the original tone row, it would be 0-11
there are 12 different pitches per row. C-B gives you 12 different pitches
dconn445 8 months ago
@dconn445 Ignore that. it was supposed to be "Technically 12 different notes and then, 'C' repeats" - in response to the 13 bit. It was a "my computer doesn't like to backspace and there was more, but I guess I had already hit enter. Oh well. Besides, that was 2 months ago.
ScarlettLime 8 months ago
I like it...
xectx18 1 year ago
I'm going to invent something called "one tone" music.
It just has one note over and over.
I guess that makes me a genius.
utube9000 1 year ago
@utube9000
Actually, that would make you a minimalist. Been done ;)
FimbulvetrEuph 1 year ago 3
I hear tone repetition within the twelve,cheater
88joey88 1 year ago
@88joey88 yeah i know. i guess he just doesnt follow schoenbergs and weberns theories like a methodological law. He might use it as a base then he spices it up with a little tonality, but it isnt wrong, isnt it? Art rules are the ones to be followed less.
omgtkseth 1 year ago
@omgtkseth No it isnt wrong, in fact it sounds pretty ace. But to label the video twelve tone serial blues is a stretch. It would be amazing if he is doing the whole twelve tone thing but adding his own rules to it, like repetitions can only occur twice in each twelve segment. I agree art should never be contrained to rules but when you say you are using a certain methodology, use it!
88joey88 1 year ago
@88joey88 Schoenberg cheated, too.
didgeboy287 1 year ago
@didgeboy287 He didnt call any of his works twelve-tone serial blues though.
88joey88 1 year ago
@88joey88 Yes he did. It was a big hit, right after Das Buch der Hangenden Garten. Besides, Schoenberg set the prescedent for breaking the rules in the style he created. His style itself also broke many rules of popular composing at the time. And as for the guitarist, I think we can allow artistic license to blues.
didgeboy287 1 year ago
What is your row?? It's gorgeous! Please, comp student with a desire to learn! :D
bekabee24 1 year ago
You are Schoenberg's son? :D
TheRealBlackRefleX 1 year ago
m,uito bom esse cara !!!! toca facil
cleijazzson 1 year ago
What I love so much about this is that if you let a child listen to this during his entire youth, it will sound as beautiful to him as Mozart's work does to me.
gessie 1 year ago 5
@gessie That's a great point! I think that we only find beautiful what we are used to. It's the same with odd time signatures, when I first began using them they were hard to feel, but now 5/4 is just as fluid to me as 3/4 and 4/4 :) On topic, this piece of music is very beautiful!
TheModCon 1 year ago
what is the row you're using? beautiful
cnmaster01 1 year ago
Very clever but rather pointless.
meowthedog 1 year ago
@meowthedog :facepalm:
prydogga 1 year ago
Beautiful Guitar:)
jclar146 1 year ago
how can you have atonal polyphonie... polyphonie refears to functional harmony... also you can not have atonal blues... wtf?
ClampshellTheMighty 1 year ago
@ClampshellTheMighty Polyphony refers to multiple melodies against one another. Nothing says those melodies must be common practice period harmony. As a matter of fact a lot of Renaissance music doesn't fit with functional harmony. yet it is surely polyphonic.
MichaelnChristine 1 year ago
not technically serialism, as one of the basic rules is to avoid functional harmonies and more than three harmonically sound intervals in a row.
jambolino23 1 year ago 2
@jambolino23 Who cares about technicality, of course it's important, but it should not get in the way of creativity.
deepislandboy 1 year ago
@jambolino23 lolwut
cnmaster01 1 year ago
deaf people should`nt make music, except beethoven
WolfgangWW 1 year ago 2
@WolfgangWW Or Evelyn Glennie perhaps - look her up!!
twangbarfly 1 year ago
how are you going about this - if it's a blues, then it can't be that atonal. it doesn't sound serial, and actually a lot of this doesn't sound atonal.
joebassplayer 1 year ago
@joebassplayer It seems to be making some use of the twelve tone technique, so it is technically atonal. He does a great job of making it bluesy though.
AEFic 1 year ago
is it atonal?
MsJantje666 1 year ago
@MsJantje666 Yes.
Guitareben 1 year ago
@Guitareben
Of course it isn't...
whatshendrix 1 year ago
@MsJantje666
No, dude - it's far from being atonal.
Wonderful piece though.
whatshendrix 1 year ago
Only 12 tone that actually has a discernible melody; at least that I've heard. Either way, that was great.
bigmacboy78 1 year ago
Great? ..It is possible to obtain transcriptions?
micciuranda 1 year ago
You just moved me to actually sign in on my account name so I can tell you how wonderful I think this is. Beautiful.
Naynap81086 1 year ago
awesome
dbarbiegirl 1 year ago
HArdly atonal.
Basically because it sounds good. lol.
