This is the most non-static performance ever. Its like the other voice or bass line is played by another player; as if this were a duet. And the tremolo stays consistent! You have to of played this piece to appreciate how difficult that is to do. Most players, with consistenty even tremolo play well but sound too robotic. You could hear this piece later and always know this is the Henderson interpretation.
What is the pattern his fingers are playing in during the tremolo picking? Is it index, middle, ring, index? Sort of a 1-2-3-2? I cannot tell if he uses his fourth finger .
@fatboyphil044 The pattern is p, a, m, i, which is thumb, ring finger, middle, and index. So you play the bass note with the thumb and then you play the three melody notes after it with a, m, i. So no he does not use his pinky.
@fatboyphil044 the typical pattern is like slymuse suggested, though it's worth noting that it's an E open string so control of the tempo is more important. I've known people who play it index-middle-ring but with the same control. He doesn't use his pinky mostly because the patterns are in threes.
Amazingly lovely expression, superbly clean fretboard work, right hand melody unbelievable--spectacular performance. Segovia would have been proud!!! Big thank you for this video!
My My father is a traditional classical guitar intructor. I grew up listening to my Hungarian Father play this piece while growing up on Balboa Peninsula. He spent alot of time in Spain with Jose Thomas, Ramirez and Segovia in the 60's and 70's. When I was a young girl, he would play flamenco, and his Spanish friend would dance in tight black pants and billowing white shirt, with a pair of castinets, on top of our coffee table (which was a huge varsished slice of a redwood tree ). Ole"
I've listened to at least a dozen versions of this masterpiece tonight and Eric's was easily the most poignant - played slowly with a soft limpid tone (too many other interpreters rush it or treat it like a technical tremolo exercise). Beautiful.
@marcchrys I disagree. He´s galloping during most of the piece. Neither the odd sforzato he uses on his p (right-hand thumb) contributes to the smoothness that's essential to tremolo.
@lokoxlascuerdas the majority of smooth tremolo player play this piece WAY too fast. I hate when it's treated like an exercise. Regardless if you like this version or not, you should be able to see that he plays it with incredible precision.
@benhoward1 ben, ty for posting. "Galloping" is a matter of regularity, not of speed. It happens usually when the time interval between the "p" and the "a" fingers pluckings is larger than between other fingers: It is a consequence of p-a being the largest geometrical distance among right hand's fingers. If you listen carefully from 0:47 to 1:06 for example, he WAY gallops! He then switches to smooth tremolo, later on gallops again, and so on. Art not only means feeling, it also means ability.
@lokoxlascuerdas The tone though is remarkable and his timing is probably my favorite. So yes while his tremolo may not be par with that of someone like John Williams or Yepes, he plays it far more superior to my liking. You can even see his hand deviate from natural form so the thumb gets more attack. Having practiced this piece for months and getting it to sound barely worth listening to, I realize he has put a lot of practice into this.
@marcchrys It was very good, perhaps not quite as good as the very best, though not far from it. A bit deliberate in parts but way better than I could manage, with a bit more emotion Eric you would be fabulous. Let yourself go mate.
eric plays Recuerdos better than anybody else, he puts his own personality in it, as eric would say it does't sound sterial. Eric thank you to teaching me this piece, and grace, and La La Bye. RJ Encinitas CA.
I have to admit, first time I heard it I didn't know what to expect and why his version sound so different, but after I compare it to other ones, I see how he wants to make a point. I guess it all depends on who plays it and who listens. All the other ones seem to be too much in a hurry.
Wow. It doesn't surprise me at all that you studied with the maestro himself. This is truely exceptional. I am a new fan of your work. If you are ever in Portland, OR I will sign up to play in your master class - Karla
Always be improved upon
megaviccky1 1 week ago
Let's keep it real the tremolo is the holy grail of guitar and it really is something that will a
megaviccky1 1 week ago
i listen to him every morning before i play this song on guitar .!
Arriscraft 1 month ago
Super!
