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From: LVB1770
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  • he made a mistake at the end

  • @123jessicadaniel, haha! Do you mean at the recapitulation at bar 23 after the answer

    in tenor, tonic pedal, stretto VI, answer (part) in treble, before the coda or are you referring

    to the mordant, glissando and fermata at the end which most pianists don't play because it

    is hardly ever published? They are in Bach's facsimile manuscript Allans Edition No.1192 of

    the WTC book 1. I believe you know that WTC doesn't stand for World Trade Center, haha!

  • Haaaaay... that looks like a PIANO. Nevertheless in good temper.

  • @CuddlyBadger , on occasion it can lose it's temper and get pissed off, haha!

  • Wrong note? I think that was an ornament....

    In any case, thanks for a lovely piece with which I will start the day.

  • Thanks dellaroux, Comments like yours are why I continue to post on You Tube!

    The wrong note starrfan was referring to was me accidentally playing a wrong

    note. The score I used is based off of Bach's manuscript and that is where I got

    the ornament at the end. The only pianist I have heard record that ornament is

    Bernard Roberts. Thanks again dellaroux!

  • I do agree with you in that, if Bach had a pedal he most likely would have used it. Please don't get me wrong, I think you played it beautifully. I suppose it is what you are taught. My teacher would never allow  pedal to be used. As a matter of fact, she is very strict about it.

  • dobermans215, This is what Angela Hewitt says about pedaling Bach. The secret is to figure it out with the fingers first – is to do all the articulation, all legato, whatever you want to do, do it all with the fingers first and then bring in the pedal if there's something you really can't join and want to have joined. That's the secret, I think, to use it only when required. How beautiful it can sound without pedal in the B flat minor. It's very difficult to do and takes great, great control.

  • @LVB1770 I agree. This piece is meant to be played with out the petal.

  • Nice tempo but you should never use a pedal when playing Bach

  • Thanks for your thoughts dobermans215,

    Granted I over pedaled here but never using pedaling in Bach

    is limiting. I use 1/4 pedal now only pedaling into the next measure.

    Many great pianists use pedal in Bach. It's just a matter of using it

    sparingly and tastefully. I bet if Bach had a sustain pedal he would

    have used it to add color and texture! Thanks again.

  • Difficult to play at that tempo but you made it look so easy. Except for the wrong note played at the next to last measure it was perfect.

  • tears to my eyes so lovely

  • Uma das músicas mais lindas que um ser humano foi capaz de compor!!

  • Uma das músicas mais lindas que um ser humano foi capaz de compor!!

  • I just learned how to play this songs completely today.

    I guess the most important thing is the level of emotion that the player

    inserts into the song because the song it self if kind of easy to learn.

    Beautiful !

  • This is one of Bach's most beautiful works because of the shear simplicity. This is played VERY well - great tempo - Many thanks for this upload.

  • I can see your skin through that shirt. But very nice playing, and nice sound on that piano.

  • The acoustics are wonderful. How are you doing it at home? I need a mic. Mine sound awful and is why I never upload anything... And my playing sucks too. lol

  • That was a great performance! I've never learned to play the whole piece through, but after hearing what you did with it I downloaded the score and will work at it. I'll be playing it on an old 73-key Casio, BUT with enhancement via True Pianos on my computer. Thanks for the entertainment-- Eddie

  • so eerie and beautiful it reminds me of hannibal lector lol

  • wow nice

  • Nicely rendered - the tempo and the modest use of the pedal are very pleasant to my ear. Thank you for sharing this!

  • Loveley .. I just did it to .. but you are way MUCH better than me .. .... MUCH .. loveley sound btw and I see you play it to with the pedal ^^ not many play without it ... but I like the pedal to more in this ... and maby Bach would to if he had a pedal at his disposal

  • Nice. I've been playing ave maria with this video on my violin, and I think you've missed a measure somewhere in the end. I'm always end up one measure ahead of you in the end... I'm guessing around measure 25, maybe? But otherwise, great! I love the tempo.

