@BigZeemo Well, I must be mistaken then. I do know that early baroque composers were a bit more experimental with their dissonances than late baroque composers, but I must admit that I haven't looked at many early baroque scores...
I guess augmented chords can easily come from composers who are halfway between modern tonality and older modality
@b0ttomzone: Yes, that totally makes sense to me - I think Schütz uses those kind of cadences very often, whereas you won't find them with Bach, as far as I know.
@b0ttomzone That particular chord combines the major third, with the minor sixth (Ex. Re - Fa# - Sib) it's used by many early germans composers, as Schütz or Schein.
sehr schön. sogar nahezu perfekt. auch wenn die streicher kaum hörbar, dezent im hintergrund erklingen, so hätte ich mich noch mehr gefreut einen solch hervorragenden chor a capella zu hören. nichtsdestotrotz, ein ohrenschmaus :)
:o it's beautiful!
MarquiseOfHearts 3 months ago
Unglaublich. Atemlos war ich.
MarkVeenman730314 5 months ago
"I thought, he is the first, from the 12th centaury, starting, because, I have not knowing another more komponist from this (Throst)-musik,..."
Greetings, old Jerushalem
RainerPoppe 6 months ago 2
Wirklich perfekt aber a capella ohne die dezente instrumentalhilfe waere noch besser
ingehorstmann 7 months ago
Wunderschön, danke!
Octavin2 7 months ago
Henricus Sagitarius, der grosse Meister aus Sachsen war der bedeutendste Musiker seiner Epoche.
nisanus 10 months ago
Heinrich Schütz by monteverdifan... nice... splendid definition of voices, good director!
victoriosul 1 year ago
"Yes. that´s my Question in Johann Sebastian Bach, too..."
Elia with Joshi
RainerPoppe 1 year ago
Is that an augmented triad at around 0:38? You don't hear those too often in early music..
b0ttomzone 1 year ago
@b0ttomzone: Yes it is, especially that particular phrase is absolutely typical for early music!
BigZeemo 1 year ago
@BigZeemo Well, I must be mistaken then. I do know that early baroque composers were a bit more experimental with their dissonances than late baroque composers, but I must admit that I haven't looked at many early baroque scores...
I guess augmented chords can easily come from composers who are halfway between modern tonality and older modality
b0ttomzone 1 year ago
@b0ttomzone: Yes, that totally makes sense to me - I think Schütz uses those kind of cadences very often, whereas you won't find them with Bach, as far as I know.
BigZeemo 1 year ago
Comment removed
b0ttomzone 1 year ago
@b0ttomzone That particular chord combines the major third, with the minor sixth (Ex. Re - Fa# - Sib) it's used by many early germans composers, as Schütz or Schein.
Pipelare 1 year ago
@Pipelare I just pulled up the score on imslp (under geistliche motetten op 11). there are indeed lots of interesting things going on here
b0ttomzone 10 months ago
JJJ ME EQUIVOQ DE VENTANA, PERO SI ES MUY BUEN ORGANISTA
rukia0saya 1 year ago
es SOBERBIO Y CON MUCHA POTENCIA, ME A ENCANTADO LA INTERPRETACION
rukia0saya 1 year ago
beautiful, thanks
pepik39 1 year ago
I knew the music of schutz years ago, very good this ancient music, fascinating and beautiful
franciscokch 1 year ago
Nice performance, great composition
klepelbas 1 year ago
Splendid ! Thanks !
titussenlair 1 year ago
sehr schön. sogar nahezu perfekt. auch wenn die streicher kaum hörbar, dezent im hintergrund erklingen, so hätte ich mich noch mehr gefreut einen solch hervorragenden chor a capella zu hören. nichtsdestotrotz, ein ohrenschmaus :)
Altbierjunkie 2 years ago 2
@Altbierjunkie Warum hat jemand, der so einen geistreichen Kommentar lässt, solch einen Nicknamen ? ;-))
Bomenpulp 1 year ago
wunderschön!
diese leute singen das wunderschön!
7malmusk 2 years ago 3
Sublimi feriam sidera vertice
SVBLIMI FERIAM SIDERA VERTICE
MaBu888 2 years ago
Sublime!
tlamputube 2 years ago
Now this guy knew how to compose.
Cantormatis 2 years ago 27
eine gelungene Interpetation
Trumscheit 2 years ago
einfach nur toll ... danke fürs einstellen :)
mausdd 2 years ago 7