The key to using this pedal is understanding that the bass/treble knobs interact with each other. Don't be afraid to back off the treble. I usually have it a couple notches below the bass setting (For example, if the bass is at say, 12:00, then the treble would be at 10:00). I find that if I need more bite, it's better to turn up the bass a bit rather than the treble. Doing this tends to increase your mids (Like I said, they interact with each other). This works best with pre-gain to the right.
Yesterday, I was in a friend's studio, just seeing how my gear sounded in the room, and I got the fattest, punchiest, most-amplike lead-tone I've ever heard with the Overdrive Boost going into a 90's US-made Fender Hot Rod Deluxe. I plan on going back there very-soon to record some things, and I can't wait to hear the recorded tone of that thing. It's the best, most-versatile pedal I own. Not good for beginners though. This is a pedal for people who can play and who understand tone. Just FYI.
I was using a Les Paul-type guitar with the Hot Rod Dlx when I was in my frind's studio. Thought I should mention this. The Overdrive Boost also works well with Strats, but it sounds so-damn-good with a Les Paul that I don't want to use anything else. The Overdrive Boost LOVES humbuckers (hum-buggies.... as gearmanndude would say). After yesterday, I'm totally-back in love with this thing. Pricey, but worth it for people who can play and know how to dig in and find their tone.
I have #160 (one of the earlier ones). I can't figure out the deal with his though...... The Overdrive Boost (the earlier one) had 3 pots on top (The newer version has 4 because Jon Gundry [Throbak owner/designer] moved the master-volume from the side of the pedal to the top where the other 3 are). But here's what I can't figure out: His has 2 knobs on top and there's a switch where the treble-knob should be (He's got an earler, "verticle-style" version). Why is that, and what's the switch?
Um, "mostly" equals "not entirely"... so... he's still right o.0 Always glad to see or hear of "chick guitar players," but there's no point countering his comment b/c, well, it's accurate~shrug~
Nice playing man, very cool blues licks
razzamanaz79 2 months ago
More rocking.
Less talking.
Nice playing, though. Good tone.
yearofrolling 3 months ago
Are those burstbucker pups? Sounds great kid.
LesterPaul01 4 months ago
you sound like LEO from "that 70's show" , you rock.
TheMusicDude1997 5 months ago
did I just hear fret buzz?
dalesuhr 1 year ago
why is your name in every title ?
HackerGuitarist 1 year ago
@HackerGuitarist Probably because the guy is actually out there making a living doing this. I wish I could.
theguitarczar 11 months ago
The key to using this pedal is understanding that the bass/treble knobs interact with each other. Don't be afraid to back off the treble. I usually have it a couple notches below the bass setting (For example, if the bass is at say, 12:00, then the treble would be at 10:00). I find that if I need more bite, it's better to turn up the bass a bit rather than the treble. Doing this tends to increase your mids (Like I said, they interact with each other). This works best with pre-gain to the right.
gangtwanger 1 year ago
Yesterday, I was in a friend's studio, just seeing how my gear sounded in the room, and I got the fattest, punchiest, most-amplike lead-tone I've ever heard with the Overdrive Boost going into a 90's US-made Fender Hot Rod Deluxe. I plan on going back there very-soon to record some things, and I can't wait to hear the recorded tone of that thing. It's the best, most-versatile pedal I own. Not good for beginners though. This is a pedal for people who can play and who understand tone. Just FYI.
gangtwanger 1 year ago
@gangtwanger
I was using a Les Paul-type guitar with the Hot Rod Dlx when I was in my frind's studio. Thought I should mention this. The Overdrive Boost also works well with Strats, but it sounds so-damn-good with a Les Paul that I don't want to use anything else. The Overdrive Boost LOVES humbuckers (hum-buggies.... as gearmanndude would say). After yesterday, I'm totally-back in love with this thing. Pricey, but worth it for people who can play and know how to dig in and find their tone.
gangtwanger 1 year ago
I have #160 (one of the earlier ones). I can't figure out the deal with his though...... The Overdrive Boost (the earlier one) had 3 pots on top (The newer version has 4 because Jon Gundry [Throbak owner/designer] moved the master-volume from the side of the pedal to the top where the other 3 are). But here's what I can't figure out: His has 2 knobs on top and there's a switch where the treble-knob should be (He's got an earler, "verticle-style" version). Why is that, and what's the switch?
gangtwanger 1 year ago
Comment removed
marshjmp50 1 year ago
Comment removed
marshjmp50 1 year ago
I own No #375. Awesome with my Fender Bassman...
drkuehne 2 years ago
"Mostly gentleman?' Not so... I'm one chick who's very interested in this pedal. Nice demo!
Noitpure 2 years ago 5
Comment removed
skurtix 1 year ago
@Noitpure
Um, "mostly" equals "not entirely"... so... he's still right o.0 Always glad to see or hear of "chick guitar players," but there's no point countering his comment b/c, well, it's accurate~shrug~
yobhsiFehT 7 months ago
David Gilmour tones!
Rambo29 2 years ago
I've got a stone bender that sounds fantastic w' my paul, but dosent really work w/ my strat. Does this work w/ single coils?
stratplayer613 2 years ago
Stone Bender is the ToneBender clone right? If so, try adjusting the bias of it when using your singles.
JacoThe2nd 2 years ago