i remember being surprised when i first watched this scene - i expected a completely different mood based on the dvd cover, nothing soothing or haunting like this.
I wrote a movie called(Snitches get Stiches) its about a teenaged boy named vernon james he is in highschool he sick and tired of being called gay today he gets his licence he passes one night later he is crying when hes driving and he cant see he gets hit by a person at school that calls him gay
Bernard Herrman's score is in my estimation the essence of movie music. Herrman is also known for writing the musical scores for Hitchcock's films (Vertigo, Psycho, etc.) as well as the much heard music from Journey to the Center of the Earth. His score for Taxi Driver, however, goes beyond being just movie music. It soars into the realm of such greats as Gershwin, Berlin and Rodgers & Hammerstein.
its sort of like a repeat of the scene where iris gets into his cab and he stares into the mirror and watches sport drag her away (whihch is one of the things that got the whole movie going) which implies hes going to become violent again and like paul schrader said "hes not going to be the hero next time."
@RC187killa18 gangs of new york is my favorite movie. of course you need nearly 3 hours to watch it as goes with most scorsese films. leonardo dicaprio stars in it so if you liked him in the departed im sure youd love it. daniel day lewis gives the best performance ive seen from any actor in any movie EVER as bill the butcher. definetly worth watching.
@colujomes Bernard Hermann also borrowed from himself! Portions of his music (not rerecorded) for "The Day the Earth Stood Still" (1951) and "Journey to the Center of the Earth" (1959) made it into the unaired pilot for the "Lost in Space" TV show, and appeared in subsequent episodes (#1 and #5). Hermann made a great use of foreboding, low register brass and woodwind in many scores, but his music for "The Ghost and Mrs. Muir" (1947) was quite a departure from that, and remarkably moving.
When I first watched this movie, I didnt really know what made is so special. was young and it felt just weird. I watched it again last week, and now I cant get it out of my head... And this song almost frightens me. Powerful cinema.
At 0:43 seconds I can hear composer Bernard Hermann emulating the sound of "Laura" as played by jazz saxophone great Charlie Parker (which you can hear on Youtube).
@chrisart7 Funny you should say that. I was just listening to 'Charlie Parker with Strings' (for the first time), and it reminded me so much of Taxi Driver, I came here to find the theme music. Apparently Herrmann didn't just 'borrow' from Arnold Schoenberg (for Cape Fear).
This music sums up all the things going on in Bickle's mind. The beautiful soft part referring to him meeting Cybil Shepard, the military drum part where the killing side of him is returning etc. He is disturbed
@flipwiggins how could you forget this music...Im only 31....this was recorded about the same time I was learnin to crawl and I love it.......hate to sound like an old fogey but they dont make music like this anymore
His musical style complements the whole film, as he did with many scores; his music for some of Hitchcock's greatest films shows the successful juxtaposition of Herrmann's beautifully emotional music with Hitchcock's on screen wizardry.
Bernard Herrmann's last tome...what a brilliant composer. His music heightened the impact of this great film and many others. Unfortunately, he passed away just hours after he had finished recording this soundtrack. Thanks for your great work, Mr. Herrmann.
The ending, according to Scorcher himself, is not, in fact, Bickle's dying thoughts. It is real, and it is supposed to symbolize how he will fall back into his rage, and that next time, he won't be a hero.
well, the thing about this movie, and all exceptionally great movies like this, is that these symbolic moments can be interpreteded different ways, whether the creator meant it that way or not
i play this on my ipod when i get off the night shift of my taxi driving job. Then I go to a seedy part of town and kill a pimp and his lackies for taking advantage of a young girl
It seems more like a dream or a fantasy as he is passing away or under the influence of anesthesia or morphine in the hospital after he had been shot and was wounded. But maybe he still doesn't die from his wounds
@Drizzlerman according to paul schrader travis did survive the shootout, and the weird sound at the very end of the film is suggesting that hes gone back to the way he was at the beggining, but i can see what youre saying
Sequels do usually suck, especially when they're done by people unaffiliated with the original like in the case of American Psycho and it's terrible straight to video sequel.
he seemed racist to me. not the kind of racist that hates without reason. he was always in bad parts of town and therefore the only blacks he saw were criminals. its justified racism in his case or gave him a decent reason to be racist. environmental factors have a deep impact on people. i am not racist btw.
