Added: 4 years ago
From: basslabd
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  • I never heard that myth before, but your monograph gives great insights. Assuming that your bass has a "perfect" neck, a correct amount of neck relief, and your frets are dead-on perfectly spaced to the 12th root of 2, (logarithmic), then what you essentially prove is that the log spacing is not good enough--that fret spacings themselves need to be compensated.

    My simplistic original understanding of the need for compensation at the bridge was based merely on the stretch induced (con't below)

  • @vibratingstring

    stretch induced by pushing down on the string. wound strings have a lower core stress than the higher strings. Therefore for a given deflection, the stress increases a larger proportion, and hence the pitch rises. This is mitigated by the windings--in other words a plain G (on a 6-string) needs more compensation than a wound G. (con't below)

  • @vibratingstring But you bring up the stiffness aspect--what causes inharmonicity in vibrating strings (sharpening of the higher partials) as an other factor to be accounted for as you go up the neck. That is a great insight!

  • i wanna get to a point where i know this much..damn

  • Comment removed

  • Took me an hour to find proper advice. You got it spot on. Absofuckinglotely !!!

  • Actually, its the diameter of the string you're compensating for. The fatter the string the farther back off the "zero" point of intonation you need to be. The thinner, the farther forward. Youre essentially creating the environment on the bridge each string needs to play in tune with one another, not itself alone. Theres a math formula for it but I forget it. Anyone that thinks pulling the saddles all the way back has no affect on tuning has a misunderstanding of how a fretted instrument works.

  • nice vid bro um i have a question my budy told me he used a copper nut on his bass and told me that that will help you get a diffrent or odd tone is this true would you say thanks mike

  • @alinealows By the term "Copper Nut", I assume you mean as in the nut that the strings go across at the headstock end of the neck as opposed to the nut on the truss rod. In both instances brass is the material that has been used as that kind of nut material and is always the material on the TR nut. Copper is too soft...

  • @basslabd cool thanks yes i have also herd of using brass

  • Saddle distance adjusts intonation. Who disputes THAT?

  • @plangentmusic RE: "Who desputes THAT?" A certain female bass player who has made other questionable statements in the past. To date I have debunked a few of them...

  • Dude I thought u were a stoner at first but then u got so technical with it ...awesome vid.

  • very great video sir! very helpfull! i see you changed the old pick-ups by Bartolini's?

  • this video ends like that episode of the sopranos!!!

  • Comment removed

  • pretty good explanation in layman's terms and in a slight more technical term, too.

    I've used some of your vids in the past to help me remember which direction the saddles go when I do a basic set up on my stuff..and I've got a few basses that aren't all that easy to set the intonation..floating bridges, short scale, etc

  • great video man!! very informative.

  • Please cover height of the string above the fretboard, how to set it so the strings don't go sliding away. Is that set at 12 also. I saw the guy set up my bass, and he did a see-saw across the string, thumb and pinky, to check buzzing spots. Please explain? Which frets to use?

    Respect.

  • are you plugged-in directly without effects? I love the sustain of your bass.. I have a new MIA Fender Highway One Jazz.. I hope it can have a good tone too. Do I need to adjust it's bridge or the factory setting is a good start?

  • @moronslave I was plugged into the amp directly. The factory setting is USUALLY a good start. If you have never adjusted the bridge I would take it to a professional for setup. It is not rocket science but there is some skill behind setting up a bass properly

  • MIND FUCK

  • crystal clear explanation thanks !!!

  • thanx alot

  • thanks mate,

  • whoa is it just the camera setting or is your neck bent upwards at 0:01 !?!

  • whoa is it just the camera setting or is your neck bent upward at 0:01 !?!

  • @CircusEnvy23 Do you mean my neck or the neck of the bass. In any case I doubt it

  • @CircusEnvy23 It's the lens on the camera. It would be impossible for the strings to curve like that.

  • Your bass is BOSS! BEAUTIFUL finish! Great angles on the horns! What brand and model is it? I used your system of setting intonation and it helped greatly. Thanks for the great video brother! Keep putting out more help vids!

