I have loved Mike's playing for about 40 years....met him at Camden Community College in NJ when he played with Billy Cobham....I think we can all say that Mike's music will live on in us forever! An incredible jazz icon.
these interviews are great for aspiring musicians like myself. hearing an established musician state that he practices just for maintenance is reassuring.
"I have to practice or I feel I have shirked my responsibility"
As a man and a musician, in equal measure, Michael Brecker is one of the most inspirational people I can think of. On his instrument he is grace, elegance and power incarnate. I'm a guitarist, but there are few other musicians who inspire me more than Michael. Sincere thanks for posting these wonderful videos.
@77syzygy See, Brecker was born in 1949. If this was filmed in 1966, he would've been 17 years old! Get where I'm going? Is he really that young in this video? I doubt it. Once again, this is probably footage from the 1980's, or the late 1970's at best.
@hecbiz75 No worries man. Yea, you misread it. Notice my post from from 5 months ago in the highest rated comment section. It was titled "Michael Brecker 1996 Interview-Practicing" back then as well.
This is so great. Thank you for posting this. It's so great to hear what is going on in the mind of such great talent. Brecker is just unforgettably brilliant.
I found it interesting when he said he was a slow learner.... i mean, here is one of the greatest saxophonists in the last 30 or so years.... the amount he practiced must be unquantifiable
hy...can anyone pls help me.?.where can i find karaoke mp3 files to buy.?...any kind of jazz files....thx..i hope you did understand i was trying to say...
I knew Michael was very sick however when he died I was depressed for a week. I tried contacting his wife before he died to become a possible donor since they were looking for people w/ a Russian-Jewish heritage, but I never heard back. I felt somewhat guilty for not trying harder but became less so after talking to Mike Stern a few weeks ago @ Yoshi's Oakland. He said they had already tried everything but Michael was too ill to be saved. I still miss him.
I studied with Gary Campbell when he was at the University of Miami. Man...Gary was totally like that...would sneer (not quite the correct word) at us if we would write anything out. In fact, no one would EVER attempt it. They would either just succeed or fail when he would ask you to play something. You were totally on the spot (sort of like playing on the bandstand) -- but in a jury, for instance. But one would NEVER write anything out. That was an anathema, for sure!
My sadness about his passing is slowly going away.MB's music has been a constant for mesince I was a kid.I can barely listen to Pilgrimage........breaks my heart everytime.
you can tell the way he struggles to word things so carefully... the music in his head is beyond explanation through talking. he could explain much better by just showing, but then we would be so lost as to whats going on that it wouldn't help us lol. just a completely different level
"For the time will come when they will not endure sound doctrine; but after their own lusts shall they heap to themselves teachers, having itching ears; And they shall turn away their ears from the truth, and shall be turned unto fables."
"Hardy black Music" learn jazz history and you'll know why a great modern jazz musician Michael Brecker said what he said. Even swing giant Benny Goodman borrowed from Joe fletcherson. He's even quoted saying somthing similar about rhythm. A lot of great white jazz musicians of old got their first taste of jazz when they as teenagers went across the train tracks into black jazz clubs... Watch the ken burns documentary.That's not to take away from all contributions white folks have accomplished.
This interview made me very happy. All I do is pick a song and try to play it in every key, and it makes my brain explode after about an hour. It's nice to hear Michael Becker still practices the same thing!
I've heard that near the end of his life, Coltrane practiced literally all day, and would develop certain techniques earlier in the day, and would have abandoned them by the end of the day.
I also felt that i shirked my responsibility when missing a day or two of not practicing. Makes me glad to see I'm not the only one. Great masters like him know the value the practice and knew practicing showed morality in a musician.
You're right. Charlie Parker and John Coltrane each practiced an average of 12-15 hours a day, which raises a question I'd pondered when I wrote a psychology paper on musical geniuses while in college; do they practice excessively because they are geniuses, or are they geniuses because they practice excessively and are able to learn more than someone who would practice only 2-3 hours a day? Think about that one.
