Added: 3 years ago
From: 3women1977
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  • Thank you so much!

    

  • Fucking awesome film, instant favorite. I was not expecting the very end at alllllll.

  • We just saw this on DVD from our excellent médiathèque system outside Paris, France, and the movie spooked us both and gave me nightmares, but I am glad to see I can look at it again on YouTube. Thanks! My French spouse thinks it's his fave Altman, and I recall 1977, when this came out, as the darkest period I think I have ever known in the USA. Rust belt, no future, all that. Sad Americana here, pre-David Lynch mainstream fame. There's kind of not even a plot here but it is great.

  • I thought Sissy pulled this character off just as well she did with Carrie.

  • The Soundtrack is a masterpiece ^^

  • @aitorshangrila My husband remarked the same thing, and I concur. This is a great example of music which adds to the movie and is not obtrusive, very original. Something about parts of it remind me of Satie somehow. It's kind of jazzy, too. Uprated your comment.

  • I don't even really understand this movie...it doesn't make much sense to me. I thought that maybe it had some creative meaning behind but...as I said, I don't know.

  • Altman's best film since MASH imo.

  • I'm glad this movie is liked enough for someone to have posted it--I've been CRAVING this movie lately. I accidentally started watching it one day--which is appropriate for this movie--when it was on some channel, and it stuck with me in the oddest way. I can't even figure out how long ago that was---everything about this movie, even my experience of having first watched it, is like a dream.

  • @rainonbasketcase It inexplicably stuck with me too,having seen it first at twelve.Maybe it explains everything.If nothing else at that age,it instilled a sense of pity for people who try too hard.And,also,a near phobia of tacky menu planning.

  • Gotta love sissy

  • there are a lot of mumbled lines. Anyone know what's being said?

  • @methemopper I use the subtitles option on my dvd player to read the lines.

  • Definitely one of the top 5 films of the 1970s

  • This is the WEIRDEST movie I have ever saw. Shelly Duvall is a BITCH and I feel sorry for Sissy Spaceck.I mean at the part where Shelley comes out in that yellow dress when she's going to have that dinner party I said "Look at Miss America!" BLECK! You have GOT to be kidding.

  • when i first saw this i was 17 yrs old, and was so freaked out by it that it stayed with me for years. i thought seeing it so many years later, i wouldnt like it as much. being older and less manipulatable. but it still has the same weird quality that i remembered. and its still fascinating ,

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  • I always find it crazy that the most American of filmmakers made the least American film I've ever seen. He totally honored Bergman with this.

  • One of Altman's greatest achievements~! Wonderful piece of work!

  • at 8.19 duvall is cleaning her famous theeth....

    they are both great in this movie,spacek and duvall....its creating a trance -like atmosphere after a while,also due to the music...

  • I would classified as Suspense/Thriller. I love movies like these were they don't go overboard with the acting and the dramalazation. They just have the right amount of formula to spread out with the movie. I always thought this was Sissy Spacek best movie since Carrie and Ginger in The morning.

  • What is it about 70's movies? they're just so atmospheric and trippy..we've definitely lost the art of film making.

    It's all about action and special effects now...it sucks. Give me 70's films any day!

  • the music is so eerie, i love 70's movies

  • Thank you for posting this!!!!!!!!!!!!

    You have no clue how long I have waited to watch this film.

    Like....eight freaking years.

    Oh my God.

  • Me too! Thank you so much.

  • Trippy film , Scary in a weird way...I enjoyed all the strange conflicting personalities.

  • Also I want to ask, does anyone else think that a lot of the characters in Three Women are just plain rude?

  • Yes i do, the way they ignore eachother?

    I thought that was maybe the way Californions are...

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  • It's an amazing piece of work, Altman goes into Bergman territory but at the same time creates a movie that is an original.

  • Thanks for posting this.

    It's certainly getting more views than I would've expected.

  • Great movie to watch in the heat of the summer ... thanks for sharing.. I just got it on DVD..super hypnotic 70's classic film I can watch it over and over again.

  • This is a nearly indecipherable movie. However, Robert Altman made sure that all the pieces of the puzzle were in plain sight in this movie. In order to help, I will be posting Roger Ebert's "Great Movie" review of this film one paragraph at a time for the rest of the film segments. It may contain some spoilers, but it is the best examination of this movie that anyone has done. Reading it will give you a better appreciation for this film, the director, and the actresses.

  • Isn't it indecipherable simply because it was inspired by a dream?

  • Yes and no.

    It has elements that were intentionally left ambiguous, but most of the pieces of the puzzle are there for the viewer to find.

  • I certainly agree; not about the indecipherable quality, which I find minimal...but that is not a hard film to read. But C'mon do you really need to lean on a lightweight like Ebert? Many other academics out there, like Robert Kolker for one, who have much deeper insights into Altman.

  • Woah, woah, woah.

    Ebert a lightweight?

    Do you have any idea what you are talking about? Look, with all due respect to Kolker, Ebert is probably the most competent and intelligent of all movie critics. The man is the only movie critic to win the Pulitzer prize and has been named an honorary member of the Film Director's Guild.

  • Woah, woah.

    Ebert is not a lightweight. The man is the only film critic to win the Pulitzer prize. Not to mention that he is also an honorary member of the Film Director's Guild.

    As to this movie....

    He was actually friends with Altman and had conversations with him about the content and meaning of this movie. All his interpretations and insights come from the director himself.

    I don't care how good Kolker is. There is no more accurate interpretation than the director's.

  • And I don't think you can "figure it out" as it is not reliable in a narrative sense, but only as a whole with the dream-work concepts of condensation , displacement, and symbolism. Still overrated, even if you look at it as a voice of feminism in the late 70's, which is prob'ly the most profitable way to go.

  • The director is not the defining entry into the text; as Kurosawa once said, if I could explain it, I wouldn't be making a film. If one can talk about the repressed, then it isn't repressed is it? Anyway auteur theory has been dead for nearly 20 years and Ebert is a film reviewer, not a critic strickly speaking. Try Marsha Kinders' The Art of Dreaming in 3 Women and Providence: Structures of the Self in Film Quarterly, vol 31, no 1 for something more substantial.

  • Yes everyone, trust the taste of the Smiths fan.

  • Shame they never seem to put obscure and quirky films like this on tv anymore : (

  • I love Shelley Duvall and Sissy Soacek and I can't thank you enough for putting this film on!!

  • I agree...with both comments.

  • Robert Altman is the greatest filmmaker

  • Thank God for the Criterion Collection!

  • Thank you for posting this. I could never find this to rent! My sincerest gratitude to you!

  • I 've been looking to watch this movie (and Nashville) for YEARS so I send you my deepest THANKS

  • AMAZING FILM!!!

    thanks for posting!

    this and NASHVILLE are my fav. of the 70's!!!

    (that altman, wow)

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