  • @mhatkins Thank you for your comment. The bass is an MTD Kingston Z-5

  • So informative. :D Thanks man ^^

  • thanks brother ....groove on

  • wheres my weed man?

  • @Unknown6662012 I can see why your ID is unknown... I hope you find it, your weed that is.

  • I've been playing bass guitar for 25 years and never heard of this myth. Even my 8 year old understands the physics of this...

  • @allexcosta I just bought my first fretless bass, and its first owner had all of the bridge screws all the way long. I've never heard this myth either, but apparently some people have heard it and have mess up their gear.

  • ..awesome vid sir!

  • My MTD Heir 4 string is having problems. On the D string on the 16th fret it get a mad buzz on it. All the other frets around it play fine and the other strings on the bass have no issues with fret buzzing. I tried a truss rod adjustment to bow it out more and it didn't help, so I adjusted it back to what it is now. Any ideas on what could be wrong?

  • 4:38.... Lol G-string

  • Comment removed

  • THANK YOU!

    you're one of the greats here on youtube!

  • how u doing Bob

    i have a question i took my strings & bridge saddles off 2 clean my bass.When i put them back on im getting tons of fret buzz that didn't have before...i have raised the saddles up & down back and forth and the buzz is still there. whats the problem ????

  • Is there a "myth" that moving the bridge forward or back does not affect intonation?! It seems to me obvious that it does.

  • @Drblooter99 Yes a famous bassist ( StudioBass here on YT) put forth this assertion. If you read back through the replies you will see what Studio Bass had to say to defend themselves. I worked on Basses for over ten years and it was obvious to me.

  • @basslabd wow, thats some powerful stupid, it seems like that would be obvious

  • You're one cool looking black dude.

  • lol your cool as hell and you can teach very very good!

    ive got a question, whats your string height at the 12th fret at the g string

  • I wish everyone in  life could explain things the way you do. I always had difficulty under standing why the vibrating string length is shorter on the "skinny" strings. Now I get it!

  • George Clinton?

  • @WadeGriffith Ya know? That has been said before. LOL

  • That bass in the video is a MTD Kingston Z5 the Kingston is the import line of basses designed by luthier Michael Tobias.

  • what's the name of this bass man? Please.

  • the low b on my 5 string is a whole half step off at the 12th frett. ive moved the saddle all the way back, even taking the spring off, but still have the problem. should i try to adjust the truss rod? all the other strings are fine.

  • BASS GOD....Should i be messing with the Truss Rods on my 77 Fender Jazz and MusicMan sting ray???(The Funk Twins)..im worried about, not only integrity, but obvious wear and tear after over 30 years of service from these instruments..PLEEEEEZ advize..respectfully!

  • @DRTHUMBS From the way you spoke I feel you should take your bass to a reputable repairman. I really don't see a problem with you adjusting it but I feel you are unsure and that always "could" be a recipe for disaster. When in doubt take it to a professional. A 1977 Jazz bass could be worth as much as $2700+...

  • @basslabd are you better than victor wooten?

  • @Midnightpitbull2 That would be a myth...

  • I have an Ibanez 6 string bass and the intonation is set. The problem is I have these crazy ghost notes (harmonics) instead of a clear note when I tap the strings. It is driving me nuts. Any suggestions?

  • Why does my D string not allow me to fix its intonation. Making my D tighter doesn't help, my notes are still flat. why??? :( the other string never did that.

  • @martin10921 It could be you have a bad string (It happens). I would buy a single D string of the same brand to replace the one that does not intonate and re-intonate it and note if there is any improvement. There is also an outside chance that there is a resonance in your instrument that is right at the D but not quite in pitch and it will favor that note being sharp or flat. Finding an intonation problem is a sometimes a process of elimination.

  • @martin10921

     i have the exact same problem with my d string

  • Whoa I got scared when you pulled that electric drill out lol. I'm sure you were just making a point with bringing the saddle back really far, but still, I'd be scared to death to take a power tool to my bass haha. Anywho, great video; tons of people have no idea how to setup their instruments when it's really not that hard. Stuff like this on the internet helps a lot.

