It's a shame S gave up on this language, as this work shows much promise in orchestration and compositional technique. However I don't consider it a masterwork. The a, a, a+ melodic construction portends the formulism of his later dodecaphonic innovation, while its icily cloying, cadential rhythmic prosody inhibits developmental drive. The Romanitc symphonic masters at running with the ball were Brahms and Mahler. Famous for being famous, S is not in their league, notwithstanding his notoriety.
@DerekWilliamsMusic Wait, you're saying that Gustav "Let's enjoy this V chord for another 5 minutes, shall we?" Mahler is a master of 'running with the ball'? Mahler was the child staring ponderously at his ball while the other kids were running with theirs.
@tinydestroyer In respect of motivic restatement, Beethoven and Tchaikowsky managed to do the same you're accusing Mahler of, but for the most part, it's not vain repetition. Far from it.
@DerekWilliamsMusic Yes, Beethoven was quite good at prolonging his harmonies when he wanted to (although I think Mahler certainly takes the trophy in that category). I just find it curious that anyone can accuse Schoenberg of 'vain repetition.'
@tinydestroyer I had to re-read my post to see where I accused S of "vain repetition" but could find it nowhere on this thread. You accused Mahler of what I would term 'vain repetition', and so my use of the phrase in rebuttal, by citing Beethoven and Tchaikowsky as repeaters of motifs, was in response to that, not in any way an accusation that S indulged in vain repetition. If you look at my original post, you will see I was quite positive about the IMHO unlived up to promise the work portends.
@DerekWilliamsMusic I see. I didn't actually accuse Mahler of "vain repetition" - the phrase is entirely yours--I just found it amusing that someone who is quite famous for drawing out harmonies for a very long time was cited as a master of developmental drive. FWIW, I read your original comment as describing S as as a kind of lesser Mahler. [continued in next comment]
@tinydestroyer Developmental Drive doesn't have to consist of faster harmonic rhythm, nor indeed metrical rhythm, other than that there's always a timeline. It could just as easily derive form timbral or texturral intensification. You're the first person I've 'met' to as good as write Mahler off as boring for doing something that Beethoven and Tchaikowsky also do.
As I said several posts ago when I could see where you were going with this, let's drop it and agree to disagree. Our tastes differ.
@tinydestroyer No I said "as good as write Mahler off as boring", not quite the same as saying you called him boring. It was in respect of your own description of Mahler, if I may quote you directly: "Mahler was the child staring ponderously at his ball while the other kids were running with theirs." and "Let's enjoy this V chord for another 5 minutes, shall we?"
It's pretty hard to detect a liking for Mahler from either of those two comments! Just for the record.
@tinydestroyer [continued] S's post-tonal style, while excellent, was IMO the most derivative of his compositional periods. So it seems that living up to that early potential would be living up to someone else's potential, not his own. He would be an equal Mahler, not an independent Schoenberg. (Whether one likes his serial works is immaterial -- they are nevertheless his unique achievement.) *shrug*
Les propongo algo, ¿Qué tal si dejan de discutir y disfrutan de la música?. Porque para eso tengo entendido que fue creada, para hacer una pausa y detenerse a escuchar y dejar volar la imaginación.
Pues, si de todos modos prefieren seguir peleando, es su problema; yo por mi parte sólo me enfocaré en Schoenberg.
ES MUY PLACIDA ESTA MÚSICA Y ES EXCELENTE LA DIRECCIÓN QUE HACE BOULEZ DE LA ORQUESTA. LE EXIGE AL MÁXIMO Y ESTA RESPONDE CON UNA EJECUCIÓN Y FUERZA EXTRAORDINARIA. GRACIAS POR PUBLICAR ESTE VIDEO.
That was EPIC!!!!Dark,romantic,frightening,EPIC!EVERYTHING!!I have lost my words,can't describe this powerful music,Schoenberg was a superhuman genius!!
@esmilges7 What?! I could understand if you were saying this about his expressionistic stuff, but I really can't see how you can call this 'only noise'.
@briangaylord Be careful about what? Having an opinion on the interpretation of this piece? Specifically, how the beautiful opening has been compleeeeeetely pissed away in this recording.
So true - I've also always believed he was a romanting under everything else, but it's wonderful to travel forward and time and let your ear adjust... what a great guy.
sometimes i think that there must be unconquerable passion within you to create such a masterpiece. sometimes in the depths, sometimes floating through the air
what. wow.
