Added: 4 years ago
From: truecrypt
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  • OMG! Contratulations!!!!

  • What an inspiring performance, Andrei. You've retained in this recording that which is the goal of any performer: to merge with the spirit of the music while expressing that which is unique and true to your spirit as a human being.

  • Easily and by far the best interpretation of a Chopin nocturne (well, Chopin in general) I've heard from a youtube-user! Brb, checking out your other stuff. ;)

  • Very profound and aristocratic interpretation! I admire your playing very much!

    I wonder if you know my father, he also studied at the Moscow Conservatory, he is a student of Lev Nikolaevich Naumov, graduated in 1972.

  • @pianoholic89

    I knew Lev Nikolaevich very well and could know your father...

    But you better send me a message ;)

  • You've cheated, listening to the older pianists and playing with style. Bravo! Kissin, who people keep mentioning, is a clown (with hair to match), a visual artist who cares more about how the audience perceives him (like Lang Lang) than being a conduit for the music. Of course, pianists in the past were boring, just sitting upright and playing beautifully. Did you steal Cortot's Pleyel?

  • @2ndviolinist

    Thank you! ;) I don't share your views re Kissin though - he is *real* and getting better and better... re Lang Lang - I think he is one "successful victim" of circumstances. He needs to take 2 years off and re-think what to do and where to go... But you're right - I love those unjustly forgotten musicians! I never try "imitate" old masters - useless and impossible... but may be something just trickled down a little... ;)

  • Mein Gott! What's next???? I must have heard this piece a million times, but this... this is unbelievable.

  • very nice

  • beautifully done.. are you professional ? 

  • Beautiful Sound! Bravo

    What Piano are you using?, If I may ask...

  • Truecrypt, I know what music is good. You make very good music. You are a world class pianist. Even though you said you were not performing nor teaching. For me, I also received professional training but never really got a professional performing career, nor teaching. Right now, I am practising a lot to widen my repertoire. I love music, to learn good music.

    Thanks for your sharing of your music. One day, your music will be recognized

  • The best version I've ever heard...really... for me, this is just wonderful...

    The tempo... the pedal... the crescendos... the use of rubato... and clear "speaking" mind within the interpretation... just wonderful!!!!!

    All my best wishes for you and your beautiful talent!!!!

    a little admiring musician =)

  • light and beautiful as snowflakes. a transportative performance.

  • This is so beautifully played. I love it.

  • Ну и кантилена у Вас, господин truecrypt!!!!! Примите моё уважение и мою благодарность за ваше прекрасное исполнение!!!!!

  • Спасибо! Thank you!

  • i love your playing, but my opinion is that you must play chopin more musical, more piano, creshendo, because it is chopin.

    where did you study in conservatory? in georgia or in france?

  • Dear Giorgi,

    I studied in Moscow, but it was a long time ago.

    This how I know many Georgian pianists - most of them studied in Moscow too, including Nodar Gabunia, Gizi Amiredjibi, Alex Nijaradze and many others... Georgian piano school in many ways was formed under the influence of Russian musicians - Neuhaus, Goldenweiser,Oborin, Ioheles, Feinberg, Zak have taught several generations of famous Georian pianists.

    As for Nocturne here - next time I'll try to do better! ;)

  • do you know sasha korsantias mother?

  • This is really Amazing....and great!!!!

  • Amazing singing tone that just leaves me breathless.

  • I have spent this evening listening to many recorded versions of this piece by the likes of Backhaus, Godowsky, Sofronistsky, Lang Lang, Byron Janis, Gabriela Montero, Soloman and numerous others. Yours is up there with the best Truecrypt. I read somewhere that you consider Argerich to be a massive talent, but Richter to be a true genius. Which other pianists would you classify as geniuses? Please say as I very much respect your opinions and would like to hone my own critical abilities.

  • It's difficult to summarize all properties/requirements for a *genius* in piano performance... Still I would consider such as "global impact" on piano history, width of repertoire, lasting artistic impression, unique technical abilities. Please add to this list...Despite of a "gray area", I think such giants as Hofmann, Rachmaninoff, Richter, Gould, Michelangeli are indisputable geniuses. Again, I hate to categorize, but sometimes I'm forced to do so in sake of argumentation.

  • Such a great singing tone! What piano do you play on?

  • This performance is touch the my heart every time I  hear it.

