Added: 5 years ago
From: rafaelandia
Views: 24,638
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  • What's the seventh string for?

  • @InsertName125 From Urban Dictionary: Wat The only proper response to something that makes absolutely no sense. 1: If all the animals on the equator were capable of flattery, Halloween and Easter would fall on the same day. 2: wat 1: Wow your cock is almost as big as my dad's. 2: wat 1: I accidentially a whole coke bottle 2: You accidentially what? 1: A whole coke bottle 2: wat
  • @InsertName125 Dude, chill. I'm just trying to have a little fun, man. No need to be condescending.

  • @Ltlevim

    it is just his interpretation of itt. I see him use it in his rasgueados. I cant tell if he uses it anywhere else. The string looks like it is attached specifically for this piece. It is a 6 string guitar. The seventh string gives it more resonance. Other then that I don't know. Others play it with six strings. The only way I can think that he atttached it at the bridge is by looping it through the circle of the 6th string and wrapped it around the bridge.

  • @Ltlevim

    It looks like he might have a small piece of bone sitting on the edge of the tie block at the bridge to hold the string how he wants it. But I really cant tell.

  • I.... I don't know what to say.... that was amazing.

  • WOW that ruled.

  • Excellent performance, by the way. Thanks for posting!

  • fantastic sounds

  • E' semplicemente spettacolare,emozionante,incre­dibile.

  • Very organic. Would sound great as a soundtrack for a suspense movie.

  • Some people enjoy this music. There are limitless ways and reasons to listen to music. I still don't understand why disonant Classical music on YouTube usually invokes this 150 year old debate. Concerning the pretentiousness myth, who would be more likely to talk to you after a concert: a world famous classical guitarist who plays this piece or Paris Hilton? Seriously, why are you here? If you already hate this music how did you sit through ten minutes of it? Life's too short. Move on.

  • What's dissonant anymore anyway these days? This is pretty mild in that regard. Good point, nonetheless.

  • @InsertName125

    the first time I heard a piece like this was in music literature class. I was offended by it because I realized that I would have to study that "trash". That was about 10 years ago and I'm glad I had that reaction to it - that experience means something to me today; It's a part of the life experience. It's all interesting. Life's not too short to hate something.

  • i think this is one of the best avantgarde works ever written for guitar

  • I enjoyed the transformation of sound from music to noise and back again - good piece, and nice playing too.

  • Oh, complexity (in this case a lack of it) is precisely what I am talking about. I found Murail's work (and this applies to much contemporary music) falsely "complex." I actually try to listen to music without expecting anything other than what each piece gradually offers as it unfolds, and I personally don't believe in art that "challenges" a priori. I just want art that "speaks". I appreciate your comment, echoxander, and am glad you enjoy Murail--I just don't.

  • While I appreciate that this piece might not 'speak' to you, please be aware that it speaks to me, and many others. As a classical guitarist, I'm often frustrated by the lack of music with interesting textures and sonorities that is halfway playable on the guitar. This piece represents for me a great leap in guitar composition, as it allows for an accessibility of technique and expression usually unheard of within innovative, idiomatic modern guitar works.

  • I'd appreciate it if you didn't call that 'false'. It is a powerful new complexity that, as a guitarist but also as a listener, I find liberating.

  • Comment removed

  • Looking at the score probably confused her. Murail has spoken about the limitations of traditional notation, and he finds his own ways at getting his ideas across.

  • Okay, call me a philistine, but try as I may, I just can't understand this. Why is this brilliant, thought-provoking, passionate, or even plain ol' good?

  • This "pretentious, falsely superior" attitude you have is not only a blanket statement across all different types of schools of composition, but applies to the construction of music, not listening - and Bach, Mozart, Beethoven, Brahms ALL used really, really complex systems in their works. If you listened to new music expecting your expectations to be breached, you'd be able to get something out of it, even if it doesn't sound like a classical "best hits" album of moazart, chopin, and brahms.

  • i fail to see how anybody could perceive a falsely superior attitude in the composition alone. One's response to music, while naturally based on aesthetic judgements, should never be coloured by your idea of what is and isn't 'good'. It is not a lie to claim interest in this kind of music, unless you see some arcane, elitist dimension to it. Actually, if you study the sheet music to this piece, you'll find it very accessibly written, and its internal logic and aesthetics might make more sense.

  • @fingersmccoy

    This type of music definitely strikes a bad chord in a lot of people. Offensive even. Over the years I've felt several emotions from it. Starting with offense at my first hearing of it, then humor at seeing other people offended by it, and now I think this one is one of the most interesting guitar scores I've ever heard. It would be interesting to see people's reactions to it as a performer. Have you played it? I want to. It will be unlike anything else I've ever studied.

  • @fingersmccoy

    I've heard of composers putting calculus in their toolbox: "To effectively render these effects to the ear, the durations have been calculated to the average curves of acceleration" Did you get the sense that it is very mathematical or natural, or was it emotional to you?

  • visualize the sound as an object and listen to it transform from one state to another

  • does the piece require 7 strings on the guitar?

    It would then probably mean, that Murail wrote it for this player(or his guitar)

  • While the piece was written for Rafael Andia, the piece calls for 6 strings. The 4th string (the standard D string) is tuned to E flat. The score call for retuning the 6th string (low E) to D# part way through.

  • who's this fantastic guitarist?

  • Ich liebe die Musik von Murail nicht. Muss ich aber sagen das Tellur ganz schoenes Stueck ist

  • Very thought provoking and passionate!

  • Wow...

    Wow.

  • Astonishing

  • August midges. Woodchip. Bark that's destined to become ornament.

  • ok, it works!!

  • simply amazing....!!!

  • i love the music of Tristan Murail and these is a great perfomance of Tellur,bravo maestro

  • Excellent, Rafael is an amazing guitarist! (also in Falla's pieces!). We need great composers like Tristan Murail write more music for guitar.

  • O god that was mindblowing. Such perfection in that chaos. Just brilliant

  • Cool piece...seems inspired by Brouwer's La Eterna Espiral. Could do without the graphics...

  • Interesting. I'd like to get a copy of the score for this

  • The video seems to contain images of the score at 4:32 and 5:46.

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