Added: 4 years ago
From: drumology2001
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  • wow GOOD WORK!!

  • Loving it! Chops, feel, and TASTY STUFF!

  • Thank you! :D

  • Wow, I like your musicalish and awesome Drumming ! Some of the good one! Please give some more Takes from you!! Tumba

  • I'm "musical-ish"? Awesome! I've always wanted to be that. Thanks for the kind words. :D

  • amazing! I love the sound of your snare drum, so sharp!

  • mmm... well I think its safe to say, your amazing!

  • I wanna hear Caravan with a drum sola!

  • I performed this song a few year back on piano. This song made it's way up to my top ten list. Great solo! This makes the video that much cooler!!

  • best part @ 1:03!!!

    

  • I really like this, you look so comfortable and at ease sitting back doing your thang!!

  • Thank you, Rory! Glad you liked it, brotha'! :)

  • Why is your china mounted upside down?

  • Because I'm not playing rock here. ;)

    I always chuckle when I hear this comment, because Chinas can be mounted either way; when used in rock, they are usually mounted "open faced" and when playing jazz, they're typically mounted "face down". It's simply a matter of preference and quality of sound (since not all Chinas are equal or even shaped exactly the same). There is no right or wrong direction to mount a china, truth be told. That's kind of what's fun about them. :)

  • @drumology2001 Thanks for the clarification. I always thought (and I think I read it somewhere) that china's sound comes (mostly) from it's bell-down position and that the counter-bent edge is there so that you won't break it when hit.

  • Yeah, it sure is, but like I said, that statement is more applicable to rock players, who tend to beat the snot out of China cymbals (which is awesome - fits that style). Jazz players go for a more gentle wash, often adding rivets for a prolonged sizzle effect. Same cymbal, but two different applications for them (so cool!). I have two different Chinas (small w/o rivets, large w/ rivets); I bash the small one open faced, and crash the large one face down and let the sizzle do the talking. :D

  • Agree w/Vic. But hey, I don't think people realize how much balls you need as a musician to go out there and put yourself on the line. Especially w/hard bop or bebop where you're switching it up every night...and worse yet, your BAND MEMBERS are listening and judging (imagine being judged by Miles or Dizzy or Coltrane). Man!

  • what is the name of the first song they are playing???i regonise it but dont remeber it

  • The name of the song is Caravan, just as the title states at the top of the video. :)

  • @drumology2001 lol thanks... i realized that after i posted the comment

  • You amaze me once again. Outstanding work Derek

  • Thank you, Cody! Glad you're diggin' it, my friend. :D

  • Rhythmically everything is played very well but my ears are hurting me with the horn section which is incredibly out of tune, do these guys take a minute to tune or is it all taken for granted, a real pity cause I feel potential here but isn't the orchestra leader hearing this? Vic.

  • He is, Vic, but there's not a whole lot he can do to fix it - they're only going to put into it what they want to. This wasn't a professional band, for the record; it's a college jazz ensemble, so it's not like he can fire the horn players - they're paying to be there, not vice-versa. ;)

  • @drumology2001 I understand, it just reminded me of those school-bands where a few guys take out their horns, screw on the mouthpiece and no-one asks a note to the pianist to tune his (her) horn, man it's a basic thing it's like wanting to build a house without cement,anyway the drums are good but those horn players make him look bad, my sincere opinion,Vic.

  • As the drummer in the video, I will take the sole compliment you're offering. ;)

    And the truth of the matter with this particular horn section was that they tried really hard, but always struggled against themselves - like, mentally, they would get all psyched up and play well in rehearsal, but then in concert their nerves would start getting the best of them, I think. All are great people and hard workers, and they played well the majority of the time...just maybe not in this video. ;)

  • Great solo but I feel like his straight rock feel kinda ruined it a bit. I feel like when you play Afro-Cuban music, the more funky your rhythms are in that style, the more Afro-Cuban it feels. Never been a big fan of rock solos in this style. Just my humble opinion though...

  • I love this! Excellent playing my friend. Very inspiring. The band looks like a great bunch of guys too.