  • I agree with you, messiaen2000. You know, I didn't sleep all night after I heard truecrypt's recordings! (I was busy comparing with recordings by famous pianists to see which one of he might be!) :-D Anyway, if he thinks he "didn't make it", it is HIS (incorrect) idea. Commentators don't seem to agree do they?

  • I must say... after listening to this almost 8 months ago, I still find this recording great.

    This kind of cantabile is very hard, if not impossible to achieve.

  • This is a musical performance!

    Thank you.☆☆☆☆☆

  • Félicitations : une très belle main gauche !!

  • Teach me!

  • I'm well trained but *really* an unknown one! ;)

  • I knew and still know many great pianists and only few of them actually smoke. I don't smoke though I did a bit many years ago to "look cool" ;)

    I don't perform publicly any more... just occasionally for charities or in a circle of friends.

  • great tone! i think you've just got a new fan, haha!

  • Ahh...a beauty!

  • You always did keep your playing "alive" no matter what piece it was Andre.

  • diar truecrypt,once again you have done a wonderfull job here.i won't overeact by saying that this is my favourite,but still it is a one that i would love to have on a cd with me. very intresting,with emotional depth,not just easy going melody,wich i hate on chopins music by some other ''proffesional'' pianist and that has nothing to do with chopin after all. so thank you once again,and for replying to my messages to.

  • You are welcome......and thanks for your reply.

  • Beautiful - thank you.

  • This is lovely in both conception and execution. Bravo to you!

  • Amazing. It's perfect!

    You didn't seem to miss notes.

    That kind of playing is not the "cold-hands" playing.

    Please record more, if you wouldn't mind.

  • TC is very talented.

  • I played this piece on my second doctoral recital at a conservatory. You play it so much more beautifully than I did!! I'm surprised when you say you didn't make it. You are quite possibly my favorite pianist now, along with Murray Perahia and Martha Argerich. Do you play any Bach? I would love to hear it!

  • Pollini is legend Truecrypt is future!

    Thanhk you for this amazing performance!

  • I have no need to search for other interpretations of Chopin.

  • truecrypt, This is playing of the highest order!

    You put Gavrilov to shame! Just perfect I say.

  • Just don't tell Gavrilov about it! ;)

  • well isn t that ironic.lollll. perhaps . gavrilov s endevour to change is one of his greatest assets. and I think Richter saw in him much greatness because of this. to just have arrived is useless but to journey is beautiful. I think this actually could be gavrilov.

  • superb stuff! It's great to hear the middle parts being properly voiced through the texture when they hold the primary line.

  • Wow! Do you perform in public? This is refined, and you make it all your's I think. It was a pleasure listening. Thank you truecrypt.

  • about a year-two ago...

  • I said below about waltz no 3. it is one of my favourite pieces by Chopin, and i have lot's of recordings of this waltz, but i don't like any of them particularly, majorly because some are performed too playfully, i think that it should be played more nocturne-like. Have you ever recorded it? if so please upload it. I really think that you would do justice with this piece. success again

  • by the way, i wonder, who is your favourite chopin performer?

  • Too many to list... Probably the most influential would be Hofmann, Sofronitsky, Oborin, Rubinstein, Richter, Neuhaus (both father and son).

  • You are too modest. I LOVE this performance, and the piano's not too bad either. I am intersted to hear your reasons for likeing Hofmann's Chopin. I do also but so many reject his playing. I think that his is extraordinarily imaginative playing.

  • Rachmaninoff said: "Kreisler is considered the best violinist. After him, or rather alongside him, comes Jascha Heifetz. The best pianist, I daresay, is still Hofmann, but on the condition that he's in the mood, or 'in form'."

    As for those who "reject" his playing, let them enjoy "better" performances ;)

    P.S. Thank you for compliment!

  • though i am not a proffesional pianist, am just an amateur, i found your playing very exquisite and not mechanical, it is really gorgeous. just awesome, and thanks for sharing these videos of rosenthals and others, it so kind of you, you have great touch by the way, i always think listening to your playing that you are soomebody really from chopins era :d. great job. why not try to record waltz no3 or no 7? it would be great, hope that you love them too. regards

  • Gamarjobat, ika;

    Thank you for kind words! BTW I owe quite a lot to Georgian piano school!

  • When i was studying piano at my school, i didn't like it very much, though i have never been given chopin to play ;). after i discovered chopin's music, i have become really influenced by him and began to love playing piano, i studied lot's of Chopins works myself. i have listened to this recording by lippati, pollini, rubinstein, argerich, ida chernicka, schmalfuss, but truely i found yours the best. I think that it is due to the colour of the tone you produce. and of course great tecnique

  • really, and what particularly? gamarjoba :)

  • S P L E N D I D.

