Enrico Caruso was Andrea Bocelli's voice teacher. He imparted singing techniques to Andrea like no other. Whenever Andrea does his "diminuendo" voice, he sounds just like Enrico.
Oh my God this is so beautiful, so full of emotion. Caruso the best forever. No one could put emotion on an interpretation like he did. Thak you so much for uploading.
Just imagine what he'd have sounded like were he recorded on modern equipment!? What a voice ... oh to have been around to see him Live! (sigh). Thank you for this gem.
Not the only carol. Listening to WABC late night in car. They played several carols by Caruso on cylindrical records. Beautiful. I have no idea whether anyone could access these recordings.
its amazing! he has the best voice ever! i first heard this like a few days ago in french class and had to look it up because i love this song and i love this version of it!
@tomfroekjaer FYI - that is *not* an accurate translation of this song. It's a mangled and corrupted rewrite in English. Check wikipedia's page for O_Holy_Night
@mabainter -It's pretty close. Maybe you shouldn't rely on Wikipedia.
Most songs (poetry, etc) do not receive literal translation because there is a cultural feel to the expression of ideas. Maybe a Quebecois could clarify this for us, since he/she more frequently confronts ideas in both languages.
@Ettoredipugnar It is my opinion that while the primitive acoustic recordings gave Caruso a certain quality on records, that he would have sounded better in person. On the other hand, modern techniques are used to enhance the sound. Today's singers can also have their tracks edited to remove flaws while Caruso and those from that era had to record the entirety in a single take. Caruso had to have been a real phenomenon in person.
In answer to the poster who asks "who made who?" God made Caruso and gifted him with the most beautiful voice ever. No tenor, to this day, has ever possessed a voice as beautiful as that of Enrico Caruso.
When I listen to this caroll. I often wonder who made who ? The victrola did it make Caruso or did Caruso make the victrola. Also I wonder if Domingo only had this medium ,the 78rpm . If he would have been a famous tenor. ?
@Ettoredipugnar Yes, a good question... I think it was a bit of both. Caruso had a voice that recorded beautifully through the primitive funnel, most sopranos didn't. Maybe overrated (due to the popularity of Caruso's recordings), but never the less: at the MET people at the time didn't stand in line to buy tickets for the next opera, but for the next Caruso performance - regardless of what the opera was.
@pcx34 Tucker is often mentioned, Crooks almost never. Many may not even know who Richard Crooks was. In fact I didn't even know myself before finding him on Wikipedia...
But I don't know much about opera or singing in general. I just upload Caruso's arias/songs because I like them.
@tomfroekjaer oh sure,we've both watched different sets of opera videos here, so the frequency of tucker's mention will be different, but it sounds like Crooks' lack of mention is consistent between us. what makes it interesting to me,is what makes someone endure so long? crooks came after caruso, but we remember caruso. it doesn't have to do with exposure.Crooks was on firestone which not just opera fans listened to.
@pcx34 Had a hard time figuring out what you meant by "firestone." On googling it I eventually discovered that it was a radio/TV show in the US existing from 1928 to 1963 highlighting selections from opera and operetta.
... Maybe Caruso as the very first recording star in the history of recordings became a "household" name for a great singer? - Even here in Denmark we have the colloquialism "He's no Caruso" - of course meaning that he doesn't sing particularly well.
@pcx34 As regards to "what makes someone endure so long?": "Quality" of communication in the singing, would be my immediate response. Does the singing move people? Do they experience emotions when he/she sings?
I'm sure one could test the emotional effect of a singer on people scientifically with enough test persons to be able to have a statistically significant, conclusive result, but who would pay for it?
Caruso is the best I've ever heard for power, range, and the sheer aching beauty and humanity of his artistry. For all our strugglings and sufferings, every once in a while one of us reaches the summit. And brings the rest of us along.
@travesura100 Why is it that in order to sing the praises of one artist, we have to trash another? We have been given the gift of both, at different times in history, why not celebrate the beautiful gift both men bestowed upon us? Must everything be a contest? Personal preference is fine, but both men were great artists. Personally, I thank God for having had the opportunity to listen to both.
Tom,as one who listens to music much of most days and almost all of it being classical or opera-let me say that I seriously doubt that anything better exists in any language.Nice hearing from you.
@paulostroff99 Well, Teufel :) There are/were probably tenors who are/were better with the high C's or whatever (not familiar with the technical terms) than Caruso. But who cares (unless you have been brainwashed in class...). Empathy, empathy. Experience the empathy of whoever sings - and as far as I am concerned, that's where you'll find the great spirit - the great artist.
@tomfroekjaer -I could not agree with you more on this.After Caruso who indeed was better than ,gigli,bjoerling,or di stefano. Perhaps berganzi,mccormack,,fleta,wunderlich.For Italian opera I'll still go with the first three with the others not far behind.
@paulostroff99 All the singers you mention are really Greats. I judge it very subjectively - based on my own emotional response - I don't know anything about the technique of singing and I frankly don't care.
My own preferences are all the ones you mention and adding Joseph Schmidt. And of course at the very top in most arias/songs for me Enrico Caruso - the "Neapolitan Peasant" with the heart of gold...
I guess to people not familiar with french this sound great, but, sorry, his pronunciation is terrible, most of it is unintelligible garble, marvelous voice though
I speak French and I disagree, it sounds alright to me. In one or two places the way he puts fits the words to the music is a little different to how I think I've normally heard it, but the actual pronounciation seems generally OK. I did a version on my channel; not in Caruso's league but there shouldn't be much wrong with my French though, in theory. I think Thill's version is the best French one I've heard so far.