About Travis being racist, it is quite ironic because he obviously had some racist sentiments but only because he was seeing a lot of Blacks as criminals due to society and its order ie. perception being reality but all of the people he specifically targets to kill are white in the end and are likely bigger or more serious criminals than the street gang black thugs he glared at throughout the film.
In the commentary the writer said the gangsters were black in the original script but studio executives changed it because they already felt the movie was going to be contraversial enough already.
But he's not racist, they just felt having the gangsters he killed being black would've made people think the film was about a racist taxi driver who wants to attack people because of their race, which would've ruined what the film was truly about; loneliness, insanity, and redemption
This comment has received too many negative votesshow
In the 80's every movie track had bullshit sax in it. All the lethal weapons movies have it..........and it sucks hard time! I'm from the old school. I love the orchestral type of scoring and you NEVER hear a sax in that shit. Don't get it 'twisted'. I AM A SAX PLAYER. I just don't think it belongs in movie scores as a 'lead' instrument.
ToFu4 Dinner made a valid point. I did recently see, that the plan was to have him first shoot up a place full of blacks with a black pimp, but it was felt that this would tip it overwhelmingly in the direction of being clearly racist.
Funny Peter Boyle of "Joe" that was called racist, is a friend of Travis. (but so is a black guy who loans him money) So with changes, it seems this film escaped a racist label, eventhough it has a few questionable scenes.
Notice how the actual score reflected Travis' split personality. Menacing in mood one minute, then all of a sudden changes to a calm, smooth, romantic, kind of normal tempo!
Yes, he was a racist character. They originally even wanted to cast Harvey Keitel's pimp character with a black actor, but were afraid it might incite race riots.
I think he was just like every other white guy around his age, he also clearly states that some of his co-workers don't take spooks : those are the real racists of the film, he is just a guy who hates them all, white people who mess up the govermont, black pimps etc.
Think he was just a like any other white guy around his age, in a time where black and white didnt hanged around that much as we do now :)
It's kind of telling that Paul Schrader said in hindsight that Taxi Driver is about not loneliness, but the pathology of loneliness.
This was a good movie, but also a very powerful movie.
Paul went on to say that loneliness might feel singular, but everyone making the movie felt what Travis was feeling once and that people can see themselves in context.
The atmosphere of the 70's NYC with hookers, drugs, robbers and porn is in some way even more atractive then the zero tolerance modern city of New York that we know now, in combo with this soundtrack, you can almost feel yourself being there.
is it me, or is there something dark and twisted in this music? Anyways, it really suits the film, beautiful and gentle in some parts but kinda disturbing and scary in some. Really reflects Travis'insanity.
I was about to write the same thing, as I wrote it before, then saw eternal's posting that took the words out of my mouth.
You will see that at first the music is totally beautiful, but a little drum miltary beat is added then a little more of the beat, until finally when Travis has lost it, there is a version like this that shows his completely troubled mind.
The ending where he becomes a hero is weird though. Its like a columbine killer becoming a hero.
it was an ironic statement of the media . how he trys to at first be societies saviour then when he was obssessed with being its destroyer before being made a hero
All the animals comes out at night: whores, skunk-pussies, buggers, queens, fairies, dopers, junkies, sick, venal.
Someday, a real rain will come and was all this scum off the streets.