  • @homeslice1479 LOL, It makes it a little easier to accept when you consider most basses were put together with power tools doesn't it?

  • hey dude your awesome!!

  • Such a cool guy

  • This intonation video was cool and very useful for my basses with a similar bridge.

    I asked bass player Evan Sheeley at Bass Northwest in Seattle, WA about how to adjust my Gibson Grabber II bass bridge & he said that 3-point bridges are the worst ever.

    Do you know how to adjust those old floating bridges? I find it difficult to figure the proper tilt angle, not just the saddle distances. I just placed the height so there's no buzzing on the frets.

    By the way, nice Michael Tobias bass.

  • Thanks for your comments on the video. What has been my experience with Gibson basses is to (have a luthier of repair person) remove the original bridge and studs, doweling the holes and replace it with an after market bridge (Leo Quan Bad Ass 1 Bridge, or others). Placement of whatever bridge you choose is critical to the instrument playing in tune. I love my MTD K Z-5

  • @bmiranda2645 Try the hipshot supertone replacement bridge for 3 point gibson bridges. it bolts right on in the existing threaded holes and covers the third center hole. mine came with 2 sets of hex bolts, SAE and metric for my epiphone. it has vastly improved the string action on my bass, and the intonation adjusters are out the back where they should be!

  • what type of bass is that

  • MTD K Z-5 which is the top of the import line of basses designed by Michael Tobias

  • this guy rules!

  • Bob, you have really helped me out with this video. I am 34 but only playing bass 2 months after my friend who I jam with gave me a bass which needed some TLC.

    You have me helped me understand more the science of bass bridge and music.

    Respect Breddrin.

    Rich

  • Thanks, I finally get an actual explanation of how to intonate my bass and also reading the coments I finally understood the "pick up heigh" terminology =P

    I'll subscribe right away

  • Found your video really helpful. =]

    If you dont mind i'd appreciate your advice on a situation i've come to face with. My new band use Drop B tuning ( B Gb B E ) and i'm buying a new bass in a few weeks

    ( jazz bass ) and i'm wondering what is the best way to cater my bass for this tuning ? i could just go to a local store and get it set up with heavy gauges, truss rod adjustment, tension etc but are there any D.I.Y things i can do to keep it in speck while its at home ?

    Thank you

    Reece

  • Sup Beast from the X-Men

  • Fuckin seriously?

  • DO I FUCKIN LOOK LIKE I'M KIDDIN

  • I dunno. I can't see you through the computer. Stop being a noob.

  • You're being serious to a troll comment, who's the one being a noob?

  • Lol, I'm not the least bit serious about this whole thing. It's just sad... ya know... you. ;] Peace, homie! :D

  • Great comeback

  • hey can anyone help me?

    i have got a fender squier 50s vibe p bass and i have noticed that the E string is much louder than the others.

    if i need to adjust the pickup height how would i make the others as loud as the E.

    the bass only has one pickup with 1 screw each side.

    thanks for any pointers you have to offer :)

  • That is not how it is done. You need to adjust the loud string away from the PU to bring it in line with the volume of the other strings.

  • Aaaah this is so entertaining & i didn't think about mass vs stability of tempered oscillation or

    whatever before. Just bending the string down to the fret. Thank you uncle

  • Hi. Great video, and some funny replies (youknowwhoImean ;-) ).

    I got a question. I have pulled back the B-string as far back as I can, but the 12th note frettet and harmonic still aren't the same. Should I take it to a pro?

  • There are a couple of options. Go to a smaller B string (If you have the rest of the intonation procedure down) or take it to a pro. Depending on what bass you have the bridge might not have enough travel to accommodate the gage of B string you have.

  • Got a '62 P Reissue with a sharp E. And yes, it's the strings are Jamersons. Wonderful bass and sound, but the .110 E has been giving me issues!

  • How far back is the E string bridge saddle? If it can go back further do so, retune the E string and re-check (harmonic against 12th fret).

  • Superb explanation of intonation. Very useful video.

  • haha this guy is amazin.. live on bro!!