@oliveranthonyrowland écoute-le encore une fois, «le môde entière trèsaille euh déspérance» n'est pas du français articulé, mais une imitation sonore du langage, la raison pour laquelle ça te semble adéquat est dû au fait que, connaissant la chanson, ton cerveau corrige automatiquement les incongruités, c'est de la paréidolie
Alors tu veux dire essentiellement qu'il y a un ou deux endroits où sa prononciation d'une voyelle n'est pas parfaitement française? Ce me semble assez peu de chose. Et "euh" à la fin de trésaille me semble normal dans ce style de chant. Les chanteurs classiques doivent parfois chanter dans de langues qu'ils ne parlent pas et s'ils les prononcaient toujours sans la moindre faille ce serait surprenant. J'ai entendu beaucoup pire.
I'M LISTENING TO ON CHRISTMAS EVE'S EVE, WITH WINE IN MY GLASS AND TEARS IN MY EYES. I HAVEN'T FELT CHRISTMAS IN YEARS BUT FOR SOME REASON, PERHAPS DIVINE INTERVENTION, THIS YEAR IT'S SOOOO BACK FOR ME. GOD BLESS AND MERRY CHRISTMAS 2010.
@RONNIEJNZN I was searching for Sig. Pavarotti's version, but came upon this original French and have to go with this because, well, it was French. May you have a Merry Christmas, Ronniejnzn. I had wine in my glass and tears in my eyes as well tonight. Peace be with you.
@RONNIEJNZN How beautiful that you shared that, Ronnie. I pray that the peace and joy you felt and shared this Christmas season lingers in your heart and spirit throughout the New Year and throughout your life. God bless you!
One of the first radio hits. Words are midnight Christians. Wow never knew that guy stuck on the island could sing so well. Oh his name's not Robinson you say????...
Caruso makes it sound effortless. Thank you for sharing this recording. I have loved it all my life but lost track of it when "records" went out of fashion.
Ironically, this was recorded in March(?) 1916, but at least it was already released by Christmas of that year. :) I still wish he would've recorded more Christmas carols, especially something like the Italian carol "Tu Scendi Dalle Stelle".
This is quite remarkable. Aside from the fact that the singing itself is unique, the phrasing is utterly unbelievable. Considering that he was required, literally, to imprint his voice onto the recording medium by singing down an acoustic horn, and so was singing at considerable volume, then those long, legato phrases are all the more remarkable - and his vocal range is also extraordinary. Genius.
What a terrific version! Blew me away in 2 ways: 1- I didn't expect a dramatic tenor to give such nice refined rendition. 2- I had prepared myself to hear a lousy French, but Caruso's French is very impressive for an Italian born in 1870's, far better than many of the later tenors.
But, why the surprise? This man is called a legend for a reason!
@RoyKa2010: I like the lyrical Björling (Swedish) version very much and also the one from Georges Thill (French and also lyrical). Caruso cannot really be classified as a tenor or as a singer at all. His voice was extraordinary. As a tenor he was lyrical, spinto and dramatic, but on occsion he also performed as a basso or basso profundo (e.g. the Goat Song).
@tomfroekjaer what i find exeptionell with Carusos and Björlings versions besides everything that has alreday been said is this; If you listen to all other tenors versions of Holy night you can clearly hear they are operasingers! Caruso and Björling show their greateness by NOT sounding like operasingers when they don´t should. Holy night is not an opera - right? i.e Pavarotti and Domingo, they are great - no criticisism, but theirs versions sounds like oprea!
@suffes: you really have a great observational ability! Never thought of or noticed that before .. But you are right! Jussi and Caruso do not sing this carol as opera singers as they should NOT... - Empathetic giants both of them...
@tomfroekjaer I love those versions, too. Each in their own way: Björling's sweet virtuoso singing, and Thill's noble approach and authentic French singing, bringing each and every word to life through unique vocal coloration. I sometimes think that Thill's voice falls somewhere between Caruso and Björling, possessing some of the darkness and solidity of the former and the sweetness and ring of the latter.
Caruso, not classified as a singer... Umm... Could you elaborate, please?
@RoyKa2010: just tried to respond to "Caruso, not classified as a singer" - guess I wrote too many characters, so I'll try once more. Caruso is hard to "place" as a tenor. Was he lyrical (yes, in his early recoding), later he was spinto, dramatic - even bariton or, basso. - That's what I meant.
I don't know why people compare this (and Caruso) to Bjorling's. Caruso's voice has a distinct heavy/dramatic side and a lighter/lyric side (e.g. 3:27 vs. 3:30). Bjorling's voice is mainly lyric in comparison, through out. Also Bjorling's O Helga Natt recording has a reverb-like (enhacing) effect that this doesn't. So it's hard to do a fair comparison unless you have studied singing thoroughly and know exactly what to listen to.
But one thing's for sure, there is only one Caruso :)
Too bad Caruso didn't record any more Christmas carols after this. :( It would've been nice to hear him sing something like "Adeste Fidelis" or "Silent Night".
Being a true Wagnerian I count Melchior as the greatest tenor ever, but this song is fantastic, sung by Caruso, Thill or Bjoerling. I don't know which version I prefer. Caruso has wonderful golden timbre and floating legato, Bjoerling has such beauty and sadness in his voice, Thill sings with such fantastic style and grandeur. Can't one love all three of them...?