I go all over. I take people to the Bronx, Brooklyn, Harlem. I don't care. Don't make no difference to me. It does to some. Some won't even take spooks.
not in the violent ways or the porn theater addiction but the way he felt alienated and the way girls felt about him. also i dont like pimps or drug dealers
glad to hear lol. I know what you mean though with the alienation, I think like badbabybear1 says we can relate in some ways. Travis couldn't comform to a society that tells you to behave in certain way and that speaking your mind is wrong. Its why this is one of the best movies of the 1970's if not of all time.
can you give me other jazz songs similiar to this one?
mrP694 3 weeks ago
beautifull song
my favorite theme song after the theme song of hitman ( ave maria )
fahreineit 1 month ago
BRILLIANT!
SuperSuperRoo 1 month ago
i remember being surprised when i first watched this scene - i expected a completely different mood based on the dvd cover, nothing soothing or haunting like this.
whoamicrap 2 months ago
beautifully haunting, just spells out lonliness and deteriation
rowancboi17 2 months ago
I wrote a movie called(Snitches get Stiches) its about a teenaged boy named vernon james he is in highschool he sick and tired of being called gay today he gets his licence he passes one night later he is crying when hes driving and he cant see he gets hit by a person at school that calls him gay
Jojopo1226 3 months ago
Blackberry Kush.
alberts1985 4 months ago
Very nice. Relaxing, classy with an edge of Combat Jazz
IraqiDeathSoldier 4 months ago
This is one of the greatest and most revolutionary of all main title themes.
Bernard Herrmann was a genius.
NonInflatable 6 months ago
it sounds like it would fit in with la noire
walshygel2 6 months ago
Bernard Herrman's score is in my estimation the essence of movie music. Herrman is also known for writing the musical scores for Hitchcock's films (Vertigo, Psycho, etc.) as well as the much heard music from Journey to the Center of the Earth. His score for Taxi Driver, however, goes beyond being just movie music. It soars into the realm of such greats as Gershwin, Berlin and Rodgers & Hammerstein.
mizswheat 6 months ago
@mizswheat Ah, I heard a similarity between the song here and Vertigo. Makes a lot of sense now, it was the same composer.
AQGOAT24 5 months ago
what's the name of the music?
PedroTino1 6 months ago
A whole new style for Herrmann at his ending days; some for better and some for worse!
ClassicPerformances 9 months ago
This has been flagged as spam show
this is one of the best movies ive ever seen
XyL0Ph0n3 9 months ago
3 people got shot down by Travis Bickle hahaha!
Beerlejuice 10 months ago 5
I think "anouman" by Django Reinhardt would go well to this too
KooGuitar 10 months ago
I love this music ;)
MrRadzio303 1 year ago
To be honest, this reminds me of The Sims Hot Date.
brandon91616 1 year ago
@brandon91616 haha word
FiswaT 1 year ago
Could anyone clear me up with the ending when he suddenly looks at his rearview mirror, i didnt get that part, just cause of the viet kong right?
Flexstarz 1 year ago
@Flexstarz
SPOILERS
its sort of like a repeat of the scene where iris gets into his cab and he stares into the mirror and watches sport drag her away (whihch is one of the things that got the whole movie going) which implies hes going to become violent again and like paul schrader said "hes not going to be the hero next time."
rampskater0102 1 year ago
@rampskater0102 Alright yeah that makes sense thanks
Flexstarz 1 year ago
@rampskater0102 so Travis just pushed the button of madness?
Einvestigator96 1 year ago
rip herrmann
simolionshane 1 year ago
3 people should go fornicate with a stove top
ATeenCalledLame 1 year ago
i hate this it sucks
9harman9 1 year ago
@9harman9 fuck you
jrgorilla1 1 year ago
folks...i am completely deadly obsessed with this film and this score. is this a bad sign?
jrgorilla1 1 year ago
@jrgorilla1 NO WAY ITS WAS VERY ARTISTIC
DJBUCKSHOT187 1 year ago
@jrgorilla1 I'm obsessed with the film, too. It's cool.
rapideye97 1 year ago
@rapideye97 it's very cool
jrgorilla1 1 year ago
"Listen, you fuckers[...]''
