Specifically...the allusion to that recitative stuff happens in the Sonetto no. 123 of Liszt. That is what I love about that section of "Les Cloches de Geneve"...and I hoped you love that section too.....
I love almost all of the pieces in the "Annees de Pelerinage--Book I" series. I had mastered L'Orage, La chapelle de William Tell, Vallee d'Obermann, Pastorale. I avoid the Au bord d'une source temporarily--too difficult. I plan to put Au Lac de Wallenstadt and Le Mal du Pays as encore pieces. Another point...in the harp theme in the middle part in the 2nd theme, there a few allusions to Liszt's Sonetto del Pertraca with that r.h. recitative floritura with the l.h. in silence.
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Fantastic!! what do you think about my performance? search valgiu93
valgiu93 8 months ago
So ambient, lush, I hear bells everywhere...Lovely indeed.
shilloshillos 9 months ago
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Take your time to do your rubato...
coolboy121ful 1 year ago
Specifically...the allusion to that recitative stuff happens in the Sonetto no. 123 of Liszt. That is what I love about that section of "Les Cloches de Geneve"...and I hoped you love that section too.....
lindenly22 1 year ago
I love almost all of the pieces in the "Annees de Pelerinage--Book I" series. I had mastered L'Orage, La chapelle de William Tell, Vallee d'Obermann, Pastorale. I avoid the Au bord d'une source temporarily--too difficult. I plan to put Au Lac de Wallenstadt and Le Mal du Pays as encore pieces. Another point...in the harp theme in the middle part in the 2nd theme, there a few allusions to Liszt's Sonetto del Pertraca with that r.h. recitative floritura with the l.h. in silence.
lindenly22 1 year ago
Congratulations Maestro Korevaar. There is a tremendous light in your playing. I can't stop listening to your Liebermann's nocturne recordings.
Adrien S.
France.
adrypiano 1 year ago