I have listened to all the "O Holy Night" recordings on YouTube, and this and Bjorling's are far ahead of all others. I would not like to choose between the two, so I'm (just my personal taste) calling it a tie.
@AJJL4041: for me the versions of Björling and Caruso are indeed exceptional. And I don't prefer any of their performances over the other. They are both extremely beautiful. But also the Georges Thill version is truly fantastic. Best, Tom
I **adore** this recording. I had it downloaded some time ago, and was hoping it would be here on YouTube. Not only is this my favorite version of O Holy Night, I **adore** the old-fashioned acoustic brass band, the type rarely seen outside of the Salvation Army and re-enactors these days, but which I pray shall be seen throughout this country again. MERRY CHRISTMAS !!
I have a music book from 1911, and has this song in it. It has the ancient bass clef symbol, you know the funky one you saw in an old church hymnal, and it's written in the key of D flat Major.
It says "french song 12th century". That alone makes me think this song is really that old.
Exquisite transfer of one of Caruso´s warmest recordings. Comparing Björling (the only one worth comparing together with Georges Thill) one must remember that this song is much tougher to sing in swedish than its origin. Especially the end where you have to combine two phrases before the climax. Noel! Noel! allows you to go for it more descisive. So with that exception maybe Björling has made an even greater achievement. But we need both thrilling aspects of this immortal song.
The way it should be sung. Unfortunately, the likes of Mariah Carey are trying their best to gimmick and Americanize the Christmas Spirit. Give me Bjoerling and Caruso anytime.
brilliant - I have just uploaded a quintent version of this that features my young daughter sings the soprano solo pretty well.. so I thought I would look for some other versions. This version is quite magnificent - thank you for the words as wells..
The truly great Caruso! All hail Dude! Eternal thanks and due genuflection to whoever posted this for our humble ears. Nothing but love brother/sister! U have made this poor soul rich again. Muchos gracias!!!
My grandfather did not guess at it he heard him 3 times here in Chicago and he was his favorite. He died in 1980 and was 100 years old and said the voice had ring and a sound that was best , better then on the recordings and he heard them all from about 1900 on till the late 1970's he also liked Tucker and Melchior in Wagner very much after CARUSO.
Tomfro! This was REALLY good! A kind of "soft" version from a master. This song is much harder to do than one could imagine. 99% of all versions you only listen to once. But here we are again, Already listen three times. The guys that should be in top are always there! I have put it as an favorite and will listen to it beside Jussis next Cristmas. A perfect combination like; sometimes i longing for a good single malt and sometimes a good cognac to be complete!
sefferpot, glad you liked it and yes, the guys that are/were truly at the top, were real professionals - always delivering the goods. Jussie or Caruso, a good cognac, single malt or a good red wine - what else is there to ask from life :-)
Tom, Le Cantique de Noel is one of the most beautiful Christmas Carols and Caruso's singing of this carol cannot be surpassed. I speak English and French, I am from Louisiana, and Caruso's French is flawless.
Merci, notre rédempteur pour nous donner le beau cadeau de Caruso' ; voix de s.
Bruce, indeed a beautiful Christmas Carol and a beautiful, emotional rendition by the master. I speak a bit of French myself (I'm Danish), but not enough to really judge Caruso's pronunciation - glad it's ok (being a perfectionist he was never really satisfied with his French....).
So beautiful, as only the master could do. There are many versions of this song by different artists, but this one is special. It is perfection itself, as if this song was written just for Caruso to sing to us.
I can only agree with you. He really had the ability to communicate the emotional essence of what he was performing. A gift for all of us. Unfortunelate we'll never really be able to experience his full power and empathy due to the poor recording tehcniques - but we can guess at it ...
I love Caruso's version of the song as much as anyone; but there are two other versions I find equally beautiful, those of Bjorling and Plancon. I'm grateful for all three performances, none of which I think will ever be surpassed.
i'm 70 yo and since i was 10 Caruso's voice gave me some emotional feelings which are still present when i listen to him. I want to thank you for giving me the opportunity to hear recording that i didn't own and never known before. greetings from Rome Tom
Thomas!! I saw this as I opened Youtube, looking for something else (Plaisir d'amour). Was so delighted to see it was posted by you...always the best. So moving. I loved and sang this in seventh grade glee club...but not like this!!!! Merci, mon ami....
There is a lot more on these discs than what we ever imagined. Of course it lacks the many overtones, but it is as pure a recording as you can get. No mixing, no fixing, no nothing but pure artistry. Today's great talent in recording is the recording engineer in many respects.
Enrico Caruso was Andrea Bocelli's voice teacher. He imparted singing techniques to Andrea like no other. Whenever Andrea does his "diminuendo" voice, he sounds just like Enrico.
rvsd44 2 weeks ago
Oh my God this is so beautiful, so full of emotion. Caruso the best forever. No one could put emotion on an interpretation like he did. Thak you so much for uploading.
cesarmonteiromd 1 month ago
Just imagine what he'd have sounded like were he recorded on modern equipment!? What a voice ... oh to have been around to see him Live! (sigh). Thank you for this gem.
Loribyn 1 month ago
Not the only carol. Listening to WABC late night in car. They played several carols by Caruso on cylindrical records. Beautiful. I have no idea whether anyone could access these recordings.
oldfogiebp 1 month ago
Nous avons un aperçu de la voix des anges, c'est un sacré cadeau ... presque 100 ans et toujours aussi intense.