  • this guy makes me think of a old grampa joe, that knows the answer to anything in the world, and if you asked he was the guy invented stuff but was just beat to it if it wasnt for alarm clock not going off lol

  • Yeah me too man. This guy is awesome as hell. If he lived near me I'd always chill with him.

  • could you please make a vid wxlaining why you should lower or heighten your action and how to do that thanks

  • finally someone put it into common logic. this is a dude we can all understand. kudos basslabd

  • how is that a myth? length of string has everything to do with intonation

  • very good point, and very interesting

  • thats the biggest fucking bass i ever seen

  • LOL. i have an Ibanez Sr 406 and by cam it looks a bit bigger than that. but mines a 6 string.. his is a 5

  • i know

  • I wonder whats living inside that hair

  • You wouldn't happen to be a student of the p-funk would you, cause you remind me a whole lot of George Clinton haha. Your information is so helpful man, I love your videos.

  • HAHAHA! I though it was George Clinton when I 1st clicked on this video.

  • this might be a stupid question. but, if you intonate your bass guitar tuning standard. and then tune it down 2 full steps. will it still be corectly intonated?

  • Good question, I think changing the tention (loosening) will change the dynamics of diameter/tension/length and the instrument will not play as in tune as if it were at standard tuning. You would in effect loosen the string without changing the stiffness of the string.

  • There would have be some compensation made elsewhere and it would be to reintonate the string at the pitch you intended to tune it to. If you use standard tuning and then retune down two steps, you upset the equasion of diameter-tension-length.

  • That is why strings that are tuned lower are generally fatter. there extra winding or core size gives the string more mass and makes it stiffer to accomodate the lower pitches

  • Good stuff! Who is this BASS GURU?

  • No doubt do you have a mastery of your instrument - but I must ask:

    Is this truly a myth? I would think that anyone who owns a bass (and actively plays it, thus changes strings, thus works with the saddle) would not argue this truth.

    Good video though, replete with great detail.

  • If you read some of the other responses to this video (most of which think it is a good thing) it would imply that it is news to a faction of the bass playing community. It was started by a famouse bassist from the 1960's who claimed that she made her strings taught by pulling the bridge saddles back without regard for it's effect on the intonation if we presume that the intonation was set right (or close) to begin with.

  • Was that Carol Kaye who claimed that?

  • Yes

  • Comment removed

  • awesome knowledge!

  • Jesus!! this dude is a Master!!! perfect hearing!

  • This is an excellent tutorial! Thanks!

  • youre not moving the bridge youre moving the saddle

  • absolutely correct!

  • very informative. thanx.

  • How anyone could say that adjusting the string length has no effect on intonation is stupid and doesn't understand the physics of sound and wavelength ratios. Of course if you play a fretless it isn't much of an issue (if you ignore any markers) as long as all strings are adjusted the same.

  • Magic Gobbity Goop happen?....Hey thats the best analogy yet.lol....Seriously some good advice there....And what a nice bass..What is it?

  • The Bass is a MTD K-5 Yea it is sad when someone who should know better gives some stupid advice...

  • a good grounding into intonation, I'm having bass built for me, and the Buzz Feiten is something i've looked / am looking at - seems interesting, thanks for this post !

  • the status quo is very uptight these days. maybe it's all the fear mongering, terrorizing people and snapping them into that narrow, mind kontrolled state.

    say, friend, care to point me towards some of your v.o. work? i'd like to hear it.

    and as for the content of this video, it was great. reminds me of my first and best bass mentor mixed with the soothing voice of a sort of bob ross [aka mr. happy trees]. a good pace for the verbal information flow.

  • He may look like a homeless guy but he is extremely smart...

    Actually taught me a lot..

  • he's indoors... generally when i think of someone without a home, they're outside somewhere. or squatting in a condemned building perhaps.

    i fucking WISH i could just let my hair grow long enough to get a killer style like his. but i always chop it before it gets long enough where it's not as big a hassle. oh well.