I figure just change key every quarter note for 3 measures et viola! you've used all 12 notes!
tstox 1 year ago
ah it is soooo hard to write 12 tone music wonderfully done sir
TheTravelingbard 1 year ago
Mas como é o nome da peça ein?
blackus99 2 years ago
nice.
funnyguise 2 years ago
very cool ,,,very original and interesting
markmando333 2 years ago
very beautiful
metrognome69 2 years ago
wow this is fucking awesome
TeaBaggins 2 years ago
This is excellent
mosof55 2 years ago
Technically Twelve tone is supposed to avoid all musical keys in a sense. Which is what Wilson did.
darcscorpion 2 years ago
0:10
no twelve-tone :(
hihihihihihihihihu 2 years ago 4
Well, this is beautiful.
AMRadioHits 2 years ago
What makes it blues?
sourcerror 2 years ago
The chord progression.
violinoscar 2 years ago
Really beautiful and quite unique.
SPGGuitar251 2 years ago
Interesting stuff! Wonderful playing too.
Svatopluk 2 years ago
So, if its not something you like, chances are somewhere in the past, present or future, it may be perfect to you. Its just that the 'now' you are in, doesnt let it fill your soul :)
Hope to come & study with you next time I'm visiting family in Brasil, brother Wilson.
Peace!
thejazzguitarist 2 years ago
for the love of god what are you talking about? only the few are open,
lucadepu 2 years ago
Beautiful. Just beautiful :)
On the topics of critizing: I stopped criticizing things I didnt like, years ago. For the simple reason that I realised that inevitably, months or years later, I would end up being passionately in love with what earlier had left me confused. I glad for this...its a simple sign of growth I suppose. When I was 23 I probably would have hated it- no disrespect to Wilson- it was 'I' who hadnt reached that level of listening. This is just gorgeous!
thejazzguitarist 2 years ago
I agree. This stuff is georgeous. And I also wanted to tell you that you have a very interesting point here about how when time passes things you dont like can come to make more sense to you.
I wish more people would adopt your insight cause there are so many who would just dismiss something like this without even understanding it.
shamisendemon 2 years ago
This is like the shit and stuff.
awesommmenesssss!!!!!!
THROUGH sound waves.
KguitarF 2 years ago 2
This just makes me jealous.
stephen22890 2 years ago
I love the way the dude smiles at the end, this sounds great!
thebasscliff 2 years ago 2
Very nice. I'm not too familiar w/Twelve Tone but, I like what I hear here.
CadillacL 2 years ago
Is it that Schonberg's idea, dodekafonia (by atonal)?
sammerro 2 years ago
sweet,
Improvise411 2 years ago
I love the /idea/ of this. However I feel that his phrasing is a bit choppy and stilted in places. I'm loving the harmony though.
murraytaylor123 2 years ago
This is bliss.
edibleclam 2 years ago
This comment has received too many negative votes show
I wouldn't choose to listen to this over Clare de lune that's for sure.
Thought music was about expressing emotion through tension and release, light and shade. This doesn't seem to do any of that.
floaty10 2 years ago
Try some of Schoenberg's music. Expression isn't restricted to tonality.
jesuslover037 2 years ago 5
Then you're not listening hard enough. Besides, who said music had to be about anything? The jazz police?
thebasscliff 2 years ago 26
Something about tells me you don't listen to much Debussy other than that tune...
DanielDavisMusic 2 years ago
I could have mentioned "Etudes" or his "Violin Sonata" or many others. Clare de lune just happens to be his most famous piece, rightly or wrong. Judging by your age kid, i believe i've been listening to Debussy before you were born!!
I made the comparison, because Debussy often incorporated dissonances into his later works, yet they were normally within a musical structure. I can't discern a structure here and that for me spoils what is some excellent guitar playing.
floaty10 2 years ago
Comment removed
DanielDavisMusic 2 years ago
Comment removed
DanielDavisMusic 2 years ago
I understand that you've yet to appreciate that everyone has an opinion as valid as yours. Which would explain why your being rather obnoxious. Which i'm sure your not normally.
However, I write again to further clarify:
Debussy's piece contains frequent tonal changes, yet it is probably the most recognized classical piece due to the strong use of MELODY and STRUCTURE.
floaty10 2 years ago
Comment removed
DanielDavisMusic 2 years ago
Comment removed
DanielDavisMusic 2 years ago
Oh well, I agree to disagree then (lol at internet arguments anyway).
DanielDavisMusic 2 years ago
I didn't reply to these comments' simply to start a slanging match, but to further some intelligent discussion.
I respect yours and others choice to like this form of music.
I simply aired my opinion that this music needs a framework. Musicians such as Coltrane would go on extended musical forays, but always to return to a repeating motif that anchored the tune, otherwise it just sounds like a tune up!!
Anyway enough said lol.
floaty10 2 years ago 2
Twelve tone is not dead, it just smells funny! - I like it!!!
anfribogart 3 years ago 28
frank zappa is the man!
SirFrone 1 year ago
well, regret the other comment...this is
quite cool...!
ddanze 3 years ago
It's amazing that he is reading this piece.