GuyArbus 1 month ago
its amazing! he has the best voice ever! i first heard this like a few days ago in french class and had to look it up because i love this song and i love this version of it!
h0rsel0verme 1 month ago in playlist christmas
What an incredibly beautiful voice!
bernalor1 1 month ago
That makes sens. Thanks for clarifying this. Whenever I see the title Holy Night I think of Silent Night, Holy Night. That may just be me.
lovecuba2 1 month ago
@lovecuba2 So do I :-)
Minuit chrétien isn't well-known in my country (Denmark), Silent Night, Holy Night is.
tomfroekjaer 1 month ago
@tomfroekjaer FYI - that is *not* an accurate translation of this song. It's a mangled and corrupted rewrite in English. Check wikipedia's page for O_Holy_Night
mabainter 1 month ago
@mabainter OK. Corrected.
tomfroekjaer 1 month ago
@mabainter -It's pretty close. Maybe you shouldn't rely on Wikipedia.
Most songs (poetry, etc) do not receive literal translation because there is a cultural feel to the expression of ideas. Maybe a Quebecois could clarify this for us, since he/she more frequently confronts ideas in both languages.
DonLicuala 1 month ago
I hate to break this to you but this is "Minuit Chretien" and not Holy Night.
lovecuba2 1 month ago
@lovecuba2 Yes. Corrected.
tomfroekjaer 1 month ago
@lovecuba2
The English title of this song has for a looooong time been "O Holy Night".
PEAinSwe 1 month ago
@Ettoredipugnar It is my opinion that while the primitive acoustic recordings gave Caruso a certain quality on records, that he would have sounded better in person. On the other hand, modern techniques are used to enhance the sound. Today's singers can also have their tracks edited to remove flaws while Caruso and those from that era had to record the entirety in a single take. Caruso had to have been a real phenomenon in person.
rdargenio 2 months ago
I'm amazed they could fit greater than 4 minutes on a 78RPM record - especially in the early 1900s. Surely this was larger than a 10" disc?
Magnificent recording!
GratefulJWB 2 months ago
Feh!!! The recommended lincolncar1 version indeed had better audio, but it also has added reverb. Avoid it.
rwexelblat 3 months ago
In answer to the poster who asks "who made who?" God made Caruso and gifted him with the most beautiful voice ever. No tenor, to this day, has ever possessed a voice as beautiful as that of Enrico Caruso.
bernalor1 3 months ago
Beautifully sung. Perfect picture for this song too. Makes me think of what Christmas used to mean to our people....
DIEversity301 3 months ago
Thank you for the video and the words. I know it must have taken you some time and I appreciate it.
mikegoons 4 months ago
When I listen to this caroll. I often wonder who made who ? The victrola did it make Caruso or did Caruso make the victrola. Also I wonder if Domingo only had this medium ,the 78rpm . If he would have been a famous tenor. ?
Ettoredipugnar 5 months ago
@Ettoredipugnar Yes, a good question... I think it was a bit of both. Caruso had a voice that recorded beautifully through the primitive funnel, most sopranos didn't. Maybe overrated (due to the popularity of Caruso's recordings), but never the less: at the MET people at the time didn't stand in line to buy tickets for the next opera, but for the next Caruso performance - regardless of what the opera was.
tomfroekjaer 4 months ago
thats the bad thing about americans, they cant come up with their own things so they just try to immitate others
mrpaulmarquez 8 months ago
@mrpaulmarquez And it would seem you are jealous of Americans.
brendasmith12345 7 months ago
He recorded this almost exactly two months AFTER Christmas. How ironic! xD
31operafan 8 months ago
i always find it interesting that when people list great tenors, Richard Crooks and Richard Tucker rarely get mentioned.
pcx34 8 months ago
@pcx34 Tucker is often mentioned, Crooks almost never. Many may not even know who Richard Crooks was. In fact I didn't even know myself before finding him on Wikipedia...
But I don't know much about opera or singing in general. I just upload Caruso's arias/songs because I like them.
tomfroekjaer 8 months ago
@tomfroekjaer oh sure,we've both watched different sets of opera videos here, so the frequency of tucker's mention will be different, but it sounds like Crooks' lack of mention is consistent between us. what makes it interesting to me,is what makes someone endure so long? crooks came after caruso, but we remember caruso. it doesn't have to do with exposure.Crooks was on firestone which not just opera fans listened to.
pcx34 8 months ago
@pcx34 Had a hard time figuring out what you meant by "firestone." On googling it I eventually discovered that it was a radio/TV show in the US existing from 1928 to 1963 highlighting selections from opera and operetta.
... Maybe Caruso as the very first recording star in the history of recordings became a "household" name for a great singer? - Even here in Denmark we have the colloquialism "He's no Caruso" - of course meaning that he doesn't sing particularly well.
To be continued ...
tomfroekjaer 8 months ago
@pcx34 As regards to "what makes someone endure so long?": "Quality" of communication in the singing, would be my immediate response. Does the singing move people? Do they experience emotions when he/she sings?
I'm sure one could test the emotional effect of a singer on people scientifically with enough test persons to be able to have a statistically significant, conclusive result, but who would pay for it?
tomfroekjaer 8 months ago
@pcx34 Ture Tucker and Crooks were both great american tenors. Its a shame that more people don't know Crooks.
Ettoredipugnar 4 months ago
with due respect to others this is the best hands down or up or sideways. jussi lanza gigli melchior and everyone else NO comparison
vincenz55 9 months ago
Caruso is the best I've ever heard for power, range, and the sheer aching beauty and humanity of his artistry. For all our strugglings and sufferings, every once in a while one of us reaches the summit. And brings the rest of us along.