TheWakingGiant 2 months ago
Too slow for me, again.
featheon 2 months ago
1:10 sampled by björk in hidden place <3
cesiface 3 months ago
es preciosa,,,disfrtuen y punto
blackvelvet220 5 months ago
It's a shame S gave up on this language, as this work shows much promise in orchestration and compositional technique. However I don't consider it a masterwork. The a, a, a+ melodic construction portends the formulism of his later dodecaphonic innovation, while its icily cloying, cadential rhythmic prosody inhibits developmental drive. The Romanitc symphonic masters at running with the ball were Brahms and Mahler. Famous for being famous, S is not in their league, notwithstanding his notoriety.
DerekWilliamsMusic 5 months ago
@DerekWilliamsMusic Wait, you're saying that Gustav "Let's enjoy this V chord for another 5 minutes, shall we?" Mahler is a master of 'running with the ball'? Mahler was the child staring ponderously at his ball while the other kids were running with theirs.
tinydestroyer 2 months ago
@tinydestroyer In respect of motivic restatement, Beethoven and Tchaikowsky managed to do the same you're accusing Mahler of, but for the most part, it's not vain repetition. Far from it.
Each to their own - let's agree to disagree.
DerekWilliamsMusic 2 months ago
@DerekWilliamsMusic Yes, Beethoven was quite good at prolonging his harmonies when he wanted to (although I think Mahler certainly takes the trophy in that category). I just find it curious that anyone can accuse Schoenberg of 'vain repetition.'
tinydestroyer 2 months ago
@tinydestroyer I had to re-read my post to see where I accused S of "vain repetition" but could find it nowhere on this thread. You accused Mahler of what I would term 'vain repetition', and so my use of the phrase in rebuttal, by citing Beethoven and Tchaikowsky as repeaters of motifs, was in response to that, not in any way an accusation that S indulged in vain repetition. If you look at my original post, you will see I was quite positive about the IMHO unlived up to promise the work portends.
DerekWilliamsMusic 2 months ago
@DerekWilliamsMusic I see. I didn't actually accuse Mahler of "vain repetition" - the phrase is entirely yours--I just found it amusing that someone who is quite famous for drawing out harmonies for a very long time was cited as a master of developmental drive. FWIW, I read your original comment as describing S as as a kind of lesser Mahler. [continued in next comment]
tinydestroyer 2 months ago
@tinydestroyer Developmental Drive doesn't have to consist of faster harmonic rhythm, nor indeed metrical rhythm, other than that there's always a timeline. It could just as easily derive form timbral or texturral intensification. You're the first person I've 'met' to as good as write Mahler off as boring for doing something that Beethoven and Tchaikowsky also do.
As I said several posts ago when I could see where you were going with this, let's drop it and agree to disagree. Our tastes differ.
DerekWilliamsMusic 2 months ago
@DerekWilliamsMusic Sure. But just for the record, I am really not trying to debate tastes (nor did I call Mahler boring -- I like Mahler.)
tinydestroyer 2 months ago
@tinydestroyer No I said "as good as write Mahler off as boring", not quite the same as saying you called him boring. It was in respect of your own description of Mahler, if I may quote you directly: "Mahler was the child staring ponderously at his ball while the other kids were running with theirs." and "Let's enjoy this V chord for another 5 minutes, shall we?"
It's pretty hard to detect a liking for Mahler from either of those two comments! Just for the record.
DerekWilliamsMusic 2 months ago
@tinydestroyer [continued] S's post-tonal style, while excellent, was IMO the most derivative of his compositional periods. So it seems that living up to that early potential would be living up to someone else's potential, not his own. He would be an equal Mahler, not an independent Schoenberg. (Whether one likes his serial works is immaterial -- they are nevertheless his unique achievement.) *shrug*
tinydestroyer 2 months ago
Les propongo algo, ¿Qué tal si dejan de discutir y disfrutan de la música?. Porque para eso tengo entendido que fue creada, para hacer una pausa y detenerse a escuchar y dejar volar la imaginación.
Pues, si de todos modos prefieren seguir peleando, es su problema; yo por mi parte sólo me enfocaré en Schoenberg.
paomica1 6 months ago
ES MUY PLACIDA ESTA MÚSICA Y ES EXCELENTE LA DIRECCIÓN QUE HACE BOULEZ DE LA ORQUESTA. LE EXIGE AL MÁXIMO Y ESTA RESPONDE CON UNA EJECUCIÓN Y FUERZA EXTRAORDINARIA. GRACIAS POR PUBLICAR ESTE VIDEO.