  • Thanks! And they are! The guy playing percussion to my right is my best friend: we were each other's "Best Man" at each of our weddings! Awesome dude. And the guy on bass is another one of my best friends; he's my musical brotha', and we play together all the time. He's an amazing musician and never ceases to amaze me. :D

  • I'm not sure I follow you - do you mean "where did you get the drum chart from"? The answer to that question is "the director of the band, when he passed out the music".

    If you mean "is there a drum transcription of what you played", then the answer is no - this whole solo was improvised on the spot. No transcription has ever been done of it (that I know of, anyway!). :)

  • wow i like this man...crazy

  • You are alright Derek ! By the way, that song was written by a Puertorican genious called Juan Tizol, but I bet you knew that. How's it hanging bro?

  • Things are going good, my friend! Getting some preparations made to do better quality videos, including maybe some free lessons videos. Looking forward to bringing all you YouTube drummers some more cool stuff (at least I hope it's cool, anyway). ;)

  • good stuff!! i gotta bust some chops like that with the jazz accordion band for next year's AFNA competition. =P

  • All right ! I just talked to all my friends here, both Ricans and Cubans, we came to a decision on a vote about your latin drumming skills and we are taking you in, even if you are part Mexican ! LOL...!!! Keep going dude, you are doing so well. Blessings from above, blessings from G-d.

  • AHHH MAN! Thanks! That's the best comment I've received in a while! I played with Paquito D'Rivera a few years ago and he was saying that I was on the verge of being admitted into "the brotherhood" with the way I play Latin music. Good to know that still holds true. :D

  • Wheres the 1/4th Latin part from ?

  • From my grandmother on my mother's side. She was born and raised in Mexico, emigrated to the U.S. in her youth, and gave birth to my mom in Arizona. Her family moved up to Washington for my grandfather's job in the 60's, and we've been here ever since. :)

  • Wooo.... this white boy can surely play the latin vibe alright ! Who is he? Greetings from San Juan, Puerto Rico and Pinar del Rio, Cuba !

  • Thanks! My name is Derek Munson. I'm a white boy, but I'm 1/4th Hispanic, so maybe that helps? ;)

  • i really loved the solo! I loved how you used it to transition the speeds of the song from the slower swing section of "caravan" to more upbeat and faster swing...yet the solo had little swing influence...more afro-cuban influence with the cowbell and hitting the bells and such..I REALLY LOVED IT! :) You're SO good!

  • Thanks, pal! Glad you liked it. The feel changes were in the chart, so the fact that it goes from 12/8 Afro Cuban to 4/4 swing is in no way attributed to anything I did - I just "played the ink", so to speak. It's a really great chart, so I'll let Mr. Baylock take credit for that. :D

  • hi there

    i am playing a 12/8 groove for Caravan in my band for VCE and wondered if you had any tips?

  • Do you have a video of you playing the groove? 'Cause it's hard to just give "tips" when you don't know the player and can't see their style/approach. If you can get one up, I'd be glad to take a look and give you my two cents (whatever they're worth). ;)

  • Excellent! Look forward to your world tour man.

    [ i'm from hk ;) ]

  • your drumming is very smooth

  • wow! what an amazing piece!

    whats the drum kit?

    or really, my favourite, what are the cymbals they sound so nice.

  • The cymbals are a mishmash of different things: HH (14") and main ride (20") are Sabian HHX Evolutions; left side 19" crash ride is an Istanbul Mehmet Legend; the two crashes up and to the right are 16" K Zildjian Medium Thin Crash and 18" Sabian Vault Crash. China below the crashes is an 18" Wuhan.

    The drum kit in this video is a Yamaha Maple Custom: 22" kick, 10" and 14" toms. Snare is a Yamaha Steel snare, 14" x 5.5".

    Hope this helps! Glad you enjoyed it. :D

  • I'm a guitarist and singer, and I've started studying small group arranging. I'm reading Louis Bellson's drum method and decided to search YouTube for clips in 12/8 time. And I'm so glad did: this is a fabulous and inspiring lesson. Compliments, thanks and best wishes to you.

  • Thank you so much! I'm glad you enjoyed this clip and found it helpful!