Quadregus 6 months ago
This is the most non-static performance ever. Its like the other voice or bass line is played by another player; as if this were a duet. And the tremolo stays consistent! You have to of played this piece to appreciate how difficult that is to do. Most players, with consistenty even tremolo play well but sound too robotic. You could hear this piece later and always know this is the Henderson interpretation.
movesguy 7 months ago
wow I almost forgot to breath...what a joy!
ceeseene 10 months ago
this version is so lovely
lefantomdelopera 11 months ago
excellent
aliasconference 1 year ago
this is definitely one of the best versions i have ever heard, next to segovia's one
noamboyk 1 year ago
What is the pattern his fingers are playing in during the tremolo picking? Is it index, middle, ring, index? Sort of a 1-2-3-2? I cannot tell if he uses his fourth finger .
fatboyphil044 1 year ago
@fatboyphil044 The pattern is p, a, m, i, which is thumb, ring finger, middle, and index. So you play the bass note with the thumb and then you play the three melody notes after it with a, m, i. So no he does not use his pinky.
slymuse 1 year ago
@fatboyphil044 the typical pattern is like slymuse suggested, though it's worth noting that it's an E open string so control of the tempo is more important. I've known people who play it index-middle-ring but with the same control. He doesn't use his pinky mostly because the patterns are in threes.
SantomPh 1 year ago
very good you are the one i will try to
Arriscraft 1 year ago
Very nice interpretation!
fingerstalking 1 year ago
lovely
lefantomdelopera 1 year ago
Fantastic version
aumjey 1 year ago
brilliant. amazing right hand technique
garrethdavis 1 year ago 2
Amazingly lovely expression, superbly clean fretboard work, right hand melody unbelievable--spectacular performance. Segovia would have been proud!!! Big thank you for this video!
toddio1959 2 years ago 2
my father play like that...nice song!
gabonsky 2 years ago 2
Nice!!
susangrisanti 2 years ago 2
Beautiful.
islandmicrolightclub 2 years ago 2
buenisimo!!!!
anaklumpar 2 years ago 2
Nice music. It is beautiful
GussnJulie1 2 years ago 2
Very nicely done eric
thebansheeman 2 years ago 2
so....so GREAT, I love your music.
mei58226 2 years ago
My My father is a traditional classical guitar intructor. I grew up listening to my Hungarian Father play this piece while growing up on Balboa Peninsula. He spent alot of time in Spain with Jose Thomas, Ramirez and Segovia in the 60's and 70's. When I was a young girl, he would play flamenco, and his Spanish friend would dance in tight black pants and billowing white shirt, with a pair of castinets, on top of our coffee table (which was a huge varsished slice of a redwood tree ). Ole"
AngelaImryBritton 2 years ago 12
You are very lucky to have such memories.
turbogrammy 1 year ago
@AngelaImryBritton What a wonderful thing to remember. I can imagine it.
ron1martens 7 months ago
@AngelaImryBritton just shut up
ShaquelBlack 7 months ago
@AngelaImryBritton
What wonderful memories you have!
I am a spanish woman living abroad and this music, which I never appreciated years ago as a teenager, now makes me cry... Life is truly unpredictable
MissGominolas 3 months ago
The awesome beauty of both the music and the performance brings me tears. Nice tears!! Than you so much! Barry
soaringbuzzard 2 years ago
absolutely beautiful: thank you!
shanna1950 2 years ago
exelent interpretation
BlaCkDeaThKarMa 2 years ago
Wonderful clear higher notes melody beyond the theme! Wonderful. Thanks
webhauser 2 years ago
Bravo.