  • @angelflight2k6 According to Wikipedia "The version used by Gounod has the addition of one measure (m.23), found only in the Schwenke manuscript and the Simrock printed edition based upon it, but not in the other Bach manuscripts or the scholarly Bischoff and G. Henle Verlag Urtext printed editions."

  • @angelflight2k6 According to Wikipedia, 'The version used by Gounod has the addition of one measure (m.23), found only in the Schwenke manuscript and the Simrock printed edition based upon it, but not in the other Bach manuscripts or the scholarly Bischoff and G. Henle Verlag Urtext printed editions.'

  • uy que vicente!

  • very good, finally i found good performance of this piece. Right tempo, clear sound, very soft touch. Dynamics is good, i cant hear exactly, because of compressed audio on youtube, but nevertheless it's good )

  • muy bien!

  • very nice tempo but however, the poses at the end of the piece wasn't really necessary though lol.

    other than that, thumbs up

  • I just learned this song transposed on Upright Bass.... it doesn't sound nearly as pretty as it does on piano. D:

  • Originally this is played a lot faster, but playing it slower makes it more enjoyable. I dont get why Bach meant it to be faster

  • baroque styled music (such as Bach) is usually used as a way for a pianist to essentially show off their skills. toccatas, which translates into fancy keyboard piece or something of the sort, are what Bach is well known for. They are just fast, dizzying scales essentially.

    Bach probably wanted it played faster in order to better showcase the musicians talent.

  • @albrtsify I agree, its nicer slower.

    Great Job!

  • Reminds of baby sleepy time...

  • Like it. very soft, nice tempo, clear...

    So an easy piece and still so beatiful.

  • Just beautiful!

  • Very nice. Sweet playing.

  • Great tempo, finally I found a good version. Tempo changes would ruin the balance

    5 stars

  • The other day I was driving home from work and listening to the classical radio station and heard a recording of this piece played at less than half this tempo. It was amazing, so simple and unornamented but so poignant.

  • Dayum. This is my favorite classical song.

  • Mis mas sinceras felicitaciones a este tipo. Envidiable, verdaderamente soberbio, incitante, un golpe a los sentidos. Awesome!!!!!!!!

  • Absolutely beautiful.

  • muyyy bieenn,,y el ritmo por fin lo tocas bien,,los demas en los videos,,lo tocan muy rapido,,,,avee mariaaa,,que divino!!!

  • very nice this is my favourite bach peice

    well played, but u could have added tempo changes and maybe a little contrast in dynamics

  • That may have been nice but it wouldn't have been accurate so you can hardly blame the man.

  • That's nice. I'd have liked to hear more dynamic contrast... anyway, I think I preffer Chopin and romantic pieces. Anyways, It doesn't mean you did a great job.

    What else do you like to play?

  • lovely i like it

  • great bass in the piano

    what sort is it?

  • mccreadyk,

    It's a 1989 Yamaha C3 6'1" Conservatory grand.

  • I would have liked to hear more dynamic contrast, especially towards the end. I was waiting for the fortissimo that never came. : (

  • bach didnt originally write in dynamics. :)

  • He would have definitely wrote them if a harpsichord had dynamics.

  • nice i like it

  • GREAT PIECE!! 5/5 i played this for my first contest solo ^.^

  • Sounded absolutely beautiful.

    ^_^

  • Can't you hear that the notes are off rhythm?

  • pizzaboy456783, What? Please elaborate in detail if you can.

  • Don't listen to this pizzaStupid. You're Good

    5 stars for you. :D

  • HaHa samyloki! Funny. I always like to get feedback if someone can explain themselves instead of just making some random comment. Thanks!

  • Comment removed

  • You're welcome.

    i like your vids. They reflect the time and practice you put to it. Then people sh*t comment on them. That peace me off. (+_+)

  • Very nice.

