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  • i LOVE THIS VIDEO!! There is so much info here. Thank you very much. Have you got a video involving color mixing and graying down. I hate the garish colors most artists use today. By the way, I love your music choices as well. Could you site the musicians as well. The guitarist is wonderful! Thx.

  • @dollorina Hi dollorina, the music is from musopen.com and is of a spanish classical guitarist. The credit isn't showing at the end of the video, must have been cut off. Just check their site under classical guitar and it is easy to find. check my site for other vid's

    thanks for the comments, best wishes.

  • @delmusphelps , thank you for the explanation,in final step on coloring, is the glazy medium necessary?? Can you mentioned please, famous painter that used this technique...!! Congratulations, your work is amazing.

  • can you help me, what is the advantage by using the flemish technique...comparing to, UNDERPAINTING technique that i am used to??

    Good Job..!!

  • @nickfingers The underpainting is a good start, the flemish, I believe utilized the underpainting to it's fullest capabilities. By breaking the painting process down into very understandable steps, the artist can concentrate better on each task. The combined layers with the toned canvas, the umber underpainting and the gray underpainting, crystallize the work. The addition of the color layers and finishing layer creates the stain glass translucent effect that only can be achieved this way.

  • love it

  • Very well done presentation of the Flemish technique. Nice details.

  • @MrChadwooters Thanks for the feedback! :)

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