Added: 3 years ago
From: Lot2learn
Views: 17,661
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  • That, sir, is one masterful solo. 

  • @MissoulaJazzPiano Thank you Jamie.

  • sounds like tenor madness :]

  • Doxy. ;-)

  • Sick dude :) I really dig it

  • Thanks!

  • I love it!

  • i enjoyed the "outside" techniques you have used. this is an area i need help on. any suggestions on materials or anything that can guide me, or from your own thoughts?

  • First, become very comfortable and knowledgeable playing inside, with well-constructed and logical phrasing. Then slowly start introducing "controlled chaos" a few notes a time still keeping a well-constructed framework. Little by little, add more "chaos" until the lines of distinction between logical and illogical blur and the sound blends as an expression of creativity.

  • Wow!! A lyrical Blues number without all the cliches- sounds like an original improv from a predetermined setpoint.

  • Thank you for your comment.

  • If Alan Holdsworth played piano it might sound almost as good as this!

  • Inspired playing Roger!

  • This is very useful for the jazz piano training. Excellent !!!

  • Another pianoteq lover, great :)

  • Roger

    This is such a useful video - so much to learn in this - especially on the difficult to master 'outside' playing.

    It is so difficult to do this musically (as you do) treading that thin line between adding a little spice and creating chaos.

    I admire those long lines that you create that move from inside to outside and back so effortlessly.

    Doug

  • Thanks much for the comment Doug - it's greatly appreciated.

    - Roger

  • Thanks Roger for this another lesson ;)... if i understand, you play a major pentantonic a third major up respect the keynote of the dominant chord sounding 'outside'... for example, E pent major on C7?

  • At the same time you play the E Major pentatonic you can also play a stacked 4ths chord in the LH made up of notes from the C# minor scale (for example F# B E) so that even though the RH lines are outside the melodic content of the written changes of the song, they are in harmony with the LH. This gives the listener a valid reference point for the RH line and tends to be interpreted as sounding somewhat inside while still being outside at the same time.

  • Merci encore !!! C'est un grand plaisir de vous écouter. Je suis une fan. J'adore aussi la façon dont vous aimez partager. Il y a du coeur dans votre musique.

  • Merci beaucoup !

  • I love your style, but that's not news. If you'd ever like some non-piano jazz players to jam with you sometime, let me know :)

  • Fascinating blues scale of not with your feel it still sounds more like jazz to me, No matter the feel its a great feel and a great sound

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