Cranae 10 months ago 8
Quite simply the best short summing up of Caruso I have ever heard. 'The sheer aching beauty and humanity'. Absolutely.
chastenor 8 months ago
@chastenor
Kind of you to take the time to make your generous comment.
Cranae 8 months ago
@chastenor Yes, one of the best characterizations of the soul of Enrico Caruso's singing I have encountered ('The sheer aching beauty and humanity').
tomfroekjaer 3 months ago
mario lanza is far more better .
jhonnies123 10 months ago
@jhonnies123 Great that you like Lanza.
tomfroekjaer 10 months ago
@jhonnies123
Lanza cannot wipe Caruso's shoes
travesura100 6 months ago
@travesura100 Why is it that in order to sing the praises of one artist, we have to trash another? We have been given the gift of both, at different times in history, why not celebrate the beautiful gift both men bestowed upon us? Must everything be a contest? Personal preference is fine, but both men were great artists. Personally, I thank God for having had the opportunity to listen to both.
HansGustav2 2 months ago 3
Tom,as one who listens to music much of most days and almost all of it being classical or opera-let me say that I seriously doubt that anything better exists in any language.Nice hearing from you.
paulostroff99 10 months ago
@paulostroff99 Well, Teufel :) There are/were probably tenors who are/were better with the high C's or whatever (not familiar with the technical terms) than Caruso. But who cares (unless you have been brainwashed in class...). Empathy, empathy. Experience the empathy of whoever sings - and as far as I am concerned, that's where you'll find the great spirit - the great artist.
tomfroekjaer 10 months ago
@tomfroekjaer -I could not agree with you more on this.After Caruso who indeed was better than ,gigli,bjoerling,or di stefano. Perhaps berganzi,mccormack,,fleta,wunderlich.For Italian opera I'll still go with the first three with the others not far behind.
paulostroff99 10 months ago
@paulostroff99 All the singers you mention are really Greats. I judge it very subjectively - based on my own emotional response - I don't know anything about the technique of singing and I frankly don't care.
My own preferences are all the ones you mention and adding Joseph Schmidt. And of course at the very top in most arias/songs for me Enrico Caruso - the "Neapolitan Peasant" with the heart of gold...
tomfroekjaer 10 months ago
I guess to people not familiar with french this sound great, but, sorry, his pronunciation is terrible, most of it is unintelligible garble, marvelous voice though
quaxk 1 year ago
@quaxk
I speak French and I disagree, it sounds alright to me. In one or two places the way he puts fits the words to the music is a little different to how I think I've normally heard it, but the actual pronounciation seems generally OK. I did a version on my channel; not in Caruso's league but there shouldn't be much wrong with my French though, in theory. I think Thill's version is the best French one I've heard so far.
oliveranthonyrowland 11 months ago
@oliveranthonyrowland écoute-le encore une fois, «le môde entière trèsaille euh déspérance» n'est pas du français articulé, mais une imitation sonore du langage, la raison pour laquelle ça te semble adéquat est dû au fait que, connaissant la chanson, ton cerveau corrige automatiquement les incongruités, c'est de la paréidolie
quaxk 11 months ago
@quaxk
Alors tu veux dire essentiellement qu'il y a un ou deux endroits où sa prononciation d'une voyelle n'est pas parfaitement française? Ce me semble assez peu de chose. Et "euh" à la fin de trésaille me semble normal dans ce style de chant. Les chanteurs classiques doivent parfois chanter dans de langues qu'ils ne parlent pas et s'ils les prononcaient toujours sans la moindre faille ce serait surprenant. J'ai entendu beaucoup pire.
oliveranthonyrowland 11 months ago
This is amazing! But don´t forget to listen to Jussi Bjorling's version - in the same league...
barabra123 1 year ago
@barabra123: yes, absolute. Björling's Swedish version is equally great. Also Georges Thill's version in French is great.
tomfroekjaer 1 year ago
@tomfroekjaer -Yes,they are probably the three best versions ever recorded
paulostroff99 10 months ago
glorious ...
sprint333 1 year ago
I listened to John Berry right before this and thought his performance was perfect, then I heard Caruso and really heard the best
firefly1tube 1 year ago
@firefly1tube: I just listened to John Berry's version and I really like it - as a modern version.
But somehow - at least for me - it doesn't have the same depth as this recording from 1916. Thanks....
tomfroekjaer 1 year ago
Thank you very much what a beautiful record. I wish you all a merry christmas 2010>
cokoroo333 1 year ago
This has been flagged as spam show
as pavarotti said of caruso, "the best of us now and forever."
MsRuthes 1 year ago
as pavarotti said of caruso, "the best of us now and forever.
MsRuthes 1 year ago
I'M LISTENING TO ON CHRISTMAS EVE'S EVE, WITH WINE IN MY GLASS AND TEARS IN MY EYES. I HAVEN'T FELT CHRISTMAS IN YEARS BUT FOR SOME REASON, PERHAPS DIVINE INTERVENTION, THIS YEAR IT'S SOOOO BACK FOR ME. GOD BLESS AND MERRY CHRISTMAS 2010.
RONNIEJNZN 1 year ago 22
@RONNIEJNZN: a Merry Christmas to you, too. Really wish you a "come back" in all aspects of your life.
tomfroekjaer 1 year ago 2
@RONNIEJNZN Merry Christmas to you too :)
roytoy 1 year ago
@RONNIEJNZN Merry Christmas and salute. I am drinking vino too:)
FrancescaGianna 1 year ago
@RONNIEJNZN I was searching for Sig. Pavarotti's version, but came upon this original French and have to go with this because, well, it was French. May you have a Merry Christmas, Ronniejnzn. I had wine in my glass and tears in my eyes as well tonight. Peace be with you.