alleygh0st 1 year ago
@alleygh0st
Here is someone who stood up against the scum the dogs the filth the shit - here is someone - who stood up
One day a real rain will wash all the filth from the streets
(I love this film)
craigfromnewcastle 1 year ago
I'm obsessed with this movie.
rapideye97 1 year ago
Always reminds me of Miles Davis - I love this song.
richardmcginty 1 year ago
Echoes of the theme from "The Untouchables" TV series...
radiootoo 1 year ago
This isn't the theme!!! My moms got the record, this is the opening part when he talks
katizzlerox101 1 year ago
I get chills listening to the theme.
DoggieBark 1 year ago
My most favorite Martin Scorsese flick next to GoodFellas & Casino.
RC187killa18 1 year ago
@RC187killa18 i gotta say gangs of new york takes the cake. but all very VERY good films.
ihavetwodogs 11 months ago
@ihavetwodogs I haven't saw Gangs of New York yet but is it good? cuz the most recent Scorsese film i saw was The Departed and that film was great.
RC187killa18 11 months ago
@RC187killa18 Hm.. I didn't like Gangs at all. And I do like The Departed and Taxi Driver, so - who knows?
erghtrfgh 10 months ago
@RC187killa18 Interesting fact, The Departed is an American Remake of the Hong Kong film Infernal Affairs
TruenoandLevin86 9 months ago
@TruenoandLevin86 Yes im quite aware of that i actually own both those movies on DVD
RC187killa18 9 months ago
@RC187killa18 gangs of new york is my favorite movie. of course you need nearly 3 hours to watch it as goes with most scorsese films. leonardo dicaprio stars in it so if you liked him in the departed im sure youd love it. daniel day lewis gives the best performance ive seen from any actor in any movie EVER as bill the butcher. definetly worth watching.
ihavetwodogs 4 months ago
@colujomes Bernard Hermann also borrowed from himself! Portions of his music (not rerecorded) for "The Day the Earth Stood Still" (1951) and "Journey to the Center of the Earth" (1959) made it into the unaired pilot for the "Lost in Space" TV show, and appeared in subsequent episodes (#1 and #5). Hermann made a great use of foreboding, low register brass and woodwind in many scores, but his music for "The Ghost and Mrs. Muir" (1947) was quite a departure from that, and remarkably moving.
chrisart7 1 year ago
it makes me want to get a taxi cab and just cruise around, no fares, no tips, just...drive.
TruenoandLevin86 1 year ago 7
@TruenoandLevin86 that's fairly to pretty retarded.
Samurairob 1 year ago
@Samurairob no it isn't
gamester57 1 year ago
When I first watched this movie, I didnt really know what made is so special. was young and it felt just weird. I watched it again last week, and now I cant get it out of my head... And this song almost frightens me. Powerful cinema.
Ybrethar 1 year ago
At 0:43 seconds I can hear composer Bernard Hermann emulating the sound of "Laura" as played by jazz saxophone great Charlie Parker (which you can hear on Youtube).
chrisart7 1 year ago
@chrisart7 Funny you should say that. I was just listening to 'Charlie Parker with Strings' (for the first time), and it reminded me so much of Taxi Driver, I came here to find the theme music. Apparently Herrmann didn't just 'borrow' from Arnold Schoenberg (for Cape Fear).
colujomes 1 year ago
This music is timeless. I don't give a crap what anyone else says. For some strange reason this music sort of puts my soul to peace.
RussX5Z 1 year ago
I like the Version for the movie, than the original recording (A.K.A - the drum beat, like Drizzlerman said "very powerful piece of music").