Parker didn't practice 12 hours a day, man.He woodshedded one summer in the late 1930's. He also drank an enormous amount and took shitloads of drugs. Ok, Coltrane was obsessive about practice, right up until he died. The information goes in faster for "geniuses". But there's always hard work involved.
You missed the point; my point is that EVERYONE has to practice regardless of ability, and hard work is always a factor. Another genius, Albert Einstein once said "Genius is 10% inspiration and 90% perspiration." So hard work is always a factor, and those who practice hours on in are putting in the work. In an interview he gave to jazz critic Leonard Feather, Parker claimed he practiced about 12 hours a day.
The interview was with Paul Desmond and Parker said that he USED to practice 11 to 15 hours a day,over a period of 3 to 4 years. In other words, when he was a kid.Your comment implied that Parker kept on practicing that amount when he was a professional musician and famous, and from the extensive reading I've done relating to his life, I doubt that very much. Of course Coltrane did maintain that kind of obsessive practice regime even after he became famous.
You're still missing the point; I didn't say WHEN he practiced 12-15 hours a day because it didn't matter; what matters is that he DID it, period. In fact, many music geniuses such as Mozart begin to show their extraordinary abilities as children, and as they age their abilities only become better.
show me a text where it says that coltrane or parker practiced 12hrs a day? i know they practiced lots but the physical effort of playing for that long is insane. I play trumpet and there is literally no trumpet player that could play for 12hrs a day. I mean you could get up to that standard if you increased your regime by 15mins a day but even then. Besides as it was made so clear by Brecker in that interview he practices and he plays
... I think it's more reasonable to say that Coltrane, Parker played for 12hrs a day. Parker would've been too high as well, and he studied lots. Going to the library and picking out scores of modern classical composers to take lines from and see what exactly was going on...
You're right, it would be impossible for a trumpet player to practice that long, but playing brass instruments requires more muscle use than woodwinds, so you would experience muscle fatigue faster than a reed player. Coltrane was OCD and after quitting drugs began to practice obsessively, probably as a way of replacing the drug craving with something more constructive. In Miles Davis' autobiography, Miles said that Trane seemed more obsessed with music than with women even when he was single.
One biography I'd read while researching the term paper was "John Coltrane" by Bill Cole, which is an older book but I think is still in print. I can't tell you the exact pages since I don't have the book in front of me, but it's there. Coltrane was OCD and after quitting drugs turned to practice as a subsitute. My source for Parker was an interview with Logan Walker, a kansas city native and saxophonist now living in Oklahoma. He knew Parker as a teenager and used to hang out and play with him.
I'm not saying it's impossible... it's just improbable. Practicing 12 hrs a day means that Coltrane would've been playing up to 15hrs in a normal day and considering we need 10hrs sleep to function normally (add in his habit, nodding off etc.
) and it's not likely... I think he may have PLAYED 10 hrs a day... practiced I'm not so sure. And how are woodwind chops better? They're different... Herbert Clarke did 5 hrs PRACTICE a day (without playing gigs) and that's stamina. You just need enough chops to play two, two hour gigs a night and you're fine.
YOU'RE still mistaken. We don't need 10 hours sleep. Where did you pickup that information? Average is 6-9 hours. But in actually when you understand sleep cycles w e don't even 5 hours. Eistein used to sleep 4 hours a day.
I think you'll find I'm not. Post-puberty we need a minimum of 6hrs and maximum of 10hrs sleep per day. I'm not going to be lectured by someone who can't spell 'Einstein' nor construct a sentence correctly. The point I'm trying to get across is that if they practiced (not played) for 10hrs a day, 7 days a week, from the year they took study seriously, they would be burnt out. As for Einstein, are you suggesting that you have or know someone who has physically witnessed this?