  • really great video, i love how you explain the physics of intonation. very knowledgable and easy to understand, never heard it explained better. but one thing i disagree with is trying to tune your intonation at the bridge compared to the harmonic, if you tune your string to pitch and compare the 12th fret harmonic to yor open note, the harmonic will read flat. i used to do the same thing until i got the dan erlewine videos. try it for your self and reply to this if you want.thank you.

  • Interesting... This particular bass has the Buzz Feiten tuning system so the parameters are a bit different but they are still adjusted at the bridge and the 12 fret Harmonics. I am interested in seeing Dan Erlewine's material. Thanks for the update

  • awesome bass knowledge and awesome hair

  • This was really handy, I've been having a lot of trouble getting the E string correctly intonated compared to the other strings, but after listening to you I realise that because of the thickness of the E string and its relative high action to the rest of the strings the saddle needed to be way way fruther back in the bridge. All the other stuff I read doesn't explain that the thicker string and the fretting causes the note to become sharper, but your explanation was great. Cheers !

  • You're smart.

  • the purpose of pulling the saddle back or pushing it forward on the bridge is to change the length of the string and get the fret positions in tune. if you make the string longer (pulling the saddle back) all of the frets will be flat because the string does not match up with the frets.

  • It is a little more complicated than that. You did not include string height (or ACTION) in the mix as it has an effect on the equasion. You also left out string guage and tension (core to winding ratio) which also have an effect.

  • Oh if only i could get a fanned fret bass and eliminate those problems lol but sadly being broke doesnt help :(

  • well this whole bassStudio thing is interesting still wondering who he or she may be, that said i think its obvious as you have displayed , that any adjustment to the saddles will in fact change the pitch of the note. further more its good to see someone display a video that covers the issue pretty much in its entirety, thanks basslabd

  • hey i just received a warwick and feel the string are just to high of the board it has nice feature like a nut that raise and lower via alen key but half way down the fretboard there just to high and the neck is at perfect curvature .20 at 7/8 fret help me lower them with out that buzz

  • hey,ur explanation was really helpful, besides having an intonation prob, i seemed to have a problem with my strings buzzing even though i've tried to adjust the bridge action, could it be the neck coz i'm not really sure how to fix da neck.I'm afraid i'll break it instead.Besides that, which MTD bass would u recommend for a 4 string?

    Would appreciate if u could give me a piece of advice?Thanks.

    -laura

  • Thanks man, that was a straight forward explanation that got right to the point. Very helpful. I've been playing various basses since 1977 and I didn't understand until now. Wow!!!

  • i wasnt aware this was an issue, who doesnt know that the saddles are adjustable for the specific purpose of setting intonation? well i guess i didnt when i was 14 and only playing for a year. nice explanation of intonation tho

  • There is a well known bassist who states that the reason to pull your bridge saddles back is to make the strings taut and not for purposes of intonation. More importantly they stated that it has no not affect on your intonation at all. I think this person is known here as BassStudios here on YouTube. They left a nasty reply to this video you can go back (by viewing all comments) and checking BassStudios comments out. You might even figure out who it is. LOL

  • I'm glad you said this as I was about to say "no shit who doesn't know this?" Your explanation is very instructive however, especially the relationship between string gauge, tension and intonation. You guy really knows his stuff.

  • That's a gorgeous bass mate. :)

  • What I found interesting was that thicker strings,shorter scale length and higher tensions can contribute to sharp harmonics.A very common example is pianos.The bass strings on an upright piano have to be tuned flat so the harmonics will be in tune with the rest of the higher octaves.They say a thick,heavy tension short string will operate more like a TUBE and less like a string.

  • your my bass yoda thanks basslabd

  • Wow really helpful thanks! I recently joined a new oriinal band and we play in D standard with the E string in drop C. I play a five string,but my main problem is finding the balance between comfortable looseness of the strings and not getting that mad buzz when i play.can you please help me?i like the feel of that slack of the strings but i'm going mad hearing that buzz when i play harder!

    would be really appreciated if you gave some great advise!thanks alot!

    -Luke in Ireland

  • Hi Luke,

    Sorry to take so long. I really have no experience with drop tuning but I did put a 5 string set on a 4 string bass (didn't use the G) to create a 4 string contra bass. I would suggest using a heavier gauge string if floppiness is a problem. Your intonation will probably have to be adjusted. Let me know how it works out.

