Added: 3 years ago
From: Saunpedio
Views: 126,647
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  • 這首歌感覺是日本人為了贖罪的歌~~讓那些亡魂化為塵土吧飛揚於­天空之中

  • 太感動人,不知如何拿到歌簿?

  • May the Japanese died in this tsunami be at peace and the survivors be tough

  • 我是在 石田 裕輔 先生的"日本一路騎下去"書中他有提到這首歌,

    便來搜尋看看,想不到歌詞與旋律都這麼優美感動!!

  • 歌词与曲写得非常深邃悠远,男歌手长得也很帅,可惜美声的共鸣找­得不好,声音绷得很紧。

  • I played this song to remember my father who passed away in 2009. Before his sudden death, he was always so busy with his work. But I heard he did pause to listen to this song, and very mindfully he became quite taken by it. Just like the words in the song, I believe he's become one with all things in our world, like thousands of winds in the endless space in and around us.

  • @JustenandAnson He is watching over you.

  • What a brilliant singer.....

    A very touching song......

  • It's a great song and good voice. But he seems to use too much guttural (throat) sound and as the result sometimes does not deliver. Also he has a strange tendency to hold his lips close when singing ん's which sounds awful. He dragged too long at 3:57 IMHO. (Probably to show off his voice?) Sorry for the negative comments. Thanks for the video though. Have a good day.

  • @shanobuo could you explain why it isn't good?

    is it just because of the way it sounds?

    or does it have any bad effects?

    I'd be glad for a reply!

    :>

    ah, he still sounds great!

  • @shanobuo I have exactly the same feeling with you. The singer's academic singing skill is very immature that he almost sings in pop way and the throat was too much tight. His resonnance of head is not explicitly shown.

  • @shanobuo You can listen to his last sentence-- a no oo ki na so ra WO(这广袤之天空, sorry I am Chinese and have no Japanese character system, but I spoke Japanese),whereby at the end of this WO, his voice broke and it exposes completely that he is using throat other than Head resonance.

  • 好感動!真希望!我將來的高別式!能用這首歌!

  • 我會幫你高歌一曲的...嘿嘿嘿....

  • @6627115w

    與您有同樣的感覺!

  • 離別依依

  • beauty

  • Beautiful voice and song - but I still prefer Kim Jeong Hoon's version.

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