It's called a typo~lol. Again what everone is saying is correct. I'm a clarinet player sax and harmonica as well. I also happen to play trumpet at least enough to sub for someone and make some extra bread though I would call myself a trumpet player. Fact is when I studied Clarinet at Juilliard as a youth I DID practice 10-15 hours a day myself since I didn't have responsibilities. All Coltrane had to do was practice, play club dates, and record. There's more to life than that but so what?
Well Coltrane also had this whole heroin addiction for quite a while so that takes...oh many days a week to deal with. As far as sleep...man that trumpeter is crazy. I've never slept more then 8hrs a day and usually more like 5-6. As we age our need for sleep decreases, teen often sleep 10hr, by the time we are 80 the AVERAGE is 4-5...
@JRKSAX I was lucky enough to be a student of Mike's for a limited time early in my career (late 80s) and he was really a slave to the horn, more than you may have ever imagined. I have never seen a more humble and tortured virtuoso. I miss him terribly and wish more had rubbed off.
@cliffbnelson Wow, I'm impressed! Lessons with one of the top 10 tenor sax legends of all times! Reminds me when I met Frank Zappa & talked to him for 20 minutes, as well as meeting Miles Davis (very little conversation), Elvin Jones, Canonball Aderly, Dave Liebman, Chick Corea, Dennis Chambers, David Binney, Donny McCaslin, Antonio Sanchez, Pat Martino, Mike Stern, to name a few.
@cliffbnelson I'm not sure it's healthy to look at it as torture. I love to work on ideas from the Nicolas Slonimsky Thesaurus of Scales and transpose them to other keys because it's fun and those things sound great. Some people like crossword puzzles or rubics cubes. I like that...and obviously Michael Brecker liked that kind of musical study and analysis more than just about anybody.
@Modes9 most definitely, I refer to the torture as a love/hate relationship...that joy and frustration that comes from pushing yourself further with each new combination, not so much a negative connotation as a true love of the art. For me, he embodies that love more than anyone I have ever seen.
It's really nice to hear a monster player like Micheal say how he goes through periods where he only practices enough to get by. Maybe there's hope for me after all.
How many tenor players does it take to screw in a lightbulb? 25: 1 to screw it in and the other 24 to argue about how Brecker woulda done it! We miss U Mike!
Its cool to here him saying that he is slow at getting ideas down in all 12 keys. It reminds you that these guys aren't robotic like they appear to be on stage.
is true ony : if you born under the sun you are more musicaly .......... ( has south italian ) .. but way finnisch jazz play or swedom jazz play are better then other ?
"blacks got the rhythm better" is pretty stupid. These days there are great jazz musicians both black and white, and there have been for a long time. It's hardly "black music". I wish the interview was longer though, I really need help with my practice technique.
Brecker was a very down-to-earth person. You can tell by the humility of his spoken word. Almost looked like he was a little nervous doing the interview. There are so many hot-shot horn players out there who think they are all that, but Brecker was and will always be ALL THAT! You don't have to be arrogant to be great.
not necassary to play something in every key - if you can play it in only one key, but communicate something to people, express an emotion that touches people, that's enough (IMHO)
If you can't play it in every key you run the risk of not being able to play something you hear because it's not under your fingers. (and you run the risk of not being able to communicate anything if someone calls it in another key.)
If there's one single piece of advice aspiring horn players should take to heart from these interviews...it's to learn it and practice it "in every key". It doesn't matter what the tune or the exercise is. Until you can play it in every key you haven't truly learned it.
it's amaising to see how humble he is, he just worked at it like must sax players.I may not be his biggest fan but i admit he was truely one of the giants of our time.Goodbye Mr.Brecker.
I have loved Mike's playing for about 40 years....met him at Camden Community College in NJ when he played with Billy Cobham....I think we can all say that Mike's music will live on in us forever! An incredible jazz icon.
flangeres1752 2 weeks ago
The Maestro
SOULJAMGO 1 month ago
Hey JazzVideoGuy, do you have the whole interview? Do you know where I can download it? Thanks.
fpagliato 6 months ago
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Such a great musician, pro and person.
