Wow... Love it. Are the lyrics Joplin's or hers or someone else's? You know... all I really wanted to do with my life is play ragtime pianos in bars, but unfortunately I'm utterly tone-deaf and bars don't have pianos in them anymore. Slings and arrows of outrageous fortune, man, slings and arrows.
@OhShitOhHellOhWell Tony Vincent Issacs wrote the lyrics for the song for a Swingle Singers album in the 1970s. He did a number of pieces for different vocal groups including the King's Singers. I think Joplin would have approved of the lyrics - kind of reminds me of what he wrote for Treemonisha.
such an interesting interpretation...very lyrical and expressive. While purists might argue that this is too loose of an interpretation- I LOVED it ( just personal taste...)
At first I was like what the fuck is this but when she starts singing I started getting what she was about. I'd prefer the normal version anytime though.
Lovely and unmistakably beautiful. Yes, there is often more Sue Keller than Scott Joplin here, but it's hard to be a musical snob when the version is as compelling as this one.
She is indeed a great player with undoubted talent, but in her attempts to put a personal touch on this piece she is skimming and "hushing" over many important parts that leaves no real flow to this beautiful piece.There is a lot of sensuality to Solace that is missing here. Rule one: never leave out(or not accent) the "big" notes! I still enjoyed her overall performance though, as it's not easy to do.
"Rule one"? Are there rules when carrying out a conversation? Don't we simply speak to be heard. People who saturate their conversation with "big notes" sound nagging and hyperbolic. It's like my dinner saturated with chock full of dill and oregano. Like the woman sitting next too you saturated with perfume. yucks.
People can't help but listen to a good conversationalist. And Sue, you are an exceptional pianist. When you play, it's like you are carrying a conversation with me.
This is without a doubt one of the finest interpretations of this piece that I have ever heard. As difficult as this music is to play Sue adds that true Keller touch that gives the entire piece a heartbeat.
Sue, if you're ever up north in Malone NY, stop in. I'd love to meet you in person someday.
I can understand the dislikes.
Me myself I think this wonderful.
Very unique.
bfandreasyt 5 months ago
The vocal section is effective, But what you do to the first part is just SO unmusical. Sorry.
exaltedwombat 6 months ago
looks like we got 20 karaoke lovers.
1rnaple 6 months ago
19 dislikes, really, because she's creative? You people are completely retarded
jimghenderson 6 months ago
I'd prefer the classic version.
danmessias 1 year ago
Wow... Love it. Are the lyrics Joplin's or hers or someone else's? You know... all I really wanted to do with my life is play ragtime pianos in bars, but unfortunately I'm utterly tone-deaf and bars don't have pianos in them anymore. Slings and arrows of outrageous fortune, man, slings and arrows.
OhShitOhHellOhWell 1 year ago
@OhShitOhHellOhWell Tony Vincent Issacs wrote the lyrics for the song for a Swingle Singers album in the 1970s. He did a number of pieces for different vocal groups including the King's Singers. I think Joplin would have approved of the lyrics - kind of reminds me of what he wrote for Treemonisha.
jimraw1 1 year ago
complimenti davvero
inzetta 1 year ago
fantastic
slyme1711 1 year ago
Excelente Interpretación. Congratulations!
manuel6701 1 year ago
Amazing.
I have never heard this with singing. Her voice is perfect for it. Haunting.
Love the way we have her interpretation and also the traditional tempo later on.
All thats missing is a dark bar a glass of whisky and a smoke. hehehehe
Thanks for posting.
gmonkey808 1 year ago 3
Indeed played with a passion, it brings tears every time I listen to this haunting tune; especially when I heard with lyrics for the first time
debipadhi1953 1 year ago
such an interesting interpretation...very lyrical and expressive. While purists might argue that this is too loose of an interpretation- I LOVED it ( just personal taste...)
Thanks for a great moment
lauraneville 2 years ago
At first I was like what the fuck is this but when she starts singing I started getting what she was about. I'd prefer the normal version anytime though.
SingHouse 2 years ago
Very expressive! Some of her acceleration is a little extreme but I simply adore the 3rd and 4th sections with the singing.
cueshark 2 years ago
A very romantic and sensitive performance. Well done Sue indeed. Paul.
paulcopeland 2 years ago 3
GRACIAS,increible interpretacion
kuri29 3 years ago
Incredible performance!!! 5 stars.
Dan474834 3 years ago
Well, it's more Swingle and less Solace, but it's nice. But the original has more than enough "heartbeat." Gilded lilies can be quite pretty....
quodlibette 3 years ago
In my opinion, this is the best performance in the playlist of your solos. By the way, the correct spelling is "Keillor," not "Keeler."
stuartsa 3 years ago
This wasn't in the style of Joplin - rhythm is the essence of this music. But an interesting "fantasia" on Solace. Enjoyed the singing.
Gerry319 3 years ago
Bravo Sue, a beautiful piece, beautifully played!
Phethelee 3 years ago
Lovely and unmistakably beautiful. Yes, there is often more Sue Keller than Scott Joplin here, but it's hard to be a musical snob when the version is as compelling as this one.
Nice voice as well.
thomastoons1 3 years ago
She is indeed a great player with undoubted talent, but in her attempts to put a personal touch on this piece she is skimming and "hushing" over many important parts that leaves no real flow to this beautiful piece.There is a lot of sensuality to Solace that is missing here. Rule one: never leave out(or not accent) the "big" notes! I still enjoyed her overall performance though, as it's not easy to do.
goesfastandfar 3 years ago
"Rule one"? Are there rules when carrying out a conversation? Don't we simply speak to be heard. People who saturate their conversation with "big notes" sound nagging and hyperbolic. It's like my dinner saturated with chock full of dill and oregano. Like the woman sitting next too you saturated with perfume. yucks.
People can't help but listen to a good conversationalist. And Sue, you are an exceptional pianist. When you play, it's like you are carrying a conversation with me.
miamidot 3 years ago
This is without a doubt one of the finest interpretations of this piece that I have ever heard. As difficult as this music is to play Sue adds that true Keller touch that gives the entire piece a heartbeat.
Sue, if you're ever up north in Malone NY, stop in. I'd love to meet you in person someday.
Doug Vensel
boilermaker1952 3 years ago