@bigsky780 Yeah, changing sunlight is really difficult to work with for certain fabric dyes. Sadly, the only thing I've figured is heavy on silks and nets to cut the sunlight a lot in the shade, and then using some HMIs to recreate the sunlight and shade. But of course, in the golden hour, that doesn't quite work without more adjustments.
I recently lit a series of vids that were shot starting at noon, straight into darkness. Fun stuff trying to keep the lighting consistent.
I've run into the same issue recently. I've had a navy hat look black going from shade to full sunlight. Very difficult to correct.
bigsky780 2 months ago in playlist Lighting for Film & Video
@bigsky780 Yeah, changing sunlight is really difficult to work with for certain fabric dyes. Sadly, the only thing I've figured is heavy on silks and nets to cut the sunlight a lot in the shade, and then using some HMIs to recreate the sunlight and shade. But of course, in the golden hour, that doesn't quite work without more adjustments.
I recently lit a series of vids that were shot starting at noon, straight into darkness. Fun stuff trying to keep the lighting consistent.
RobertMfromLI 2 months ago