  • Thanks so much buntschuh!

  • perfect!!!

  • Thanks warren0088!

  • Good interpretation, but the last note in the third-to-last measure should be a D - I'm hearing an E, was this voluntary?

    Cheers and thanks for putting this online!

  • Thanks ascalvin.

    I believe you are correct on the D.

  • ascalvin I think you are a show off

  • And I thank you for your feedback!

  • was this voluntary?

  • You mean me being a show-off? I actually don't agree that I was (anyone can hear that note, I was just the one pointing it out), so I guess the answer to that would be "no".

  • and by that point.. you are.. correct.. but yea. your right. it should be an E in that measure.

    his performance is really good tho.. good job..

  • just wondering...dont hate me for saying this

    from 1:36 to like 1:40 wasnt there one extra thing to be played? at least thought there was last time i played it...

    just wondering :-D

    nice playing btw

  • Nice playing man! The tempo is pretty good, i still want to do a "sweet" tempo. And yeah, from 1:36 1:40 there is a thing that is not played.

    Nice perfomance :D

  • i have the notes and nothing was missing.

  • Best tempo yet. The amplitude was more evenly balanced too. Nice, I'll keep this one.

  • I agree with PeelTower

  • This is very nice. Very good tempo and excellent control! You should include the fugue in the same video also. I don't like it when pianists omit either the prelude or fugue because Bach wrote them to be included together. Could you redo this and play the fugue also?

  • Thanks much Bach Scholar, I know what you mean. At the moment fugues turn me into a raging maniac, especially Bach fugues! They are a bit too mathematical for my tastes but I suppose oneday I will aquire the taste to play some. Right now I just have to figure out who to stop playing some much Scriabin! I CAN'T STOP! Over the past year I have not been able to stop leraning his music. It's very addicting! I read the notes of his music in my sleep!

  • ooh nice piano & playing!

  • Thanks much darkkchoco!

  • This is great but i think it is a bit too fast but its all about interpetation, thats the beauty of music!

  • Soaked it in at the end there. Nice.

  • sehr schöne Aufnahme!

  • Beautiful recording here, everything came together perfectly. Listened several times before and omitted to leave a compliment... too busy looking for more Scriabin.

  • Thanks BarNuun! I am always busy looking for more Scriabin. To me no one can touch Sofroninsky! I took a lesson with Sofroninsky's Grandson who is also Scriabin's Great Grandson but had to stop due to money issues. Hopefully I can continue lessons soon. What a blessing to have such an opportunity!

  • I love this download. I recorded the music part and have been playing it nearly everyday in my truck. Thank you! And I don't think you're acting weird, it just looks like someone that has just finished playing a beautiful piece of music.

  • Why do you behave so wierd at the end? Something wrong with your brain?

  • lvb you are music - thank you j.s bach out of the dark i saw the light..

    dodgy fan mdv the one we were waitin' for big e smalls at piano.. xxx

  • Thanks dodgyfan!

  • Very nice indeed.

  • Thanks

    lolorobs8217!

  • well done =) you played this piece correctly.

  • really good ;). i really like this song ^^

  • i can play it,too...

    i love it

    really good ;)

  • Ésta canción en directo:

    watch?v=QdXakq4fmpI

  • Sublime! Bravo!

  • Thanks RomeoIngush!

  • i can play that song!

    good job

  • Holy crap, that was beautifully played. I've seen plenty of youtube videos of people playing piano and this completley caught me by surprise as to how amazingly you play.

  • Wow, thanks faraz1729! I am working on another Bach prelude as well as some Schumann, Barber's

    Pas de Deux and more Scriabin preludes. Thanks again for the knd words.

  • e el titulo esta mal es el prelude de toda la vida, sobra eso de bwv y lo de en c mayor, asi k no te flipes, mira pulsa en mi nombre y mira un video del piano, salgo tocando esta en un concierto, se olle mucho mejor y no me flipo tanto, aprende chaval.