MrGUILLERMOPLAZA 7 months ago
@MrGUILLERMOPLAZA no one knows chineese, so SHUT THE FUCK UP!!!
SmelDiferenToMidget 6 months ago
@SmelDiferenToMidget Disculpe cuando responda a mis comentarios, por favor, hágalo en español no en inglés. Gracias...
MrGUILLERMOPLAZA 6 months ago
This has been flagged as spam show
@MrGUILLERMOPLAZA U mad nigga?
SmelDiferenToMidget 6 months ago
bjork sampled for the track :hidden place!
alkay 8 months ago
@alkay did not know that, thank you!!
wetfreq 8 months ago
@alkay @ 1:08 you mean. i love the hell out of that song, too. good ear
Gito360 7 months ago
That was EPIC!!!!Dark,romantic,frightening,EPIC!EVERYTHING!!I have lost my words,can't describe this powerful music,Schoenberg was a superhuman genius!!
THEMGOROTH75 8 months ago
i really can't stand more than ten seconds listening this guy's music, it only noise, doesn't have sense, matter... what a shit
esmilges7 8 months ago
@esmilges7 What?! I could understand if you were saying this about his expressionistic stuff, but I really can't see how you can call this 'only noise'.
indigenous71 8 months ago
@esmilges7 are you drunk??????????
RJShaw0 7 months ago
Yes, Brahms
Lucraetio 9 months ago
Yes, Brahams
Lucraetio 9 months ago
I hear a lot of Brahms in this work.
Triosfrios 9 months ago
simply amazing.
smileitsmichellee 9 months ago
great piece. my favorite I've heard so far of Schoenberg's.
OsvaldoPaese 9 months ago
The five supreme composers in the history of Western Music (in no particular order)...
Bach
Schoenberg
Fill in the remaining three at your discretion.
TEastleigh 1 year ago 2
@TEastleigh
the guys in behold... the arctopus
mick barr
those guys in the flying luttenbachers
pacman80500 11 months ago
01:04 - 01:15 Bjork and her beautiful Hidden Place
ReyZore 1 year ago
Meraviglioso... ma avreste potuto interromperlo in un altro punto! =(
NocheConstelada 1 year ago
I just wish Schoenberg had written more stuff like this.
amadeuswebern 1 year ago
@amadeuswebern Same here. I don't care much for the 12 tone technique.
PrincessUnicorn69 1 year ago
@amadeuswebern I feel exactly the same! Possibly the most romantic piece of all time!
99hoolio 1 year ago
terrible job. no pacing or tension. the build up is wasted.
briangaylord 1 year ago
@briangaylord Be careful about what? Having an opinion on the interpretation of this piece? Specifically, how the beautiful opening has been compleeeeeetely pissed away in this recording.
briangaylord 1 year ago
Oh,epic beginning!EPIC!!!!
THEMGOROTH75 1 year ago
Wonderful, and totally unexpected.
celticboy1950 1 year ago
It's too bad that we don't appreciate Shoenberg's earlier works as much. He had an incredible knack for Romantic writing.
MattiasXL 1 year ago 14
@MattiasXL
So true - I've also always believed he was a romanting under everything else, but it's wonderful to travel forward and time and let your ear adjust... what a great guy.
annacuj 2 months ago
Amazing.
6JohnRedmond6 1 year ago 2
geweldig!!
lorsas 1 year ago
great recording
Arascii 1 year ago
wtf....what a horrible place to end it
johngoforth77 1 year ago 26
peccato che dopo schoenberg si sia rovinato...questo e'un vero capolavoro!!!
mariorussi2010 1 year ago
sometimes i think that there must be unconquerable passion within you to create such a masterpiece. sometimes in the depths, sometimes floating through the air
wetfreq 2 years ago
wonderful!
non era possibile tagliarlo un po' dopo?!!
lutubo07 2 years ago
El Schoenberg postromántico es una delicia de escuchar.
ferrerpla 2 years ago
Listening to this makes me think that he intentionally made his later serial works brittle and harsh. As opposed to romantic serialism a la berg.
thebloads 2 years ago
simply stunning
banrionaiasc 2 years ago