    If you have any questions you think I could answer, feel free to shoot me a message and I will do my best to help you in your studies. :D

  • so nice man, there are so many awsome drummers, not too famouse but really near to the major names in drums. cheers for the solo !!!

  • Thank you - I think! That was a compliment, no? Maybe I misread it. ;)

  • hehe of course a compliment man, and i really enjoyed the displacement part

  • Oh, okay, good! Glad you liked it. I definitely enjoyed playing it (even though I was flippin' NERVOUS for that moment!). :D

  • Thanks! I love this arrangement, too - it was a kick to play. Afro-Cuban and Latin music is the best - so much fire to it! :D

  • shame the sound recordinding was so shite!

  • Sorry, can't help that. Camera can only take so much input through that tiny microphone! :D

  • Clean!

  • Oh, there's dirt, but it's the kind of dirt that only I know about because I was the one playing it. :D

  • Clean, means here: Tidy and well played! Sticked to tempo and and very technical!

    Dirt? Did I insinuate that? I´m impressed, thats what I am!

  • i love the synchronized bobbing at 0:50

  • HA! I never even noticed that before! Funny! :D

  • I started doing it whilst watching without realising!

  • Head bobbing FTW!  ;)

  • Very clean and very tasty Drumming! Keep up the good Work, Buddy! Im gonna steal some of your Ideas for my next Solos if you don´t mind! hehehe....

  • Thanks for the kind words. Feel free to steal anything you like - I don't mind one bit! :D

  • beautiful! sounds awesome

  • i love This Video!

    Great Drums, Great Drummer,

    Great Solo, perfect

  • Wow - thank you! Glad you enjoyed it!  :D

  • beautiful man

  • I absolutely love the way you play man, keep up the great work

  • Thank you! I wonder what "the way I play" really is...it's not like I'm some stickler for technique or anything. ;)

  • i see someones a Jeff Hamilton fan!

  • Wow...what gave it away? I mean, I list him on my channel page, but what is it about this video that makes you say that? I'm impressed! :D

  • the up-side down china beside the floor toms

  • Hmmm....I thought lots of drummers did that. A China shaped like that is *begging* to be played in that position. I have an A Custom 18" China that I mount the other way, but it doesn't really have a concave bell and I only use it for rock/funk/R&B stuff, so it makes sense to me to mount it "lip up", as opposed to this one which HAS a concave bell, which I mount "lip down".

    However, I bought this China after hanging with Jeff Hamilton for a weekend, so I'm sure his influence is in there. :D

  • now im impressed! but ive always found Hammer's trademark to be the upside down china in that position. but thats just me, yo

  • I wish I had the Hammer series china from Bosphorus - that thing is so gorgeous and full sounding! I hope to get the whole Hammer series before the time the good Lord calls me home (and I'm only 28 now, so I've got time on my side!); so far, I have ZERO of them, but I hope to be able to afford them sometime soon. ;)

  • i just recently bought a pair of hammer hats. So incredible sounding. I play in a funk/r&b band, and they sound just as great for that as they do for jazz and latin

  • Oh, wow - I'm jealous! I wondered if those worked as well for other styles as they do for jazz - it's SO GREAT to hear from someone like you who's tested them for real. Thanks for the heads up! :D

  • Cool homie.

  • haha our jazzband played this as well...very good job...especially the lead trumpet and the drums...

  • wow

    love it

    seriously!

  • Glad to hear it! As my own worst critic, this isn't the best solo in my opinion, but I figured it was YouTube worthy. Nice to know people are enjoying it. :D

  • Oh my - thank you for the compliment! :D

  • Awesome job! Just out of curiosity though, what are you actually doing at that part in 1:40 - 1:50 (starts at 1:40 and end 1:42 to be specific)? It sounds really cool and clean. Is it some sorta like 32nd note triplet stuff with double bass and what not?

  • Thanks, man...but jeez...way to make me have to think about things! I watched the section in question several times, and I think what I'm doing is playing the 16th notes in 12/8 time for 2 bars (for a total of 48 notes at 24 per bar), and the pattern is just R L F F (right, left, foot, foot) the whole time. Does that make sense? I'm not sure if there's an easier way to explain it... ;)

  • haha yea that makes sense! Sorry, I couldn't think of an easier way to explain it lol. Thanks for the response though and keep up the good work, sounds awesome

  • Fantastic job on this man. I'm a big fan.