  • man you play great but i cant help feeling like your a snob great playing mate your really good.

  • Thanks baggies4, but please elaborate on why you

    think I am a snob. That's a pretty ridiculous statement. You don't even know me. Never assume

    something about someone because it makes an

    ASS out of U and ME!=ASSUME!LOL! Peace.

  • hey ..that song is almost similar to now and then of Blackmore's Night...

  • papalakiss, that's because they borrowed it into their song like so many other bands have done with Bach. Even the Beatles borrow from Bach.

    In a way Bach was the begininng of popular music, pop music. Beethoven also influened pop music.

  • Well done! I allways find myself accelerating and reaching crescendo about halfway through, but you keep it absolutely even and well tempered indeed! =)

  • Thanks TotallyBursar, It is human nature to rush when a crescendo comes or to slow down when you decrescendo. Beethoven was said to have sometimes slow down a bit in crescendos as an effect. It takes a lot of work to perfect but when it is written it the score to accelerando or deccelerando it's a matter of how much or how little and depends of the style of music. Thanks again.

  • cuida el "5" de la mano derecha,el ritmo se lleva con la mano izquierda,no muevas tanto la mano derecha,no subas tanto el"5" de la derecha.

  • Thank you so much nairigrigorian! I adore your playing! You are such wonderful pianist and teacher! I just love you!

  • eres muy intelegente,me alegro de conocerte.

  • Thanks for the compliment and I am glad I found you on you tube.

  • Beautiful, I am teaching this to my students, and you are a fine example in performance of this piece for them to hear.

    Thank you for posting this.

  • Thank you very much szaszarose! One of my favorite recordings of the prelude is by

    Bernard Roberts.

  • this is really beautiful!! on of the best on youtube!!! thank you for posting!!!

  • this is really beautiful!! on of the best on youtube!!! thank you for posting!!!

  • I wish I could play the piano :(

  • Don't we all wish we could? :(  It's one of the most complicated instruments. It's a pity I don't have any musical talents. :(

  • OK. This is the best one, so far I heard on the tube. EXCELLENT! JUST RIGHT! THANKS FOR POSTING

  • Thanks so much RockingJulia!

  • Good tempo, is that a left handed piano? it looks like one. Whats the deal on the carpet!?

  • Thanks Drew82a, I have never even heard of a left handed piano. I just googled it but have to read more on it. My piano is a Yamaha 6'1" C3 Conservatory. The carpet is used to keep cold air from coming up into the piano and to tone down reverb reflections.

  • I've looked up your Yam 6'1" C3 and you can get left handed ones! I play a left handed todler grand! It sounds Beaut!

  • Very nice! I like this!

  • Thanks so much thequeta.

  • Wonderful rendition - played with lots of feeling. Bravo!

  • Thank you fazalahmed24.

  • I just heard my stepson play this and thought it was beautiful so I just found your video and bookmarked it. Beautiful job.

  • Thank you for the kind words ExpressTN.

  • That was a very sweet interpretation

  • Thanks much bmnmtfk!

  • hummm :P, i've found that the extra bar ws probably from a schirmer edition... those have very modifications to the original editions.. and my sheet that ive downloaded is just a photocopy of that edition! damn you schirmer! :)

  • :P its the third, i forgot to post this in the last one, the version of the roland piano book ( 60 piano masterpieces) is the one with 35 bars, and in the place of the hypothetic extra bar, there is an asterisk and in the bottom of the page there is that extra bar with a japanese or chinese note, if someone has that book and understands japanese it would be nice( if you want pictures, thats fine too). only bach will know :P

  • well, meanwhile ive found 4 different possible composers of that extra bar; gnoud, czerny, schweitzer and schwenke, if anyone knows more than that, please answer..thanks

  • Hi,, ive found in both books and in internet, two different sheets. one with 36 bars and other with only 35! the ''extra/missing'' bar is the 23rd.. ? does anyone know which one is the correct? ive found the one with 36 in expensive book with hundreds of classical songs, and the one wiht 35, in a book that comes with roland pianos and on many internet sites. thanks for the help! and ive enjoyed your videos! great! happy new year

  • Hi BugaDotCom, Sorry I am just getting back to you but I get so many messages I can't keep up anymore. Henle Urtext is usually the best edition but the aren't cheap. 36 measures is correct.

