Great episode, very important issues about how to start to learn a piece, I think is very important for the general public to see the "behind the music", because we live in a time were the people dont have a direct relationship with the music, Between audience and musicians is a big "wall" and is important to brake it in order to really enjoy and understand the music. Specially if we talk about new music. Greetings from Colombia.
I absolutely know that I personally would be interested in seeing "behind the music." Just watching this video makes me want to go see the performance itself. However, I'm trying to decide if others would be interested in seeing this before the performance. The reason I would say that they would not want to is because it would change their interpretation on the music when it is being performed. In my opinion, I LOVE knowing the steps it takes to make something whole. Thanks so much!
Thank you, Tom, for your perspective on this concerto. I am currently preparing this very same movement for a concert with my University Orchestra on March 1. Regarding the chorale, the hardest part for me is the wide jumping between notes that happens a few times (m. 9!). I've been using quick shifting as a tool in these trouble spots. Repeatedly drilling quick, accurate shifts was vital. I liked your tip on blocking, so I will certainly give that a go. oh, and always remembering to phrase!
@opeth72 Great thoughts about shifting. I like to "chase", slow the speed of the roll down and move my right hand first followed by my left. Carefully done this can really help connect a wide shift. Good luck....
makes for a great experience. Music should be a journey up until that last note played and that small silence afterwards. The connection is not only felt by the audience but by the performer too. When everybody in the room feels a connection through that song and they soak in that moment, that experience...true music just happened.
I personally think the public and especially musicians are interested in "what's behind the music". It's a much more fulfilling experience to see a musician break it all down, run through the sections, and then finally play it all. That awesome moment when you say "man, he nailed that!" happens. You feel involved in the music and that person. Musicians put themselves into a piece in a sense. Knowing the person, the struggles of learning that piece of music, and the info of that piece of music m
Great episode, very important issues about how to start to learn a piece, I think is very important for the general public to see the "behind the music", because we live in a time were the people dont have a direct relationship with the music, Between audience and musicians is a big "wall" and is important to brake it in order to really enjoy and understand the music. Specially if we talk about new music. Greetings from Colombia.
juanperc 4 weeks ago
@juanperc Well said Juan!
tburritt1971 4 weeks ago
I absolutely know that I personally would be interested in seeing "behind the music." Just watching this video makes me want to go see the performance itself. However, I'm trying to decide if others would be interested in seeing this before the performance. The reason I would say that they would not want to is because it would change their interpretation on the music when it is being performed. In my opinion, I LOVE knowing the steps it takes to make something whole. Thanks so much!
marimbaholic 1 month ago in playlist Uploaded videos
Thank you, Tom, for your perspective on this concerto. I am currently preparing this very same movement for a concert with my University Orchestra on March 1. Regarding the chorale, the hardest part for me is the wide jumping between notes that happens a few times (m. 9!). I've been using quick shifting as a tool in these trouble spots. Repeatedly drilling quick, accurate shifts was vital. I liked your tip on blocking, so I will certainly give that a go. oh, and always remembering to phrase!
opeth72 1 month ago
@opeth72 Great thoughts about shifting. I like to "chase", slow the speed of the roll down and move my right hand first followed by my left. Carefully done this can really help connect a wide shift. Good luck....
tburritt1971 1 month ago
This is fantastic! I'm a high school percussionist, and I've always had trouble with four-mallet rolls. Thanks for this, and keep up the good work!
mistertudino 1 month ago
@mistertudino Thank you and stay tuned for future episodes.
tburritt1971 1 month ago
You NEED more views!
sithwriter 1 month ago
Father of the Bride LOL! I realy enjoy watching your videos, and hopefuly someday I can play this peice as well!
xSN1PERZx 1 month ago
@xSN1PERZx Thanks so much and don't ever remove "those superfluous buns"!
tburritt1971 1 month ago
makes for a great experience. Music should be a journey up until that last note played and that small silence afterwards. The connection is not only felt by the audience but by the performer too. When everybody in the room feels a connection through that song and they soak in that moment, that experience...true music just happened.
3clipse1326 1 month ago
I personally think the public and especially musicians are interested in "what's behind the music". It's a much more fulfilling experience to see a musician break it all down, run through the sections, and then finally play it all. That awesome moment when you say "man, he nailed that!" happens. You feel involved in the music and that person. Musicians put themselves into a piece in a sense. Knowing the person, the struggles of learning that piece of music, and the info of that piece of music m
3clipse1326 1 month ago
Im so glad you are doing this, I am playing the first movement for performance in a month.
RHCPDMBxxx33 1 month ago
@RHCPDMBxxx33 So glad you are watching. Stay tuned for more episodes soon and please spread the word about the show.
tburritt1971 1 month ago
@RHCPDMBxxx33 Good luck and stay tuned for another episode soon.
tburritt1971 1 month ago