    You are a boldly soulful pianist with a sparkling expressive style, who conveys great sensitivity through your playing.

    What attracts me is the feel of your zeal that surrounds your playing- as it is, like the feel of a burning fuse... while you know the gentle art of arousing expectations,

    you make no effort in revealing your true identity. Where there are reasons for it, these reasons are not what win over such tinderbox of unseen genius.

  • thank you, thank you!

    You know, compliments (even if undeserved as in this case) always find the way to performer's heart! It's not exactly true when performers say they don't care about people's opinion... I agree with you - playing reveals one's true identity!

  • Great playing style and wonderful rendition

    of this masterwork. Bravo!

  • Oh? So this is you playing? You´re a true master! (one of the best renditions I´ve heard.) So why don´t you do any recordings? (CD:s I mean.) And why can´t we SEE you? (we have become very curious.) (anonymous masters are RARE.) Are you some sort of "new David Helfgott"? (or perhaps some very famous pianist wanting to be anymous for a while.) (I still don´t like Sofronitsky, though. I think YOU are better!) Haha now I surprised you! (I have very good ears. Right?)

  • Thank you!

    I'm not an active performer. I'm one of those who "didn't make it" and have no bitter feelings about it.

    2 reasons to stay anonymous:

    1. I'm not after any kind of fame - on other hand this is my answer to the most common argument - "can you play yourself"?

    2. There are many evil, perverted and simply sick people... I treasure my privacy!

    3. I'm sure you'll change your mind on Sofronitsky after listening him more.

    And, of course, there is no way I'm better than him! ;)

  • I don't comment very often because, at 70yo, I'm just learning to type, and it's a very slow process. But I have to tell you: I have played this piece for nearly 50 years, and as you might imagine, it has become very personal to me. In all this time, I can probably count on the fingers of one hand the performances of it I truly love (or even merely like). Cortot's is one, yours is another. Your playing has truly moved me, and that's not easy to do.

    Thank you, my friend.--Stuart

  • Thank you, Stuart!

    I'm really touched by your comment!

    ... and humbled too!

  • This is so beautiful! I've listened to it many times. Thank you truecrypt for posting your own work! - to me this piece alone is a greater gift than should you upload the whole of your record collection.

  • !! deep musicality and sensitivity, georgeous phrasing : youtube brings many suprises...

    Did you study piano in Russia, dear anonymous pianist?

  • Thank you, bhairava2;

    Yes, I studied in Russia (then the Soviet Union) and had a privilege to be around the very best musicians...

  • i am happy to see that the spirit of the golden age still lives among us. thank you for this wonderful rendition

  • I would much rather listen to this anyday then the sterile performance of this work by Pollini.

    Your playing is atmospheric and takes the listener away on a journey.....that stands for far more.

    Didn't notice missed note and thought the

    overall sound of the piano and recording quality excellent.....much better then some

    high flying pro recordings with their added

    'electronic ambience'

  • beautifully played

  • I guess I've just lost a comment I wrote... so here we go again. Please do not mention missed notes or cold fingers - the performance is about the whole experience. I've seen note chasers here on youtube... either they are emotionally handicapped or they understand very little about the forest because of the trees.

    Thanks for posting all this.

  • Bravo!!!

  • Now if only this Ultimate Concert Hall had a better sound quality...

  • Thank you ALL for nice words!

    Again, it's not about myself but more about performers I deeply respect and love. My only goal with self-posting was to establish a bit of credibility - I'm embarrassed by comments like "who are you?" or "can you play yourself?"

    I will gladly post some of my recordings later but meanwhile please enjoy and discuss great pianists here. BTW when Heuhaus was asked who is better - Richter or Sofronitsky - he replied: "Both are BETTER!"

  • One should play as if one is in the century of the composition. Ideally all Chopin should be played on the fortepiano. See Ax - Chopin concerto No. 1. Period fortepiano - magnificent!!! With the exception of a few missed notes this is a truly outstanding performance. Five stars all the way - composer and pianist.

  • Virtuosity in the long forgotten tradition of the golden age of playing the piano. Perfect balance, inflection & profound understanding of rubato. The Italian Pollini could learn something about tempo and aristocratic taste from this recording.

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