  • oh i just love this piece - who cares about the fugue, this is gorgeous!

  • Thanks hansdotcom22!

  • what happened to the fuge that is supposed to follow? thats only half the piece.

  • ryanr3300, I never learned the fugue because I was pulled away by other compositions I wanted to learn. Plus, fugues make me mentally unstable

    and drive me to insanity! One of these days I may wrap my brain around fugues but as of now they give me many headaches!

  • I hear ya. I'm trying to learn the fugue for this right now, and sometimes i just want to smash and burn the piano.

  • He could've had access to it, but he dismissed the piano. So therefore, his music was written as how he intended, with no pedal.

  • Hi OverFjell, actually that is not true. Bach did have access to a piano forte. Gottfried Silbermann build a piano forte that Bach played and approved of. He did complain it was too hard to play after playing on a harpsicord for so many years. After this Bach began writing for piano forte.

  • Bach's estate included 3 violins, 3 violas, 2 cellos, 2 small basses, 1 viola da gamba, 1 lute, and EIGHT HARPSICHORDS --- but NOT EVEN ONE STINKIN fortepiano!

    A 1747 newspaper reporting about Bach's visit that year to the Prussian court refered to "the so-called Forte and Piano" that Bach had improvised on at the court. The language of this reference suggests just how newfangled the fortepiano was still considered in 1747, even though the earliest fortepianos appeared around 1700.

  • The action of coupled harpsichord or organ manuals can be heavier than piano action.

    Bach never wrote for the fortepiano.

    Silbermann began making fortepianos in Germany around 1730, and around 1736 Bach tried one. He complained that the high register was too weak and the action to heavy. Presumably, the Silbermann fortepianos Bach encountered in 1747 at the Prussian court had better action.

    Upon Bach's death in 1750 his estate included 8 harpsichords --- but not 1 fortepiano.

  • Get out of your heads the notion that a Silbermann fortepiano worked and sounded liked a modern piano.

    For one thing, the damper "pedal" on Silbermann's fortepiano was not a pedal at all. It was merely a hand stop that could be changed only at a pause in the music!

  • You are making the false and misleading suggestion that Bach merely imagined that

    the action in Silbermann's early fortepianos was too heavy and that this was not real defect.

    The action of a good fortepiano is actually lighter and more responsive than that of a modern piano!

  • why do you lot care!!! just listen to the music. dont bitch about what piano it should be on!!!

    jeeeez

  • quite fine imo, i prefer w/o pedal, but it seems most modern pianists like to add pedal. The piece was intended to be played detached.

  • TheGuyCalledX, to say this prelude was intended to be played detached is ridiculous! Bach's music was intended to be played many ways, not in one way. I play it different each time.

  • I agree that there are many interpretations of this piece, but it is hard to argue that Bach himself played the piece detached.Your playing, it's quite wonderful.

    What I'm saying is that, given the time period, Baroque, there was a specific way people tended to compose and play music.

  • Also, the piece was from a collection of preludes and fugues called the Well-tempered Clavier.

    The Clavier is a flute-like instrument. If you imagine a flute, it is a detached instrument. And Baroque music in general is a detached style, with legato used only between short phrases.

  • In Bach's day, the term "Clavier" was a generic term for ANY type of keyboard instrument, e.g., harpsichord, clavichord, spinet -- even organ or fortepiano.

    There's nothing flute-like about the sound of any of these instruments. And a flute does not sound detached unless you play it that way.