Leoq2000 6 months ago
Such a great musician, pro and person
Leoq2000 6 months ago
these interviews are great for aspiring musicians like myself. hearing an established musician state that he practices just for maintenance is reassuring.
Alejandro4891 9 months ago
The recognition he got right after he died compared to right before disgusts me.
vpsaxman 9 months ago
"I have to practice or I feel I have shirked my responsibility"
As a man and a musician, in equal measure, Michael Brecker is one of the most inspirational people I can think of. On his instrument he is grace, elegance and power incarnate. I'm a guitarist, but there are few other musicians who inspire me more than Michael. Sincere thanks for posting these wonderful videos.
twangbarfly 10 months ago 2
ci manchi !!!
samyrization 1 year ago
"there are periods where im doing it better than others, some times its just maintanince practicing, and then theres periods of pure growth.. "
Quite important to understand.
TheKasperkat 1 year ago 5
Great to have this on tape !!!!
GMD825 1 year ago
This was in 1966? Really? I doubt it. More like '86.
hecbiz75 1 year ago
@hecbiz75 1996, it's in the title of the video.
77syzygy 1 year ago
@77syzygy See, Brecker was born in 1949. If this was filmed in 1966, he would've been 17 years old! Get where I'm going? Is he really that young in this video? I doubt it. Once again, this is probably footage from the 1980's, or the late 1970's at best.
hecbiz75 1 year ago
@77syzygy Oops. Either they fixed it (it says 1996), or I need new glasses, because I swear it said 1966. :-) I KNEW it just couldn't be in the 60's.
hecbiz75 1 year ago
@hecbiz75 No worries man. Yea, you misread it. Notice my post from from 5 months ago in the highest rated comment section. It was titled "Michael Brecker 1996 Interview-Practicing" back then as well.
77syzygy 1 year ago
he's talking about all of his inspirations and it's funny because he's really my inspiration
honkysaxophone 1 year ago
This is so great. Thank you for posting this. It's so great to hear what is going on in the mind of such great talent. Brecker is just unforgettably brilliant.
jazzyjazz2u 1 year ago 2
I'm sorry I have never heard of you. Good luck.
JettRink50 1 year ago
I found it interesting when he said he was a slow learner.... i mean, here is one of the greatest saxophonists in the last 30 or so years.... the amount he practiced must be unquantifiable
zbalder14 1 year ago
He truly inspires. Thanks for sharing
Humberto6Moreno 1 year ago
hy...can anyone pls help me.?.where can i find karaoke mp3 files to buy.?...any kind of jazz files....thx..i hope you did understand i was trying to say...
silwyanlucyan 1 year ago
We miss you Michael.... A really great loss for the jazz world and a loss of a great person :(
ManielDemFef 1 year ago
lol 1966 interview...
tristanhallsvids 1 year ago
I knew Michael was very sick however when he died I was depressed for a week. I tried contacting his wife before he died to become a possible donor since they were looking for people w/ a Russian-Jewish heritage, but I never heard back. I felt somewhat guilty for not trying harder but became less so after talking to Mike Stern a few weeks ago @ Yoshi's Oakland. He said they had already tried everything but Michael was too ill to be saved. I still miss him.
77syzygy 1 year ago 30
All I can say is I saw him on tour from this album in Philly in 96 and I was inspired for days.Seeing great players live can tranform you.Literally
keepdiggin33 1 year ago 3
Tales From the Hudson is a beautiful recording
pretorious700 1 year ago
1 Of The All-Time Greatest Musicians....
centrifical007 2 years ago
1:09 Im very slow?
you are much too modest
lvasaxman 2 years ago
66'? or 96'? lol
Coltranized 2 years ago
Michael Brecker
I miss your groundbreaking genius Music so much
Rest in Peace
tomsax1 2 years ago
Thanks!! Wonderful.
jazzuffe 2 years ago
1966 or 1996???
ehidop 2 years ago
Uuummm,,, '96.... He had alot more hair in '66 dude.
kindofblue68 2 years ago 2
How inspiring is that !! Guy Mann
GMD825 2 years ago
After 5 years of playing guitar I saw Michael and changed to saxophone...haven't looked back since.