Perfect.
hillaroo666 2 years ago
MAESTRO
carroj9 2 years ago
thank you so much!
okaybrandon 2 years ago
I've listened to at least a dozen versions of this masterpiece tonight and Eric's was easily the most poignant - played slowly with a soft limpid tone (too many other interpreters rush it or treat it like a technical tremolo exercise). Beautiful.
marcchrys 3 years ago 15
@marcchrys I disagree. He´s galloping during most of the piece. Neither the odd sforzato he uses on his p (right-hand thumb) contributes to the smoothness that's essential to tremolo.
lokoxlascuerdas 9 months ago
@lokoxlascuerdas the majority of smooth tremolo player play this piece WAY too fast. I hate when it's treated like an exercise. Regardless if you like this version or not, you should be able to see that he plays it with incredible precision.
benhoward1 9 months ago
@benhoward1 ben, ty for posting. "Galloping" is a matter of regularity, not of speed. It happens usually when the time interval between the "p" and the "a" fingers pluckings is larger than between other fingers: It is a consequence of p-a being the largest geometrical distance among right hand's fingers. If you listen carefully from 0:47 to 1:06 for example, he WAY gallops! He then switches to smooth tremolo, later on gallops again, and so on. Art not only means feeling, it also means ability.
lokoxlascuerdas 9 months ago
@lokoxlascuerdas The tone though is remarkable and his timing is probably my favorite. So yes while his tremolo may not be par with that of someone like John Williams or Yepes, he plays it far more superior to my liking. You can even see his hand deviate from natural form so the thumb gets more attack. Having practiced this piece for months and getting it to sound barely worth listening to, I realize he has put a lot of practice into this.
benhoward1 9 months ago
@marcchrys It was very good, perhaps not quite as good as the very best, though not far from it. A bit deliberate in parts but way better than I could manage, with a bit more emotion Eric you would be fabulous. Let yourself go mate.
Theagchm 3 weeks ago
Sublime interpretation, Eric was always in control of the tempo, the tonal quality he achieved was so pleasing to the ear!!
cuenca50 3 years ago 2
Not rushing it, as too many do, which loses the poignant mood. Superb!
voidforpurpose 3 years ago 3
i agree! if you do not watch but just listen to playing it makes you think there are two person playing. perfect notes!
LaMarAzura 2 years ago
Thank you very much for the most beautiful music in the world and your wonderful interpretation.
3638036380 3 years ago
Fantastic......bravo !!!!!
hughlangpu 3 years ago
Flawless.
van1976 3 years ago
Beautiful interpretation =)
jasarmy07 3 years ago
Great performance. I feel inspired now as I've unknowingly been trying to play it "Henderson-like".
Pectiniculus 3 years ago
besides, i like the same part he seems to like (3'00'' and on).
Pectiniculus 3 years ago
(he, he.)
Pectiniculus 3 years ago
I love the counterpoint in this performance.
Thracozaag 3 years ago
Nossa!!! Isto está simplesmente divino..., excepcional..., magnânimo..., não há palavras que definam está magnificência de música...
Adorei a interpretação...
RiviereAlpha 3 years ago
A very beautiful performance for a masterpiece of guitar literature
Kletian86 3 years ago
Interesting interpretation. Thanks for sharing.
eric2530 4 years ago
yes, you have done it. you certaintly inspire us all. thank you for that performance...peace. 5 stars
FENDERHOTROD 4 years ago
eric plays Recuerdos better than anybody else, he puts his own personality in it, as eric would say it does't sound sterial. Eric thank you to teaching me this piece, and grace, and La La Bye. RJ Encinitas CA.
48guitars 4 years ago
I have to admit, first time I heard it I didn't know what to expect and why his version sound so different, but after I compare it to other ones, I see how he wants to make a point. I guess it all depends on who plays it and who listens. All the other ones seem to be too much in a hurry.
nokkhamin 4 years ago
Flawless..best version I've heard so far..not too fast and very easy to listen to.
nokkhamin 4 years ago
Now thats how its played! You make every note count, very fine performance indeed, one of the very best versions i have heard, bravo!
symodiezel 4 years ago
I am fascinated.
I heard this piece really often, but your playing made me smile !
Thanks,
wolfgang
Vreci 4 years ago
excellent
williamshaker 4 years ago
Wow. It doesn't surprise me at all that you studied with the maestro himself. This is truely exceptional. I am a new fan of your work. If you are ever in Portland, OR I will sign up to play in your master class - Karla
kfisherx 4 years ago
This is very beuatiful Thanks. --God Bless--
Danieltheartist 4 years ago