    In his dedication to his Inventions and Sinfonias, one of Bach's stated purposes was "to arrive at a singing style in playing".

    A "singing sytle" is not a "detached style"

  • Well, really, you shouldn't use pedal at all, seeing as how this piece was made for Harpsichod.

    Excellent performance though! I'm doing this piece for my exams.

  • OverFjell, I disagree. 1/4 to 1/8 works well with over lapping legato fingering.

  • ok, u need not listen to some of the comments here... take it from me, ok.. I think the sound is great. Really.. that's all that matters, and I have at least 7 different versions of this piece performed by the masters.. ok..not amateurs! and u'r sound is very close... I listen constantly.. I mean they are classical musicians... and they record js c in prelude.  u'r fine in my opinion..

    ignore the negative comments.

  • u need to pedal in this piece.. it's essential for the sound!

  • Hi iluvmusickp, Actually, that funny cause I do

    pedal but I was studying this with a great teacher just last weekend and learned more about phrasing, over lapping legato and using less pedal which works, too.

  • I think you definitely have the right idea, LVB. I like the clarity that you've achieved by making your fingers do the work. Relying on the pedal often makes it too muddy. This was beautifully played. Keep up the great work. :D

  • essential? it was made to be played on harpsichord, you know, the metallic sound?

    I don't know if it's essential, but i guess its ok, cuz people nowadays fall in love w/ the pedal. But back in those days, it wasnt played w/ pedal or legato for that matter.

    I still prefer it semi-legato, but thats me. there are a kajillion different variations of this piece.

  • I believe if Bach had access to sustain pedals in his day it would have changed the history of keyboard music!

  • Just as a note, this was a reply to someone who said pedal was essential in this piece.

    And, I'm sure I agree with you, we can argue semantics all day long. IF this happened, IF that happened, but construing yourself in this counterfactual history is all hoopla.

  • sorry.. but what the hell is H???? I play this always, no H notes.. oh boy, i'm lost and i play from the js book..

  • For some crazy reason, Germans and other such people call B-flat H! I have no idea why.

  • starkey7uk, not B-flat, but B = H. Don't ask why... I have no idea. I grew up in eastern europe where they have it like this (not just germany) and it has always seemed counterintuitive to me.

  • Hey maybe you should look at it once more ...

    you forgot a whole chord (bar/measure no. 23; G - Eb - H - C - Eb) and that's one of the important ones, without this one, the climax of the piece doesn't really make sense ...

    the end should't be arpeggiated cause that's bach - u know?!

    the rest's fine;)

  • Thanks for your comments quizzee2. I agree it should climax more in those secctions. I used a mordent and an arpeggio at the end because it is in Bach's autograph. Bernard Robert's is the only pianist I have heard who plays it like that.

  • Just wondering...can you play this without the music in front of you? Interesting question.

  • I can, well the first bit lol. =]

  • Beautifully played! Well done! Keep up the good work!

  • you used pedaling right? maybe you should try without it...better feeling...more natural...just my opinion...

  • Thanks hsmFreek, I now only use the pedal very sparingly like 1/4 or even 1/8 pedal and I use more over lapping legato like Angela Hewitt does. Thanks for your comment.

  • awesome job. im trying to learn this, and your video is a great reference

  • Thanks Osprey218, I'm glad it helped you out.

    There was a video posted of this with Andrei Gavrilov but I don't it's still up. The DVD is available on Amazon. It has 4 different pianists

    playing all 48 of Bach's Preludes and Fuges.

  • Great. Thanks a lot

  • I like your softness in this video, good tempo and feeling

  • dont slow down, keep the hypnotic left hand going steady, nice modern approach :) i like it

  • oh man that was beautiful can you play his little fugue in G minor? If you can please post it, it want to hear you play it!!!

  • Esta canción la toco yo en piano !! No sabia q es tan conocidaa...