RougeMongoose 1 year ago
This music sums up all the things going on in Bickle's mind. The beautiful soft part referring to him meeting Cybil Shepard, the military drum part where the killing side of him is returning etc. He is disturbed
000266617 1 year ago
what I don't get is having heard the song in the net the menacing tone seems to be missing.
mitchac123 1 year ago
check out 'mean streets' by scorcese
bansheewhiskey 1 year ago
Same dude composed the music for PSYCHO! Saw this on the big screen when I was 16, back in the day. Have never forgotten this music since then.
flipwiggins 1 year ago
@flipwiggins how could you forget this music...Im only 31....this was recorded about the same time I was learnin to crawl and I love it.......hate to sound like an old fogey but they dont make music like this anymore
dbeezycentex 1 year ago
His musical style complements the whole film, as he did with many scores; his music for some of Hitchcock's greatest films shows the successful juxtaposition of Herrmann's beautifully emotional music with Hitchcock's on screen wizardry.
crimbomania 1 year ago
who the fuck do you think you talking to?
reticul8this 1 year ago 2
You may enjoy my video called - Taxi Driver Music AND American History
ScrapGoldBass 1 year ago
You may enjoy my video called - Taxi Driver Music AND American History
ScrapGoldBass 1 year ago
Bernard Herrmann's last tome...what a brilliant composer. His music heightened the impact of this great film and many others. Unfortunately, he passed away just hours after he had finished recording this soundtrack. Thanks for your great work, Mr. Herrmann.
saxforth 1 year ago
Note how the music is very much like Travis - Calm and serene one minute, menacing the next. A classic of classics
strange6 1 year ago 3
You talkin' to me?
DeathStarJanitor 1 year ago
Robert is my hero!
Maldonado1995 1 year ago
Listen you fuckers
You screwheads
Here is a man
Who Stood up
Here is....
druha10304 1 year ago 10
That advert that keeps popping up on the screen on Youtube videos saying 'how will you look old?'
Fuck it off, please. It's intrusive and annoying. How do I write to Youtube to complain?
Muskadash 1 year ago 6
Such a powerful theme song.
lumpyloks 1 year ago 4
Incredible piece, beautiful, another Herrmann classic.
orangefinger 1 year ago 3
Magnificent music - wonderful to hear it back.
peter5992 2 years ago 2
You talkin' to me?! Love this movie!
SpaceOddity38 2 years ago 2
The ending, according to Scorcher himself, is not, in fact, Bickle's dying thoughts. It is real, and it is supposed to symbolize how he will fall back into his rage, and that next time, he won't be a hero.
iTzCiRcA 2 years ago 10
well, the thing about this movie, and all exceptionally great movies like this, is that these symbolic moments can be interpreteded different ways, whether the creator meant it that way or not
rockerhead247 2 years ago
a legend
Leviatano78 2 years ago
love love LOVE it. favourite movie of all time, love travis/robert de niro.....11/10
kadiebeex 2 years ago 5
The first time I heard about this film, was googling Travis Bickle, Rancid's song...
jonasrla 2 years ago
i play this on my ipod when i get off the night shift of my taxi driving job. Then I go to a seedy part of town and kill a pimp and his lackies for taking advantage of a young girl
cbappa1 2 years ago 19
powerful
vanstrommusic 2 years ago
I love sax playing awesome,,tom scott played
tbedir 2 years ago 3
Wow ... its Friday evening and when I listen to the saxophone, I wish I was driving through San Francsico Downtown with this music on.
ForMusicVijeya 2 years ago
when ever you drive a taxi in gta this music should play
heyheyjr 2 years ago 4
was the end reality or a dieing fantasy?, i can't pick which one. i hope #1
heyheyjr 2 years ago
It seems more like a dream or a fantasy as he is passing away or under the influence of anesthesia or morphine in the hospital after he had been shot and was wounded. But maybe he still doesn't die from his wounds
Drizzlerman 2 years ago
@Drizzlerman according to paul schrader travis did survive the shootout, and the weird sound at the very end of the film is suggesting that hes gone back to the way he was at the beggining, but i can see what youre saying
rampskater0102 2 years ago
Well, I didn't think he died, but him going back to how he was at the beginning of the film is odd, they're should have been a sequel in that case.