RoGuExXxAsSaSiN 2 years ago
The greatest sax player ever. Legend!
RIP Michael Brecker
Pedjazz 2 years ago 4
0:44 he's giving ME the horn!
IpkisStanley 2 years ago
Greatest Tenor Sax Player since John Coltrane...
Brecker Bros and Steps Ahead were magical fusion bands -- saw them again and again at 7th Ave South and the Bottom Line...
We are all blessed to have had Michael in our musical lives...
JimmyJames902 2 years ago 4
You were a lucky person Jimmy! Wish i were there too!!
youbiedoobiedoo 2 years ago
Gentle giant... play for us in the great Beyond, Michael!!
tackyacky 2 years ago
I studied with Gary Campbell when he was at the University of Miami. Man...Gary was totally like that...would sneer (not quite the correct word) at us if we would write anything out. In fact, no one would EVER attempt it. They would either just succeed or fail when he would ask you to play something. You were totally on the spot (sort of like playing on the bandstand) -- but in a jury, for instance. But one would NEVER write anything out. That was an anathema, for sure!
youbiedoobiedoo 2 years ago
wow rest in peace
a god of music
earthchild100 2 years ago
I'm a guitar player, but this guy is one of my biggest inspirations in music!
PurpleHazeNr10 2 years ago 2
I totally agree. His influence is felt far beyond soprano and tenor sax players...
Modes9 2 years ago
immortal
Guitarsoundfreak 2 years ago
My sadness about his passing is slowly going away.MB's music has been a constant for mesince I was a kid.I can barely listen to Pilgrimage........breaks my heart everytime.
GP4T 2 years ago 2
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R.I.P Michael Brecker
liaserethguitarist12 2 years ago
The world is a very different place without this man in it. What a huge loss...........I'm still crushed about his passing.
neomodernbill 2 years ago 3
you can tell the way he struggles to word things so carefully... the music in his head is beyond explanation through talking. he could explain much better by just showing, but then we would be so lost as to whats going on that it wouldn't help us lol. just a completely different level
gamwizrd1 2 years ago 10
RIP Michael...
cleanjeansss 2 years ago
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amazing!
thank you~
inaglasscage 2 years ago
time traveler
NOCOPYSARAH 2 years ago
inspirational 2.49 minutes
Johnjy2 2 years ago
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oh i don't listen to bird.
asbte 2 years ago
huh are you serious or am i missing something?
edcerc 2 years ago
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just interesting to me how he wont say he listens to bird. i guess he has not charlie parker cds.
asbte 2 years ago
Great video. Hey everyone, Gary Campbell wrote a book called triad pairs that has completely changed my playing. I recommend it to everyone!
allegedartistlessons 2 years ago
"For the time will come when they will not endure sound doctrine; but after their own lusts shall they heap to themselves teachers, having itching ears; And they shall turn away their ears from the truth, and shall be turned unto fables."
bookingtime 2 years ago
Thanks Jazz Video Guy! You did a great thing.
Simbai69 2 years ago 8
1966 ???
theonlyismail 3 years ago 5
Nice video from a great musician. Sorry to see him go so young.
900w9e809 3 years ago 8
"Hardy black Music" learn jazz history and you'll know why a great modern jazz musician Michael Brecker said what he said. Even swing giant Benny Goodman borrowed from Joe fletcherson. He's even quoted saying somthing similar about rhythm. A lot of great white jazz musicians of old got their first taste of jazz when they as teenagers went across the train tracks into black jazz clubs... Watch the ken burns documentary.That's not to take away from all contributions white folks have accomplished.
knowthisonce 3 years ago
"Even swing giant Benny Goodman borrowed from Joe fletcherson."
......Huh? Did you mean to say Fletcher Henderson? Or perhaps Joe Henderson....who came along about 30 years after the peak of Benny's career.
