i enjoyed the "outside" techniques you have used. this is an area i need help on. any suggestions on materials or anything that can guide me, or from your own thoughts?
First, become very comfortable and knowledgeable playing inside, with well-constructed and logical phrasing. Then slowly start introducing "controlled chaos" a few notes a time still keeping a well-constructed framework. Little by little, add more "chaos" until the lines of distinction between logical and illogical blur and the sound blends as an expression of creativity.
Thanks Roger for this another lesson ;)... if i understand, you play a major pentantonic a third major up respect the keynote of the dominant chord sounding 'outside'... for example, E pent major on C7?
At the same time you play the E Major pentatonic you can also play a stacked 4ths chord in the LH made up of notes from the C# minor scale (for example F# B E) so that even though the RH lines are outside the melodic content of the written changes of the song, they are in harmony with the LH. This gives the listener a valid reference point for the RH line and tends to be interpreted as sounding somewhat inside while still being outside at the same time.
Merci encore !!! C'est un grand plaisir de vous écouter. Je suis une fan. J'adore aussi la façon dont vous aimez partager. Il y a du coeur dans votre musique.
That, sir, is one masterful solo.
MissoulaJazzPiano 1 year ago
@MissoulaJazzPiano Thank you Jamie.
Lot2learn 1 year ago
sounds like tenor madness :]
OprahMemorizedPi 1 year ago 4
Doxy. ;-)
Lot2learn 1 year ago
Sick dude :) I really dig it
Jazzsaxman1 1 year ago
Thanks!
Lot2learn 1 year ago
I love it!
claitontesch 2 years ago
i enjoyed the "outside" techniques you have used. this is an area i need help on. any suggestions on materials or anything that can guide me, or from your own thoughts?
FamousJ2B 2 years ago
First, become very comfortable and knowledgeable playing inside, with well-constructed and logical phrasing. Then slowly start introducing "controlled chaos" a few notes a time still keeping a well-constructed framework. Little by little, add more "chaos" until the lines of distinction between logical and illogical blur and the sound blends as an expression of creativity.
Lot2learn 2 years ago
Wow!! A lyrical Blues number without all the cliches- sounds like an original improv from a predetermined setpoint.
leega8010 2 years ago
Thank you for your comment.
Lot2learn 2 years ago
If Alan Holdsworth played piano it might sound almost as good as this!
rocketnerd 2 years ago
Inspired playing Roger!
jazz1bro 3 years ago
This is very useful for the jazz piano training. Excellent !!!
choro264 3 years ago
Another pianoteq lover, great :)
flapane 3 years ago
Roger
This is such a useful video - so much to learn in this - especially on the difficult to master 'outside' playing.
It is so difficult to do this musically (as you do) treading that thin line between adding a little spice and creating chaos.
I admire those long lines that you create that move from inside to outside and back so effortlessly.
Doug
jazz2511 3 years ago
Thanks much for the comment Doug - it's greatly appreciated.
- Roger
Lot2learn 3 years ago
Thanks Roger for this another lesson ;)... if i understand, you play a major pentantonic a third major up respect the keynote of the dominant chord sounding 'outside'... for example, E pent major on C7?
florbo73 3 years ago
At the same time you play the E Major pentatonic you can also play a stacked 4ths chord in the LH made up of notes from the C# minor scale (for example F# B E) so that even though the RH lines are outside the melodic content of the written changes of the song, they are in harmony with the LH. This gives the listener a valid reference point for the RH line and tends to be interpreted as sounding somewhat inside while still being outside at the same time.
Lot2learn 3 years ago
Merci encore !!! C'est un grand plaisir de vous écouter. Je suis une fan. J'adore aussi la façon dont vous aimez partager. Il y a du coeur dans votre musique.
youyou1265 3 years ago
Merci beaucoup !
Lot2learn 3 years ago
I love your style, but that's not news. If you'd ever like some non-piano jazz players to jam with you sometime, let me know :)
gadjoproject 3 years ago
Fascinating blues scale of not with your feel it still sounds more like jazz to me, No matter the feel its a great feel and a great sound
korgtri 3 years ago