Drizzlerman 2 years ago
i totally agree but to be honest most sequels usually ruin films so in a way it was better not to
rampskater0102 2 years ago 4
Sequels do usually suck, especially when they're done by people unaffiliated with the original like in the case of American Psycho and it's terrible straight to video sequel.
Drizzlerman 2 years ago 3
I believe it was a fantasy. It makes more sense that way with his personality. The fantasy life could not end or dwindle.
akarpowicz 2 years ago
he seemed racist to me. not the kind of racist that hates without reason. he was always in bad parts of town and therefore the only blacks he saw were criminals. its justified racism in his case or gave him a decent reason to be racist. environmental factors have a deep impact on people. i am not racist btw.
azurenscens 2 years ago
taxi driver is my all time favorite movie and the herrmann's score is one of the most chilling and effective of all time
pol1407a 2 years ago
About Travis being racist, it is quite ironic because he obviously had some racist sentiments but only because he was seeing a lot of Blacks as criminals due to society and its order ie. perception being reality but all of the people he specifically targets to kill are white in the end and are likely bigger or more serious criminals than the street gang black thugs he glared at throughout the film.
Drizzlerman 2 years ago 2
In the commentary the writer said the gangsters were black in the original script but studio executives changed it because they already felt the movie was going to be contraversial enough already.
oeyesea 2 years ago
But he's not racist, they just felt having the gangsters he killed being black would've made people think the film was about a racist taxi driver who wants to attack people because of their race, which would've ruined what the film was truly about; loneliness, insanity, and redemption
Drizzlerman 2 years ago
brilliant!!
elfucker25 2 years ago
the music at 43 sec is deadly
joejoey316 2 years ago 47
@joejoey316 I think this silly little girl has no manners and is one UGLY fat biatch
simonfire1 1 year ago
@joejoey316
simonfire1 1 year ago
@joejoey316
Yes the lovely horn/sax instrument that starts at 0:43 secs is so bad azzz
garyminion 1 year ago
@joejoey316
I want to learn the alto sax just for that :)
BecomingVincent 1 year ago
This is a super powerful piece of music. Very Noir.
Drizzlerman 2 years ago 44
This has been flagged as spam show
I love Bernard Herrmann. In fact, he's my favorite all time composer, but when he put that lame ass sax in the melody, it sucked big time!
peppersax 2 years ago
"It sucked big time..."
How very eloquently put. I'd argue that this is the very best part of a fantastic movie, but whatever. I guess it sucked big time.
utubegod35 2 years ago
what are you talking about that's the best part.
BrotherAJ213 2 years ago 5
This comment has received too many negative votes show
In the 80's every movie track had bullshit sax in it. All the lethal weapons movies have it..........and it sucks hard time! I'm from the old school. I love the orchestral type of scoring and you NEVER hear a sax in that shit. Don't get it 'twisted'. I AM A SAX PLAYER. I just don't think it belongs in movie scores as a 'lead' instrument.
peppersax 2 years ago
Great movie!
anpanagasidis 2 years ago 2
My favorite movie ever. so good
RAHAproductions 2 years ago 3
ToFu4 Dinner made a valid point. I did recently see, that the plan was to have him first shoot up a place full of blacks with a black pimp, but it was felt that this would tip it overwhelmingly in the direction of being clearly racist.
Funny Peter Boyle of "Joe" that was called racist, is a friend of Travis. (but so is a black guy who loans him money) So with changes, it seems this film escaped a racist label, eventhough it has a few questionable scenes.
000266617 2 years ago
Notice how the actual score reflected Travis' split personality. Menacing in mood one minute, then all of a sudden changes to a calm, smooth, romantic, kind of normal tempo!
strange6 2 years ago 3
good point
rickvanhattum 2 years ago
Is he something like the Catcher in the Rye character with guns?
000266617 2 years ago
Ha. No. He is a disgruntled, racist, depressed Vietnam vet.