Dietzhorn 3 years ago
This interview made me very happy. All I do is pick a song and try to play it in every key, and it makes my brain explode after about an hour. It's nice to hear Michael Becker still practices the same thing!
greg5566 3 years ago 3
Practices? Practiced I'm afraid.
ewi4000 3 years ago
What a great album Tales from...is. Amazing line-up.
PraxisScream 3 years ago 4
I've heard that near the end of his life, Coltrane practiced literally all day, and would develop certain techniques earlier in the day, and would have abandoned them by the end of the day.
elguapo91 3 years ago
I also felt that i shirked my responsibility when missing a day or two of not practicing. Makes me glad to see I'm not the only one. Great masters like him know the value the practice and knew practicing showed morality in a musician.
sonnystitt123 3 years ago 3
Best saxophonist of our generation.
elimenohpee182 3 years ago 6
One and only master
Michael you will be deeply missed, rest in peace.
Pedjazz 3 years ago 4
Wow he really was one of us! Just strugglin ta keep swingin.. RIP Michael!
JRKSAX 4 years ago 24
Proof of what I've always told my students... Even musical geniuses have to practice! Thanks for the tips, Mike, and rest in peace.
saxocopter 3 years ago 6
musical geniuses are like this because they study 10 hour every day ,,,
gsaxita 3 years ago 3
You're right. Charlie Parker and John Coltrane each practiced an average of 12-15 hours a day, which raises a question I'd pondered when I wrote a psychology paper on musical geniuses while in college; do they practice excessively because they are geniuses, or are they geniuses because they practice excessively and are able to learn more than someone who would practice only 2-3 hours a day? Think about that one.
saxocopter 3 years ago 2
Parker didn't practice 12 hours a day, man.He woodshedded one summer in the late 1930's. He also drank an enormous amount and took shitloads of drugs. Ok, Coltrane was obsessive about practice, right up until he died. The information goes in faster for "geniuses". But there's always hard work involved.
baantalingngam 3 years ago
You missed the point; my point is that EVERYONE has to practice regardless of ability, and hard work is always a factor. Another genius, Albert Einstein once said "Genius is 10% inspiration and 90% perspiration." So hard work is always a factor, and those who practice hours on in are putting in the work. In an interview he gave to jazz critic Leonard Feather, Parker claimed he practiced about 12 hours a day.
saxocopter 3 years ago
The interview was with Paul Desmond and Parker said that he USED to practice 11 to 15 hours a day,over a period of 3 to 4 years. In other words, when he was a kid.Your comment implied that Parker kept on practicing that amount when he was a professional musician and famous, and from the extensive reading I've done relating to his life, I doubt that very much. Of course Coltrane did maintain that kind of obsessive practice regime even after he became famous.
baantalingngam 3 years ago
You're still missing the point; I didn't say WHEN he practiced 12-15 hours a day because it didn't matter; what matters is that he DID it, period. In fact, many music geniuses such as Mozart begin to show their extraordinary abilities as children, and as they age their abilities only become better.
saxocopter 3 years ago
show me a text where it says that coltrane or parker practiced 12hrs a day? i know they practiced lots but the physical effort of playing for that long is insane. I play trumpet and there is literally no trumpet player that could play for 12hrs a day. I mean you could get up to that standard if you increased your regime by 15mins a day but even then. Besides as it was made so clear by Brecker in that interview he practices and he plays
BraeTheTrumpeter 3 years ago
... I think it's more reasonable to say that Coltrane, Parker played for 12hrs a day. Parker would've been too high as well, and he studied lots. Going to the library and picking out scores of modern classical composers to take lines from and see what exactly was going on...