90265SE14 1 year ago
@RONNIEJNZN Welcome back and a Very Merry Christmas to you and your family.
KingXerexs 1 year ago
@RONNIEJNZN How beautiful that you shared that, Ronnie. I pray that the peace and joy you felt and shared this Christmas season lingers in your heart and spirit throughout the New Year and throughout your life. God bless you!
LouisDE1 1 year ago
Caruso was one of my father's favorite singers! This recording is just amazing, it makes me cry, such an amazing voice!!
watergoddess9 1 year ago 2
So beautiful; he is alive in our hearts forever. What a gift he had --- and to be able to hear him sing! I feel so blessed.
popcornmaltese 1 year ago
@popcornmaltese: are you really 108 years old as your profile suggests? If so, I'm really honoured that you have visted my channel!
tomfroekjaer 1 year ago
One of the first radio hits. Words are midnight Christians. Wow never knew that guy stuck on the island could sing so well. Oh his name's not Robinson you say????...
biukucanoe 1 year ago
Another great version of this song is Raoul Jobin's version
goron152 1 year ago
Amazing! It reminds me greatly of my Uncle's father's singing this song in french... ahh. wonderful!
rabidx 1 year ago
Many thanks for sharing this wonderful old recording. Thank you Roselyne18 for posting.
MartinRaetzJr 1 year ago
el mejor de los tenores de todos los tiempos con la exelencia de cantar sin electronica, bellisima voz!!!
tuyaesmisensibilidad 1 year ago
Caruso makes it sound effortless. Thank you for sharing this recording. I have loved it all my life but lost track of it when "records" went out of fashion.
jorna284 1 year ago
@jorna284: you are very welcome ! I'm still amazed how good his French is.
tomfroekjaer 1 year ago
merry christmas to all!
kostgian 1 year ago
@kostgian
Grazie Kostas!!
borgoantico44 1 year ago
@kostgian
Thanks.... a masterpiece...!!
gfks11 1 year ago
such a voice and what a wonderful song....
margaretjackson6671 1 year ago
"Silent Night" would've also been nice. And even "Jingle Bells". That would've been funny, though, since his English is so bad. xD
31operafan 1 year ago
Ironically, this was recorded in March(?) 1916, but at least it was already released by Christmas of that year. :) I still wish he would've recorded more Christmas carols, especially something like the Italian carol "Tu Scendi Dalle Stelle".
31operafan 1 year ago
B flat from the chest. Could Domingo or Pavarotti been sucessful if they had to use the acoustic reording medium. ? I don't think so.
tenorismo 1 year ago
This is quite remarkable. Aside from the fact that the singing itself is unique, the phrasing is utterly unbelievable. Considering that he was required, literally, to imprint his voice onto the recording medium by singing down an acoustic horn, and so was singing at considerable volume, then those long, legato phrases are all the more remarkable - and his vocal range is also extraordinary. Genius.
guetary 1 year ago
What a terrific version! Blew me away in 2 ways: 1- I didn't expect a dramatic tenor to give such nice refined rendition. 2- I had prepared myself to hear a lousy French, but Caruso's French is very impressive for an Italian born in 1870's, far better than many of the later tenors.
But, why the surprise? This man is called a legend for a reason!
RoyKa2010 1 year ago
@RoyKa2010: I like the lyrical Björling (Swedish) version very much and also the one from Georges Thill (French and also lyrical). Caruso cannot really be classified as a tenor or as a singer at all. His voice was extraordinary. As a tenor he was lyrical, spinto and dramatic, but on occsion he also performed as a basso or basso profundo (e.g. the Goat Song).
tomfroekjaer 1 year ago
@tomfroekjaer what i find exeptionell with Carusos and Björlings versions besides everything that has alreday been said is this; If you listen to all other tenors versions of Holy night you can clearly hear they are operasingers! Caruso and Björling show their greateness by NOT sounding like operasingers when they don´t should. Holy night is not an opera - right? i.e Pavarotti and Domingo, they are great - no criticisism, but theirs versions sounds like oprea!
suffes 1 year ago
@suffes: you really have a great observational ability! Never thought of or noticed that before .. But you are right! Jussi and Caruso do not sing this carol as opera singers as they should NOT... - Empathetic giants both of them...
tomfroekjaer 1 year ago
@tomfroekjaer I love those versions, too. Each in their own way: Björling's sweet virtuoso singing, and Thill's noble approach and authentic French singing, bringing each and every word to life through unique vocal coloration. I sometimes think that Thill's voice falls somewhere between Caruso and Björling, possessing some of the darkness and solidity of the former and the sweetness and ring of the latter.
Caruso, not classified as a singer... Umm... Could you elaborate, please?
RoyKa2010 1 year ago
@RoyKa2010: just tried to respond to "Caruso, not classified as a singer" - guess I wrote too many characters, so I'll try once more. Caruso is hard to "place" as a tenor. Was he lyrical (yes, in his early recoding), later he was spinto, dramatic - even bariton or, basso. - That's what I meant.
tomfroekjaer 1 year ago
@tomfroekjaer I see. thanks for the explanation and also for the video. TY
RoyKa2010 1 year ago
I don't know why people compare this (and Caruso) to Bjorling's. Caruso's voice has a distinct heavy/dramatic side and a lighter/lyric side (e.g. 3:27 vs. 3:30). Bjorling's voice is mainly lyric in comparison, through out. Also Bjorling's O Helga Natt recording has a reverb-like (enhacing) effect that this doesn't. So it's hard to do a fair comparison unless you have studied singing thoroughly and know exactly what to listen to.