Tofu4Dinner 2 years ago
I dont think he was racist was he ?
AlexTheRockingRabbi 2 years ago 2
Yes, he was a racist character. They originally even wanted to cast Harvey Keitel's pimp character with a black actor, but were afraid it might incite race riots.
Tofu4Dinner 2 years ago
he is not a racist. he saw the dirty shit as it is and wanted to clean it up.
forman1200 2 years ago 5
So you're a racist? :)
utubegod35 2 years ago
I think he was just like every other white guy around his age, he also clearly states that some of his co-workers don't take spooks : those are the real racists of the film, he is just a guy who hates them all, white people who mess up the govermont, black pimps etc.
Think he was just a like any other white guy around his age, in a time where black and white didnt hanged around that much as we do now :)
rickvanhattum 2 years ago
travis bickle is a misanthropist a dark hidden part of everybody's personality.
kickthecat65 2 years ago 2
he certainly was not racist
ChromeGhost0219 2 years ago
actually in the "making of taxi driver" featurette Paul Schrader said that he intentionally made travis a racist character
pol1407a 2 years ago
hmm well he didnt seem racist in the movie(not to me anyway)
ChromeGhost0219 2 years ago
honestly i didn't notice it either until i watched the featurette but after re-watching the film you can see that it is certainly implied
pol1407a 2 years ago
true
ChromeGhost0219 2 years ago
uh... wow.
utubegod35 2 years ago
more like raskolnikov, only you get the sense that he wouldn't be as guilty about killing a body
mrnosaj 2 years ago
yea sort of similar. tragic character really.
hotvision 2 years ago 3
It's kind of telling that Paul Schrader said in hindsight that Taxi Driver is about not loneliness, but the pathology of loneliness.
This was a good movie, but also a very powerful movie.
Paul went on to say that loneliness might feel singular, but everyone making the movie felt what Travis was feeling once and that people can see themselves in context.
silverstein13 2 years ago
barisax
Alto solo is by Ronnie Lang
grotland1 2 years ago
The atmosphere of the 70's NYC with hookers, drugs, robbers and porn is in some way even more atractive then the zero tolerance modern city of New York that we know now, in combo with this soundtrack, you can almost feel yourself being there.
The city seems more alive
rickvanhattum 2 years ago 4
great score unforgettable movie
dewbunny110362 2 years ago 6
kinda reminds me of Gustav Holt's Venus
zachtblauw 2 years ago
is it me, or is there something dark and twisted in this music? Anyways, it really suits the film, beautiful and gentle in some parts but kinda disturbing and scary in some. Really reflects Travis'insanity.
eternalpeacemaker 2 years ago 2
I was about to write the same thing, as I wrote it before, then saw eternal's posting that took the words out of my mouth.
You will see that at first the music is totally beautiful, but a little drum miltary beat is added then a little more of the beat, until finally when Travis has lost it, there is a version like this that shows his completely troubled mind.
The ending where he becomes a hero is weird though. Its like a columbine killer becoming a hero.
000266617 2 years ago
it was an ironic statement of the media . how he trys to at first be societies saviour then when he was obssessed with being its destroyer before being made a hero
dazza5266 2 years ago
Oh I get it now, the soft music relates to his feelings toward Sybil Shepard (romantic) the drum beat to his growing anger.
All these different emotions are reflected by the music. How is that?
000266617 2 years ago
All the animals comes out at night: whores, skunk-pussies, buggers, queens, fairies, dopers, junkies, sick, venal.
Someday, a real rain will come and was all this scum off the streets.
