Rise Stevens was the first opera singer I had the experience of seeing and hearing in the GREAT Cleveland Severance Hall. YES! I was in the third grade and my class was taken to hear CARMEN sung by this beautiful lady who was then called "The glamor girl of opera". We had wonderful seats right up front so close I felt I could almost touch her.I was "hooked" on opera at that very time, and loved Miss Stevens all my life,even wrote to her, and hope she is well enough at 98 to enjoy her praises..
Rise Stevens was the first opera singer I had the experience of seeing and hearing in the GREAT Cleveland Severance Hall. YES! I was in the third grade and my class was taken to hear CARMEN sung by this beautiful lady whose was then called "The glamor girl of opera". We had wonderful seats right up front so close I felt I could almost touch her.I was "hooked" on opera at that very time, and loved Miss Stevens all my life,even wrote to her, and hope she is well enough at 98 to enjoy her praise.
Happy Birthday to Rise Stevens at 98 tomorrow 6/11/11 I thank you for the many great matinees & evenings you gave me at the old met, my memory treasures them all and I consider myself very lucky to have seen & heard them.
Great voice, always loved her, but couldn't listen to this because of the totallky unjustified and gross liberties the conductor was taking with the tempi. Unacceptable to the serious music student or the professional. Gruesome.
I heard her in person many times, but I had forgotten just how beautiful and rich her voice was. Her diction is so clear. she was really a treasure. I speak of her in the past because of her retirement. Actually, she is still alive!
originally intentended for a castrato, second revision for a very high tenor, the castrato version became more popular and is sung by women since the 19th century. In the 17th and 18th century it was popular for women to play male roles in plays.
It's most commonly done by a mezzo-soprano, but countertenors do it often enough. It was originally for a castrato I think, but we don't have those anymore. ^ ~
What a Gloriously Distinctive Sound she has. I've heard her name often during my school days but never really listened to her.After this, I'll be hunting for everything on record. Stunning!!!
This comment has received too many negative votesshow
Dear Maestro Monteux, this is not one of your best efforts; you start the piece at the correct tempo (but with the wrong subdivided feeling); the singer changes the tempo and feeling completely at her entrance, and you follow like a lapdog. Monteux was one of the greatest conductors who ever lived, but not here.
She is wonderful! :)
AleksandraPlamenac 3 months ago
Rise Stevens was the first opera singer I had the experience of seeing and hearing in the GREAT Cleveland Severance Hall. YES! I was in the third grade and my class was taken to hear CARMEN sung by this beautiful lady who was then called "The glamor girl of opera". We had wonderful seats right up front so close I felt I could almost touch her.I was "hooked" on opera at that very time, and loved Miss Stevens all my life,even wrote to her, and hope she is well enough at 98 to enjoy her praises..
kasha1932 5 months ago
Rise Stevens was the first opera singer I had the experience of seeing and hearing in the GREAT Cleveland Severance Hall. YES! I was in the third grade and my class was taken to hear CARMEN sung by this beautiful lady whose was then called "The glamor girl of opera". We had wonderful seats right up front so close I felt I could almost touch her.I was "hooked" on opera at that very time, and loved Miss Stevens all my life,even wrote to her, and hope she is well enough at 98 to enjoy her praise.
kasha1932 5 months ago
Happy Birthday to Rise Stevens at 98 tomorrow 6/11/11 I thank you for the many great matinees & evenings you gave me at the old met, my memory treasures them all and I consider myself very lucky to have seen & heard them.
tomi1927 7 months ago
Simply magnificent singing from this great American mezzo! (:-0)
Noshirm 9 months ago
The best Carmen ever, no doubt, but here she is out of place. This sounds like something out of Cavalleria Rusticana, gooey rubati and all.
Matt75003 9 months ago
She's a looker.
Elantry 11 months ago
Great voice, always loved her, but couldn't listen to this because of the totallky unjustified and gross liberties the conductor was taking with the tempi. Unacceptable to the serious music student or the professional. Gruesome.
cantorga 11 months ago
@cantorga I absolutely agree. That was unforgiveable.
LizTheSinger 10 months ago
What a voice! the tempo is a bit fast though but still a beautiful performance
mayapapaya89 1 year ago
sublime .
bodiloto 1 year ago
WEIRD pacing. Too bad, because I very much like Stevens as a singer.
90lysander 1 year ago
Brava!
trasandina 1 year ago
I heard her in person many times, but I had forgotten just how beautiful and rich her voice was. Her diction is so clear. she was really a treasure. I speak of her in the past because of her retirement. Actually, she is still alive!
dorjenne 1 year ago
Un air de mezzo extraordinairement chanté. BRAVA !!!!!!!
mariasarda 1 year ago
i've heard tenors sing it and counter tenor sing it.i orefer women always and countertenor it sounds better for their voices.
lovesGenet 2 years ago
The best Carmen ever.
stingabe 2 years ago 6
Nice, I enjoyed that. Isn't this supposed to be sung by a man though in the opera? Ha ha. ;-)
ShawDAMAN 3 years ago
originally intentended for a castrato, second revision for a very high tenor, the castrato version became more popular and is sung by women since the 19th century. In the 17th and 18th century it was popular for women to play male roles in plays.
ivanofna 2 years ago 2
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Yes I know, hideous wasn't it. I'm glad I don't live in the 17th or 18th century. :-P
Pavarotti did a fine rendition. I know prefer men to sing man parts. ;-D
ShawDAMAN 2 years ago
I wish I did! I'd give anything to hear Farinelli live!
GermanOperaSinger 2 years ago
Actually, that WOULD be awesome- but the whole castrato practice was pretty gross you must admit. :P
ShawDAMAN 2 years ago
It's most commonly done by a mezzo-soprano, but countertenors do it often enough. It was originally for a castrato I think, but we don't have those anymore. ^ ~
Takoon 2 years ago
yeah hehe.
ShawDAMAN 2 years ago
What a Gloriously Distinctive Sound she has. I've heard her name often during my school days but never really listened to her.After this, I'll be hunting for everything on record. Stunning!!!
Oaktownrob 3 years ago 2
This comment has received too many negative votes show
Dear Maestro Monteux, this is not one of your best efforts; you start the piece at the correct tempo (but with the wrong subdivided feeling); the singer changes the tempo and feeling completely at her entrance, and you follow like a lapdog. Monteux was one of the greatest conductors who ever lived, but not here.
billyguns2 3 years ago
amazing done...
wow this is a great interpretation!
thanks for adding
callasdimitrova 3 years ago 3
OMG that voice of Stevens, amazing!!!
Onegin65 3 years ago 4
Wonderful.
patjan92 3 years ago