He is okay. I usually don't prefer his recordings, but this one is tolerable for me. As far as interpretation... I liked the dynamic contrast at the end, but felt it did not need to instantly be PPP after the recapitulation of the main theme. Seemed like it was loud for 1 minute, and quiet for 1 minute. Phrasing wasn't noticeable, especially at the part following the ostinato bass figures around 1 minute. He rushes through the climax and immediately back to the main theme. Bad and flat audio...
This is the beat interpretation I have heard since my own... when I played this for my grad recital at Manhattan School of Music, 1986... you really felt the music... I hate when peeps just sound like technicians... no music... thanks. xoleah
I like this version much more than his other op. 8 no 2. that circulates on YT. This one is way more musical, the other is too mechanical, too perfect. BTW, don't y'all hate that most pianists only play op. 8 no. 12? This piece is on par if not better IMHO.
I love what he does with the bass throughout the piece, and what a color change at 1:12. Extraordinary Scriabin interpreter, he should definitely play more of him.
I love the way Pogorelich rounds off his phrases SO musically and something not many pianists today even bother doing. This man remains for me one of a handful of the most brilliant, most creative, most technically accomplished pianists I ever heard.
@billyguns2 I completely agree. He has a certain legato to his playing that seems reminiscent of the classical period. A lot of players nowadays seem to have a much more staccato, playful type of playing that seems to come from the romantic period. There's nothing wrong with that and I enjoy that in many cases (like Bartok) but in the case of a composer like Scriabin, I prefer a smooth, old fashioned, almost reverent way of interpreting it and Pogorelich does that beautifully.
He is okay. I usually don't prefer his recordings, but this one is tolerable for me. As far as interpretation... I liked the dynamic contrast at the end, but felt it did not need to instantly be PPP after the recapitulation of the main theme. Seemed like it was loud for 1 minute, and quiet for 1 minute. Phrasing wasn't noticeable, especially at the part following the ostinato bass figures around 1 minute. He rushes through the climax and immediately back to the main theme. Bad and flat audio...
ReturnOfTheStienway 3 months ago
I love your interpretation of this piece.
leahgwilliams 1 year ago
This is the beat interpretation I have heard since my own... when I played this for my grad recital at Manhattan School of Music, 1986... you really felt the music... I hate when peeps just sound like technicians... no music... thanks. xoleah
leahgwilliams 1 year ago
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titusbeertsen 1 year ago
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titusbeertsen 1 year ago
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titusbeertsen 1 year ago
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titusbeertsen 1 year ago
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titusbeertsen 1 year ago
I like this version much more than his other op. 8 no 2. that circulates on YT. This one is way more musical, the other is too mechanical, too perfect. BTW, don't y'all hate that most pianists only play op. 8 no. 12? This piece is on par if not better IMHO.
titusbeertsen 1 year ago
I love what he does with the bass throughout the piece, and what a color change at 1:12. Extraordinary Scriabin interpreter, he should definitely play more of him.
demosj 2 years ago 6
@demosj , Yes, I couldn't agree more about both your comments.
ccdg1066 1 year ago
I love the way Pogorelich rounds off his phrases SO musically and something not many pianists today even bother doing. This man remains for me one of a handful of the most brilliant, most creative, most technically accomplished pianists I ever heard.
billyguns2 2 years ago 29
Yes, phrasing seems his best trait, and not many come near him in that.
dragmio 2 years ago 4
@billyguns2 indeed, and how true
It is rare and inspiring to see someone who breathes new life and creative discovery into the repertoire.
yenrabaraho 1 year ago
@billyguns2 I completely agree. He has a certain legato to his playing that seems reminiscent of the classical period. A lot of players nowadays seem to have a much more staccato, playful type of playing that seems to come from the romantic period. There's nothing wrong with that and I enjoy that in many cases (like Bartok) but in the case of a composer like Scriabin, I prefer a smooth, old fashioned, almost reverent way of interpreting it and Pogorelich does that beautifully.
Fishies125 1 year ago
@billyguns2 You must be forgetting about Luganskj and Ashkenazy.
adamdcFaN 4 months ago
Resta uno dei più grandi interpreti di tutti i tempi... Grazie!
bertirotti 3 years ago 2
live is worth living for listen to your music, pogo! thank you!
Bellotommaso 3 years ago 6
...che uomo! ♥
è meglio tacere e prendere esempio
eriksatie9 3 years ago 6
Superb! He is one of the most enthralling and musically expansive pianists of our time.
Phillip Wilcher
PhillipLWilcher 4 years ago 22
For sure!
Fishies125 2 years ago
Bravo, Ivo! You are a living legend.
igor073 4 years ago 9
Yes, and when I was young, too. Restrained, I think, for Ivo. Listen also to his Brahms 118/2 Intermezzo
sagalat 4 years ago
Pogorelich also resembles J. Hoffman when he was young.
svensdascha 4 years ago
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I don't like this pianist,his so boring.
vlemaritora 4 years ago
look up him playing chopins 24th prelude in d minor and tell me then you tihnk hes boring...
ljoekelsoey4 4 years ago 5
obviously you don't know true musical talent.
pianogurly 4 years ago 3
No one in the world like him. Hope he bounces back soon from his meltdown '06 tour.
Brianjonestown 4 years ago
wait whoa what happened? i didn't hear about this...
pianogurly 4 years ago
His profile looks kinda like Anton Rubinstein...Look closely guys!!
fliszt1886 5 years ago
great...
intheblackwelkin 5 years ago
Pogo a gogo. No other pianist alive can turn on a dime and create a lifelong memorable experience like he can. He's the Man.
Brianjonestown 5 years ago 3
YAY! Another clip from this concert! Thank you spokoinoi2000!!!
sumcrzymofo 5 years ago
Does anyone have the rest of this concert?
IAMLISZT 5 years ago