But one thing's for sure, there is only one Caruso :)
Genotypewriter 1 year ago
Apart from the glissandos and added "h"s , which is an Italian syndrome, the song is wonderfully sung, expressive and emotional
jhvorotin 1 year ago
superb!
MarcoBocoure 1 year ago
Man! I wish I could've met this guy : ), he was my great great great great grandcousin (or something like that) : D.
jewingten 1 year ago
Too bad Caruso didn't record any more Christmas carols after this. :( It would've been nice to hear him sing something like "Adeste Fidelis" or "Silent Night".
31operafan 1 year ago
Awesome! TY
paulostroff99 1 year ago
Being a true Wagnerian I count Melchior as the greatest tenor ever, but this song is fantastic, sung by Caruso, Thill or Bjoerling. I don't know which version I prefer. Caruso has wonderful golden timbre and floating legato, Bjoerling has such beauty and sadness in his voice, Thill sings with such fantastic style and grandeur. Can't one love all three of them...?
mozzrt 1 year ago
@mozzrt
I coulnd givven a better comment than this. I adore all the singers you mention. Im. happy that I havent to choose between them...
Hans NL
qklq42 1 year ago
Was there anything this giant couldn’t sing? It’s so nostalgically melodic. It brings me back to my childhood, when I could still feel Christmas…
Mange tak Kære Tom
Aetion 1 year ago
@Aetion: you are very welcome ... And even in Danish ! Yes, he was quite a versatile singer indeed.
tomfroekjaer 1 year ago
I have listened to all the "O Holy Night" recordings on YouTube, and this and Bjorling's are far ahead of all others. I would not like to choose between the two, so I'm (just my personal taste) calling it a tie.
AJJL4041 1 year ago
@AJJL4041: for me the versions of Björling and Caruso are indeed exceptional. And I don't prefer any of their performances over the other. They are both extremely beautiful. But also the Georges Thill version is truly fantastic. Best, Tom
tomfroekjaer 1 year ago
Jussi & Carruso = Love
alphahanen 1 year ago 3
D'accord!
patoman881 2 years ago 2
All right, stylistically... well with effects of the Italian Romantic opera....
but, let us commend his dedication to the meaning of this song and the way he offered his voice and technique to it.
Merry Christmas!
Thanks for posting.
minnie888444 2 years ago
I **adore** this recording. I had it downloaded some time ago, and was hoping it would be here on YouTube. Not only is this my favorite version of O Holy Night, I **adore** the old-fashioned acoustic brass band, the type rarely seen outside of the Salvation Army and re-enactors these days, but which I pray shall be seen throughout this country again. MERRY CHRISTMAS !!
songspiritUSA 2 years ago
Glad you found it again ! And a very Merry Christmas to you too, Catherine!
Tom
tomfroekjaer 2 years ago
magnifica intrpretacion ha sido un regalo de navidad haberla descubierto.
violeterisima 2 years ago
This recording is nearly 100 years old and yet still literally gave me chills and nearly brought me to tears.
hare7777 2 years ago 7
incredible voice, no electronics then, just pure class!!
headstocktailstock 2 years ago 12
amazing upload. thank you.
hengfa 2 years ago 3
I have a music book from 1911, and has this song in it. It has the ancient bass clef symbol, you know the funky one you saw in an old church hymnal, and it's written in the key of D flat Major.
It says "french song 12th century". That alone makes me think this song is really that old.
AIKevorkian 2 years ago 5
Exquisite transfer of one of Caruso´s warmest recordings. Comparing Björling (the only one worth comparing together with Georges Thill) one must remember that this song is much tougher to sing in swedish than its origin. Especially the end where you have to combine two phrases before the climax. Noel! Noel! allows you to go for it more descisive. So with that exception maybe Björling has made an even greater achievement. But we need both thrilling aspects of this immortal song.
klokheten 2 years ago 2
The only ones worth listening too - are Caruso and Björling. Both are simply gods.
ising8288 2 years ago 3
Magnificent! The voice, the song, the arrangement, perfect!
sewitt60 2 years ago 5
The way it should be sung. Unfortunately, the likes of Mariah Carey are trying their best to gimmick and Americanize the Christmas Spirit. Give me Bjoerling and Caruso anytime.
swanningaround 2 years ago 29
@swanningaround Amen to that!
militarychief 1 year ago
@swanningaround -And give me Georges Thill as well.
paulostroff99 10 months ago
@paulostroff99 :)
swanningaround 10 months ago
Vaya una sorpresa. Increible. El Gran Caruso rinde su canto aDios..........
JorPove 2 years ago
Incredible!!!
songspiritUSA 2 years ago
brilliant - I have just uploaded a quintent version of this that features my young daughter sings the soprano solo pretty well.. so I thought I would look for some other versions. This version is quite magnificent - thank you for the words as wells..
birthdaydad 2 years ago
Just looked at your daughter singing the soprano - Great! She really gives heart ! ... Like Caruso!
tomfroekjaer 2 years ago
A genuine musical genius, with such exquisite taste.