    BL

  • ok....many thanks my friend...There's no one near who can help me so i'll just do it myself........thanks again>>i'm glad that there are people like you...

  • I need a help bro,i used to play with string with a size 10 on 1st sting(E).When i switch to 12,the neck was bent a little bit so the strings become higher.i wanna udjust the trust rod....Can you suggest a video how to adjust the trust rod coz i'm afraid that i might add problems with my guitar....By the way, my guitar is a les paul 100...thankyou very much.

  • I would suggest that you take your guitar to a reputable repairman. This video was not to teach you how to adjust the TR (truss rod) but explain the issue of the myth that it does not affect your intonation. If you change the gauge of string you use it WILL affect where the neck sits resulting in the need for a TR adjustment. You either have the knowledge and the confidence to do the adjustment or you don't... It looks like you don't, take it to someone who does. Good Luck

  • does it matter if make the strings to high on the bridge.

  • The height of the strings from the fingerboard do affect the intonation. High action causes the string to be pushed further to contact the fret/fb resulting in the notes being sharp. IOW The bridge adjusts action (string height) and intonation and the adjustments affect one another. I hope I got the jist of your question.

  • improvise* :$ sry Im not english

  • It's Cool, Where are you from?

  • thank you dude!!!

    can you make another video that teaches how to improvisate ? (freestyle) tnx

  • good lesson!

  • amazing tutorial. i just bought my bass and you made it a matter of minutes to bring it to intonation. thank u so very much.

  • What the fuck is that thing on your head? Lol :P

  • it's called HAIR

  • Hey. I'm sorry, didn't want to disrespect anyone, I guess I was in a crappy mood. I'm also very grateful that you teach us how to save money ;) I hope you'll accept my apology...

  • Don't be a douche bag! He just taught you how to save about50 to 60$

  • You're a good teacher.Thanks.

    In regards to intonation and general tuning,I tell people to be aware of varying your downward pressure when fretting;People get frustrated,maybe push[fret] too hard and then they wonder why a string or two came out sharp when it's all said and done.

    Anyway,thanks brother.

  • very nice i learned a bit just from this even though i play geetar lol i wonder if there's one out there for it..

    -goes on a searching spree-

    thanks for opening me up to this info

    peace

  • Do you have a specific question regarding the method discussed here?

    FACT: there is a proper method of adjusting the intonation on any fine instrument (and I have been associated with some of the finest Bass Guitars in the world)

  • I feel a little embarrassed that I've been playing bass for five years and I didn't know half this stuff.

  • damn i learned a lot just by watching this.

    nice job

  • THANK YOU SO MUCH DUDE!

  • You are quite welcome.

  • Since BassStudios was so "gracious" to leave a message (or 2) here, I left one for "them" at their channel page. I wonder how long they will take to answer the question posed?...

  • puzzdos (2 months ago)

    This was useful. I didn't realize that changing between different gauges of string will intonation. You know what would be great (and which I haven't found on youtube): a tutorial on how to set up a guitar or bass.

    Raulin2007 (2 months ago)

    That`s a useful video. You explained it very well...

    ksgant (2 months ago)

    Very nice explanation... a video showing how to properly set up a bass would be VERY welcome.....

  • TheWoollyMammoth (2 months ago)

    OK good info... I have enjoyed the bass cam videos too...

    Gibberishus (1 month ago)

    You're a great teacher Mr... ...Thanks for a great vid!

    abyssdrown (1 month ago)

    Great video Great info. I would very much apreciate a tutorial on seting up a bass guitar in all its setup points! richrod2 (3 weeks ago)

    Yeah, Carol Kaye always said doing this wouldn't make your bass flat or sharp...

  • richrod2 (30 minutes ago)

    I love her playing, but she has no respect for anyone that doesn't play the bass her way...

    Now compare the above to the (save any of her minions that will post negative in response to this post in the future) negative post from BassStudios (CK) and you get the idea that she is in the minority "Everybody else cant be wrong".