Added: 4 years ago
From: bryanrtyler
Views: 7,121
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  • Bryan,

    Nice looping. I have only recently started my own looping library. Keep it up!

  • What made you decide to stick with 6 string? I play both a 6 and a 4 at times, but nothing makes one stick out more than the other except the fact that I can play slap bass on the four string much easier.

  • @ZacharyBarreca 4-strings were mostly just an experiment for me. After my initial year of playing, I bought a 5-string and pretty much had 5 or more strings on my basses from then on. I tried getting into playing 4s again for about a year or two, and they're really fun, but I missed the extra strings too much. I play a 4 the same way I play a 6, so it just meant jumping around the neck way too much. They are easier/more fun for me to slap on too though.

  • That is a GORGEOUS BASS!!!! =D Beautiful...simply beautiful and you make great music with it too =). That was very relaxing.

  • The looped song by which I judge all others.

    You should invest in a few nicer pieces of audio recording equipment, mate. This music is well worth it.

  • @SilkTopHat Thanks a lot :) I do use a Firewire recording interface now that I've been using for a while. All my older stuff is just the audio from my digital camera- I'd re-record everything, except I forget how to play my songs after I first record them :D

  • really now,,, how many elricks do you have in your arsenal ??? xD

  • :D Just two. I've had to sell some over the years, and it took me a while to figure out that I want to stick with only six-strings.

  • They look very nice, i havent played the super expensive ones ...  I like 4 bangers myself, but my six string is second fav :) Awesome playing BTW ! very tastey!

  • "All this machinery making modern music can still be open hearted", Spirit of the Radio, Rush. This most certainly applies to your work, Bryan. It was the phrase that came to me when I listened to this. Congrats! John

  • Thanks, John- I'm a fan of that line :)

  • Hello, that is one very nice bass. I do not want to offend you with this question. Have you ever played the fodera model that looks like the bass you play? The reason I ask is because I really like your sound and I want to know the differences between the two. I personally like how the Tom Kennedy model sounds; he uses swam-ash, maple top,hard maple neck and the ebony fret board. It would take a long time to buy a fodera. I think elricks are more friendly buyer! Lol! Tks!!

  • Hi, I've played Foderas, but not any of the singlecut models.  I could have paid for a Fodera, but I just really prefer Elricks, particularly the e-volution models which have rounded body edges (the Elrick Classics have a more traditional edge like a Fodera)- the fact that they're much less expensive is just a very nice bonus :) My current two Elricks have thin soapbars near the bridge- they give a little more of that Kennedy burp.

  • Hello, thank you for responding; I guess I could pay for a fodera as well, but I don't see the need of doing that. I respect their work and everything they do but not thanks, there are other bass builders who are very passionate about their instruments and do nice excellent work. Have you checked out Sei basses, what do you think of those?They look so much like elricks and foderas. Later!!

  • I think Seis look quite a bit different myself, especially the headstocks. They're a UK brand and there's very few in the US, so I've never had the chance to play one. They look nice though.

  • fair fucks is all i can say, man... wow...

    what's the black doohicky ya use at 4:23?

  • That's an E-Bow. It's basically an electromagnet that constantly vibrates the string, making it work similar to a bow.

  • dude i've seen all ur videos. ur amazing and u've inspired me to get a loop station lol keep it up man! ... also u shoud make a cd man!

  • Thanks a lot, man- I've been thinking of re-recording most of my pieces, as the majority of each song is improvised so every one has several mistakes. Hopefully I'll get around to it at some point :)

  • First time I listen to this one and I'm speechless.

    I can't post a constructive comment on this, it just..wow.

  • is that a ken lawrence bass???

  • Nope- that's an Elrick e-volution singlecut. Ken Lawrence singlecuts look quite a bit different.

  • what is the name of that top? it looks like spalted maple but those dark sections look a bit different. i'll get tom clement to build me a 6 wit a pretty similar appearance when i have the money

  • That's buckeye burl. It's my favorite top wood and comes in an infinite variety of patterns and can range widely in coloration.