I go all over. I take people to the Bronx, Brooklyn, Harlem. I don't care. Don't make no difference to me. It does to some. Some won't even take spooks.
oussama13014 2 years ago 3
Love this music!
cooperdan64 2 years ago
I think we can all relate to Travis in some way. That's the whole point of the movie, really.
badbabybear1 2 years ago
this tune continues to stay in my head I can relate to travis in alot of ways.
mamobster1500 2 years ago
I hope not in too many ways mate!
stevoverbino 2 years ago
not in the violent ways or the porn theater addiction but the way he felt alienated and the way girls felt about him. also i dont like pimps or drug dealers
mamobster1500 2 years ago 5
glad to hear lol. I know what you mean though with the alienation, I think like badbabybear1 says we can relate in some ways. Travis couldn't comform to a society that tells you to behave in certain way and that speaking your mind is wrong. Its why this is one of the best movies of the 1970's if not of all time.
stevoverbino 2 years ago
its my favorite movie though. how do u think he survived that gunshot wound to the neck
mamobster1500 2 years ago
Bernard Herrmann was Stravinsky like. Unique in style.
lulvis 2 years ago 4
What's the name of this piece?
Wilshire001 2 years ago
h e l l y e a h :]
1modernmessage 2 years ago
God this film was brilliant. Loved it.
And yeah i'll admit it, i can somewhat relate to travis.
The soundtrack was perfect for it
BurnumBurnum123 2 years ago
This is the kind of tune that you'd sing when walking alone beneath the street lights...timeless
tziviker 2 years ago 4
In the original version the pimps were supposed to black, you know like in real life, the libs in hollywood made him change that.
Watchmann777 2 years ago 7
there were some black pimps ....
sadman666 2 years ago
Comment removed
CarpenterStudios 2 years ago
best movie of all time easily, its one of tarantinos top 3 favourite movies as well
campbellvstherock 2 years ago 3
it's not tarantino it's scorsese
mustardstane 2 years ago
i know its a scorcese movie, i was saying that it is one of tarantinos top 3 personal favourites
campbellvstherock 2 years ago 2
oh right, sorry mate.
mustardstane 2 years ago
its kl
campbellvstherock 2 years ago
that's because Tarantino idolizes Scorcese's work. He's learned a lot from his awesome films.
floresed 2 years ago
tarantino's influence from this masterpeice is clearly shown in his films and this is an absolute amazing film with a incredible soundtrack
sadman666 2 years ago 2
This has to be one of my favorite movies of all time
hoppeppers 2 years ago 2
should have won ever oscar it was nominated for
rocky is good but taxi driver and scorcese deserved the awards that year
beauanddustinunleash 2 years ago 3
rockys boxing coreogprahy was absolutely terrible, I say this movie should have taken the cake
cmonutube 2 years ago
N.Y.C.- FUN CITY!! SOME FUN!
raysiri42 2 years ago
Hermann the fourth genius element of Taxi Driver.
grtas1 2 years ago 3
@grtas1
agreed and i know the four you mean.
awesome film.
MrNytn2001 2 years ago
Did you know that the "Are you talking to me" scene was completely improvised?
january301973 2 years ago 3
ive noticed this song on the gta san andreas game..its in the finale scene when cj and sweet chase tenpenny on the firetruck..check it out
zamboangaVillain 2 years ago
fearful
KashyaCharsi 2 years ago
one of my favorite scores
larry89 2 years ago
Herrmann´s last work was Taxi Driver..
R.I.P.
DevinarGremio 2 years ago 2
the music describes not just the movie, but a mood that can happy to anyone, the sort of mood when you are confused, worried and bored ;S
SJ363 2 years ago 2
Hermann`s magic
wolfgangle 2 years ago
badass soundtrack
lithiumX666 2 years ago
IAM NOT MEXICAN!!!!!!!
filogonio 2 years ago
i loved this movie it was one of a kind and de niro does an amazing job. also the music just makes the mood of the movie better
Thegyptianone 2 years ago 2
Such a good film and soundtrack! De Niro at his best...."You Talkin to me!"
Rikss09 2 years ago 2
this is a absolutely great soundtrack
Stormpowner 2 years ago 4
I remember this movie.. one of my favorites of all time.. the music is incomparable. takes me back.. time goes by tooooo fast..
crystalmoon45 2 years ago 2