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  • Wiki:Bebop dominant scale

    The bebop dominant scale is derived from the Mixolydian mode and has a chromatic passing tone between the 7th and the root. This scale is often used over dominant 7th chords and ii V I chord progressions.

    ii-V-I in F would be Gmin7-C7-Fmaj7

    which have the notes F G A Bb C D E

    The scale to play over a V chord (C7 here) is C mixolydian which has the notes of F played from C to C which is C D E F G A Bb C.

    For bebop, add the note between the 7th and the root: the B.

  • I really like your tone. You mentioned you used Pocket Pod. Which amp model did you use? I wonder what your settings are. Thanks.

  • So am I right, this is in the key of F?

  • why would you think that? the lick clearly starts on the C on the 8th fret of the high E string, and the chord he plays before the lick is a C7. plus the title of the video does say it's a C scale.

  • C7 is in the key of F. It's the V chord. This riff is based on the C mixolydian (scale/mode) which comes from the key of F.

  • C Mixolydian and C Dominant Bebop are not the same and the key of F has no "B."

  • "B".....is a passing tone in the C Mixolydian scale which is in fact from the key of F. It is the fifth mode of the major scale.

    C D E F G A Bb = F major scale starting on C

    C D E F G A Bb (B) = C Mixolydian mode with a passing tone aka the Dominant Bebop Scale.

    The passing tone is used to keep the chord tones of the scale on the downbeats when playing 8th note runs.

  • The flat seven is there for the same reason that the flat 5 is in the blues scale, i.e. because it is ultimately African in origin and doesn't conform perfectly to European diatonic scales.

    The Mixolydian mode has nothing to do with it.

  • So normally you would play a C Major scale over a C Dominant 7th chord? The flat 7 is diatonic to C Mixolydian(F Major) and B is the passing tone, period. Why do you think it's called a C DOMINANT Bebop scale?

    A ii V I in F is Gm-C7-F respectively, how do you get the key of C from that?

  • @malacoda25

    (Someone who is more knowledgeable about this stuff correct me!).

    The C7 bebop scale (also called c dominant bebop scale) is derived from the fifth mode of the F major scale -

    An easier way to think of it is = look at an F major scale. It should be: (F)(G)(A)(Bb)(C)(D)(E)(F). Then, start on the note C, and for the mixolidian scale you would have: (C)(D)(E)(F)(G)(A)(Bb)(C). To get the mixolidian, you add a passing tone between the 7th of the mixolidian mode, and the octave.

  • @virtuosaywhat you got it, except the chromatic note is not in the standard mixo mode.  the chromatic note makes it the bebop scale.

  • @malacoda25 (Continued) So that would mean you add a B to the mixolidian scale for a total of 8 tones not counting the octave. This helps the mixolidian mode align with 4/4 time signatures by keeping chord tones on downbeats.

    So, it technically IS in the key of F, but you would do better to know the chord tones of the chords - jazz guitarists (it would seem) try to avoid "playing in the key", opting to play over the chord changes. Bebop scale is for that kind of playing.

  • it's a great lick, but the video is out of sink. I can't download the tab because of my computer, but still great lick.

  • thanks for sharing

  • your welcome thanks for checking out my vids.

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