    We're playing this arrangement in my big band, but I'm new to the 12/8 afro-cuban style and am having a hard time getting the feel for it. What would you recommend?

  • Thanks for the kindness, man. :D

    I would work on triplet partials in both hands. Write out (12) 8th notes, and then erase a handful of them at random, then play along to a metronome until solid. Refill some of the blank spots and erase a few others. The goal is to be able to play any grouping over the course of twelve notes. Once you can do that, it becomes a matter of studying Afro-Cuban to learn the authentic patterns, and then PRACTICE! That's it! :D

    PM me for more ideas, if you like.

  • love the kit and the song.

    ive done caravan in 12/8 in a small combo before its so much fun to do.

    but what kind of kit are you playing?

    it sounds killer!

  • The kit used in this video is a Yamaha Maple Custom. 22" bass drum, 10" rack tom, 14" flown tom. I'm also using a 14" x 5.5" Yamaha Steel Snare.

    You're right: 12/8 Afro Cuban is SUCH a blast to play. I love all the polyrhythmic possibilities it creates. ;)

  • you are too good for youtube

  • Too good for YouTube?!?!? Should I stop posting videos, then? ; )

  • Afro-cuban is so cool. Really nice drumming! :)

  • around 1:40 to 1:50

    that was really amazing

    good GOOD job!!

  • Thanks, Colin! :D

  • that was clutch.. O.oo

  • Thanks. I think. Was that a compliment? ;)

  • lol, definitely a compliment.

    Sorry, I blame my friends at school for my horrible choice in adjectives.

  • "...Informative, huh? I don't say a word! ;)

    Thanks for the compliments - I AM having a blast every time I sit behind the kit! As far as a good study guide for latin music, I can't really say. Everything I've learned in the latin style has been by listening to other players and playing along with records.

    I can recommend a few tunes or players or albums to check out for a good discourse in latin. Drop me a message here on YouTube and I'll send that on to you..."

    that tunes! haha

  • Oh, I see - well, that guy didn't drop me a line. And besides, the comment below was left by someone other than the guy who wrote that comment a while back.

    I'm confused, to say the least.  ;)

  • send me the tunes to play, a will thank you (my english sucks haha)

  • Wait...what? Send you WHAT tunes? I'm not sure I follow you... =\

  • WOW... that was absolutely amazing.

  • DAMN!!!

    That solo was tight.

    Currently Speechless

  • Currently Thankful.  ;)

  • and what a solo!

  • fucking nasty!!!

    i wish i could play like u

  • Thanks! And you *can* play like me - probably better. I'm nothin' special. ;)

  • very nice man, beautiful flowing style

  • bravissimo -very nice in italian language-. do you like Jimmy Branley method?

  • I have heard his name, but I can't say I know much about Jimmy Branley. I will sure check him out now, though. Looks like he's from Cuba, and I love people who can play authentic Afro-Cuban and Cuban music.

  • I love to watch your videos, they are so informative! The camera angles you have set up are great and it's fun to watch you play! Looks like you are having a blast! What method books would you suggest to a player who wants to increase their latin groove ability (afro-cuban, soloing over the clave, etc.)???

  • Informative, huh? I don't say a word! ;)

    Thanks for the compliments - I AM having a blast every time I sit behind the kit! As far as a good study guide for latin music, I can't really say. Everything I've learned in the latin style has been by listening to other players and playing along with records.

    I can recommend a few tunes or players or albums to check out for a good discourse in latin. Drop me a message here on YouTube and I'll send that on to you.

  • that is sexy.

  • nice dude

  • That was perfect, I like you're style. What cymbals are you playing?

  • Mostly Sabian HHX Evolution model, but I also have an Istanbul Mehmet Legend ride and Wuhan China in there, too.

  • that is pretty awesome

  • Thank you! I liked the collection of videos you have on your channel page. Good taste. ;)

  • that was really awesome, im trying to work my way there

  • Oh man, that was nice! :)

  • Thank you! ;)

  • excellent!

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