  • elrick souns fantastic

  • ...For the record, since I found this video and commented on it, I don't think I've listened to it less than 30 times. I get the strongest urge to cry every time 5:20 comes.

  • Wow, that's cool to hear. I actually haven't even played it since I recorded it- guess I should give it another whirl :D

  • That was fantastic. Thank you, Mr. Tyler, for the upload...that's a more soulful piece than I've heard in some time.

  • Thank you for the kind words :)

  • do u find the weight of the bass changes the sound much

  • HOW MANY ELRICKS DO U HAVE!!! OMFG Lol every video.. is liek another one lol

  • I have to sell one every time I get a different one- at the most I only had three. Right now I only have one :D

  • that bass must of cost a lifetime worth of saving!

  • Nope- just a few months of eating mostly spinach and Ramen noodles ;)

  • hey, i'm glad you did, so i had a chance to listen to this

    sweet work man, keep uploading

  • dude that is just plain Sweet!!!!!!!

    I love the use of the ebow!!!!!

    very sweet bass!

  • I love fodera basses.. maaan, gotta get one someday .

  • This is actually an Elrick bass :D

  • it looks exactly like an emperor II fodera series... I also thought it was a fodera until I heard the sound.... DONT GET ME WRONG... this bass sounds great!! and great playing by the way... its just that the fodera sounds different thats all...

  • No problem- at the time I purchased it, I could have afforded a Fodera singlecut if I had wanted. I just prefer Elricks myself :)

  • this is stunning...

    really beautiful man

  • this is mint

    just out of interest what key is it in?

  • It's in E minor. I'm using a six-string for it, but most of it can be played on a four-string

  • cheers dude

    i was just asking becsause ive just started writing songs for my band and im still experimenting with different themes and moods and i think the key the songs in has alot to do with that

    so thanks =]

  • complimenti....bravissimo, mi hai fatto venire la pelle d'oca...very good

  • hımm ı dont know anything about it :D

  • its a fodera i think waoh its amazing man :D

  • It's an Elrick- thanks :)

  • Okay man. You are like... my hero. I could listen to your playing all week long.

  • Thanks a lot man :)

  • did you buy that bass on an alienbass store or something like that? LOL.. it's a beatiful bass dude... great playin too...

  • prety bass holy crap.

  • WOW, that is one exotic bass. Have yiu made any recordings. If not, you should. You are talented.

  • yes, I know it doesn't really get louder. I meant it gets more distracting in time. but what do I know :)

  • You can run individual loops through outs and have them affected and then run back into the LP-1, but it's a bit complex and more than I am working on at the moment. You can easily adjust the volume or feedback level per individual loop though. I didn't have any loops adjusted to get louder as the tune goes, but I probably wasn't playing the later parts loud enough to compensate for it.

  • nice work.

    if I had to critique, I'd say the loop is too bright for the lead. becomes more and more so as the music goes on.

    I wonder what it would be like to run the loop through some kind of randomizer/phaser or something.

  • Hey, if there's any problems with my songs, it's definitely because of me, not the listener! :D

  • I use an EBow as a way of having that one clear thought cut through the extremely busy mix with a sustained, solid thought (can't hear it as well on the vid- the mp3 sounds better). The EBow part cuts through it all and allows the original thought of letting go to come through over everything. At the very end, it plays by itself without any convolution and ends with it turning into a major chord (major+happy :D ). This was all in my head though- sorry if it didn't come through in the song :)

  • Lol, "overy-busy" is actually a really good term for a lot of it :D It was actually designed that way for the most part. The piece is about, as the title says, letting go. It's supposed to start out with a solid but unclear thought (the harmonic pattern), and from there becomes convoluted and there's a struggle(the two different loops that switch back and forth). Eventually it all comes together in a swirl of confusion not allowing you to let go (when I play both of the loops at the same time).

  • its all in the style

  • all a matter of opinion Nate lol

  • Yet another kickass, piece of music.

    5/5

  • One of your best works yet!

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