Thank you.
vstasov 2 years ago 3
The truly great Caruso! All hail Dude! Eternal thanks and due genuflection to whoever posted this for our humble ears. Nothing but love brother/sister! U have made this poor soul rich again. Muchos gracias!!!
ciggynet 2 years ago 3
My dad had a 78 record of this - he played it until he died - for you dad
margaretjackson6671 2 years ago 2
My grandfather did not guess at it he heard him 3 times here in Chicago and he was his favorite. He died in 1980 and was 100 years old and said the voice had ring and a sound that was best , better then on the recordings and he heard them all from about 1900 on till the late 1970's he also liked Tucker and Melchior in Wagner very much after CARUSO.
pearlmuth3 2 years ago 3
I love it and also jussi but I prefer it in French and his is only in Swedish, also Thill did a great job of course in French.
pearlmuth3 2 years ago
Tomfro! This was REALLY good! A kind of "soft" version from a master. This song is much harder to do than one could imagine. 99% of all versions you only listen to once. But here we are again, Already listen three times. The guys that should be in top are always there! I have put it as an favorite and will listen to it beside Jussis next Cristmas. A perfect combination like; sometimes i longing for a good single malt and sometimes a good cognac to be complete!
sefferpot 2 years ago
sefferpot, glad you liked it and yes, the guys that are/were truly at the top, were real professionals - always delivering the goods. Jussie or Caruso, a good cognac, single malt or a good red wine - what else is there to ask from life :-)
tomfroekjaer 2 years ago
Tom, Le Cantique de Noel is one of the most beautiful Christmas Carols and Caruso's singing of this carol cannot be surpassed. I speak English and French, I am from Louisiana, and Caruso's French is flawless.
Merci, notre rédempteur pour nous donner le beau cadeau de Caruso' ; voix de s.
brucerdavidson 3 years ago
Bruce, indeed a beautiful Christmas Carol and a beautiful, emotional rendition by the master. I speak a bit of French myself (I'm Danish), but not enough to really judge Caruso's pronunciation - glad it's ok (being a perfectionist he was never really satisfied with his French....).
tomfroekjaer 3 years ago
Je suis tout à fait d'accord avec vous !
jackylen57 2 years ago
So beautiful, as only the master could do. There are many versions of this song by different artists, but this one is special. It is perfection itself, as if this song was written just for Caruso to sing to us.
Brace67 3 years ago
I can only agree with you. He really had the ability to communicate the emotional essence of what he was performing. A gift for all of us. Unfortunelate we'll never really be able to experience his full power and empathy due to the poor recording tehcniques - but we can guess at it ...
tomfroekjaer 3 years ago
I love Caruso's version of the song as much as anyone; but there are two other versions I find equally beautiful, those of Bjorling and Plancon. I'm grateful for all three performances, none of which I think will ever be surpassed.
meltzerboy 3 years ago
Thank you and wish you merry Christmas!
Maldoror
maldoror26 3 years ago
You too have a very Merry Christmas, Maldoror!
Tom
tomfroekjaer 3 years ago
i'm 70 yo and since i was 10 Caruso's voice gave me some emotional feelings which are still present when i listen to him. I want to thank you for giving me the opportunity to hear recording that i didn't own and never known before. greetings from Rome Tom
alber6161 3 years ago
You are so very welcome and Merry Christmas to you !
Tom
tomfroekjaer 3 years ago
And may I add that Caruso is the singer that makes the strongest emotional impression on me of all singers. Viva Italian opera!
tomfroekjaer 3 years ago
i have never seen a 70 years old man use some like "yo" (years old) online on a youtube comment.
christanmusiczordude 2 years ago
Pretty good, uh? And then he's even Italian!
tomfroekjaer 2 years ago
Amazing - thanks for posting this
jessesgirl10 3 years ago
Thomas!! I saw this as I opened Youtube, looking for something else (Plaisir d'amour). Was so delighted to see it was posted by you...always the best. So moving. I loved and sang this in seventh grade glee club...but not like this!!!! Merci, mon ami....
tomkellycartoons 3 years ago
Hope you found 'Plaisir d'amour' too :-)
Didn't know that you also spoke français...
Caruso was never satisfied with his French, so maybe this song would have been even more impressive in Neapolitan Italian.
tomfroekjaer 3 years ago
Tom..., Wonderful-so moving it brings a tear to my eye. Thank you so much for sharing this recording.
Regards, J.
fuzzbear6240 3 years ago
John - Enrico was destined to move people.
If one tunes in, one cannot help but feel his genius...
tomfroekjaer 3 years ago
Tom, So very true. Caruso is high on a very short list of truly gifted musical individuals touched by a power beyond our ken.
Regards, J.
fuzzbear6240 3 years ago
Ah, absolutely beautiful. Caruso was always one of my favorites. Thanks for posting.
androclestipster 3 years ago
Thank you Tom. Another one of Maestro that I had not heard.
Kentoo48 3 years ago
There is a lot more on these discs than what we ever imagined. Of course it lacks the many overtones, but it is as pure a recording as you can get. No mixing, no fixing, no nothing but pure artistry. Today's great talent in recording is the recording engineer in many respects.
Thanks as always for posting this.
jfs78 3 years ago
A pleasure posting it :-)
Wish we'd hear those overtones ....
tomfroekjaer 3 years ago
Amazing quality!!!
SirScott777 3 years ago
Restored from an old 78 rpm by the blind genius Ward Marston in the late 1990ties.
tomfroekjaer 3 years ago
... nothing better ...
toronstganymede 3 years ago
Gee, that was a fast response :-)
tomfroekjaer 3 years ago