BraeTheTrumpeter 3 years ago
You're right, it would be impossible for a trumpet player to practice that long, but playing brass instruments requires more muscle use than woodwinds, so you would experience muscle fatigue faster than a reed player. Coltrane was OCD and after quitting drugs began to practice obsessively, probably as a way of replacing the drug craving with something more constructive. In Miles Davis' autobiography, Miles said that Trane seemed more obsessed with music than with women even when he was single.
saxocopter 3 years ago
One biography I'd read while researching the term paper was "John Coltrane" by Bill Cole, which is an older book but I think is still in print. I can't tell you the exact pages since I don't have the book in front of me, but it's there. Coltrane was OCD and after quitting drugs turned to practice as a subsitute. My source for Parker was an interview with Logan Walker, a kansas city native and saxophonist now living in Oklahoma. He knew Parker as a teenager and used to hang out and play with him.
saxocopter 3 years ago
That is because chops for woodwind players are MUCH better than that of a brass player. It isn't as tiring. .....and yes, it is possible!
JazzyBlues804 3 years ago
I'm not saying it's impossible... it's just improbable. Practicing 12 hrs a day means that Coltrane would've been playing up to 15hrs in a normal day and considering we need 10hrs sleep to function normally (add in his habit, nodding off etc.
BraeTheTrumpeter 3 years ago
) and it's not likely... I think he may have PLAYED 10 hrs a day... practiced I'm not so sure. And how are woodwind chops better? They're different... Herbert Clarke did 5 hrs PRACTICE a day (without playing gigs) and that's stamina. You just need enough chops to play two, two hour gigs a night and you're fine.
BraeTheTrumpeter 3 years ago
YOU'RE still mistaken. We don't need 10 hours sleep. Where did you pickup that information? Average is 6-9 hours. But in actually when you understand sleep cycles w e don't even 5 hours. Eistein used to sleep 4 hours a day.
mambojazz1 3 years ago
I think you'll find I'm not. Post-puberty we need a minimum of 6hrs and maximum of 10hrs sleep per day. I'm not going to be lectured by someone who can't spell 'Einstein' nor construct a sentence correctly. The point I'm trying to get across is that if they practiced (not played) for 10hrs a day, 7 days a week, from the year they took study seriously, they would be burnt out. As for Einstein, are you suggesting that you have or know someone who has physically witnessed this?
BraeTheTrumpeter 3 years ago
It's called a typo~lol. Again what everone is saying is correct. I'm a clarinet player sax and harmonica as well. I also happen to play trumpet at least enough to sub for someone and make some extra bread though I would call myself a trumpet player. Fact is when I studied Clarinet at Juilliard as a youth I DID practice 10-15 hours a day myself since I didn't have responsibilities. All Coltrane had to do was practice, play club dates, and record. There's more to life than that but so what?
mambojazz1 3 years ago 7
Well Coltrane also had this whole heroin addiction for quite a while so that takes...oh many days a week to deal with. As far as sleep...man that trumpeter is crazy. I've never slept more then 8hrs a day and usually more like 5-6. As we age our need for sleep decreases, teen often sleep 10hr, by the time we are 80 the AVERAGE is 4-5...
NoirMusic 3 years ago
Which is one of the theories I was suggesting in my term paper.
saxocopter 3 years ago
@JRKSAX Yeah man, I love seeing the human side of people with godly talents. Brecker for the win.
supahsekzy 1 year ago
@JRKSAX I was lucky enough to be a student of Mike's for a limited time early in my career (late 80s) and he was really a slave to the horn, more than you may have ever imagined. I have never seen a more humble and tortured virtuoso. I miss him terribly and wish more had rubbed off.
cliffbnelson 1 year ago
@cliffbnelson Wow, I'm impressed! Lessons with one of the top 10 tenor sax legends of all times! Reminds me when I met Frank Zappa & talked to him for 20 minutes, as well as meeting Miles Davis (very little conversation), Elvin Jones, Canonball Aderly, Dave Liebman, Chick Corea, Dennis Chambers, David Binney, Donny McCaslin, Antonio Sanchez, Pat Martino, Mike Stern, to name a few.