He is a masterful reader. I would have memorized it. That is, of course, assuming I could play it. I love how it still sounds like blues even though it's polytonal. I hate how everyone seems to think you have to have a I-V-IV progression or it's not blues. There is so much more to be done with blues and this proves it cold.
intervalkid 3 years ago
I completely agree that he has captured blues in a completely different context to 1-5-4 and instead injected the feel of jazz into a 12 tone, I think its really amazing how he's managed to do such a thing, Iv never heard any other 12 tone like it
sammarshalluk 2 years ago
AWESOME!!!
laszlosirsom 3 years ago
zzzzzzzzzzzzzzzzzzzzzzzzzzzzzz comments..zzzzzzzzzzzzzzzzzzzzzzzzzzz
falconium 3 years ago
12-tone music has a very wide range of expressions. Listen to Alban Berg then Anton Webern. Very different, yet both 12-tone. Berg emphasized the tonality of 12-tone, where Webern avoided it. Extreme 12-tone, try listening to Milton Babbett. He included a mathematical serialness to the rhythm as well--you know: can't repeat an 1/8th note until you've played a 1/16th note--all note durations played in a serial fashion.
srachgee 3 years ago
Bravissimo! Brilliant concept and fantastic execution. Please teach me!
Zephonic 3 years ago
Very good! But could you please explain how this is related to the serial/12-tone system? Because I certainly hear the E tonal root.. which should be completely avoided for twelve tone...
AnanasSidrati 3 years ago
AWESOME!!!
laszlosirsom 3 years ago
i would really know how to play and compose stuffs like this... and apply them over a "standard" progression...help!!
iShAtBuL 3 years ago
It wouldn't really work. Atonality and Tonality aren't really compatible.
emixolydian 3 years ago
Not in all cases. There is the concept of 'playing out', which is when you play something either atonal or dissonant over the chord. One trick I like, for example, is on a mMaj7 chord or a m6 chord, taking the melodic minor scale and shifting it up or down a semitone, playing a lick completely out of key, then pulling back in. It's quite common, and very.. off.. sounding in the beginning, but it's all in the pulling it back to the tonal center that it gets interesting.
TimmyPage06 3 years ago
Playing out isn't playing atonally. Atonality is the absence of a tonal center. Playing out is simply accenting and highlighting dissonances and then resolving them back to create a pleasing effect. The fact that there is a harmony to work with, initially, is enough to rule it tonal.
emixolydian 3 years ago 5
Obviously a piece of music can't be both tonal and atonal - just think about it for a second! T
afufkin 3 years ago
different views or aspects of a piece can be considered tonal while others atonal, as can certain movements.
tragictravisty 2 years ago
You seriously need to listen to Alban Berg. Try the Violin Concerto. Tone row is G Bb D F# A C E G# B C# D# F. Tell me that's not tonal.
franzliszt370 3 years ago
It's a tone row, how can it be tonal? The entire purpose of a tone row is to avoid giving one note preference over the others.
emixolydian 3 years ago
emixolydian, it may have been the purpose of a tone row to avoid tonality but the success of avoiding tonality depends on on the choice of intervals in a row (and the corresponding inversions). If you have a lot of 3rds and 6ths in a row then this is bound to result in some triadic harmonies. Triadic harmonies will result in tonality. Berg's Violin Concerto does indeed sound tonal.
iddyumpty 3 years ago
franzliszt, I think most of us would agree that Berg's music is more palatable than most other serial music. Precisely because it did indeed convey a tonality
logicus1 3 years ago
great player and cool jazz vantgarde stuffs
chumbalakuku 3 years ago
Sounds very Frank Martino.
magirecords2004 3 years ago
Lol!!I mean Pat Martino.
magirecords2004 3 years ago
Viva Brasil, the land of hot soulful music!!!
Shalom,
K.
magirecords2004 3 years ago
Nice piece. Definitely somewhat atonal or rather non-diatonic but I can see how it is serial. Nonetheless, excellent work!
intervalkid 3 years ago
During the fall of 2008 I was taking some musical appreciation class at a crappy community college, and like, whenever our teacher played atonal music for us (on our lil CD's) I always laughed. It sounds like a baby babbling or the communication of nonsense, this stuff's great.
oldbreadandgrandsonA 3 years ago
i am sorry, my sponsor wrote that about me.
wilsongomes 3 years ago
I don't know what kind of guitar that is, but its got some sweet ass tone!
apett1 3 years ago
monderesque
kevinm4435 3 years ago
como é que esta musica é Twelve-tone Serial?
nao sei o que isso é, por isso..
LemonDavis 3 years ago
very innovative and interesting, thanks
markmando222 4 years ago 2
This comment has received too many negative votes show
Atonality = shitty music
CoolSneakers 4 years ago
CoolSneakers=Closed mind, closed ears, driven to flap his lips though having nothing to say.
Gregorypeckory 4 years ago 6
Clearly, you idiot, you are a rotten bastard with rotten ears
SimbionteAE 3 years ago
for Camila I love you
wilsongomes 4 years ago
Interesting piece, and one has to admire your confidence, but wouldn't the words "master composer" mean more if they came from another person besides yourself?
Gregorypeckory 4 years ago
lol
Nahs1l 3 years ago