77syzygy 1 year ago
@cliffbnelson I'm not sure it's healthy to look at it as torture. I love to work on ideas from the Nicolas Slonimsky Thesaurus of Scales and transpose them to other keys because it's fun and those things sound great. Some people like crossword puzzles or rubics cubes. I like that...and obviously Michael Brecker liked that kind of musical study and analysis more than just about anybody.
Modes9 1 year ago
@Modes9 most definitely, I refer to the torture as a love/hate relationship...that joy and frustration that comes from pushing yourself further with each new combination, not so much a negative connotation as a true love of the art. For me, he embodies that love more than anyone I have ever seen.
cliffbnelson 6 months ago
Word.
monsieurprolong 4 years ago
RIP.
remmurds 4 years ago
It's really nice to hear a monster player like Micheal say how he goes through periods where he only practices enough to get by. Maybe there's hope for me after all.
andrewthebassist 4 years ago 3
How many tenor players does it take to screw in a lightbulb? 25: 1 to screw it in and the other 24 to argue about how Brecker woulda done it! We miss U Mike!
3shiftgtr 4 years ago 10
Its cool to here him saying that he is slow at getting ideas down in all 12 keys. It reminds you that these guys aren't robotic like they appear to be on stage.
jazztenorsaxdude 4 years ago 3
'some skunk funk' (live version), the solo with the autowah is still my fav sax solo of all time. rest in peace mike
shenzo2000 4 years ago
thanks for putting that in...
Mathildo 4 years ago
Such a special musician- missed by all.
SnapshotsMusic 4 years ago
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humble giant ! not so many white cats got it like him
jangojazz 4 years ago
Jangojazz: Can you explain please - what does it have to do with skin colour?
booeytre 4 years ago 6
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Thats exactly what pat metheny said mate i believe its very true . Not sure why that is but i quess blacks got the rhythm better. And i'm white
jangojazz 4 years ago
bullshit "!"""""!!!!! gerry mulligan !!! paol desmond benny goodman ,
is true ony : if you born under the sun you are more musicaly .......... ( has south italian ) .. but way finnisch jazz play or swedom jazz play are better then other ?
gsaxita 3 years ago
answer to jangojazz
gsaxita 3 years ago
"blacks got the rhythm better" is pretty stupid. These days there are great jazz musicians both black and white, and there have been for a long time. It's hardly "black music". I wish the interview was longer though, I really need help with my practice technique.
ihasmario 3 years ago
Brecker was a very down-to-earth person. You can tell by the humility of his spoken word. Almost looked like he was a little nervous doing the interview. There are so many hot-shot horn players out there who think they are all that, but Brecker was and will always be ALL THAT! You don't have to be arrogant to be great.
SolSorrell 4 years ago 6
nice video, the beginning says 1966 instead of 1996 tho ^_^ ^_^ ^_^ ^_^
alwiap15 4 years ago
not necassary to play something in every key - if you can play it in only one key, but communicate something to people, express an emotion that touches people, that's enough (IMHO)
Dazzer1234567 4 years ago
If you can't play it in every key you run the risk of not being able to play something you hear because it's not under your fingers. (and you run the risk of not being able to communicate anything if someone calls it in another key.)
daddyphatsack 4 years ago 5
Inspiring.
lazur1 5 years ago
Rest in peace, Mikey.
CrackHo2 5 years ago
"...in every key..."
"...in every key..."
"...in every key..."
If there's one single piece of advice aspiring horn players should take to heart from these interviews...it's to learn it and practice it "in every key". It doesn't matter what the tune or the exercise is. Until you can play it in every key you haven't truly learned it.
CooolJazzz 5 years ago 6
I absolutely agree, for all instrumentalists
stereoagentr826 5 years ago 3
amen.
pniiice 4 years ago
it's amaising to see how humble he is, he just worked at it like must sax players.I may not be his biggest fan but i admit he was truely one of the giants of our time.Goodbye Mr.Brecker.
daigle65 5 years ago 4
thanks
spntneous 5 years ago